guyton wade (14 Ergebnisse)

Paperback. Zustand: Very Good. No Jacket. Guyton, Wade (illustrator). May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.

Trade Paperback. Zustand: Like New. First Edition. First Edition, First Printing. Not price-clipped ($32 price intact). Published by Parkett, 2008. Quarto. Book is like new. 100% positive feedback. 30 day money back guarantee. NEXT DAY SHIPPING! Excellent customer service. Please email with any questions or if you would like a photo. All books packed carefully and ship with free delivery confirmation/tracking. All books come with free bookmarks. Ships from Sag Harbor, New York.

Hardcover. Zustand: Fine. Qto., 412 pages, colour illustrated. Unused, a Fine copy.

Soft cover. Zustand: Very Good. 1st Edition. 9" x 11.5" softcover book in card wraps with French flaps. 121pp. with illustrations in color. Text in English and Russian. Clean and unmarked. Binding sound. Catalogue of a 2009 group exhibition featuring artists Walead Beshty, Matthew Brannon, Wade Guyton, Sterling Ruby, and Kelley Walker. Curated by Maria Baibakov and Kate Sutton. Wraps with subtle rubbing, minimal shelfwear excepting a heavy bump at foot of spine and a small bump to front upper corner. Page interiors crisp. Overall very good condition.

56 pp.; 41 x 29 cm.; loose leaves; black-and-white & color; edition size 1000; unsigned and unnumbered; offset-printed; Faux periodical / artist's publication published by Aleksandra Mir on September 11, 2002, on the occasion of her 35th birthday and the first anniversary of 9/11 in order to reclaim the day, featuring contributions from over 100 friends and colleagues. Contents include: "Editorial," by Aleksandra Mir; "Happy Birthday from the Lighthouse," by Peter Hill; "To the Editor," by Tim Griffin; "Emergency Love," by Adam McEwen; "Nobody Gives a Shit," comic by Dan Perjovsch; "How to Ride the Bus," by Jennifer Bronstein; "Bike Wreck," by Dan Wilken; "Artists'' Shocking 9/11 Predictions Bring Laughs to New York Celebs at Christie''s ''Central Asian Furniture Show'' and Charity Fundraiser! 700 People in Attendance!;" "Inventory list of my father''s compulsive collection of airline silverware between 1989 - 1997," by Cornelia Schbleck; "B irthday," by Raimar Stange; "Bring in the Clowns: Andy Smith of The Moscow State Circus interviewed by Polly Staple;" "Sydney in September," by Simon Rees; "Long Photographs," by Emil Goh; "Pink Tank;" "The Usher," by Cedar Lewisohn; "The best thing that happened to me in 2002 was that Theo my cousin became a goth and his mate Corrin became a punk," by Tasha Amini; "The World Still Turns," by Kathy Temin; "Alien Sighting," by Samuel Blum; "McCartney & Narcissus," by Gabriel Fowler; "Punching Through the Clouds," Miles Boyce after Mies Van der Rohe; "Crash America," by Ken Hollings; "The World''s Greatest Rebel - at 88," by Andrew Wilson; "Structure Kills," text and photos by hobbypopMUSEUM; "First Woman Takes North Pole!," by I. Hope Halperin; "Cities, Holiday Hotspots and Commerce Zones Rethink Slogans," by Jarrett Mitchell; "Advertisement," by Cecily Brown; "Family Takes Break," by Michelle Grabner; "Tire on Fire," by Brad Killam; "The Housitter''s Club in More Trouble with the Law than Oak Park Homeowners," by Amy Park Saxe; "I read ''Big Asteroid Leaves Scientists Unruffled'', Was Ruffled," by Curtis Whaley; "Abstract Sculpture from Park to Somewhere Else," by Wade Guyton; "September 11 Memorial," by Jeffry Vallance; "The Event Forces Us to Think," by Roger Cook; "11th September," by Kathrin Boehm; a drawing by Claude Closky; "You Deserve to Break Something; "Virulent Images," by Leif Elggren; "QRU (Wuick Response Unit)," by Gavin Wade & Garrick Jones; newspaper clipping submission by Piotr Uklanski; an image by Richard Kern; "Holiday Column," by Aleksandra Mir; a text by Andy Stillpass; "I Remember," by Kaethe Cherney; a text by James Angus; "That Horoscope," by Onome Ekeh; "Skyjack Sunday Over Europe;" "The Long Haul," by Russel Storer; "Strategic Questions," curated by Gavin Wade; "What is Negative? Why?," by Alexsandra Mir for Gavin Wade; "Top Tips," by Kate Fowle; "The Masterpiece," comic by Olivia Plender; "Aldous Eveleigh''s exhibition.;" Image with caption by Harry Staple; image by Milos Manetas; "Re: FWD: A Statement of Conscience," signed by multiple artists including Laurie Anderson, Ida Applebroog, Noam Chomsky, Eve Ensler, Leon Golub and many others; "A Cockney Poem," by Matthew Arnatt; "Curtain," by Paul Noble; "Kisses Honeywagon - The Novel;" "Page Twenty-Six," by Wallace Robertson; "Guarding the dog and the cows," by Antje Majewski and Ingo Niermann; photograph by Gurvan Madec; "woman is." by Dave Beech; "Barman Joe Latimore chronicles the underbelly of New York''s nitelife;" "Ubiquitous Recluse Revives the Eternal," by Johnny Gato; "In Memoriam: Katri Vala," by Cecilia Stenbom and Minna L. Henriksson; "Chalk Circles," by Katri Vala; "Book Review: The Selected Letters of Marianne Moore," by IB; "Suicide Note," by Nanogod; comic by Roberto Cuoghi; "Beware of Windows!," by Stefan Saffer; texts by Jonas Maria Schul; "Recipes," by Coeinna Durland; "My Friend Najla''s Babaganoush," by Jennifer Higgie; "Eulogy for the Living," by Christian Holstad; "Oh Superman," Karl Holmquist after Laurie Anderson; "Birthday Party part III," by Mika Hannula and more. Backcover: "I (Bomb) NY," by Bernadette Corporation. "September 11, 2002. Enjoying my hot-off-the-press Daily on Avenue B with a cup of burned deli coffee. New York''s Hometown Newspaper was printed in an edition of 1,000 on the first anniversary of 9-11, to reclaim my birthday on the same day The newspaper contains articles, poems, drawings, ads, and all sorts of stupid beautiful shit solicited from over 100 physical artist friends and univocally accepted under the open editorial policy as birthday gifts. The back I BOMB NY logo is by the Bernadette Corporation. Looking back though, it is interesting how certain mainstream politicians have taken all our avant-garde strategies, DADA, Punk, Fiction, Surrealism, Performance, Wigs, even FAKE NEWS (homage: Yves Klein), squeezed the dear soul out of them, and weaponized them for their delinquent purposes. If that is really the case of our times, then what is the role of an artist today? Discuss." -- Artist's statement Very Good / Fine. Light yellowing of covers, light bumping of bottom edge and slight curl to spine. Otherwise clean and unmarked. Due to large size of this publication additional shipping charges will be required for international orders.

