hans i collaert (19 Ergebnisse)

Loose Leaf. Zustand: New. Reproduction. Original title: Christ Washes the Feet of the Apostles German: Christus wäscht die Füße der Apostel French: Le Christ lave les pieds des Apôtres Spanish: Cristo lava los pies de los Apóstoles High-quality fine-art reproduction based on an original work from the Artic. Creation period: 16th century (c. 1557-64). Professionally printed on premium fine-art paper (Photo Matt Fibre) in size A5. The motif is printed with a white border (museum-style presentation). No.

Album with the complete series of Collaert's views around Brussels, here in its first unnumbered state, published by Hans van Luyck in Antwerp. Hans I Collaert (ca. 1525/30 - 1585) was a painter-draughtsman who founded the influential Collaert dynasty of engravers and print publishers. The views show villages, castles and abbeys in the vicinity of Brussels, engraved in a very naturalistic way. The series includes a view of the cloister of Zevenborren (south of Sint-Genesius-Rode), views of Schaarbeek, Elsene, Etterbeek, Stal, Eggevoort and Bosvoorde, and views of the some castles, including those of Brussels, Coensborg (south of Laken) and Carloo. Some references attribute the drawing of the views to Hans Bol because of an inscription added to the first plate of the later Visscher edition, but the "related drawings are not consistent with Bol's style" (New Hollstein). Others name Jacob Grimmer as an alternative candidate for the artist who drew the views.With a 20th-century manuscript inscription on the first free endleaf, mistakenly identifying the series as the second state published by Visscher, which is however numbered in the plates in contrast to the present series in an unnumbered first state. Binding slightly worn around the edges, some slight marginal foxing, stains, browning and soiling, but overall a beautiful album, complete and therefore rare with all the plates of Collaert's views around Brussels, here in its first state.l Hollstein IV, 149-172; New Hollstein, The Collaert dynasty V, 1229-1252; cf. New Hollstein, The Collaert dynasty I, pp. xlix-liii. Modern red half cloth, marbled sides. Series of 24 engravings (plate size ca. 20 x 14 cm) with views of landscapes around Brussels, by Hans I Collaert possibly after Hans Bol or Jacob Grimmer, each with a caption in the plate (plates 8 and 20 also with Van Luyck and Collaert's monograms "H.V.L.EX[cudit]" and "H.C.F[ecit]"). Trimmed down to the plate edge and mounted on album leaves, numbered in pencil on the album leaves, next to the engravings. Pages: [24] ll.

Jan Snellinck (I) (illustrator). Judges Elon and Abdon. Abdon holds a staff in his hand. In the background, in the landscape, the forty sons and thirty grandsons each ride a donkey stallion. Below the performance explanatory texts in Latin.Made by Hans Collaert (I) after Jan Snellinck (I) .Medium: Engraving on hand laid (verge) paper.Sheet size: 29 x 23 cm (11.42 x 9.06 inch). Image size: 26.3 x 21.7 cm. (10.35 x 8.54 inch).RELIGION-AHIALON-ABDON | PCO-E17-19BACKGROUND INFORMATIONThe Twelve Judges of Israel (series title). Thesaurus sacrarum historiarum veteris testamenti (.) (series title). Publisher: Gerard de Jode.Reference: Mielke 15-1(2).Biography engraver: Jan Collaert the Elder or (I), Hans Collaert the Elder or Johannes Collaert (Brussels, between 1525 and 1530 - Antwerp, October 1580) was a Flemish printmaker, publisher, draftsman, tapestry designer, glass painter and designer and engraver of swords. He was the founder of a dynasty of engravers that would play a significant role in establishing Antwerp as one of the leading centres for printmaking in Europe in the second half of the 16th century and the early 17th century.Biography artist: Jan Snellinck or Jan Snellinck (I) (c. 1548 - 1 October 1638) was a Flemish painter, draughtsman and designer of tapestries, prints and frescoes. He is known for his large altarpieces and was also recognized as a leading battle painter in his time. Snellinck was active as an art dealer and art collector. Condition: good, given age. Small tear at top right. Larger tear at bottm middle, backed. General age-related toning and/or occasional minor defects from handling. Please study scan carefully.

