guy cointet (20 Ergebnisse)

Color Reproductions (illustrator). [unpaginated]; 30.4 x 23 cm.; sewn bound; edition size 2500; unsigned and unnumbered; offset-printed; Exhibition catalogue published in conjunction with show held June 26 - September 29, 1985. Curated by Julia Brown and Jacqueline Crist. Artists include Jo Ann Callis, Suzanne Caporael, Mary Corse, Guy De Cointet, Steve Galloway, Jill Giegerich, Gronk, Willie Herrón, and Bill Viola. Includes interviews with Jo Ann Callis, Suzanne Caporael, Mary Corse, Steve Galloway, Jill Giegerich, Gronk, and Willie Herrón by Julia Brown and Jacqueline Crist and an interview with Guy De Cointet by Emily Hicks conducted one week before he passed away. With statements by Bill Viola. Includes artist's biographies, exhibition histories, and selected bibliographies. Very Good. Rubbing of over edges with 1.6 cm. tear to top edge of dust-jacket at spine. Bumping of bottom edge of recto and first eight pages. Light dust soiling of text block edge. Contents clean and unmarked. Due to large size and weight additional shipping charges will be required for international orders.

First edition and first printing. Hardcover. 271 pages. Monograph on French artist Guy de Cointet. Text in English. Features contributions by Guy, Frederic Paul, Vanessa Desclaux and Christophe Lemaitre. Includes numerous color illustrations, a list of previous exhibitions, and list of public and private collections. A very near fine copy. No dust jacket as issued.

Soft cover. Zustand: Fine. Zustand des Schutzumschlags: Fine. Julia Brown ; Jacqueline Crist; Julia Brown Turrell; Bill Viola, Jill Giegerich, Gronk, Steve Galloway, Guy De Cointet, Willie Herron, Mary Corse, Suzanne Caporael And Jo Ann Callis (illustrator). 1st Edition. Very Large Soft Cover, White Card Covers, Red Dust Jacket. First Printing, One Of Only 2500 Copies. With A Signed Thank You Letter From The Curator, Julia Brown Turrell, Thanking A Major Donor For Helping To Make The Exhibition And Book Publication. Fine In Fine Dust Jacket With Slight Wear Along Top Edge Of Spine And Small Paper-Clip Indentation At Top Edge Of Dust Jacket. Signed by Author(s).

Hardcover. Zustand: Brand New. 2nd edition. 160 pages. 9.00x6.75x0.50 inches. In Stock.

[30] pp. + [4] pp.; 15.2 x 15.4 cm.; staple bound; black-and-white & color; edition size unknown; unsigned and unnumbered; offset-printed Catalogue of prints produced by Cirrus Editions between 1973 and 1974. Includes short text and index of the staff of Cirrus: Ed Hamilton, Chris Cordes, Charles Levine, Mary Sundstrom, Perry Tymeson, Jane Aman, Constance Lewallen, Elizabeth Jerde, Terry Inch and Jean Milant. Artists include Allan McCollum, Joe Goode, David Trowbridge, Charles Christopher Hill, Tony Delap, Bruce Nauman, Ed Ruscha, Ed Moses, Marvin Harden, Tom Holland, Raul Guerrero, Karen Hansen Carson, Chris Burden, Guy De Cointet, Michael Balog, Craig Kauffman and Judy Chicago. Includes color corrected images for David Trowbridge's "untitled" and Joe Goode's "Untitled" slipped in. Fair / Good. Moderate overall soiling of covers and light rubbing of cover edges. Contents clean and unmarked. Includes color correction insert.

Zustand: Very Good. Pages intact with possible writing/highlighting. Binding strong with minor wear. Dust jackets/supplements may not be included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Hardcover. Zustand: Brand New. har/pstr/b edition. 197 pages. 9.00x6.00x1.00 inches. In Stock.

135, (1) S. Orig.-Leinenband. - Sehr guter Zustand innen und außen.

Zustand: Good. 8vo. 27 pp. Oblong. Soft cover. Very Good+. Illustrated paper wraps. Staple binding. B&W plates throughout. Extremely Scarce.Collection from San Francisco Museum of Modern Art.

