Haskell molly (167 Ergebnisse)

Zustand: Good. Item in good condition. Textbooks may not include supplemental items i.e. CDs, access codes etc.

Zustand: Very Good. Item in very good condition! Textbooks may not include supplemental items i.e. CDs, access codes etc.

Paperback. Zustand: Good. How and why has the saga of Scarlett O'Hara kept such a tenacious hold on the American imagination for almost three-quarters of a century? Sensitive to the ways in which history and cinema intersect, the author reminds us why these characters, so riveting to Depression audiences, continue to fascinate seventy years later.…

Paperback. Zustand: Fair. How and why has the saga of Scarlett O'Hara kept such a tenacious hold on the American imagination for almost three-quarters of a century? Sensitive to the ways in which history and cinema intersect, the author reminds us why these characters, so riveting to Depression audiences, continue to fascinate seventy years later.…

Hardback. Zustand: Good. How and why has the saga of Scarlett O'Hara kept such a tenacious hold on our national imagination for almost three-quarters of a century? In the first book ever to deal simultaneously with Margaret Mitchell's beloved novel and David Selznick's spectacular film version of "Gone with the Wind", film critic Molly Haskell seeks the answers. By all industry predictions, the film should never have worked. What makes it work so amazingly well are the fascinating and uncompromising personalities that Haskell dissects here: Margaret Mitchell, David Selznick, and Vivien Leigh. As a feminist and onetime Southern adolescent, Haskell understands how the story takes on different shades of meaning according to the age and eye of the beholder. She explores how it has kept its edge because of Margaret Mitchell's (and our) ambivalence about Scarlett and because of the complex racial and sexual attitudes embedded in a story that at one time or another has offended almost everyone.Haskell imaginatively weaves together disparate strands, conducting her story as her own inner debate between enchantment and disenchantment. Sensitive to the ways in which history and cinema intersect, she reminds us why these characters, so riveting to Depression audiences, continue to fascinate seventy years later.…

Hardback. Zustand: Fair. Molly Haskell, one of America's leading film critics, has been delighting readers for decades with her intelligence and insight. Her landmark book, From Reverence to Rape: The Treatment of Women in the Movies, praised for its wit and style and called a valuable contribution to film scholarship, is still considered among the most stimulating and important books on the subject of women and film. In Holding My Own in No Man's Land, a series of pieces written in the twenty years since the publication of From Reverence to Rape, Haskell once again explores the relationship between women and men, and between the movies and those who watch them. Haskell remains a controversial figure in both feminist and film circles, accused of uncritically celebrating heterosexual romance--a charge to which Haskell cheerfully pleads guilty. Holding My Own In No Man's Land challenges the conventional feminist wisdom that the classic films of the Thirties, Forties, and Fifties were made by a male-dominated industry which reduced women to objects of the male gaze. Instead, she says that women were better served by the notoriously tyrannical studio system than they are in the newer, freer, hipper Hollywood of the present. A fascinating interview with Doris Day points out that, despite her current image as a symbol of all that was repressive about the suburban Fifties, she played a series of roles as--and was herself--a successful career woman who worked because she enjoyed it. In another perceptive portrait, Haskell describes the mesmerizing power the sultry, self-parodying sex symbol Mae West had on screen, and the financial clout she had off screen. And she writes about Howard Hawks's screwball comedies, such as His Girl Friday and Man's Favorite Sport from the Thirties, where assertive women were equal to men, and more than held their own in the battle of the sexes. Holding My Own in No Man's Land ranges from interviews with Hollywood legends such as Gloria Swanson and John Wayne, to celebrations of the comic verve of Lucille Ball and Carol Burnett, to ruminations on literary figures such as Truman Capote and his Holly Golightly, and Jane Austen's Emma. We learn that the cleaning woman of The Carol Burnett Show logo was a reminder of the days when Burnett and her grandmother, out of spoons and relief money, worked nights as cleaning women in the Warner executive offices. We see Meryl Streep hiding in the spotlight in a refreshingly skeptical analysis of Streep's determination to be an actress rather than a star. Finally, Haskell closes with a wickedly funny section on recent fashion and style, including pieces on Lipstick Envy and Nude With Attitude. Haskell describes Holding My Own in No Man's Land as a kind of continuing set of ruminations, encounters, insights, and images of people and characters who have had an influence on our lives. With wit and style she illuminates the hopes and fears we project onto these larger-than-life figures-- the grand dames, the stoic heroes, the dueling couples--and the lessons we learned from them about how to fall in love, how to act as adults, and how to live in this complex world.…

Zustand: Good. Item in good condition. Textbooks may not include supplemental items i.e. CDs, access codes etc.

Hardcover. Zustand: Very Good. F First Edition. With dust jacket. It's a well-cared-for item that has seen limited use. The item may show minor signs of wear. All the text is legible, with all pages included. It may have slight markings and/or highlighting.

Paperback. Zustand: Very Good. Illustrated. It's a well-cared-for item that has seen limited use. The item may show minor signs of wear. All the text is legible, with all pages included. It may have slight markings and/or highlighting.

Hardcover. Zustand: Very Good. With dust jacket. It's a well-cared-for item that has seen limited use. The item may show minor signs of wear. All the text is legible, with all pages included. It may have slight markings and/or highlighting.

Hardcover. Zustand: Fair. First Edition. The item might be beaten up but readable. May contain markings or highlighting, as well as stains, bent corners, or any other major defect, but the text is not obscured in any way.

Paperback. Zustand: Very Good. Reprint. It's a well-cared-for item that has seen limited use. The item may show minor signs of wear. All the text is legible, with all pages included. It may have slight markings and/or highlighting.

