gustave smet (65 Ergebnisse)

Zustand: acceptable. Ausreichend/Acceptable: Exemplar mit vollständigem Text und sämtlichen Abbildungen oder Karten. Schmutztitel oder Vorsatz können fehlen. Einband bzw. Schutzumschlag weisen unter Umständen starke Gebrauchsspuren auf. / Describes a book or dust jacket that has the complete text pages (including those with maps or plates) but may lack endpapers, half-title, etc. (which must be noted). Binding, dust jacket (if any), etc may also be worn.

Zustand: good. Befriedigend/Good: Durchschnittlich erhaltenes Buch bzw. Schutzumschlag mit Gebrauchsspuren, aber vollständigen Seiten. / Describes the average WORN book or dust jacket that has all the pages present.

Zustand: good. Befriedigend/Good: Durchschnittlich erhaltenes Buch bzw. Schutzumschlag mit Gebrauchsspuren, aber vollständigen Seiten. / Describes the average WORN book or dust jacket that has all the pages present.

Hardcover. Zustand: Very Good+. 1st Edition. Hardcover without jacket. Binding sound, text clean, very light shelfwear. 96 pages. Heavy book: priority or international shipping may be extra. Book.

First Edition. First edition. Softcover. Exhibition catalog for a show that ran May through June 1950. Text in French by Em. Langui. Includes 14 black and white illustrations. An about very good copy in stapled wrappers with a small tear to one of the plates and with some creasing to the that page as well and with a few small checkmarks to the checklist. Uncommon.

Zustand: Bon. Merci, votre achat aide à financer des programmes de lutte contre l'illettrisme.

Soft cover. Zustand: Good. 88 pp., sewn in pictorial stiff paper wrappers (with woodcut attributed to Gustave de Smet). Wrappers a bit discolored and small tears at edges, age toning, wrappers a bit loose. More than acceptable copy. 26 x 19 cm.

Zustand: Bon. Merci, votre achat aide à financer des programmes de lutte contre l'illettrisme.

Paris - Limoges, directeurs : Marcel Béalu et René Rougerie. Un volume 22,5x14cm broché de 156 pages. Tirage ordinaire à 1000 exemplaires sur bouffant. Couverture décolorée sinon bon état. La revue, dont la librairie de Marcel Béalu, Le Pont traversé, était le point principal de diffusion parisienne, a paru de 1955 à 1971. Elle compte au total 42 numéros en 34 livraisons. Excellent sommaire : Max Jacob, Sacrifice impérial - Jean-Jacques Kim, Trois récits - Gustav Meyrinck, Les vampires voleurs de temps - Francis Ponge, Le soleil placé en abîme - Renée Rivet, L?ouvrière du temps - Michel de Smet, Histoires - Ludwig Tieck, Le chat botté. Livres.

Hardcover. Zustand: Very Good. Zustand des Schutzumschlags: Very Good. 1st Edition. Sm.8° - 15pp - One Color & 24 B/w PLates. Gustave De Smet (1877-1943) Belgian painter. Together with Constant Permeke and Frits Van den Berghe, he was one of the founders of Flemish Expressionism. First edition, text in Fench, captions in Flemish and French. Original boards and dust-jacket. In Very good condition.

couverture souple. Editions Francis Salabert | Paris 1913 | 27.60 x 35.30 cm | une feuille rempliée et une libre | Edition originale de cette partition pour piano, premier plat illustré en couleurs pas Léon Pousthomis. Agréable exemplaire. | [ENGLISH DESCRIPTION FOLLOWS] First edition of this piano score, first cover illustrated in colors by Léon Pousthomis. Handsome copy. *.