64 pp.; 27.9 x 21.5 cm.; staple bound; black-and-white; edition size unknown; unsigned and unnumbered; offset-printed; June - July 1975 issue of Journal, edited by Peter Clothier. Includes introduction to the issue by Peter Clothier; "Boxed Thinking," by John Baldessari; "Language and Structure," by Richard Kostelanetz; "Untitled," Guy de Cointet; "Language of Ligh,t" by Greg S. Card; "200 Black Pens," by Bart Thrall; "Two Poems," by John Schroeder, "Poem," by Margaret Cesa; "The Voy Age," by Emmett Williams; "Why Language," by George Miller; "The Information Man," by Ed Ruscha; from "The King's Meditations," by Eleanor Antin; "Leslie Kester," by John Cates Curtis, "Mercury (detail)," by Scott Grieger; "Two Poems," by Clayton Eshleman; "Doug Debber," by Melinda Wortz; "Air Condition," by Allan Kaprow; "Two Poems," by Michael Brod and letters / notes. Additionally incorporates cataglogue for the show "Collage and Assemblage" held at LAICA, March 29 - May 23, 1975. Very Good. Rubbing of covers and cover edges. Contents clean and unmarked.

Soft cover. Zustand: Fine. 1st Edition.

Second printing. Softcover. Printed in an edition of 1000 copies. Artist book. A very good copy in printed wrappers with some minor wear. Internally a clean copy.

72 pp.; 27.5 x 21.3 cm.; staple bound; black-and-white; edition size unknown; unsigned and unnumbered; offset-printed; September/October 1983 issue of Journal. Edited by Cindy Berry. Contents include:"Guy de Cointet, In Memorium," by unattributed artists; "History Repeats Itself, Part II," by unattributed artists; "Why I Go to the Movies Alone," by Richard Prince; "Representational Drawing Today," Phyllis Plous; "After the Revolution, Cuba in Photographs," by Emily Hicks; "Big Folks," by Suzanne Muchnic; "Is It Curtains for the T.V. Window?," by Beverly O'Neill; "The Rocket Ship Tree," by John Beach; "Gordon Wagner: Magician and Mythmaker," by Judith Hoffberg "Vortex," by unattributed artists. Cover: William Brice. Reference : "Artists' Magazines : An Alternative Space for Art" by Gwen Allen. Cambridge / London, MA / United Kingdom : The MIT Press, 2011, pp. 271. Very Good / Fine. Very light bumping of top and bottom edges of publication. Additional very light edgewear. Contents clean and unmarked.

64 pp.; 35.5 x 27.2 cm.; staple bound; black-and-white & color; edition size unknown; unsigned and unnumbered; offset-printed; Edited by General Idea, AA Bronson, Felix Partz, and Jorge Zontal. Essays "The Schizo and Language," by Louis Wolfson; "The Primal Speech," by Jean-Pierre Brisset; "On the Current Symbolic Status of Oil," by Duncan Smith; "The Future of Machine / The Telaxic Synapsulator is the First Meta-Machine," by Kenneth King; "The Start of a 27 Volume Analysis of "Everything"," by Richard Foreman; "Measuring Tape / Filmstrip," by Stuart Sherman; "Giving Thought a Language," by Stuart Sherman, interviewed by Sylvere Lotringer; "Stalin Gazing Enigmatically on the Body of Lenin," by Art Language; "My Vacation," by Mark Beyer; "Most Evil Vehicle," by John Scott; "Mrs. Newton," by Guy De Cointet; "The Relay Race," by Michael Smith; "Do You Have a Drinking Problem?," by General Idea "Editorial," by Sylvere Letranger. References : No. 8005 in "General Idea : Editions 1967 - 1995" by General Idea, Barbara Fischer, AA Bronson, Fern Bayer, Jean-Christophe Ammann, Lionel Bovier, Cathy Busby, Christophe Cherix, Joshua Decter, Diedrich Diederichsen, Mike Kelley, John Miller, Philip Monk, Stephan Trescher. Toronto, Canada : Blackwood Gallery, University of Toronto at Mississauga, 2003, pp. 133. "In Numbers : Serial Publications by Artists Since 1955" by Andrew Roth, Philip Aarons, Victor Brand, Clive Phillpot, Neville Wakefield, Nancy Princenthal, William S. Wilson. Zurich / New York, Switzerland / NY : JRP - Ringier / PPP Editions, 2008, pp. 175. "Artists' Magazines : An Alternative Space for Art" by Gwen Allen. Cambridge / London, MA / United Kingdom : The MIT Press, 2011, pp. 260. Good / Very Good. Rubbing to covers and light bumping. Contents clean and unmarked with tight to the spine pages.

32 pp.; 17.1 x 25.4 cm.; staple bound; black-and-white; edition size 2000; unsigned and unnumbered; offset-printed; Fall 1976 premiere issue of Choke, edited by Barbara Burden and Jeffrey Gubbins. Contents include: "Editorial;" "Studio as Fortress," by Michael McMillen; "Figueroa Flowers," by George Herms; "Sharp Wits & Hot Tongues," by Tom Wudl; "Consolidated B-24 'Liberator,'" by Margaret Nielsen; "Empty Sky," by Scott Grieger; "Diamond Mind," by Bruce Nauman; "Habitable Environments," by Edward Wortz; "B-Car," by Chris Burden; "Thick Foliage," by Guy de Cointet and "Goodbye to the Bicentennial," by Billy Adler. Very Good / Fine. Light edge-wear with light overall soiling of covers. 4 mm. of bumping to right side edge of publication. Contents clean and unmarked.

