Hauptmann edward (12 Ergebnisse)

Paperback. Zustand: Good. No Jacket. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.

Hardcover. Zustand: Good. No Jacket. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.

Hardcover. Zustand: Good. No Jacket. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.

Zustand: Good. 4 Edition. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Zustand: Very Good. Former library copy. Pages intact with possible writing/highlighting. Binding strong with minor wear. Dust jackets/supplements may not be included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Zustand: Good. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Zustand: New. In English.

Zustand: New. In English.

Soft cover. Zustand: Near Fine. No Jacket. 1989. Macmillan, New York, 1989. Pictorial soft cover. Book condition : Near fine, like new, appears unread. No-Notations. Heavy book may incur extra postage. Book will be sent by UK postal service. Bookseller Inventory #S013510. N/A (illustrator). N/A.

Zustand: New.

Gebunden. Zustand: New.

Zustand: Good+. Vellum. Folio. Printed by Edition Leipzig, Leipzig, Germany. 1967. 202 pgs. 74 woodcut illustrations by Edward Gordon Craig, typography designed by Edward Johnston, printed in red and black in double column. 16 page pamphlet also written in German in rear pocket is present and in nice condition. Facsimile Edition of the original edition of 1929. Issued in a paper slipcase. Slipcase is chipped and worn to the extremities. Bound in 1/2 vellum boards with titles present to the spine and front board. Boards have light shelf-wear present to the extremities. No ownership marks present. Text printed in red and black on pale cream laid paper, Text is clean and free of marks. Binding tight and solid. This is one of the most beautiful books of the inter-war period, both typographically and in terms of the exquisite illustration, which was conceived by Gordon Craig, who had recently designed a set for the play for the Moscow State Theater. The inspiration for the woodcuts were the wooden stage models that Craig had prepared for that production. The marriage between the illustration and Kessler's typography is as near perfect as in any printed book I know. The work was released in 1929 in a translation by Gerhart Hauptmann. The upper case title letters designed in woodcut were produced by graphic designer and typographer Eric Gill (1882-1940). The printed text in red and black is in a font that was designed especially for this work, the Hamlet Fraktur, which was developed by font artist Edward Johnston (1872-1944). The woodcuts are based on the designs and figurines for stage sets by the director, actor and graphic designer Edward Gordon Craig (1872-1966) , who used them here for the purposes of book art. ; 8vo 8" - 9" tall.…