Ambrosius Francken I (illustrator). 'IN PARTES CLAMIDEM FISSENS SCINDIT AHIAS PRAEFECTUM REGNI IEROBOAMQUE NOTAT. 3. REG. II.'The prophet Ahijah tears his cloak into twelve pieces, handing ten of them to Jeroboam, symbolizing the division of the kingdom of Israel. A walled city appears in the background.Made by Hans Collaert I (attributed) after Ambrosius Francken I.Medium: Engraving on hand laid (verge) paper. Watermark: Pot.Sheet size: 29.2 x 20.7 cm (11.5 x 8.15 inch). Image size: 29 x 20.5 cm. (11.42 x 8.07 inch).JEROBOAM, AHIJAH, OLD TESTAMENT, PROPHETS, KINGSHIP, 10 TRIBES, DIVISION OF ISRAEL, HANS COLLAERT, AMBROSIUS FRANCKEN, DE JODE, THESAURUS | PCO-A56-18BACKGROUND INFORMATIONThesaurus sacrarum historiarum veteris testamenti, Gerard de Jode, Antwerp (1579 or 1585).Reference: Mielke 25-1(2); New Hollstein Dutch 53-2(3).Early edition.Biography engraver: Hans Collaert I (ca. 1530-1580), prominent Flemish engraver from the Collaert dynasty, known for his collaboration with Antwerp publishers such as Gerard de Jode and Philips Galle.Biography artist: Ambrosius Francken I (ca. 1544-1618), Flemish painter and designer of religious and historical scenes, active in Antwerp and associated with the Francken family of painters. Condition: good, given age. Light foxing, creasing and soiling. Narrow margins. Small tear at top middle, backed. General age-related toning and/or occasional minor defects from handling. Please study scan carefully.

Ambrosius Francken (I) (illustrator). 'IN TENEBRAS RAPITUR DENSAS SINE VESTE IUGALI A DOMINO MENSA FORTE REPERTUS HOMO. MATH. 22.'"Parabel van het bruiloftsfeest van de koning" (Parable of the King's Wedding Feast) At the king's wedding feast, guests feast on a meal. The person on the left at the table is not wearing wedding clothes. He is forcibly taken away. Next to him is the king. He judges that "many are called, but few are chosen" (Matt. 22:14).Made by Hans Collaert (I) after Ambrosius Francken (I).Medium: Engraving on hand laid (verge) paper.Sheet size: 36.5 x 27.1 cm (14.37 x 10.67 inch). Image size: 27.4 x 21.3 cm. (10.79 x 8.39 inch).KING-GUEST-WEDDING-GARMENT-ROYAL | PCO-E8-16BACKGROUND INFORMATIONParabels van het Nieuwe Testament (series title) in an early edition.Biography engraver: Jan Collaert the Elder or (I), Hans Collaert the Elder or Johannes Collaert (Brussels, between 1525 and 1530 - Antwerp, October 1580) was a Flemish printmaker, publisher, draftsman, tapestry designer, glass painter and designer and engraver of swords. He was the founder of a dynasty of engravers that would play a significant role in establishing Antwerp as one of the leading centres for printmaking in Europe in the second half of the 16th century and the early 17th century.Biography artist: Ambrosius Francken I (1544-1618) was a Flemish painter known for his religious works and historical allegories painted in a late Mannerist style. He was a prominent member of the Francken family of artists, which played a very important role in the Flemish art scene from the late 16th to middle 17th century. Condition: good, given age. General age-related toning and/or occasional minor defects from handling. Please study scan carefully.

Zustand: Gut. Format (Platte): 267 x 192 mm. Blattgröße: 345 x 265 mm. *New Hollstein (Dutch & Flemish) 512-527 (The Collaert Dynasty). This is one of a series of twenty plates showing the life of the Virgin after Crispin van den Broeck. Sprache: Deutsch Gewicht in Gramm: 800.

Komplette Folge von sechs Kupferstichen von H. Collaert I. (1525-1580) nach Jan Snellinck (c. 1548-1638) von ca. 1579. -- Knapp beschnitten und alt aufgezogen. -- Blatt-Maße: ca. 21 x 26 cm. -- teils nur leicht fleckig, sonst gut erhalten. || Original copper engravings by H. Collaert I. (1525-1580) after Jan Snellinck (c. 1548-1638) from ca. 1579. -- Narrowly cut and laid down. -- Rare complete set of 6 engravings depicting the twelve judges of Israel. -- partly slightly stained, otherwise in good condition. // Wir, das Antiquariat Steffen Völkel, kaufen und verkaufen alte Bücher, Handschriften, Zeichnungen, Autographen, Grafiken und Fotografien. Wir sind stets am Ankauf von kompletten Bibliotheken, Sammlungen und Nachlässen interessiert. la Gewicht in Gramm: 100.