Cloth. Zustand: Very Good Indeed. Zustand des Schutzumschlags: Very Good. Gustave de Smet et al. (illustrator). A seven volume set of works in their original unclipped dustwrappers, looking at significant figures in the Belgium art world. In the original unclipped dustwrappers. By Leo van Puyvelde; Richard Dupierreux, Phillipe Morel de Boucle St Denis; Em. langui; Jan Walravens; Francois Maret; Louis Lebeer. Illustrated by Gustave de Smet; Victor Rosseau; Leon de Smet; Constant Permeke; Valerius de Saedeleer; Emile Claus; James Ensor. This seven volume set looks at prominent Belgian artists from the nineteenth and twentieth centuries. A lot of these artists were colleagues and knew each other well. This set contains; 'Gustave de Smet', written by Leo van Puyvelde and published in 1949. With a coloured frontispiece, portrait of Smet, and twenty-four plates. Smet was one of the founders of Flemish Expressionism, and worked with a mixture of Expressionism and Cubuism. Puyvelde was a Belgian art historian, and was considered one of the art experts in Belgium at the time. 'Victor Rousseau', written by Richard Dupierreux and published in 1949. With a frontispiece, and twenty-eight plates. Rousseau was a sculptor, having his work displayed at the Botanical Garden of Brussels, and at the Art Nouveau Hotel Hannon in Belgium. Dupierreux was an art critic, becoming the head of the artistic and theatre contributions in 'Le Soir'. 'Leon de Smet', written by Philippe Morel de Boucle St Denis' and published in 1949. With a coloured frontispiece, portrait of Smet, and twenty-four plates. Smet was the younger brother of Gustave de Smet. He was a distinguished artist, and was heavily influenced by the Impressionists. Morel de Boucle Saint-Denis was an artist himself, best known for his portraits and still-lifes. 'Constant Permeke', written by Em. Langui and published in 1947. With a coloured frontispiece, portrait of Permeke, and twenty-four plates. Permeke was a sculptor, and was a leading figure in Flemish Expressionism. Langui was an art historian, writing for the weekly publication 'Vooruit' about art. He published works about other artists, including Paul Delvaus and Marino Marini. 'Valerius de Saedeleer', written by Jan Walravens and published in 1949. With a coloured frontispiece, portrait of Saedeleer', and twenty-four plates. Saedeleer was a landscape painter, and was a prominent figure in modernist trends in painting. Walravens was an essayists, who founded the experimental magazine 'Tijd en Mens'. 'Emile Claus', written by Francois Maret, published in 1949. With a coloured frontispiece, portrait of Claus, and twenty-four plates. Claus was a painter, who found himself inspired by his cottage in Astene, which had a beautiful view of the river Lys. Maret was an art critic and painter, who was the editor of 'Tribune Dramatique' and translated a lot of Dutch critical art books. 'James Ensor Aquafortiste', written by Louis Lebeer and published in 1952. With a frontispiece and twenty-eight plates. Ensor was a painter who was an important influence on expressionism and surrealism . As he aged, he begun to favour more colourful pieces with more bizarre subject matters. Lebeer was an art historian. Collated, complete. In the original publisher"s quarter cloth binding, with "Emily Claus", "Valerius de Saedeleer", "Leon de Smet", "Victor Rosseau", "Gustave de Smet", and "Constant Permeke" being in imitation of morocco, with paper to the boards, and in the original unclipped dustwappers. Externally, smart. Very minor bumping to the head and tail of the spines and to the extremities. Light bump to the head of the front and rear board of "Gustave de Smet". Very minor edgewear to the dustwrappers. Light marking to the wraps and to the spines, causing a little discolouration due to the light colour. Chip to the head of the front wrap to "Emile Claus", as well as some light creasing to the rear joint. Small closed tear to the head of the front wrap of "Leon de Smet".nVery small chip to the tail of the spine to "Valerius de Saedeleer". Light chipping and closed tears to the head of the front and rear wrap and spine of "Victor Rosseau". Small markings to the reverse of the dustwrapper. Large chip to the head of the front board, onto the head of the spine and rear board, of "Gustave de Smet". A little light discolouration to the reserve of the dustwrapper to "Constant Permeke". Internally, firmly bound. Pages are bright and clean. Plates 17 to 20 of "Constant Permeke" have been creased to the fore edge. Very Good Indeed. book.

3. S.l.s.d. (Gent, Het Licht 1923), in-4°, 27,5 x 21,5 cm, 40 pp , 16 planches h.t. en noir/blanc, une pl. color. broché, couverture orig.