Original silver boards. pp. (145). A collaborative, conceptual artist?s book, written in the form of photographic code, produced in California in Larry Bell?s studio when Guy de Cointet was his assistant. Bell provided Guy de Cointet with a total of 29 different photographs, which are then arranged by de Cointet in tightly-arranged horizontal grids, a combination of 49 varied images per page. In each of the small images what appear to be dancers perform leaps, hold poses, or walk in front of the camera. Bell inverts some of the images so that the curtained wall behind the dancers ?reads? like an oscillating line. De Cointet, noted for his puzzling code books, then went on to convert the photographs into a meaningful text. Each of the photographs apparently corresponds to an alphabetical letter or to a punctuation sign. A narrow horizontal strip (150 cm in length), folded and secreted inside a rear cover pouch, is the key to deciphering the book, and translating photographic image into text. Concepts prevalent in much of Guy de Cointet?s work, including archaeology, crypto-analysis and linguistics are therefore evident in this book, as the book?s content unfolds before the trial and error process of decoding. Signed by both Bell and de Cointet on the inside rear cover, underneath the deciphering strip. Published in an unknown edition, but supposedly fewer than 200 copies of the book were bound before the sheets were lost as Bell moved his studio to Taos, New Mexico. This copy interestingly also has Bell?s Taos address calling card, under his pseudonym of ?Dr. Lux?.

[28] pp.; 25.4 x 19.1 cm.; glue bound; monochrome; edition size unknown; unsigned and unnumbered; offset-printed Artist's book by Guy de Cointet featuring cyphers with legible text interspersed amongst the un-decoded cyphers. Good. Moderate yellowing and dust soiling of covers with rubbing of spine edge and cover edges. Light cracking of glue binding. Contents clean and unmarked.

Illustrated Wrappers. Zustand: Near Fine. First Edition 1/700. np (48pp), profusely illustrated in b&w. In a protective clear acetate dustwrapper. "A Captain From Portugal" is the first artist's book published by the late Parisian-born, Los Angeles-based conceptual and performance artist Guy de Cointet. It is comprised of primarily rune-like letterforms of a self-devised language with an example of music, and what appears to be a line of hieroglyphics thrown in. While it bears no publication details - nor in fact any English - it is noted as having been self-published by the artist in 1972 in an edition of seven hundred copies in Frederic Paul's authoritative 2014 Flammarion monograph "Guy de Cointet". A most handsome example of this exceedingly uncommon item - only four copies are currently cited in OCLC WorldCat - showing a bit of age-toning and soiling to its white wrappers. Artist's Book.

Printed Wrappers. Zustand: Very Good. First Edition 1/600. np (75pp). In a protective clear acetate dustwrapper. This is a quirky artist's book published by the late Parisian-born, Los Angeles-based Conceptual and performance artist Guy de Cointet. "Written" in his self-devised, unintelligible language, there are no illustrations, English, nor any publication details to be found here. It is noted as having been issued by the artist in an edition of six hundred copies in 1973 in the bibliography of Frederic Paul's "Guy de Cointet" published by Flammarion in 2014. A most handsome example of this uncommon item - only nine copies are currently cited in OCLC WorldCat - additionally BOLDLY SIGNED AND DATED "For Peg / Guy de Cointet / Dec 16, '74" in red ink on the front free endpaper showing just a bit of wear and age-toning. Signed Presentation Copy from the Artist. Artist's Book.

Illustrated Wrappers. Zustand: Near Fine. First Edition 1/700. np (48pp), profusely illustrated in b&w. In a protective clear acetate dustwrapper. "A Captain From Portugal" is the first artist's book published by the late Parisian-born, Los Angeles-based conceptual and performance artist Guy de Cointet. It is comprised of primarily rune-like letterforms of a self-devised language with an example of music, and what appears to be a line of hieroglyphics thrown in. While it bears no publication details - nor in fact any English - it is noted as having been self-published by the artist in 1972 in an edition of seven hundred copies in Frederic Paul's authoritative 2014 Flammarion monograph "Guy de Cointet". A most handsome example of this exceedingly uncommon item - only four copies are currently cited in OCLC WorldCat - showing a bit of age-toning and soiling to its white wrappers. Artist's Book.