hazlitt don (11 Ergebnisse)

Zustand: Very Good. Very Good condition. Very Good dust jacket. In protective mylar cover. A copy that may have a few cosmetic defects. May also contain light spine creasing or a few markings such as an owner's name, short gifter's inscription or light stamp.

Zustand: Good. Good condition. Good dust jacket. A copy that has been read but remains intact. May contain markings such as bookplates, stamps, limited notes and highlighting, or a few light stains.

Zustand: Very Good. 1st. Used book that is in excellent condition. May show signs of wear or have minor defects.

Hardcover. Zustand: Good. No Jacket. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.

Hardcover. Zustand: Very Good. No Jacket. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.

Hardcover. Zustand: Very Good. No Jacket. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.

hardcover. Zustand: As New. Zustand des Schutzumschlags: Very Good. First Edition. New York, 1996; black cloth covered boards; mild shelf wear; glossy illustrated jacket with edge wear; 8vo, 7 3/4" to 9 3/4" tall; interior is clean and unmarked; 244 pages.

hardcover. Zustand: Near Fine. Excellent, unmarked copy with little wear and tight binding. We ship in recyclable American-made mailers. 100% money-back guarantee on all orders.

hardcover. Zustand: very good(+). Zustand des Schutzumschlags: very good(+). HAZLITT, Don (illustrator). Illustrated in black and white. xi, 244 pages. 8vo, two-toned boards with white lettering, d.w. (lightly edgeworn). New York: Barnes & Noble Books, (1996). Bumped at tail, otherwise a very good(+) copy in a very good(+) dust wrapper.

[64] pp.; 21 x 27.8 cm.; staple bound; black-and-white; edition size unknown; unsigned and unnumbered; offset-printed Catalogue documenting a project organized by artist Russell Maltz in which he invited 30 artists to make work within an empty swimming pool located adjacent to the Art Center at C.W. Post College in Greenvale, Long Island, between September 1976 - December 1979. Introduction by Nancy Hoyt. Artists include Russell Maltz, Don Leicht, Ted Stamm, Don Hazlitt, Frank Young, Ann Bar-Tur, Kochi Doktori, Wopo Holup, Lucio Pozzi, Nancy Burson, Roberta Allen, David Knoebel, John Feckner, Elizabeth Dugdale, John Mastracchio, Elisa D'Arrigo, Jane Handzel, Ruth Hardinger, Jon Colburn, Jim Clark, Massimo Pierucci, Peter Downsbrough, William Voorhest, Alfred Larson, Tony King, Susanne Mahlmeister, Kevin Clarke, Julius Tobias, Judith Murray, Reinard Gfeller, Robert Yasuda, and Abby Robinson. Very Good. SIGNED and inscribed by Russell Maltz in blue ink on inside of verso. Rubbing of spine with 3 mm. surface tear and 2.5 cm. of surface loss. 1 cm. area of soiling to recto with light discoloration of covers. 7.5 cm. bend to lower right corner of first page with additional very light handling wear. Contents clean and unmarked.

Broschiert. Zustand: Sehr gut. 60 S. mit Abb. Gebraucht, aber gut erhalten. - Artist's Statement Jan 14, 1982 / The works in this exhibition and catalog cover the years 1975 to 1982. This seven year period begins just one year after my arrival in New York City. I mention this because I believe this environmental change from California to be significant in spurring a deeper investigation of my sources and beginnings. Looking back I see one of the most important periods in the development of my artistic vision to have occured about twelve years ago, when I was a student in California. I was them living in a small unattractive room, containing a bed, table and a chair (my cell). This room was in a cheap student housing project filled with perverts, post-hippie junkies and poor students, I being the later, of course. These close grim surroundings drove me indoors into the process of drawing. The images in these small drawings have remained in my works ever since. Such images as : planes, trains, rockets, elephants and cows. Another force at work on me in that small room was the recent death of my father and the isolation that it brought. This loss coupled with my low-life environment brought together my first brush with the myth of the romantic artist (survival). Romance does play a part in my work especially with these very early personal drawings. The early drawings from 1970 have an adolescent quality, using sexual fantasy as their themes and exploring it through the use of animals such as : elephants and cows. The erotic edge in these drawings started to create a type of confrontation and humor that has carried through the works since that time. Several years later (1971-1973) while I was a graduate student in Sacramento I started working on a series of large paper collage paintings. These material orientated paintings were dealing again with confrontation in their size and later in their color and configuration. Sprache: Deutsch Gewicht in Gramm: 550.