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ISBN 10: 1593113447 ISBN 13: 9781593113445
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In den WarenkorbZustand: Good. Your purchase helps support Sri Lankan Children's Charity 'The Rainbow Centre'. Ex-library, so some stamps and wear, but in good overall condition. Our donations to The Rainbow Centre have helped provide an education and a safe haven to hundreds of children who live in appalling conditions.
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In den WarenkorbZustand: New. 2005. Hardcover. . . . . . Books ship from the US and Ireland.
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Verlag: Oxford University Press Inc, 2024
ISBN 10: 0197523935 ISBN 13: 9780197523933
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Buch. Zustand: Neu. Neuware - The Oxford Handbook of Music and the Middlebrow takes a fresh look at the history of nineteenth- and twentieth-century music. Offering an alternative to the traditional focus on either highbrow modernism on the one hand or lowbrow popular music on the other, its novel view centers on the wealth of previously overlooked products and practices that bridged the space between these cultural extremes.While seminal attempts to recover middlebrow culture came from literary critics and historians, middlebrow studies is now a burgeoning field within musicology. As the first essay collection on this topic, this handbook has two aims: first, it seeks to explore the middlebrow as a historical phenomenon, excavating the kinds of critical writings, marketing practices, and compositional styles with which it was associated. By reanimating a range of musical practices and products--from symphonic concerts to Broadway musicals, opera criticism to rock journalism, and modern jazz to pop-rock--the contributors investigate how artists, critics, and audiences breached the divide from both above and below. In the process, the handbook chapters push the boundaries of middlebrow studies and demonstrate the category's relevance outside of the mid-twentieth-century Anglophone world by delving into the nineteenth century, interrogating the present day, and looking to Germany, Russia, and beyond.The handbook's second aim is to complicate the disciplinary divisions that have flowed from the entrenched oppositions between high and low genres. Breaking new ground by bringing together scholars of classical and popular music, these chapters trace common middlebrow themes across traditional disciplinary boundaries. Across this broad vista, contributors account for the kinds of syntheses, overlaps, and juxtapositions that made the cultural middle such a richly textured and endlessly contested terrain.
Verlag: N.p., London, 1953
Anbieter: Royal Books, Inc., ABAA, Baltimore, MD, USA
Manuskript / Papierantiquität
Original typescript draft for the 1954 play. With brief manuscript annotations throughout, mostly by a proofreader. Laid in note addressed to Alec Clunes, manager of the Arts Theatre in London, submitting script for review. First performed at the Aldwych Theatre in London May 1954, and then again in the US at the ANTA Playhouse in New York City, debuting on February 23, 1955 and closed on April 23, 1955, for an extended preview season total of 69 performances, starring Tyrone Power, Christopher Plummer, and Sydney Pollack, with incidental music by Leonard Bernstein. The third in a quartet of 'seasonal' plays by Fry, representing winter, preceded by 1948's "The Lady's Not For Burning" representing spring and 1950's "Venus Observed" representing autumn, and preceding 1970's "A Yard Of Sun," representing summer. Black untitled wrappers. Title page present with credits for playwright Christopher Fry. 42 leaves, with last leaf of text numbered 39. Typescript. Pages Very Good plus, wrapper Near Fine, bound with two staples.