Paperback. Zustand: Very Good. A feminist film critic's thoughtful, outspoken memoir about transgender and family On a visit to New York, the brother of well-known film critic Molly Haskell dropped a bombshell: Nearing age sixty, and married, he had decided to undergo sugery to become a woman. In the vein of Jan Morris's classic Conundrum and Jennifer Finney Boylan's She's Not There, a transgender memoir, Haskell's My Brother My Sister gracefully explores a delicate subject, this time from the perspective of a family member. Haskell chronicles her brother Chevey's transformation through a series of psychological evaluations, grueling surgeries, drug regimens, and comportment and fashion lessons as he becomes Ellen. Despite Haskell's liberal views on gender roles, she was dumbfounded by her brother's decision. With candor and compassion, she charts not only her brother's journey to becoming her sister, but also her own path from shock, confusion, embarrassment, and devastation to acceptance, empathy, and the pleasure of having a sister. Haskell widens the lens on her brother's story to include scientific and psychoanalytic views. In an honest, informed voice, she has revealed the controversial world of gender reassignment and transsexuals from both a personal and a social perspective in this frank and moving memoir.…

Paperback. Zustand: Good. A feminist film critic's thoughtful, outspoken memoir about transgender and family On a visit to New York, the brother of well-known film critic Molly Haskell dropped a bombshell: Nearing age sixty, and married, he had decided to undergo sugery to become a woman. In the vein of Jan Morris's classic Conundrum and Jennifer Finney Boylan's She's Not There, a transgender memoir, Haskell's My Brother My Sister gracefully explores a delicate subject, this time from the perspective of a family member. Haskell chronicles her brother Chevey's transformation through a series of psychological evaluations, grueling surgeries, drug regimens, and comportment and fashion lessons as he becomes Ellen. Despite Haskell's liberal views on gender roles, she was dumbfounded by her brother's decision. With candor and compassion, she charts not only her brother's journey to becoming her sister, but also her own path from shock, confusion, embarrassment, and devastation to acceptance, empathy, and the pleasure of having a sister. Haskell widens the lens on her brother's story to include scientific and psychoanalytic views. In an honest, informed voice, she has revealed the controversial world of gender reassignment and transsexuals from both a personal and a social perspective in this frank and moving memoir.…

Hardcover. Zustand: Fair. First Edition. With dust jacket. The item might be beaten up but readable. May contain markings or highlighting, as well as stains, bent corners, or any other major defect, but the text is not obscured in any way.

Paperback. Zustand: Good. A film-centric portrait of the extraordinarily gifted movie director whose decades-long influence on American popular culture is unprecedented ?Everything about me is in my films,? Steven Spielberg has said. Taking this as a key to understanding the hugely successful moviemaker, Molly Haskell explores the full range of Spielberg?s works for the light they shine upon the man himself. Through such powerhouse hits as Close Encounters of the Third Kind, E.T., Jurassic Park, and Indiana Jones, to lesser-known masterworks like A.I. and Empire of the Sun, to the haunting Schindler?s List, Haskell shows how Spielberg?s uniquely evocative filmmaking and story-telling reveal the many ways in which his life, work, and times are entwined.   Organizing chapters around specific films, the distinguished critic discusses how Spielberg?s childhood in non-Jewish suburbs, his parents? traumatic divorce, his return to Judaism upon his son?s birth, and other events echo in his work. She offers a brilliant portrait of the extraordinary director?a fearful boy living through his imagination who grew into a man whose openness, generosity of spirit, and creativity have enchanted audiences for more than 40 years.…

Paperback. Zustand: Good. For this edition of her classic study of the feminine role in film, Molly Haskell has written a new chapter addressing recent developments in the appearance and perception of women in the movies. An incisive, exceedingly thoughtful look at the distorted lens through which Hollywood has historically viewed women. It is a valuable contribution not just of film criticism but to a society in which the vital role of women is just beginning to emerge.-Christian Science Monitor Haskell is interested in women-how they are used in movies, how they use movies, and how the parts they play function as projections and verifications of our myths about women's lot and woman's psyche and even, lately, women's lib.-Jane Kramer, Village Voice In examining the goddesses worshipped by an entire nation, Molly Haskell reveals a good deal about our national character and our most cherished sexual myths. . . . Concerned with the deeply ingrained belief of women's inferiority, she analyzes movies as a social product as well as a social arbiter, and she effectively demonstrates how women are encouraged to impose limitations on themselves by fashioning those selves after flickering shadows in a darkened auditorium-sexual creatures who possess neither ability nor ambition beyond their bodies. . . . Both as an examination of film and as sociology, From Reverence to Rape is excellent.-Harriet Kriegel, The Nation.…

Hardcover. Zustand: Very Good. No Jacket. Former library book; May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.

Paperback. Zustand: Very Good. No Jacket. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.

Hardcover. Zustand: Very Good. No Jacket. Former library book; May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.

Paperback. Zustand: Very Good. Second. It's a well-cared-for item that has seen limited use. The item may show minor signs of wear. All the text is legible, with all pages included. It may have slight markings and/or highlighting.

Hardback. Zustand: Good. A film-centric portrait of the extraordinarily gifted movie director whose decades-long influence on American popular culture is unprecedented.

Hardcover. Zustand: Very Good. No Jacket. Missing dust jacket; May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.

Hardcover. Zustand: Good. No Jacket. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.

Paperback. Zustand: Very Good. No Jacket. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.

Hardcover. Zustand: Good. No Jacket. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.

Hardcover. Zustand: Good. No Jacket. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.

Paperback. Zustand: As New. No Jacket. Pages are clean and are not marred by notes or folds of any kind. ~ ThriftBooks: Read More, Spend Less.

Paperback. Zustand: Very Good. No Jacket. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.

Hardcover. Zustand: Very Good. No Jacket. Former library book; May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.