Hardcover. Zustand: Brand New. new title edition. 64 pages. 8.25x11.25x0.50 inches. In Stock.

Erste Auflage. [64] unpaginierte Blätter. OKarton mit illustriertem, glanzkaschiertem OKlappenumschlag. Sehr gutes Exemplar. Durchgehend mit meist farbigen Abbildungen versehen. Unpaginiertes Künstlerbuch ohne Text. Gleichzeitig Katalog zur gleichnamigen Ausstellung des amerikanischen Konzeptkünstlers (*1972) in der Londoner Serpentine Gallery, vom 29. September 2017 bis zum 4. Februar 2018. Sprache: englisch.

Trembley, Nicolas et al. WADE GUYTON. 240 pages. 4to, cloth. Dijon, Les Presses du Reel, 2019.

Paperback. Zustand: Gut. Guyton, Wade (illustrator). 192 S. mit Abbildungen. Einband mit Gebrauchsspuren, sonst in gutem Zustand, Text sauber. Cover with signs of wear, otherwise in good condition, text clean. --- "In dialogue with some of the most interesting modern and contemporary philo- sophical figures, Bettina Funcke traces the divisions and alternations in twentieth- century art between high and low engagements with popular forms. She reveals fascinatingly how twentieth-century artists not only seek to engage the people but also problematize "the people" as a political and cultural construct." -Michael Hardt, co-author of Empire and Multitude -- "In this far-ranging, muscular book, Bettina Funcke persuasively argues for a renewed attention to the dialectical relationship between high culture and mass culture. Against the notion that the two domains have become wholly indis- tinguishable, Funcke posits a stubborn, even agonistic sphere still discernable between them; in her account, it is the praxis of "contemporary art" that both embodies and reflects upon this condition. Skillfully delivering a complex his- tory of the longstanding, slippery debates around hierarchical and repressive structures of culture, Funcke moves through two centuries of philosophical and art historical discourse. Tending to canonical and often contradictory- premises by authors including Buchloh, Derrida, Foucault, and Greenberg and to still-ambiguous and heavily debated artistic practices like those of Beuys and Warhol, Funcke's analysis extends, with great implication, into the philosophi- cal and artistic details of our own moment. In Pop or Populus, Funcke delivers a cohesive, suggestive narrative that takes up the central issues of contemporary culture and refuses to consider any history a closed case." - Johanna Burton, art historian and critic, Associate Director and Senior Facul- ty, Whitney Museum of American Art Independent Study Program, New York. --- CONTENTS: Preface to the English Edition: Letter from New York - - INTRODUCTION - - The Printer Drawing Illustrations: A Collaboration with Wade Guyton - - I. THE ARCHIVE: PROFIT VERSUS IMMORTALITY - - The Intangibility of the Archive Discursive Praxis The Moment of the Infinite Archival Wars - - Marcel Duchamp: The Transvaluation of Values - - II. ART BETWEEN STATE AND MARKETPLACE - - With Clement Greenberg, a Misunderstanding "Avant-Garde and Kitsch" - - Stateless, But [in] What State? - - Art as Advertising On the Ignorant Peasant Totalitarianism and Mass Culture Mass Culture or Socialism? - - The Popularizations of Jackson Pollock Hans Namuth Films Jackson Pollock - - III. INVENTING THE PUBLIC AS ENEMY - - Ressentiments - - Historical Consciousness and the Partition of the Sensual - - The Masses Laugh Back - - The Artist's Persona on Television - - Andy Warhol: Pure Negativity, Undaunted! - - Raising an Eyebrow - - Joseph Beuys: Charlatanism as Media Strategy - - Mythologies: Benjamin Buchloh and Joseph Beuys - - A Broader Notion of Art and the Broader Public - - Shaman-Showman - - "One must use the means with which one can change something." - - IV. POP ART: DREAMS OF SURPASSING ALL POSSIBLE DIFFERENCE - - Experiments in Art and Technology (E.A.T.) and the Idea of the Emancipated Spectator Technology, Spectacle, and Avant-Garde Video and Local Knowledge The Artist as Amateur and Observer - - Not Merely Pop, but also Populus - - Andy Warhol: Dispersion and Nullification Aufhebungen/Sublations Stars and Icons Media Spaces, "Wild" Archives - - V. DISPLACED STRUGGLING, LOCALIZED STRUGGLES - - The Politics of Aesthetics or the Politics of Art - - Acknowledgments. ISBN 9781933128894 Sprache: Deutsch Gewicht in Gramm: 550.

Zustand: Very Good +. New York: Karma, 2013. First Edition. Quarto (27.3cm); white card dust jacket over plain white wraps; [368]pp; color photos throughout. Jacket clean and crisp with very faint edgewear. Binding sound and pages unmarked. From the publisher: "1 Month Ago documents the contents of the hardcore blog Sfcrewcut one month after a single painting of Guyton's appeared in its feed. Making the digital tactile, the publication examines the realm of re-appropriation amongst online subcultures." 500 copies printed.

Dziewior, Yilmaz. WADE GUYTON: Color, Power & Style. Small 4to, cloth. 128pp, Hamburg, Kunstverein in Hamburg, 2007.

233 S., 28 Bll. Mit zahlr. farb. Abb. 4°, illustr. Orig.-Broschur. Minimale Knickspuren am Rande, sonst gutes Exemplar. 1300 gr.

Zustand: Good. 4to. 84 pp. Stiff, printed wraps with French folds in transparent sleeve. Very good. Full page color plates. Includes additional essay by Vincent Pecoil, "The American Action Printer."Catalog created for exhibit "Wade Guyton" from April 1 through May 28, 2006 at La Salle de Bains in Lyon, France. En Francais.

Soft cover stapled-bound. Zustand: Condition: Very Good. First edition. Catalogue of an exhibition at Air de Paris curated by Fabrice Stroun. Edited by Bettina Funcke. Featuring Wade Guyton, Mai-Thu Perret, Seth Price, Josh Smith and Kelley Walker. With texts chosen by the artists and curator, including Virginia Woolf, Yves-Alain Bois, and Gilbert and George. Continuous Project, a New York-based collective of artists, designers and writers (Bettina Funcke, Wade Guyton, Joseph Logan, and Seth Price), transports whole historical documents, inverting time, funneling the past into the present via facsimile. [42] pp; 42x30 cm.