hackman robert (29 Ergebnisse)

Paperback. Zustand: Good. No Jacket. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.

No Binding. Zustand: Very Good. Two (2) large folded sheets consisting of a geologic map superposed on topographic contours, a structure map showing uranium deposits, a columnar section with description of units, four diagrams showing stratigraphic relationships, and references cited; in printed envelope; ex-corporate library; light smudging of envelope, o/w sheets in very good condition. Map.

HRD. Zustand: New. New Book. Shipped from UK. Established seller since 2000.

HRD. Zustand: New. New Book. Shipped from UK. Established seller since 2000.

Paperback. Zustand: Collectible-Very Good.

Zustand: New.

Zustand: New. 2019. Paperback. . . . . . Books ship from the US and Ireland.

VHS. Zustand: Gut. B3523-183 4012909061699 Sprache: Deutsch Gewicht in Gramm: 300.

Hardcover. Zustand: Brand New. 104 pages. 8.58x12.20x0.70 inches. In Stock.

Gebundene Ausgabe, quer 4°. Zustand: Sehr gut. 104 S. Das Buch ist in sehr gutem, sauberen Zustand. Gebundenes Buch mit Original-Schutzumschlag. Dieser mit leichten Randläsuren. Sonst sauberes und wohlerhaltenes Exemplar. -----Inhalt:. To strengthen his own political position, Albania's dictator Enver Hoxha (who ruled from 1944 to 1985), convinced his people that the outside world wished to invade their communist 'paradise'. Unable to afford advanced technological deterrents during the Cold War years, the country's communist regime built a costly and extensive network of military bunkers, allocating huge physical and economic resources in a frenzy of construction. Today the people of Albania reuse and recycle these in ways that are both extraordinary and varied: as cafés, homes, restaurants, swimming pools, barns, bridges and water tanks. Over several years Robert Hackman has photographed these strange mushroom-like structures which have now also become a popular element in Albania's burgeoning tourism industry. From 1975 to 1982 former Prime Minister of Albania, Alfred Moisiu, oversaw the fortification of the country with these defensive bunkers. In a fascinating interview he tells their story, estimating that up to 500,000 were built. As he says, 'Albania could not afford to produce aeroplanes and missiles and so we built bunkers instead.' Genti Gjikola, the former Head of Exhibitions at the Albanian National Gallery of Arts, provides an illuminating introduction. In April 2018 he became curator for the Centre for Openness and Dialogue (COD), a unique art-and-culture space at the Office of the Prime Minister of Albania. The book also includes examples of photographs taken by Algerian-born French Michel Setboun in 1981 and by Martin Parr in 1990. ISBN: 9781911306429 Wir senden umgehend mit beiliegender MwSt.Rechnung. Sprache: Englisch Gewicht in Gramm: 896.

Hardcover. Zustand: Brand New. 104 pages. 8.58x12.20x0.70 inches. In Stock.

Softcover. Zustand: Near Fine. Magazine. Quarto. 65pp. Stiff stapled wrappers. Staples oxidation and a few rubbed spots, near fine. Contributors to this poetry anthology include Hackman, Peter Schjeldahl, Philip Whalen, Kenneth Rexroth, Tony Towle, Rochelle Kraut, Bob Rosenthal, Tom Raworth, Lewis MacAdams, Robert Creeley, and Richard Friedman.

Frühe Rüdel-Fotoporträtpostkarte, mit Jahr 1964 eigenhändig vorne und hinten signiert (dito : GROßFOTO, EIGENHÄNDIG SIGNIERT (Presse-GF) Leute gibt's (1982) - mit GISELA KADE, beide Unterschriften signiert Euro 30,-).