Twelfth plate of a series of twenty plates showing the life of the Virgin after Crispijn van den Broeck; sixteen plates are engraved by Hans Collaert I, two by Jan Ditmaer, and two by an anonymous engraver. The set was first published in 1576 by Adriaen Huybrechts (fl. 1573-1614) On plate 12 (after the drawing in the National Gallery of Scotland, Edinburgh, inv.no.D3125) The Circumcision of Christ: inside a temple with the high-priest performing the operation at centre, the Virgin and St Joseph holding the Christ child are surrounded by other parents waiting with their babies. Lettered on the bottom center: 'CVB in.' and towards the left: 'Adrianus hubertus excudit 1576'. New Hollstein (van den Broeck, 175) l Engraving, no margins, trimmed around the drawn frame, text underneath is missing; state I or II/2; total: 245 x 185 mm; repaired damages on the right and lower borders. PB01NT.

Bust portrait of Gerard van Wassenaer in an oval. Inscribed in the oval:'GERARDUS A WASSENAER J.V.D. ET CURIAE ULTRAJECTINAE, DUM VIVERET, ADVOCATUS, OBIIT. AC. CHRISTI 1664. AETAT 75.' On the bottom Latin text:'Hunc loquitur jam Fama Virum, quo jura loquente, Belgarum hic CRESCENS Papinianus erat. / L. v. P.' l Engraving and etching on paper, small margins; platemark: 249 x 153 mm; total: 255 x 158 mm; only state; Hollstein 79; W. 66; M. 5945. PP01W (Wassenaer) / black folders A-D.

Episode of the New Testament, Christ and the woman of Samaria. Numbered on the bottom right:'3'. According to Hollstein this is the third state, possibly from the 1643 'Theatrum Biblicum' published in amsterdam by C.J. Visscher or from 1674 'Theatrum Biblicum' published in Amsterdam by Nicolaus Visscher. l Engraving on paper with small margins; platemark: 199 x 280 mm, total: 205 x 285 mm; state III/3, in great conditions, Hollstein 311.

The return of the Prodigal Son, last plate of a set of four originally published in Antwerp in 1585 by Gerard de Jode.Numbered on bottom right corner: 4.Inscribed below in Latin: "Fit supplex veniamque petit veniamque reportat A patre. vera salus non aliunde venit. Luc 15.20." Engraving on paper, remargined; total: 224 x 305 mm; state II/2; some smudges due to handling on margins especially, otherwise in good condition. New Hollstein 299.

The Prodigal Son as a swine herd, third plate of a set of four originally published in Antwerp in 1585 by Gerard de Jode.Numbered on bottom right corner: 3.Inscribed below in Latin: "Omnibus amissis opibus nudusque relictus, cum porcis ventrem vult satiare suum. Luc 15.15." Engraving on paper, remargined; total: 224 x 305 mm; state II/2; some smudges due to handling on margins especially, otherwise in good condition. New Hollstein 298.

The Prodigal Son wasting his substance, second plate of a set of four originally published in Antwerp in 1585 by Gerard de Jode.Numbered on bottom right corner: 2.Inscribed below in Latin: "Cum Venere et Baccho male sanus luxuriatur, fundit inutiliter parta labore gravi. Luc 15.13." Engraving on paper, remargined; total: 240 x 296 mm; state II/2; some smudges due to handling on margins especially, hole on the bottom left corner, some lacunas are filled in, otherwise in good condition. New Hollstein 297.

The Prodigal Son leaves the house of the father, first plate of a set of four originally published in Antwerp in 1585 by Gerard de Jode.Numbered on bottom right corner: 1.Inscribed below in Latin: "Prodigus a partijs discedit Filius oris, Et patri longum dicitur ecce vale. Luc 15.11." With the address of the publisher: "CJVisscher excudit". Engraving on paper, remargined; total: 232 x 307 mm; state II/2; some smudges due to handling on margins especially, otherwise in very good condition. New Hollstein 296.

