harry kleiner (26 Ergebnisse)

Paperback. Zustand: Good. minor wear.

Hardcover. Zustand: Good. No Jacket. Missing dust jacket; Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.

Hardcover. Zustand: Good. No Jacket. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.

Hardcover. Zustand: Fair. No Jacket. Missing dust jacket; Readable copy. Pages may have considerable notes/highlighting. ~ ThriftBooks: Read More, Spend Less.

Unknown. Zustand: Fair. No Jacket. Readable copy. Pages may have considerable notes/highlighting. ~ ThriftBooks: Read More, Spend Less.

Unknown. Zustand: Good. No Jacket. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.

Unknown. Zustand: Good. No Jacket. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.

hardcover. Zustand: Gut. 512 Seiten; Ge296,3 Sprache: Deutsch Gewicht in Gramm: 500.

Vintage studio still photograph from the 1988 film, showing actress Gina Gershon. A Soviet policeman is sent to America to retrieve a Georgian drug lord, and is forced to work with a cocky Chicago police detective on the case. Set and shot on location in Chicago and Moscow. 10 x 8 inches. Near Fine.

Zustand: Brand New. 512 pages. German language. 4.69x1.34x7.40 inches. In Stock.

Vintage studio still photograph from the 1961 film. A courtroom drama based on the 1959 novel by William Pearson, who also co-wrote the screenplay, about a high-profile murder case. The film debut of Carroll O'Connor. 10 x 8 inches. Near Fine.

paperback. Zustand: Wie neu. 512 Seiten; Zustand geprÃft. neuwertig und ungelesen TB 153175 Sprache: Deutsch Gewicht in Gramm: 500.

paperback. Zustand: Wie neu. 512 Seiten; Zustand geprÃft. neuwertig und ungelesen TB 152856 Sprache: Deutsch Gewicht in Gramm: 500.

Zustand: Sehr gut. 1. Auflage. 512 S. Mit altersbedingten Lager- und Gebrauchsspuren. E-K79 Sprache: Deutsch Gewicht in Gramm: 888 Gebundene Ausgabe, Maße: 16.2 cm x 4.1 cm x 23.3 cm.

Vintage photograph of script supervisor Frances McDowell, actor Aldo Ray, and director Curtis Bernhardt on the set of the 1953 film. Mimeo snipe and studio stamps on the verso. Sadie Thompson (Rita Hayworth) is stranded on a military outpost in American Samoa where the Marines take an interest in her, particularly the self righteous and proselytizing Mr. Davidson (Jose Ferrer) who tries to save Miss Thompson's soul after learning she worked as a bar girl in Hawaii. The film was shot as a 3-D production, though by the time of the film's release the frenzy around 3D films had died down and after a two week run the technology was dropped and the film was screened "flat." The story had to be reworked to meet Hays Code standards in its handling of scandalous themes, this reworking gave way to the films musical numbers, brought in to revive the now tamed down story. The film's "Sadie Thompson's Song (Blue Pacific Blues)" was nominated for the Academy Award for Best Original Song. Shot on location in Kaua'i, Hawaii. 8 x 10 inches. Near Fine.

Zustand: Gut - gebraucht. Gebundene Ausgabe Guter Zustand, ohne Namenseintrag sauber, ohne Schutzumschlag. Die Kulturfreunde Eriskirch e.V. präsentieren zu ihrem 10jährigen Bestehen den I. Band Erinnerungen Eriskirch-Mariabrunn. Erzählungen, Beschreibungen, Zeitgeschichtliche Bilddokumente bis Mitte der 50-er Jahre Zustand: 3, Gut - gebraucht, Gebundene Ausgabe Die Kulturfreunde Eriskirch e.V. , 1998 , Die Kulturfreunde Eriskirch e.V. präsentieren zu ihrem 10jährigen Bestehen den I. Band Erinnerungen Eriskirch-Mariabrunn. Erzählungen, Beschreibungen, Zeitgeschichtliche Bilddokumente bis Mitte der 50-er Jahre, Harry Kleiner, , BU380413.

Leineneinband. Zustand: Wie neu. Auflage aus dem Buch nicht ersichtlich. 167 Seiten Top Zustand. Das Buch wurde regulär iim Buchhandel verkauft, aber nie gelesen und bei einer Haushaltsauflösung verwertet. Rik040432 Sprache: Deutsch Gewicht in Gramm: 300.

Third Revised Final Draft script for the 1953 film with rainbow revisions. Specially bound copy belonging to producer Jerry Wald, with his name in gilt on the spine. Jerry Wald is best remembered for his long and successful association with Warner Brothers as both a screenwriter and producer of a number of notable films, including "Mildred Pierce" (1945), "Humoresque" (1946), "Key Largo" (1948), and "Flamingo Road" (1949). In the 1950s he moved to Twentieth Century-Fox, and was the producer there for "An Affair to Remember" (1957), "Peyton Place" (1957), and "Sons and Lovers" (1960). Based on W. Somerset Maugham's 1921 short story, "Miss Thompson," wherein a Christian missionary makes the salvation of a Hawaiian nightclub singer his personal project. Set and shot on location in Kauai, Hawaii. Bound in light blue cloth with navy quarter leather binding, with five raised bands and gilt titles on the spine. Title page present, dated March 31, 1953, noted as THIRD REVISED FINAL DRAFT, with credits for screenwriter Harry Kleiner. 131 leaves, with last page of text numbered 123. Mimeograph duplication, rectos only, with blue, yellow, pink, teal, goldenrod, and white revision pages throughout, dated variously between April 3, 1953 and June 5, 1953. Pages Near FIne, binding Near Fine.