Soft cover. Zustand: Very Good. Zustand des Schutzumschlags: Poor. Gustave De Smet (illustrator). 1st Edition. Original paperback from the publisher with jacket (weak, with small missing parts): Poor, 25 x 17 cm, 39 pp., French, 1st edition, illustrations, book condition: Very good Ex. no. 56 / 200 With 5 engravings out of text and 16 ornaments by Gustave De Smet [This description may have been translated by AI.].

Warmenhuizen, 1978. Tentoonstellingsdienst Culturele Raad Noord-Holland. Softcover. 19,5 x 21 cm. Met illustraties in kleur en z/w. 15 pag + loskatern [ 6 pag. waarop op 3 ingeplakte kleurenillustraties] - naam voorin wel een UITSTEKEND EXEMPLAAR [Art / international artist [Buitenlandse Kunstenaars] ].

2. Bruxelles, éditions Sélection, 1923, in-8°, original issue as published, 110 pp, sewn, original wrapper ( woodcut design by Gustave De Smet). Original wrapper completely loose, margins of wrapper a bit frayed and discolored , spine missing. ( wrapper was printed on paper which has become brittle by now). Texts in French. Complete copy of an original issue of this Belgian avant-garde art periodical. Contains e.g. a large article by Waldemar Georges on Picasso. Exemplaire complet d'un numéro original de cette revue d'avant-garde belge, couverture détachée.

0. Anvers, éditions Sélection, 1927, in-8°, original issue as published, ca. 150 pp, sewn, original wrapper ( woodcut design by Gustave De Smet). Original wrapper a discolored and with loss of paper, back wrapper completely missing, spine with damage and loss of paper. ( wrapper was printed on paper which has become brittle by now). French. Original issue of this Belgian avant-garde art periodical. Contains also the yearly index. Contains an original woodcut by Tijtgat, and by Jan Cantré.Exemplaire , sans couverture postérieure d'un numéro original de cette revue d'avant-garde belge.

2. Anvers, éditions Sélection, 1928, 26,5 x 19 cm, 136 pp avec des ill. n/b, broché, couverture originale (couverture souill. et un peu picquée). Numéro spécial de la revue avant-garde Sélection, avec des contributions de Luc & Paul Haesaerts - André de Ridder - P.G. Van Hecke.

2. Anvers, éditions Sélection, 1924, in-8°, original issue as published, ca. 110 pp, sewn, original wrapper ( woodcut design by Gustave De Smet). Original wrapper a bit loose and dustsoiled, spine damaged, margins of wrapper a bit frayed and discolored. ( wrapper was printed on paper which has become brittle by now). Texts in French. Complete copy of an original issue of this Belgian avant-garde art periodical. Contains e.g. article by Fernand Léger ( La Machine) , Paul Neuhuys ( Du Roman), an original woodcut by Jozef Cantré.Exemplaire complet d'un numéro original de cette revue d'avant-garde belge, couverture détachée ou abimée.

2. Anvers, éditions Sélection, 1924, in-8°, original issue as published, ca. 110 pp, sewn, original wrapper ( woodcut design by Gustave De Smet). Original wrapper a bit loose and dustsoiled, spine damaged, margins of wrapper a bit frayed and discolored. ( wrapper was printed on paper which has become brittle by now). Texts in French. Complete copy of an original issue of this Belgian avant-garde art periodical. Contains e.g. articles by Max Jacob, René Crevel, Georges Thialet.Exemplaire complet d'un numéro original de cette revue d'avant-garde belge, couverture abimée.

0. Anvers, éditions Sélection, 1926, in-8°, original issue as published, ca 80 pp, sewn, original wrapper ( woodcut design by Gustave De Smet). Original wrapper a bit discolored, spine with minor damage (with some loss of paper) . Backwrapper completely detached. ( wrapper was printed on paper which has become brittle by now). Texts in French. Complete copy of an original issue of this Belgian avant-garde art periodical. Contains e.g. articles by Haesaert ( L'Architecture hollandaise) ; Philippe Datz ( Eugène , Prince de Danemark ) .Exemplaire complet d'un numéro original de cette revue d'avant-garde belge, couverture légèrement abimée.

