harrison robert ian (13 Ergebnisse)

SPL. Zustand: New. New Book. Shipped from UK. Established seller since 2000.

Paperback. Zustand: Good. The book has been read but remains in clean condition. All pages are intact and the cover is intact. Some minor wear to the spine.

Paperback. Zustand: Very Good. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.

Softcover. Zustand: Near Fine. Magazine. Octavo. 160pp. Fine in perfectbound wrappers. British literary magazine that includes contributions from Alan Ross, John Mellors, Ian Robinson, Allan Massie, David Pownall, R.A. Light, William Gogor-Smith, Tony Harrison, Hugo Williams, William Peskett, Peter Porter, John Lehmann, Lionel Brett, Robert Nye, Gavin Ewart, Robert Conquest, Deborah Tall, Daniel Hoffman, Homer Sykes, Claud Cockburn, Reg Gadney, R.R. Milner-Gulland, William Feaver, Nora Sayre, Alan Seymour, Julian Symons, Gavin Ewart, Tony Harrison, Patric Dickinson, Martin Green, Allan Massie, Herbert Lomas, and Anthony Dickins.

DVD. Zustand: F. As new in shrinkwrap. Special Edition 3-Disc DVD Set ; Special Edition, Director's Cut; DVD;

Zustand: Fine. Michael Bracewell, Robert Hall, Michael Harrison, Ian Hunt and Sotiris Kyriacou, Tim Head: Raw Material, Huddersfield Art Gallery, Huddersfield, 2009. 201 x 214mm. Exhibition catalogue. Condition: Fine.

Zustand: NEW.

344 pp.; 26.9 x 20.1 cm.; sewn bound; black-and-white & color; edition size unknown; unsigned and unnumbered; offset-printed Exhibition catalogue published in conjunction with show "4th berlin biennial for contemporary art," Berlin, Germany, March 25 - June 5, 2006. Exhibition curated and catalogue edited by Massimiliano Gioni, Maurizio Cattelan, and Ali Subotnick on behalf of the KW Institute for Contemporary Art and funded by the Kulturstiftung des Bundes. Contributions by Nancy Spector. Artists include Tomma Abts, Viktor Alimpiev, Pawel Althamer, Kai Althoff and Lutz Braun, Ulf Aminde, Micol Assaël, Roger Ballen, Thomas Bayrle, Michael Beutler, Michaël Borremans, Bouchet, Tobias Buche, Anthony Burdin, Mircea Cantor, Bruce Conner, Benjamin Cottam, Martin Creed, Oliver Croy with Oliver Elser, Roberto Cuoghi, Tacita Dean, Jeremy Deller, Berlinde De Bruyckere, Gino De Dominicis, Nathalie Djurberg, Trisha Donnelly, Marcel van Eeden, Saul Fletcher, Roland Flexner, Felix Gmelin, Aneta Grzeszykowska, Sebastian Hammwöhner / Dani Jakob / Gabriel Vormstein, Rachel Harrison, Pravdoliub Ivanov, Sergej Jensen, Dorota Jurczak, Tadeusz Kantor, Ian Kiaer, Christopher Knowles, Robert Kusmirowski, Erik van Lieshout, Klara Liden, Ján Mancuska, Mike Mandel & Larry Sultan, Mark Manders, Kris Martin, Paul McCarthy, Corey McCorkle, Michaela Meise, Matthew Monahan, Otto Mühl, Bruce Nauman, Damián Ortega, Diego Perrone, Susan Philipsz, Jorge Queiroz, Reynold Reynolds with Patrick Jolley, Ricarda Roggan, Aïda Ruilova, Anri Sala, Markus Schinwald, Michael Schmidt, Thomas Schütte, Norbert Schwontkowski, Tino Sehgal, Shirana Shahbazi, Steven Shearer, Florian Slotawa, Christiana Soulou, Jaan Toomik, Paloma Varga Weisz, Gillian Wearing, Clemens von Wedemeyer with Maya Schweizer, Andro Wekua, Cathy Wilkes, Francesca Woodman, and Thomas Zipp. "A mysterious object, somewhere between an illustrated anthology of short stories and a scrapbook preserving the experience of visiting a biennial exhibition, this book presents the works of more than sixty artists in a montage of images, mixing historical photos, newspaper clippings, and other reference materials with installation shots and photographs of art works included in the show. Not simply a textual complement to the exhibition but also an unusual combine of art works, this book is much more than just a documentation of an exhibition, it's an exhibition in book form. In spite of its classical design and hardcover binding, it is an artists' book with a truly unusual use of texts and reprints. The book will also feature sections with visual reminders and references for all of the 4th berlin biennial activities including Checkpoint Charley, Gagosian Gallery in Berlin, and the columns presented by the bb4 in Zitty magazine." -- publisher's statement. New. In publisher-issued shrink wrap. Due to large size and weight additional shipping charges will be required for international orders.

