Sprache: Englisch
Verlag: Wolters Kluwer Legal & Regulatory U.S., 1992
ISBN 10: 0834202913 ISBN 13: 9780834202917
Anbieter: Better World Books, Mishawaka, IN, USA
Zustand: Good. 2nd Edition. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.
Anbieter: ThriftBooks-Dallas, Dallas, TX, USA
Unknown. Zustand: Good. No Jacket. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.
Anbieter: ThriftBooks-Atlanta, AUSTELL, GA, USA
Unknown. Zustand: Good. No Jacket. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.
Verlag: Ameringer McEnery Yohe, 2013
ISBN 10: 0985018461 ISBN 13: 9780985018467
Anbieter: Better World Books, Mishawaka, IN, USA
Zustand: Fine. Used book that is in almost brand-new condition. May contain a remainder mark. Better World Books: Buy Books. Do Good.
Verlag: NY: Ameringer Yohe Fine Art,, 2007
Anbieter: Jeff Maser, Bookseller - ABAA, Berkeley, CA, USA
Erstausgabe
First edition. Small 4to. 36 pp. Fine in illustrated wrappers.
Verlag: Claremont: Pomona College Museum of Art,, 2007
Anbieter: Jeff Maser, Bookseller - ABAA, Berkeley, CA, USA
Erstausgabe
First edition. [52 pp]. Small scratch on front cover, else near fine in illustrated wrappers. Essays by Kathleen Stewart Howe and Arden Reed.
Verlag: Ameringer McEnery Yohe, New York, 2013
ISBN 10: 0985018461 ISBN 13: 9780985018467
Anbieter: Jeff Hirsch Books, ABAA, Wadsworth, IL, USA
Erstausgabe
First edition. Softcover. 45 pages. Exhibition catalog for a show that ran September 5 through October 12, 2013. Features a short text by Arden Reed. Includes 17 color illustrations, checklist, and a list of selected public collections. A fine copy in French style wrappers.
Verlag: Los Angeles, CA: Tobey C. Moss Gallery, 2000
Anbieter: Wittenborn Art Books, San Francisco, CA, USA
Manuskript / Papierantiquität
Zustand: Good. Gallery Invitation to Exhibition at the Tobey C. Moss Gallery, January 15th to February 25, 2000. 16mo. Soft Covers. 4 pp. Very Good. Color Plates. From the Collection of the UC Berkeley Professor & Art Historian Peter Selz.
Verlag: New York, NY: Knoedler & Company., 2009
Anbieter: Wittenborn Art Books, San Francisco, CA, USA
Erstausgabe
Zustand: Good. [Exhibition catalogue]. 8vo. Soft, stapled glossy wraps with black lettering. Very good with marginal sunning across front wrap near spine. Color plates and 1 black and white photographic plate on back wrap. Includes texts by Peter Selz; Thomas W. Leavitt (text.); Jules Langsner (text.). Includes artist biography. Catalogue created on occasion exhibition "Hammersley: Paintings", sponsored by Heritage Gallery and held at The Art Center in La Jolla, La Jolla, CA from March 13 through April 14, 1963 and at the California Palace of the Legion of Honor, San Francisco, California from November 3 through December 9, 1962. First edition. Scarce. From the Collection of the Art Historian Peter Selz.
Verlag: Venice, CA: L.A. Louver., 2002
Anbieter: Wittenborn Art Books, San Francisco, CA, USA
Zustand: Good. Single Sheet 5 x 11.5 inches, with one fold. Very Good. Crease on right edge. Two color plates. Extremely Scarce.From the Collection of the Art Historian Peter Selz (1919-2019).
Verlag: San Francisco: Modernism., 1995
Anbieter: Wittenborn Art Books, San Francisco, CA, USA
Zustand: Good. Single Sheet 14 x 8.5 inches. Folded into 4 pages. Very Good+. Color plates. Biography. Extremely Scarce.From the Collection of the Art Historian Peter Selz (1919-2019).
Verlag: San Francisco: Modernism, 1990
Anbieter: Wittenborn Art Books, San Francisco, CA, USA
Kunst / Grafik / Poster
Zustand: Good. Poster. 81 x 57cm. . Frederick Hammersley (1919-2009) taught painting for several years at Pomona College. He came to prominence in 1959 in the landmark exhibition "Four Abstract Classicists" which brought together Hammersley, Karl Benjamin, Lorser Feitelson, and John McLaughlin. The landmark exhibition postulated a generational approach to abstraction distinct from the gestural system of Abstract Expressionism; one in which pure abstraction is rendered in hard-edged, flat planes of color. In over 60 years as an artist, Hammersley produced a wide range of drawings, from naturalistic portraits to computer generated drawings. This exhibition showcases some of the range of Hammersley's work in a similar manner to how he presented it in his home. The clustered mini-installations he created encourage viewers to consider his varied works not as distinct entities but as part of a unified artistic vision.