2. Anvers, éditions Sélection, 1923, in-8°, original issue as published, ca. 120 , sewn, original wrapper ( woodcut design by Gustave De Smet). Original wrapper completely loose, margins of wrapper a bit frayed and discolored , spine missing. ( wrapper was printed on paper which has become brittle by now). Texts in French. Complete copy of an original issue of this Belgian avant-garde art periodical. Contains e.g. poems by Jean Cocteau, an article of E.L.T.Mesens on music , Paul van Ostayen on Heirich Campendonck, Léon Duisberg on Paul Valéry. Exemplaire complet d'un numéro original de cette revue d'avant-garde belge, couverture détachée.

0. Anvers, éditions Sélection, 1925, in-8°, original issue as published, ca. 110 pp, sewn, original wrapper ( woodcut design by Gustave De Smet). Original wrapper dustsoiled, spine damaged, cover completely loose margins of wrapper frayed and discolored. ( wrapper was printed on paper which has become brittle by now). Texts in French. Complete copy of an original issue of this Belgian avant-garde art periodical. Contains e.g. articles by Jean Mollet ( Lettre à Guillaume ) ; Paul Collaer on Erik Satie ; Paul van Ostayen on Floris Jespers ; E.L.T.Mesens ( Crime Distingué ).Exemplaire complet d'un numéro original de cette revue d'avant-garde belge, couverture légèrement abimée.

Gent, Het Licht 1923, 33 x 25,5 cm, 54 pp ,with b/w ill. orig. wrapper. text in Dutch. (wrappers soiled, back wrapper completely loose).

0. Anvers, éditions Sélection, 1924, in-8°, original issue as published, ca. 110 pp, sewn, original wrapper ( woodcut design by Gustave De Smet). Original wrapper dustsoiled, spine slightly damaged, margins of wrapper a bit frayed and discolored. ( wrapper was printed on paper which has become brittle by now). Texts in French. Complete copy of an original issue of this Belgian avant-garde art periodical. Contains e.g. articles by Max Jacob, René Crevel, Georges Thialet.Exemplaire complet d'un numéro original de cette revue d'avant-garde belge, couverture légèrement abimée.

Brussels, Aux editions Lumière, collection Témoignages, 1945, 283 pp, index, bibliography, sewn, orig.wrappers.

0. Anvers, éditions Sélection, 1926, in-8°, original issue as published, 88 pp, sewn, original wrapper ( woodcut design by Gustave De Smet). Original wrapper a bit discolored, spine with damage and loss of paper. ( wrapper was printed on paper which has become brittle by now). French. Complete copy of an original issue of this Belgian avant-garde art periodical. Contains articles by e.g. Franz Hellens ( Les seins de Jeannette) ; Robert Poulet ( Le sens du Cinéma ) ; Leon Duesberg on F. van den Berghe.Exemplaire complet d'un numéro original de cette revue d'avant-garde belge.

2. Gent, Het Licht, 1923, 27,5 x 21,5 cm, 51 pp , b/w ill. softcover. (soiled, back damaged).

0. Anvers, éditions Sélection, 1924, in-8°, original issue as published, ca. 110 pp, sewn, original wrapper ( woodcut design by Gustave De Smet). Original wrapper a bit dustsoiled, spine slightly damaged, lower wrapper completely detached, margins of wrapper a bit frayed and discolored. ( wrapper was printed on paper which has become brittle by now). Texts in French. Complete copy of an original issue of this Belgian avant-garde art periodical. Contains e.g. articles by Tristan Tzara ( Mouchoir de Nuages ) ; G. Thialet on Anatole France ; Georges Marlier on Hubert Malfait.Exemplaire complet d'un numéro original de cette revue d'avant-garde belge, couverture légèrement abimée.

0. Anvers, éditions Sélection, 1926, in-8°, original issue as published, ca 80 pp, sewn, original wrapper ( woodcut design by Gustave De Smet). Original wrapper a bit discolored, spine with minor damage (with some loss of paper) . ( wrapper was printed on paper which has become brittle by now). Texts in French. Complete copy of an original issue of this Belgian avant-garde art periodical. Contains e.g. articles by Haesaert ( Peindre.) ; Robert Poulet ( Sous le signe de la nuit). Pierre Morhange ; Van Hecke on Fritz van den Berghe ( with 16 illustrations). .Exemplaire complet d'un numéro original de cette revue d'avant-garde belge, couverture légèrement abimée.