Spiralbindung. Zustand: New.

248 pp.; 27.5 x 23 cm.; sewn bound; black-and-white; edition size unknown; unsigned and unnumbered; offset-printed Exhibition catalogue published in conjunction with show held November 22, 1989 - February 18, 1990. Preface by Suzanne Pagé. Essays by Claude Gintz, Benjamin H.D. Buchloh, Charles Harrison, Gabriele Guercio, and Seth Siegelaub. Includes bibliography. Illustrated in black-and-white. First edition includes text, in English, by Joseph Kosuth in response to Buchloh's essay printed on sticker and affixed to page 54. Artists include: Art & Language, Michael Asher, John Baldessari, Robert Barry, Mel Bochner, Alighiero e Boetti, Marcel Broodthaers, Stanley Brouwn, Daniel Buren, Victor Burgin, Andre Cadere, Hanne Darboven, Jan Dibbets, Marcel Duchamp, Dan Flavin, Dan Graham, Hans Haacke, Eva Hesse, Douglas Huebler, Jasper Johns, On Kawara, Yves Klein, Joseph Kosuth, Sol LeWitt, Piero Manzoni, Robert Morris, Bruce Nauman, Claes Oldenburg, Roman Opalka, Adrian Piper, Robert Rauschenberg, Edward Ruscha, Robert Smithson, Bernar Venet, Lawrence Weiner, Ian Wilson, and Art & Project. Texts in English and French. Good. Bumping of corners and cover edges with adjacent creasing. Yellowing and dust soiling of covers with additional 4.2 cm. area of soiling to verso. Light bumping of page corners. Contents clean and unmarked. Includes "compliments of" card from the Musée d'Art Moderne de la Ville de Paris, in French. This copy includes the tipped-in text by Joseph Kosuth, "Joseph Kosuth Responds to Benjamin Buchloh" [in English], affixed to page 54. Due to large size and weight additional shipping charges will be required for international orders.

240 pp.; 30.6 x 24 cm.; staple bound; black-and-white & color; edition size unknown; unsigned and unnumbered; offset-printed; May 1970 issue of Studio International. Edited by Charles Harrison. Contents include: "In the Land of My Own Vision," by Henryk Gotlib; "Gilbert & George," by Michael Moynihan; "An Interview with Buckminster Fuller," by Jonathan Benthall; Four Sculptors (Part 2): Picasso Cubist Constructions," by William Tucker; "Sociology of an Art Boom: I-The Background to the Flourishing German Art Market" and "II From Survival to Success: An Interview with Hans-Jürgen Müller," by Robert Kudielka; "Liberman: The Art of Amplitude," by Gene Baro; "Robert Graham's Boxes," by Helene Winer; "A Magazine Sculpture," by Gilbert & George which includes "Underneath the Arches (The most intelligent fascinating serious and beautiful art piece you have ever seen)" and the censored "George the [cunt] / Gilbert the [shit]" magazine sculptures ; "Miró's Sculptures," by John Russell; "Victorians at Manchester," by Mark Haworth-Booth "Martin Bloch Re-Assessed," by Ronald Alley. "London Commentary," by Peter Fuller, Ian Dunlop and statements by Fernand Léger, introduced by John Golding. Includes, "On Exhibition: A Selection from Current and Forthcoming Exhibitions." Cover: Alexander Liberman. Includes letter to the editor by Donald Judd. Fair / Good. Rubbing, bumping, and light soiling of covers with curve to spine edge and bumping of corners. Pages are yellowed, contents clean and unmarked.