Buch. Zustand: Neu. Neuware - To strengthen his own political position, Albania's dictator Enver Hoxha (who ruled from 1944 to 1985), convinced his people that the outside world wished to invade their communist 'paradise'. Unable to afford advanced technological deterrents during the Cold War years, the country's communist regime built a costly and extensive network of military bunkers, allocating huge physical and economic resources in a frenzy of construction. Today the people of Albania reuse and recycle these in ways that are both extraordinary and varied: as cafés, homes, restaurants, swimming pools, barns, bridges and water tanks. Over several years Robert Hackman has photographed these strange mushroom-like structures which have now also become a popular element in Albania's burgeoning tourism industry.From 1975 to 1982 former Prime Minister of Albania, Alfred Moisiu, oversaw the fortification of the country with these defensive bunkers. In a fascinating interview he tells their story, estimating that up to 500,000 were built. As he says, 'Albania could not afford to produce aeroplanes and missiles and so we built bunkers instead.'Genti Gjikola, the former Head of Exhibitions at the Albanian National Gallery of Arts, provides an illuminating introduction. In April 2018 he became curator for the Centre for Openness and Dialogue (COD), a unique art-and-culture space at the Office of the Prime Minister of Albania.The book also includes examples of photographs taken by Algerian-born French Michel Setboun in 1981 and by Martin Parr in 1990.

Five vintage black-and-white studio reference photographs from the 1975 film. 8 x 10 inches. Near Fine.

Complete Eight vintage color studio still photographs from the 1975 film. Each with a printed snipe affixed to the verso. 8 x 10 inches. Near Fine.

Couverture souple. Zustand: bon. R100000054: Non daté. In-12. Broché. Bon état, Couv. convenable, Dos satisfaisant, Intérieur frais. Affiche de cinéma 40 cm x 54 cm. Présenté par Paramount. Une production Wildwood international. . . . Classification : 0-Affiches Cinéma.

Couverture souple. Zustand: bon. R100000055: Non daté. In-12. Broché. Bon état, Couv. convenable, Dos satisfaisant, Intérieur frais. Affiche de cinéma 120 cm x160 cm + 6 photos de présentation de 27 x 21 cm. Présenté par Paramount. Une production Wildwood international. . . . Classification : 0-Affiches Cinéma.

Im original Umschlag (der Umschlag mit ein paar Knickspuren [vgl. Abbildung], eine Karte mit einer leichten Knickspur an der rechten unteren Ecke, sonst absolut tadellose, offenbar bisher kaum aufgefaltete Exemplare). //// In the original envelope (the envelope with a few crease marks [see illustration], map 3 with a slight crease mark at the lower right corner, otherwise absolutely pristine, apparently hardly ever unfolded copies). Erste Ausgabe der ersten Versuchs, Mondmerkmale für wissenschaftliche und technische Zwecke zu kartieren, einschließlich der ersten großen Mondkarte, die stratigrafische Beziehungen zeigt. In diesem Zustand wirklich selten. - Cf. Online Source: USGS Astrogeologic Science Center, 1961: USGS Astrogeology's First Published Map. //// First edition of the first attempt to map lunar features for scientific and technical purposes, including the first large lunar map showing stratigraphic relationships. Truly rare in this condition. - Cf. Online Source: USGS Astrogeologic Science Center, 1961: USGS Astrogeology's First Published Map. ----- BITTE BEACHTEN: Auf Grund der absurden und irrsinnig teuren staatlichen Regelungen für die Entsorgung der Versandpappen in den nachfolgenden Ländern, kann ich leider nicht mehr liefern nach: Österreich, Griechenland, Polen. Kunden in ÖSTERREICH können sich aber an die einheimische Post wenden, dort unter Alles Post Deutschland. --- PLEASE NOTE: Due to the absurd and insanely expensive government regulations for the disposal of shipping cartons in the following countries, I can unfortunately no longer deliver to: Austria, Greece, Poland. However, customers in AUSTRIA can contact their local post office, there under Alles Post Deutschland.

