hal ashby (20 Ergebnisse)

dvd. Zustand: Gut. Auflage: Standard Version. *Werktagsversendung innerhalb von 24 Stunden* -- Exempl. in einem guten Gesamtzust., geringe Gebrauchsspuren möglich -- FSK 12 ISBN: 9783866150331 Altersfreigabe FSK ab 12 Jahre Alle Sendungen werden mit beiliegender Rechnung, inkl. ausgewiesener MwSt., verschickt. Sprache: Deutsch Gewicht in Gramm: 80.

DVD. Zustand: Sehr gut. DVD 33 Altersfreigabe FSK ab 0 Jahre Sprache: Englisch Gewicht in Gramm: 118.

Two vintage reference photographs from the 1978 film, one showing Jane Fonda and Jon Voight, the other showing Fonda and Bruce Dern. A key Vietnam-era film, and one of noted director Hal Ashby's finest efforts. Ostensibly a war film, "Coming Home" is really more about the lives of the women left behind during the war, tracking the progress of a housewife who finds herself unexpectedly liberated in her husband's absence, falling into an affair with a wounded veteran. Winner of three Academy Awards, including Best Screenplay, and nominated for five others, including Best Picture and Best Director. Nominated for the Palme d'Or. 8 x 10 inches. About Fine.

DVD. Zustand: Very Good. Region 4 - Australia & South AmericaNo *#@!!* Navy's going to give some poor **!!@* kid eight years in the #@!* b rig without me taking him out for the time of his *#@!!* life. Jack Nicholson is at his anti-establishment best in this highly acclaimed dramatic comedy about t.

Soft cover. Zustand: Good. Photocopy 'duplicated by Paramount Print Shop'. Screenplay for the 1971 cult movie directed by Hal Ashby. 110 leaves. Printed beige covers with metal binding. Some fading and staining to front cover. Photographs available on request. All books dispatched same or next working day in robust packaging.

Audio Book (DVD). Zustand: Very Good. RAS - presque neuf. VO Deluxe Edition DVD Zone 1 : audio anglais, francais, espanhol ; sous titres anglais, francais, espanhol - ATTENTION : US import (NTSC format, Region 1). 130 minutes. . Attention DVD Région 1 , nécessite un lecteur multizone pour le lire . Remainder.

Vintage studio still photograph from the 1973 film. Based on the 1970 novel by Darryl Ponicsan. Two foul-mouthed sailors are assigned a shore patrol to escort a young seaman to a Navy prison in Maine to begin a heavy-handed eight year sentence. The pair decides to take their captive out for a few adventures before his prison term, including getting drunk, skating in Rockefeller Center, going to a brothel, and more. Screenwriter Robert Towne faced difficulty adapting Ponicsan's novel for the screen, largely due to Columbia Studios' concern over the novel's profanity. The film eventually gained the dubious distinction of the most uses (65) of the word "f*ck" in a motion picture at the time of its release. Set and shot on location in New Jersey, Massachusetts, New Hampshire, Maine, New York, and Virginia in the US, and Ontario in Canada. 10 x 8 inches. Near Fine.

200 : 250 mm. Portrait im Profil nach rechts. - Seine größten Erfolge feierte er in den 1970er-Jahren mit Filmen wie Harold und Maude, Das letzte Kommando, Coming Home und Willkommen Mr. Chance. Er gilt als bedeutender Vertreter des New Hollywood"-Kinos.

250 : 200 mm. Brustbild von vorn mit Sonnenbrille. Horitzontale Knickspur. - Seine größten Erfolge feierte er in den 1970er-Jahren mit Filmen wie Harold und Maude, Das letzte Kommando, Coming Home und Willkommen Mr. Chance. Er gilt als bedeutender Vertreter des New Hollywood"-Kinos.

Production script for the 1980 film, created for internal use just prior to the commencement of shooting, with Lorimar Studios wrappers, but also with copied punch holes throughout (see images). Annotation in manuscript ink on the title page, noting copy No. 22. Laid in with the script is a three-page synopsis (internal, reading "NOT FOR PUBLICATION"), with an annotation in manuscript ink on the first page, noting "File." Based on the 1970 novel by screenwriter Jerzy Kosinski. Peter Sellers' final film, and the last unqualified success of director Hal Ashby's all too brief career. Winner of an Academy Award for Best Supporting Actor for Melvyn Douglas, with Sellers receiving a Best Actor nomination. White generic Lorimar wrappers. Title page present, dated January 10, 1979, with credits for Kosinski and screenwriter Robert C. Jones. 107 leaves, with last page of text numbered 106. Xerographic duplication, rectos only. Pages Near Fine, wrapper Very Good plus, bound internally with two gold brads. National Film Registry. Criterion Collection 864. Ebert II.