3 vol. : vol. 1: 144 pp. ; vol. 2: 163 pp. ; vol. 3: 186+ pp.; 3 vol. : vol. 1: 27 x 20 cm. ; vol. 2: 26.5 x 21 cm. ; vol. 3: 27.5 x 21.5 cm.; glue bound; black-and-white; edition size unknown; unsigned and unnumbered; offset-printed; All three published issues of the periodical The Fox, one of the most important publications of 1970s conceptualism. All issues printed on newsprint, with rough cardboard covers."It is the purpose of our journal to try to establish some kind of community practice. Those who are interested, curious, or have something to add (be it pro or con) to the editorial thrust . the revaluation of ideology . of the first issue are encouraged, even urged, to contribute to following issues. All other correspondences are welcome." -- preface to Volume One. Issue 1, published in 1975, edited by Sarah Charlesworth, Michael Corris, Joseph Kosuth, Andrew Menard, Mel Ramsden, and Preston Heller. Contents include: "A Declaration of Dependence," by Sarah Charlesworth; "For Thomas Hobbes," by Michael Baldwin and Philip Pilkington; " The Artist as Anthropologist," by Joseph Kosuth; " Are You Not Doing What You're Doing While You're Doing What You Are," by Andrew Menard; "A Note on Art in Yugoslavia," by Zoran Popovic and Jasna Tijardovic; "Pricing Works of Art," by Ian Burn; "To Art (Reg. Intrans. V.)," by Adrian Piper; "On Practice," by Mel Ramsden; "Historical Discourse," by Michael Corris; "Education Bankrupts," by David Rushton and Paul Wood; "Counterfeit Interview," by Preston Heller; "Optimistic Handbook," by Lynn Lemaster; "Looking Back, Going On," by Terry Atkinson; "Perimeters of Protest," by Mel Ramsden; "Buying Cultural Dependency: A Note on the Crazed Thinking Behind Several Australian Collections," by Ian Burn; "A Forum on Artforum," by Karl Beveridge; and "Thinking About Tim Clark and Linda Nochlin," by Ian Burn. Issue 2, published in 1975, edited by Sarah Charlesworth, Michael Corris, Joseph Kosuth, Andrew Menard, Mel Ramsden, Preston Heller, and Ian Burn. Contents include: "Book Review: John Berger's 'Ways of Seeing,'" by Eunice Lipton; "Review: Jeremy Gilbert-Rolfe's As-Silly-As-You-Can-Get"; "Brice Marden's Painting,'" by Mel Ramsden; "Review: Fighting Modern Masters," by Terry Smith; "Dear Fox." by Lizzie Borden; "Memo For the Fox," by Sarah Charlesworth; "Review: 'Cityarts Workshop: People's Art in New York City,'" by Mel Ramsden; "Conversation Pieces," by Mark Klienberg; "A Proposal For Pricing Works of Art," by Adrian Piper; "Book Review: 'On Understanding Art Museums,'" by Adrian Piper; "Book Review: 'On Understanding Art Museums,'" by Andrew Menard; "Review: Ian Wilson's Discussion at the John Weber Gallery," by Michael Corris; "Review: 'Art-Language' Volume 3 Number 2," by Ian Burn; "Bruce Kurtz: A Conversation with Robert Smithson"; "Stefan Morawski: Concerning an Attack by Sandra Harrison"; "Letters from Jean Toche, Robert Horvitz, Paul Kagawa, Annson Kenney, and others"; "Direct Speech," by David Rushton and Paul Wood; "1975," by Joseph Kosuth; "Doing Art History," by Terry Smith; "Media Madness," by Andrew Menard and Ron White; "Looking Back, Going On - Part 2," by Terry Atkinson; "Don Judd," by Karl Beveridge and Ian Burn; "Yet Another Palace Revolt in the Banana Republic?" by Michael Corris; "On Samuel Beckett's 'Waiting for Godot,'" by Trevor Pateman. Issue 3, published in 1976, edited by Sarah Charlesworth, Michael Corris, Joseph Kosuth, Andrew Menard, Mel Ramsden, Preston Heller, and Ian Burn. Contents include: "The Lumpen-Headache," by Peter Benchley; "Review: Not on the Development of Contradiction," by Kathryn Bigelow; "For Artists Meeting," by Sarah Charlesworth; "Review: Under the Rug," by Martha Rosler; "Review: Framing & Being Framed - Or, Are We Going to Let Barbara Rose Get Away with 'Dialectics' this Year?" by Mel Ramsden; "Having-Your-Heart-In-The-Right-Place is Not Making History," by Art & Language UK; "Worst of All Allies," by Art & Language UK; " The Edge of the Edge," Carole Condé and Karl Beveridge; " Autopatripassionata," by Christine Kozlov and Mayo Thompson; "Review: Chic Kicking Muse," by Sharlene Spingler; "Chris Smith Confronts Norman Trotsky and Dame Flora Luxemburg, Many of their colleagues, Furry and Feathered Friends," by Art & Language UK; " For Your Reference," Ian Wilson; "Review: Convoy," by Mayo Thompson; "The 'Liquidation' of Art: Self-Management or Self-Protection," by Jasna Tijardovic; "Bathysiderodromophobia," Ross Neher; "Has Your License Expired," by Nigel Lendon; "Work," by Joseph Kosuth; "Method or Mouthtalk," by Fern Tiger and Edward Robbins; "The Organization of Culture under Monopoly Capitalism, Part I: 'How Do You Feel About the Arts and Artifacts Indemnity Act?' The Organization of Culture under Monopoly Capitalism, Part II: Culture Ain't No Headless Horseman," by Michael Corris, Preston Heller, Andrew Menard; "History," by David Rushton and Paul Wood; "On the Class of Character in Art," by Goram Djordjevic; "Sociological Art as Utopian Strategy," by Hervé Fischer; "Art-Learning," by David Rushton and Paul Wood; correspondence by Robert Witz, Joshua Neustein, Guerrilla Art Action Group, J. Byron Kearns and others; and notes: "May Stevens: Art & Class"; Jane Klion & Julie Wolf: Students Fighting Faculty at WU; Mayo Thompson: Natural Alliances; For the Sensitive Stefan Morawski: Theses on Aesthetics. References : "In Numbers : Serial Publications by Artists Since 1955" by Andrew Roth, Philip Aarons, Victor Brand, Clive Phillpot, Neville Wakefield, Nancy Princenthal, William S. Wilson. Zurich / New York, Switzerland / NY : JRP - Ringier / PPP Editions, 2008, pp. 72 - 73 and 77. "Artists' Magazines : An Alternative Space for Art" by Gwen Allen. Cambridge / London, MA / United Kingdom : The MIT Press, 2011, pp. 261. Fair / Good. Volume One: light creasing of recto and verso; 10 cm. moisture soiling to bottom edge of recto carrying through to all pages; rubbing of cover edges with rounding of corners; previou.