No Binding. Zustand: Very Good. 1st Edition. 1 folding map, 1440 x 975 mm, image size 1275 x 940 mm. Light yellowing of paper, some paper thinness on old folds, but generally in a very good condition. ---- VERY RARE FIRST EDITION. The Army Corps of Engineers published the first edition of Arnold Mason and Robert Hackman's four-sheet Engineer Special Study of the Surface of the Moon map set in July 1960. The USGS published a second edition with "minor revisions" in 1961. "Even after the creation of NASA, the Army and USAF studied lunar surface bases . The USAF also began lunar mapping using Earth-based telescopes. The first attempt to map lunar features for scientific and engineering purposes did not, however, originate within the Defense Department. It was begun instead by Arnold Mason of the U.S. Geological Survey (USGS) Military Geology Branch in Washington, DC. . Early in 1959 - soon after Luna 1 - Mason proposed to carry out an analysis of the moon's terrains to determine their suitability for spacecraft landings, travel on foot and by rover, and base construction . he enlisted Robert Hackman and Annabel Brown Olson of the USGS Photogeology Branch in his project . At first, they had available only meager USGS funds. Soon after Luna 2 and Luna 3, however, the Army Corps of Engineers funded their study . They based their analysis on photographic plates from large telescopes on Earth, which under the best viewing conditions could (they estimated) reveal features on the moon no smaller than about a mile across. In fact, features 10 miles wide were barely discernible in most of the photographic images they used. Their work soon drew in as consultants lunar experts Gerard Kuiper (McDonald Observatory), Eugene Shoemaker (USGS Menlo Park), and Robert Dietz (Naval Electronics Laboratory). All three supported the impact hypothesis, which stated that most of the moon's craters are asteroid impact scars; not, as some believed, volcanic calderas. At the time, planetary astronomer Kuiper was hard at work on a USAF-funded lunar photographic atlas; Mason and Hackman would use it near the end of their study. Shoemaker, meanwhile, was busy refining a prototype lunar geologic map of the region containing the large, relatively young crater Copernicus; Hackman would later assist him with identification of lineaments in the Copernicus region. In this sheet 2 of the "Engineer Special Study," titled "Lunar Rays," Mason and Hackman plotted the source craters and extent of the moon's most prominent ray systems . They correctly identified the light-hued rays as ejecta blasted out from young asteroid impact craters." (Online Source: USGS Astrogeologic Science Center, 1961: USGS Astrogeology's First Published Map).

Draft script for the 1993 film. Laid in with the script are three blue pages dated February 14, 1992, noted as "Casting." Based on John Grisham's 1991 novel, about a promising young lawyer who begins to untangle a web of violence and secrecy at his new law firm. Nominated for two Academy Awards, including Best Supporting Actress for Holly Hunter. Shot on location in Memphis, Tennessee, in Cambridge and Boston, Massachusetts, in Mt. Baker, Washington, in Marion, Arkansas, in Washington DC, and in the Cayman Islands. Self wrappers. Title page present, dated November 2, 1992, with credits for novelist Grisham, and screenwriters Robert Towne and David Rayfiel. 144 leaves, with last page of text numbered 138. Xerographic duplication, rectos only, with blue revision pages throughout, dated variously between 11/2/92 and 2/14/93. Pages Very Good plus, lightly toned on the fore-edges, bound with two gold brads.

Zustand: New. &Uumlber den AutorrnrnBorn to an Australian mother and a British father, Robert Hackman moved to London in 1995. His work is primarily documentary and focuses largely on the Balkans, which he visits regularly.Klappentextrnrn.

Original British quad poster for the 1975 US film. Printed in England by Lonsdale & Bartholomew, featuring cool high-contrast design. Sequel to William Friedkin's 1971 classic, "The French Connection." This time, Hackman and Rey both reprising their roles, the action goes down in Marseilles. More drugs, more shootouts, and Doyle is forced into heroin addiction. 30 x 40 inches, folded as issued. Title sticker on the verso, and one central pinhole, else Near Fine. Hardy, The Gangster Film US. Spicer US.