Draft script for the 1978 film. Copy belonging to Lucile Jones, credited in the film as a "friend who did everything," with her first name in manuscript ink on the title page. Laid in with the screenplay are three photographs from the set of the film: one black-and-white studio still photograph showing actors Bruce Dern and Jane Fonda, and two borderless color reference photographs of director Hal Ashby with an unknown woman (possibly Jones) on the set. A key Vietnam-era film, and one of noted director Hal Ashby's finest efforts. Ostensibly a war film, "Coming Home" is really more about the lives of the women left behind during the war, tracking the progress of a housewife who finds herself unexpectedly liberated in her husband's absence, falling into an affair with a wounded veteran. Winner of three Academy Awards, including Best Screenplay, and nominated for five others, including Best Picture and Best Director. Nominated for the Palme d'Or. Screenplay: Red titled wrappers. Title page present, with credits for screenwriters Waldo Salt and Bob Jones and director Hal Ashby. 134 leaves, with last page of text numbered 132. Xerographic duplication, rectos only, with four blue revision pages, dated 1/3/77. Pages Near Fine, wrapper Near Fine, bound with two gold screw brads. Photographs: Two 7 x 5 inches, one 8 x 10 inches. Near Fine.

Collection of 10 vintage black-and-white studio still photographs from the 1975 film. Featuring Warren Beatty accompanied by numerous women, including Carrie Fisher, Goldie hawn, and Julie Christie. Warren Beatty, who co-wrote the script with Robert Towne, stars as a narcissistic, womanizing hairdresser who begins to discover his shallow lifestyle may be standing in the way of his dream of opening his own salon. Lee Grant won her only Academy Award for her turn as one of Beatty's mistresses, and Beatty and Towne were nominated for their screenplay. 8 x 10 inches. Near Fine.

Collection of ten vintage French color lobby cards from the 1971 film. Hal Ashby's classic love story between the young, suicidal Harold (But Cort) and the exuberant 80-year-old Maude (Ruth Gordon). Selected for preservation in the National Film Registry in 1997. Set in and shot on location in California. 9 x 11.25 inches. Near Fine. Eureka! 83. Criterion Collection 608.

Vintage one sheet poster for the 1975 film. A delightfully scathing script from Robert Towne and star Warren Beatty, set during the days surrounding the 1968 presidential election, featuring Beatty as a narcissistic womanizing hairdresser who attempts to raise money to open a salon, only to be consistently sidetracked by his various romantic entanglements. Winner of an Academy Award for Best Supporting Actress for Lee Grant and nominated for three more including Best Screenplay and Best Supporting Actor for Jack Warden. Set in and shot on location in Beverly Hills and Los Angeles. 27 x 41 inches, previously Folded as issued. Very Good plus. Criterion Collection 947.

Vintage borderless studio still photograph of director Hal Ashby and actors Charles Tyner, Ruth Gordon, and Bud Cort, along with an unknown crew member, on the set of the 1971 film. With a handwritten snipe affixed to the verso, along with manuscript pencil and ink annotations identifying the figures and film title. Hal Ashby's idiosyncratic love story, following the unlikely romance which blossoms between the young, suicidally depressed Harold and the exuberant eighty-year-old Maude. Set and shot on location in San Francisco. 10 x 8 inches. Very Good plus, lightly worn on the corners. National Film Registry. Criterion Collection 608. Eureka Masters of Cinema 83.

Two vintage borderless reference photographs from the 1975 film, showing actors Warren Beatty and Julie Christie. Printed mimeo snipe affixed to the verso of one photograph. From the archive of film historian and author Joel Finler. A New Hollywood satire about a womanizing, money-hungry hairdresser in Beverly Hills. Actress Lee Grant won her only Academy Award for her turn as one of Beatty's mistresses, and Beatty and Towne were nominated for their screenplay. Set and shot on location in California. 8 x 10 inches. Near Fine.

Vintage oversize borderless reference photograph from the 1970 film, showing director Hal Ashby with actor Beau Bridges and crew members during filming on location in New York. Ashby's directorial debut, based on the 1966 novel by Kristin Hunter, about a naive, wealthy white man who buys an inner-city tenement in Park Slope, Brooklyn, intending to evict the low-income Black tenants and turn the building into a luxury home for himself. He soon grows fond of the residents, even beginning a relationship with one of the women living in the building, and decides to remain as the landlord. Set in Park Slope, Brooklyn, and shot on location in Brooklyn and Manhattan. 10 x 8 inches. Near Fine. Complete collation details available on request.

Five vintage borderless black-and-white photographs from the 1982 concert film. Largely filmed at the Brendan Byrne Arena in East Rutherford, New Jersey on November 5 and 6, 1981, and at Sun Devil Stadium in Tempe, Arizona on December 13, 1981. Shot on location in Alabama, New York, and California. Approximately 9.5 x 7 inches. Most Near Fine.

Five vintage borderless reference photographs from the 1975 film. Two with printed mimeo snipes affixed to the versos, and three with Columbia stamps on the versos. A New Hollywood satire about a womanizing, money-hungry hairdresser in Beverly Hills. Actress Lee Grant won her only Academy Award for her turn as one of Beatty's mistresses, and Beatty and Towne were nominated for their screenplay. Set and shot on location in California. 10 x 8 inches. Near Fine.

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