Single Issue Magazine. Zustand: Good. Ehricht, Horst; Tata, Sam; Brooks, Bob (illustrator). First Edition. 68 pages. Features: Nice ad for the 1967 Oldsmobiles inside front cover; Gordie Howe Goes Home - How Saskatoon proudly hailed a hometown hero; I was a hospital strikebreaker - people pitched in to keep Montreal General Hospital clean during the dispute; 49 things to do and see at Expo 67; The New Morality; The New Moralists; The Mouth That Roars - behind Montreal radio talk show host Pat Burns' hot-line toughness is a man critics don't know - he really cares; The land where fear lays siege - South Africa's apartheid 'solution' traps both the black and the white; 101 Ways to escape Montreal's St. Vincent de Paul Prison; Will success spoil PEI?; Photographing wildlife; The Royal Vancouver Yacht Club's program for junior sailors - article with colour photos; Fantastic colour ad for the International Harvester Travelall, pickup and Scout; Cabbage Willows camp at James Bay; Gorgeous two-page colour photo ad for the 1967 Pontiacs; Awesome two-page colour photo ad for Chevrolet's new Camaro; nice ad for Electrohome, "the only color tv engineered in Canada'; Nice Coke ad on back cover features soup and sandwich; and more. Average wear. Unmarked. Coffee drop at top of front cover. A sound vintage copy.