Verlag: Continental Book Company AB., Sweden
Anbieter: Book Express (NZ), Shannon, Neuseeland
Paperback. Zustand: Good. Hallman (illustrator). with slip case as issued-heavy book check postage with us.
Sprache: Französisch
Verlag: The Continental Book Company AB, Stockholm, 1946
Anbieter: LLIBRERIA KEPOS-CANUDA, Barcelona, B, Spanien
Rústica con estuche. Zustand: Parfait état. HALLMAN (illustrator). Fort volume grand in-4 de 300-[4] pages, couverture à rabats imprimée en deux tons, ornée d'une vignette. Illustré d'un portrait de Baudelaire, de bandeaux en noir et de 18 hors-texte couleurs de Hallman. En belle condition.
Sprache: Französisch
Verlag: Stockholm: The Continental Book Company AB, 1946., 1946
Anbieter: Antiquariat Im Seefeld / Ernst Jetzer, Zürich, Schweiz
Zustand: Sehr gut. 300 S., 4°, OBroschur mit transparentem Schutzumschlag, mit 18 Farbtafeln und 27 s/w Textvignetten. Sprache(n)/language(s): frSchutzumschlag mit einrissen, sonst sehr gut.
Verlag: Stockholm, The Continental Book Company AB / 'Alb. Bonniers Boktryckeri', 1946., 1946
Anbieter: C O - L I B R I , Bremen - Berlin ; Deutschland / Germany ., Berlin, Deutschland
Erstausgabe
300 (1 + 3 blank) pages on strong high-quality paper with many smaller black illustrations, Baudelaire's portrait and 18 wholepage - partly erotic - watercolours on singleside printed plates which are not included in the pagination. - Publisher's heavy, gilt-decorated half-vellum binding with colour-marbled panels, small vellum-corners and 2 gilt-titled brown and green spinelabels, blank endpapers, topedge gilt; large-4to.(ca. 32 x 22 x 3,5 cm; ca. 1,7 kg.). *** FIRST EDITION, LARGESIZE VELLUM-BOUND ORIGINAL OF BAUDELAIRE'S POETIC OPUS MAGNUM; containing not only the title-giving work but INCLUDES NEARLY ALL OF HIS POETRY FROM 1840 UNTIL HIS DEATH IN 1867. 'Fleurs du Mal' was important in the symbolist and modernist movements and controversial upon publication with six of its poems censored. The poems deal with themes of decadence and eroticism, obsession with death and and aspiration toward an ideal world and had great influence on Paul Verlaine, Arthur Rimbaud, Stéphane Mallarmé and many others. - Top of spine with minimal crease due to to the stiff vellum material, upper foreedge with smaller shallow brown spot; else in best condition. A BEAUTIFUL, REPRESENTABLE COPY.
Softcover. Zustand: Gut. Zustand des Schutzumschlags: Gut. 1. Auflage. Couverture souple. Zustand: Très bon. Édition illustrée. Fort volume grand in-4 de 300-[4] pages, couverture à rabats imprimée en deux tons, ornée d'une vignette. Illustré d'un portrait de Baudelaire, de bandeaux en noir et de 18 hors-texte couleurs de Hallman. A beautiful edition of Charles Baudelaire's French symbolist and modernist poem, illustrated in colour throughout. In the original French.Illustrated with eighteen colour plates, one monochrome plate, and twenty-nine in-text illustrations.Including slipcase. Light discolouration to the spine and wraps. Minor spots to the wraps and spine. Pages are bright and clean. Nice coy.
Erscheinungsdatum: 1919
Anbieter: Between the Covers-Rare Books, Inc. ABAA, Gloucester City, NJ, USA
Softcover. Zustand: Near Fine. Oblong octavo. Cord-tied flexible cloth boards with "Photographs" stamped in blind on front board. A total of 292 gelatin silver images with 277 mounted between four and nine to a page, plus 15 loose prints, all measuring between 2.5" x 2" and 7" x 5". Most images are well-captioned in white album ink. First leaf is detached, modest wear, some fading to some images, very good or better. Newspaper clipping laid in about the experiences of Charles D. Hallman of Allentown, Pennsylvania in the Ambulance Service, that extensively quotes from his letters to his parents about his unit's journey by road in their ambulances across the Alps from Italy into France. The album commences with a group photo of the unit at Fort Dix in New Jersey, with the names of the each man in the unit noted. After a few images of training camp (in gas masks, in tents, being inoculated, etc.), a parade, a shipboard boxing match, the Rock of Gibraltar, and the coast of Spain, the location swiftly shifts to Camp "Lido" in Genova, Italy with many well-captioned images of the beach, the city, ambulances, and the camp. There are many photos of various members of the unit posing and well-identified, of ships and submarines, of the English convalescent camp, and several of their journey over the Alps. Once they reach France, mostly near the Meuse River and Argonne Forest, the scenes become more military: posing in shell holes, by ambulances, and with planes destroyed by German fire, landscapes decimated by artillery, German bombs exploding, airplanes on patrol over the hospital, observations balloons, cemeteries, captured guns and pillboxes, barbed wire, and no-man's land. A splendid album concentrated almost exclusively on the experiences of a soldier in the Ambulance Service.