Vintage photograph of actors Peter Fonda, Jean Seberg and Warren Beatty from the 1964 film. With manuscript annotations in pencil on the verso. Based on J. R. Salamanca's 1961 novel of the same name. Vincent (Warren Beatty) a recent Korean War veteran is in training at a mental institution as an occupational therapist where he becomes obsessed with Lilith Arthur (Jean Seberg), a schizophrenic patient whose seductive behavior stirs the order of the mental institution and destabilizes Vincent's own sense of reality. Set in Rockville, Maryland. Shot on location in Virginia, Long Island, and Maryland. 9.75 x 7.5 inches. Near Fine. Grant US.

Vintage oversize borderless double weight reference photograph of Faye Dunaway, Warren Beatty, and Michael J. Pollard from the 1967 film. With a German address stamp to the verso. Perhaps the most significant film for the New Hollywood generation, with its mix of graphic violence, sex, and humor, and a glamourous take on disaffected youth. Its moral ambiguity and bloody ending divided audiences, leading critic Pauline Kael to come to its rescue: "in a sense, it is the absence of sadism. it is the violence without sadism. that throws the audience off balance at Bonnie and Clyde. The brutality that comes out of this innocence is far more shocking than the calculated brutalities of mean killers." Nominated for eight Academy Awards, winning two for Best Cinematography and Best Supporting Actress for Estelle Parsons. Shot on location in Texas and California. 11.75 x 9.25 inches. Very Good plus, with lightly bumped corners and faint soil to the verso. Rosenbaum 1000. Ebert I. Scorsese, A Personal Journey Through American Movies. Penzler 101. Spicer US. Grant US.

Vintage reference photograph of actor Gene Hackman talking with director John Frankenheimer between takes on the set of the 1975 neo-noir film. From the archive of film historian and author Joel Finler. Sequel to William Friedkin's classic 1971 film "The French Connection," based on Robin Moore's 1969 nonfiction book. Hackman and Fernando Rey reprise their roles as narcotics officer and drug kingpin respectively, with a showdown in Marseille. 10 x 8 inches. Near Fine. Hardy, The Gangster Film US. Spicer US.

Vintage double weight reference photograph from the 1967 film, showing director Arthur Penn with a camera crew, capturing an outdoor scene with Faye Dunaway and Warren Beatty. Perhaps the most significant film for the New Hollywood generation, with its mix of graphic violence, sex and humor, and a glamourous take on disaffected youth. Its portrayal of violence and ambiguity in regard to moral values, and 'shock' ending, divided critics. One critic, Pauline Kael, came to its rescue, stating that "in a sense, it is the absence of sadism. it is the violence without sadism. that throws the audience off balance at Bonnie and Clyde. The brutality that comes out of this innocence is far more shocking than the calculated brutalities of mean killers." Winner of two Academy Awards for Best Cinematography and Best Supporting Actress, nominated for eight others. Shot on location in Texas and California. 10 x 8 inches. Near Fine. National Film Registry. Ebert I. Grant US. Penzler, 101 Greatest Films of Mystery and Suspense. Rosenbaum 1000. Scorsese, A Personal Journey Through American Movies. Spicer US.

Six vintage borderless reference photographs from the 1978 film, including one showing director Richard Donner on the set. Stamps specific to the French release on the versos. The origin story of Jerry Siegel and Joe Shuster's famed superhero, an alien sent as a baby from his crumbling home planet to Earth. The wildly popular film foreshadowed the later success of Hollywood superhero franchises, and firmly established Christopher Reeve as the ultimate Superman. Shot on location in Canada, New York, California, New Mexico, Arizona, and England. 9.5 x 7 inches. Near Fine. National Film Registry. Ebert IV.

Eight vintage studio still photographs from the 1972 film. When mob associates turn up dead at the hands of a ruthless businessman, an enforcer is sent to Kansas to investigate. He finds a man who is using the local town to operate a ring of corruption: drugs, bootlegging, and female sexual slavery. The first film credit for Sissy Spacek. Set in Kansas City, shot on location in Canada, Missouri, and Kansas. 8 x 10 inches. Generally Very Good to Very Good plus, moderately curled, one with ink residue on the bottom left corner.