Softcover. Zustand: Near Fine. Shooting final, dated "January 26, 1955." Quarto. 98pp., with some additional lettered pages. Titled continuous card wrapper rubberstamped with internal brad binding and white and blue pages. Very good or better with typical wear to the yapped edges and bumping at the corners; internal pages fine but for first page, distribution page which is missing its receipt and has some edgewear. The shooting script for the 1955 film noir *House of Bamboo*, directed by Sam Fuller and starring Robert Stack, as an undercover agent for the U.S. government who infatuates a gang of dishonorably discharged vet in post-war Japanese. The film was notable for being shot on location in Japan.

Vintage double weight photograph from the set of the 1960 film. Manuscript annotations on the verso. Based on the 1958 novel of the same name by Edna Ferber. A story about two rival settlers on Alaska's frontier after World War I. Shot on location in Petersburg, Alaska. 10 x 8 inches. Near Fine.

Vintage studio still photograph from the 1948 film noir. Annotations in manuscript pencil on the verso. One of the first "shot on location" noir films of the 1940s, and a standout. An undercover FBI agent infiltrates the mob, but his life is in danger as a mysterious insider informs the gang of his activities. Shot on location in California, Washington, DC, and Virginia. 10 x 8 inches. Very Good plus. Grant US. Selby US Canon. Silver and Ward Classic Noir. Spicer US.

Vintage reference photograph from the 1954 film, showing actors Dorothy Dandridge and Harry Belafonte talking with Robert Mitchum and director Otto Preminger. Loosely based on the 1943 musical, an all-Black stage adaptation of Bizet's 1875 opera "Carmen," which was in turn based on Henri Meilhac and Ludovic Halevy's 1845 novella. A parachute factory worker has a reputation for promiscuous behavior, but finds herself obsessed with the one man she cannot have: Joe, an engaged army officer. Set in North Carolina. 10 x 8 inches. Near Fine. National Film Registry. BFI 611.

Vintage reference photograph of Rita Hayworth and Stewart Granger, with director William Dieterle and crew, from the set of the 1953 film. Mimeo snipe on verso. Columbia Pictures highly fictionalized and flamboyant Technicolor Biblical epic, now considered a camp classic, wherein Princess Salome (Hayworth), daughter of King Herod (a deliciously lecherous Charles Laughton), returns home from banishment and falls in love with Roman Commander Claudius (Granger) , but is maliciously used by her evil mother, Queen Herodias (Judith Anderson), to insure the execution of her critic, John the Baptist (Alan Badel). Shot on location in Israel. 10.25 x 8 inches. Very Good plus, with creasing and two small closed tears to right margin.

Vintage oversize borderless reference photograph of director Lee H. Katzin and actors Steve McQueen and Elga Andersen on the set of the 1971 film. With manuscript ink annotations on the verso. McQueen stars as a racing driver competing in Le Mans one year after an accident killed a fellow racer, one which both the racer's widow and others feel McQueen is partially responsible for. A passion project for McQueen, originally developed with director John Sturges, who left the project after the sale of Warner Brothers to Kinney National Services forced them to move to National General Pictures. Filmed on location in Le Mans, France, including during the running of the 1970 24 Hours of Le Mans race. 11.5 x 9 inches. Very Good plus, with light wear to the top and bottom edges.

Vintage one sheet poster for the 1968 film. Based on the 1963 novel, "Mute Witness" by Robert Pike, easily one of Steve McQueen's most minimal performances, and one of the best examples of location shooting ever made. A key crime film, complex and unsentimental, that set the bar for many action and crime films that would follow. Shot on location in San Francisco. 27 x 41 inches. Folded as issued. Very Good plus. National Film Registry. Grant US. Penzler 101.

Vintage concept artwork for the 1968 film. A striking two-color op-art design by uncredited artist Norbert Jobst, who had previously worked in title design for the 1967 film "Games." The dimensions of the artwork suggests it was designed for a pressbook or film program. Mounted and laminated, and stamped with a "PermaPlaque, Hollywood" logo on the verso. Based on Robert Pike's 1963 novel "Mute Witness." Easily one of Steve McQueen's most minimal performances, and one of the best examples of location shooting ever made. A key crime film, complex and unsentimental, that set the bar for those that would follow. Shot on location in San Francisco. Artwork, 18.5 x 12 inches mounted and laminated onto a 21 x 14.5 inch wooden plaque. Lightly rubbed else Near Fine, with a tiny chip on the bottom edge. National Film Registry. Grant US. Penzler 101.