halcyon press (20 Ergebnisse)

Zustand: Good. Press, Jenny; Walsh, Stephen; Spenceley, Annabel (illustrator). Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Hardcover. Zustand: Very Good. Press, Jenny; Walsh, Stephen; Spenceley, Annabel (illustrator). It's a well-cared-for item that has seen limited use. The item may show minor signs of wear. All the text is legible, with all pages included. It may have slight markings and/or highlighting.

Hardcover. Zustand: Very Good. No Jacket. Press, Jenny (illustrator). May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.

Hardcover. Zustand: Good. No Jacket. Press, Jenny (illustrator). Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.

Hardcover. Zustand: Very Good. No Jacket. Press, Jenny; Walsh, Stephen; Spenceley, Annabel (illustrator). Former library book; May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.

Hardcover. Zustand: Very Good. No Jacket. Press, Jenny; Walsh, Stephen; Spenceley, Annabel (illustrator). Missing dust jacket; May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.

Hardcover. Zustand: Very Good. No Jacket. Press, Jenny; Walsh, Stephen; Spenceley, Annabel (illustrator). May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.

Hardcover. Zustand: Very Good. Press, Jenny; Walsh, Stephen; Spenceley, Annabel (illustrator). Now I Can Read Favorite Bible Stories: When Time Began Favorites Bible Stories This book is in very good condition and will be shipped within 24 hours of ordering. The cover may have some limited signs of wear but the pages are clean, intact and the spine remains undamaged. This book has clearly been well maintained and looked after thus far. Money back guarantee if you are not satisfied. See all our books here, order more than 1 book and get discounted shipping.

Hardcover. Zustand: Good. No Jacket. Press, Jenny (illustrator). Missing dust jacket; Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.

Hardcover. Zustand: Good. No Jacket. Press, Jenny (illustrator). Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.

Hardcover. Zustand: Very Good. Press, Jenny; Walsh, Stephen; Spenceley, Annabel (illustrator). Shipped within 24 hours from our UK warehouse. Clean, undamaged book with no damage to pages and minimal wear to the cover. Spine still tight, in very good condition. Remember if you are not happy, you are covered by our 100% money back guarantee.

Zustand: New. In.

Zustand: New. In.

Hardcover. Zustand: Good. No Jacket. Shelf and handling wear to cover and binding, with general signs of previous use. Good clean unmarked copy. Secure packaging for safe delivery.

Gebundene Ausgabe. Zustand: Sehr gut. Mit leichten Lager- und Gebrauchsspuren. W2-WA Sprache: Deutsch Gewicht in Gramm: 288.

The Hague/ Paris, A.A.M. Stols, 1947, XV,(5),268,(2) pag., printed out of the Lutetia in blue, orange and black on the presses of Boosten and Stols (Maastricht) in 667 numbered copies, original cloth with dustjacket, quarto. = Van Dijk 745.

One of 100 copies on Dutch mouldmade paper by Pannekoek & Co, this unnumbered. In addition there were 10 copies on Japanese vellum. Designed by J. van Krimpen in Romanee type, title by van Krimpen printed in red. 25 x 18 cms. 8vo., original orange cloth with windmill design in gilt on upper cover, spine lettered in gilt, in the original glacine. Free endpapers very mildly browned, otherwise an extremely good, bright copy.

Hardcover. Zustand: Very Good. Hardcover. Number 7 of 140 copies. Bound in white paper wrappers with white paper title labels to spine and front panel. Browning, creasing, and a few chips to spine. Several closed tears to edges of wrappers and minor browning to edges of rear wrapper. Printed in black with red titles and initals. Printed by Joh. Enschedé in Zonen à Haarlem in gothic characters of the fifteenth century, found in the original matrices, on the model of J(an) van Krimpen. Titles and letters designed by J(an) van Krimpen. Clean and bright interior. Gentle bump to corners. 150 pages. PRI/020323.

Hardcover. Zustand: Fine. First Edition. Maastricht, Halcyon Press for A.A.M. Stols, 1929. Square octavo, xlvi pages printed in black and red blackletter types on Van Gelder hand-made paper. Full morocco lettered in gilt on the spine; sides, spine and turn-ins tooled in blind; endpapers browned from the leather turn-ins; a few tiny indentations to the covers; a few trifle spots of foxing to the edges; essentially a fine copy. One of a small number of copies in a deluxe binding of russet morocco; 25 hors-de-commerce copies were produced (this may be one of them), and the standard edition of 300 copies was bound in green cloth. 'Printed for the Halcyon Press, at Maastricht, with the type cut by Henric Lettersnider (XVth Century), in the office of Joh. Enschedé en Zonen, Haarlem, Holland. The text follows the better of the two editions printed at London in Paul's Churchyard by John Shot (about Mdxxxvij) edited some years ago by Mr C.F. Tucker Brooke . Typography by J. van Krimpen' (colophon).

NUMBER II OF 10 NUMBERED COPIES (from an overall edition of 210), printed 'on special paper', wide margined, partially unopened, pp. 30, [ii], 8vo, original limp vellum, backstrip gilt-lettered, yap edges, boards with a little toning and a few marks, card slipcase, edges slightly rubbed, very good. One of around 64 editions of clandestine literature which A.A.M. Stols, renowned typographer, commericial and fine press publisher, typographic advisor to Elsevir and UNESCO, issued during WWII, often, as here, ante-dating the publications and creating fictitious press names and locations. Though not explicitly political, the poems touch on the themes of freedom, struggle and hope.