Crispijn van den Broek (illustrator). 'FIT SUPPLEX VENIAMQUE .'The return of the prodigal son. (Luke 15:20-32)Made by Hans I Collaert after Crispijn van den Broek.Medium: Engraving on hand laid (verge) paper. Watermark: small coat of arms with lettering.Sheet size: 33.3 x 25 cm (13.11 x 9.84 inch). Image size: 26.9 x 20 cm. (10.59 x 7.87 inch).PARABLE-PRODIGAL SON-RETURN | PCO-A56-06BACKGROUND INFORMATIONNo. 4 from a series of 4 published by Gerard de Jode in 'Thesaurus' 1585.State: 3 (3).Reference: New Hollstein, Collaert II, 299 .Early edition.Biography engraver: Jan Collaert the Elder or (I), Hans Collaert the Elder or Johannes Collaert (Brussels, between 1525 and 1530 Antwerp, October 1580) was a Flemish printmaker, publisher, draftsman, tapestry designer, glass painter and designer and engraver of swords. He was the founder of a dynasty of engravers that would play a significant role in establishing Antwerp as one of the leading centres for printmaking in Europe in the second half of the 16th century and the early 17th century.Biography artist: Crispijn van den Broek / Broeck (1523-c.1591) was a Flemish painter, draughtman and print designer from Mechelen. Condition: very good, given age. Light foxing, creasing and soiling. Wide margins. . General age-related toning and/or occasional minor defects from handling. Please study scan carefully.

Crispijn van den Broek (illustrator). 'CUM VENERE ET BACCHO .'The prodigal son wasting his substance. (Luke 15:13)Made by Hans I Collaert after Crispijn van den Broek.Medium: Engraving on hand laid (verge) paper. Watermark: double cross of lorraine.Sheet size: 33.3 x 25 cm (13.11 x 9.84 inch). Image size: 26.9 x 20 cm. (10.59 x 7.87 inch).PARABLE-PRODIGAL SON-WASTING HIS FORTUNE | PCO-A56-05BACKGROUND INFORMATIONNo. 2 from a series of 4 published by Gerard de Jode in 'Thesaurus' 1585.State: 1 (2).Reference: New Hollstein, Collaert II, 297 .Early edition.Biography engraver: Jan Collaert the Elder or (I), Hans Collaert the Elder or Johannes Collaert (Brussels, between 1525 and 1530 Antwerp, October 1580) was a Flemish printmaker, publisher, draftsman, tapestry designer, glass painter and designer and engraver of swords. He was the founder of a dynasty of engravers that would play a significant role in establishing Antwerp as one of the leading centres for printmaking in Europe in the second half of the 16th century and the early 17th century.Biography artist: Crispijn van den Broek / Broeck (1523-c.1591) was a Flemish painter, draughtman and print designer from Mechelen. Condition: very good, given age. Light foxing, creasing and soiling. Wide margins. . General age-related toning and/or occasional minor defects from handling. Please study scan carefully.

View of the main road of Laeken, a village near Brussels. On the road some walkers. The print is part of a series featuring views from the Brussels area.Titled on the top right corner: Te Laken op den rechten wech.Numbered on the bottom right corner: 7.[NL] Gezicht op de hoofdweg van Laken, een dorp vlakbij Brussel. Op de weg enkele wandelaars. De prent is deel van een serie met gezichten uit de omgeving van Brussel. Gemaakt door Hans Collaert I. Engraving on laid paper, trimmed close to plate mark; total: 139 x 200 mm; state II/2; some rubbing due to handling, traces of previous mounting on verso, otherwise in good condition. Mounted on cardboard passepartout. Hollstein 1235.

Zustand: guter Zustand. Kupferstich nach M. de Vos, auf Bütten mit Wasserzeichen. 20,8:28,8 cm. Mit der Adresse von C. Jansz. Visscher. Literatur: Hollstein 8, Szene 6 aus einer Folge von 4 Blatt. Schöner Abdruck mit breitem Rand.

Zustand: sehr guter Zustand. Folge von 4 Kupferstichen nach Crispijn van den Broeck, 1585, auf Bütten mit Wasserzeichen: Kleiner Wappenschild. Je ca. 19,8:27,1 cm. Literatur: Diels/Leesberg (Collaert/New Hollstein) 296-298, je II, 299 III; New Hollstein (Broeck) 96-98, je II, 299 III.- Die vollständige Folge in ausgezeichneten und gleichmäßigen Drucken der zweiten von Claes Jansz. Visscher verlegten Ausgabe, mit allseitigem Rand um die Plattenkante. Geringfügige Altersspuren, schwache Trockenfältchen, im oberen weißen Rand kleine Montierungsspuren, sonst original und sehr gut erhaltene Exemplare.