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Hardcover. Zustand: Very Good. 1. It's a well-cared-for item that has seen limited use. The item may show minor signs of wear. All the text is legible, with all pages included. It may have slight markings and/or highlighting.

Paperback. Zustand: Wie neu. 268 S. Like new. Shrink wrapped. Sprache: Englisch Gewicht in Gramm: 540.

Hardcover. Zustand: Très bon. Ancien livre de bibliothèque avec équipements. Edition 2009. Ammareal reverse jusqu'à 15% du prix net de cet article à des organisations caritatives. ENGLISH DESCRIPTION Book Condition: Used, Very good. Former library book. Edition 2009. Ammareal gives back up to 15% of this item's net price to charity organizations.

Softcover. Zustand: Très bon. Ancien livre de bibliothèque avec équipements. Edition 1998. Ammareal reverse jusqu'à 15% du prix net de cet article à des organisations caritatives. ENGLISH DESCRIPTION Book Condition: Used, Very good. Former library book. Edition 1998. Ammareal gives back up to 15% of this item's net price to charity organizations.

Zustand: Neuf.

Zustand: Good. This is an ex-library book and may have the usual library/used-book markings inside.This book has soft covers. In good all round condition. Please note the Image in this listing is a stock photo and may not match the covers of the actual item,550grams, ISBN:9789042027510.

Zustand: New. In.

État de NEUF / New condition 412-90266 '9782841372669 29/10/2012 Jérôme Millon Broché.

hardcover. Zustand: New. 1st.

Zustand: Neuf.

Gr.-8°, paper back. 1. ed. XXII, 432 p. Shelfmark on spine, stamp on preliminary page and title, otherwise fine copy. Sprache: Englisch Gewicht in Gramm: 0.

Paperback. Zustand: Brand New. 1998 edition. 268 pages. French language. 9.25x6.10x0.63 inches. In Stock.

Taschenbuch. Zustand: Neu. Druck auf Anfrage Neuware - Printed after ordering - Starbursts are regions of unusually rapid star formation, often located in the central parts of galaxies. They differ from more normal regions of star formation in terms of the throughput of mass and the rapidity with which the gas is consumed. In the last twenty years, extensive observational data at most wavelengths have become available on starbursts, but many important issues remain to be addressed, observationally as well as theoretically. How are strong episodes of star formation triggered What is the quantity of gas converted into stars during bursts What is the initial mass function of stars in these events How does the feedback from stars influence the interstellar medium and self-regulate star formation What is the subsequent chemical and photometric evolution How do starbursts rule the formation and evolution of galaxies In recent years, many observational data at different wavelengths (optical, radio, infrared, X-ray) have become available. However, these observations are still fragmentary in the sense that different classes of objects have been observed in different ways, and the coverage is not consistently deep or complete. As a consequence, an overall observational picture of starburst galaxies is missing, and theoretical understanding and modelling have remained highly tentative. The purpose of the school Starbursts: Triggers, Nature, and Evolution was to gather theorists and observers with complementary approaches to the starburst phenomenon, in order to summarize the state-of-the-art of the observations and models, emphasizing the consistency of the various viewpoints.

Zustand: New. In.

Zustand: New. 2007. Bilingual. hardcover. . . . . . Books ship from the US and Ireland.

Taschenbuch. Zustand: Neu. Starbursts: Triggers, Nature, and Evolution | Les Houches School, September 17-27, 1996 | Ajit Kembhavi (u. a.) | Taschenbuch | xi | Englisch | 1998 | Springer | EAN 9783540647010 | Verantwortliche Person für die EU: Springer Verlag GmbH, Tiergartenstr. 17, 69121 Heidelberg, juergen[dot]hartmann[at]springer[dot]com | Anbieter: preigu.

Taschenbuch. Zustand: Neu. Druck auf Anfrage Neuware - Printed after ordering - Starbursts are regions of unusually rapid star formation often located in the central parts of galaxies. Recent observational and theoretical developments have emphasized their importance to understand the connection between star formation, the interstellar medium, and the secular evolution of galaxies. In this book, leading experts in the field introduce the basic processes involved in the physics of starbursts, the phenomenological concepts which are used to describe and model their triggering and evolution, and their link to galaxy formation and history. A specific effort is made to start with pedagogical presentations and to review the state-of-the art of the observations and models, emphasizing the recent breakthroughs and the major issues to be explored in the future.

Hardcover. Zustand: Brand New. 01 edition. 479 pages. 9.50x6.50x1.50 inches. In Stock.

Hardcover. Zustand: New. KlappentextIn this volume, specialists from different fields present case studies of text-image relationships in the religious field (1400-1700) with a methodological and/or theoretical dimension.

Zustand: New. In.

Buch. Zustand: Neu. Neuware - In this volume, specialists from different fields present case studies of text-image relationships in the religious field (1400-1700) with a methodological and/or theoretical dimension.

Hardcover. Zustand: New.

Buch. Zustand: Neu. Neuware - This book examines how secret knowledge was represented visually in ways that both revealed and concealed the true nature of that knowledge, giving and yet impeding access to it.

Paperback, 108 p., 216 x 280 mm, Illustrations:44 b/w, Latin, French. *NEW . ISBN 9782503569666. Le peintre Otto Vaenius (Leyde 1556 ? Bruxelles 1629) n?a longtemps t connu que comme le ma tre de Rubens. Depuis quelques d cennies, le regain des tudes embl matiques a remis l?honneur ses recueils succ s : Emblemata Horatiana, Amorum Emblemata et Amoris Divini Emblemata. Mais certains de ses ouvrages plus confidentiels restent encore largement m connus. Tel est le cas des Physicae et theologicae conclusiones (1621), un petit opuscule d?une vingtaine de pages publi dans des circonstances myst rieuses, qui se propose rien moins que de r soudre par des notes et des figures le probl me de la pr destination et du libre arbitre ? un sujet alors br lant, qui a d?ailleurs valu l?auteur des probl mes avec l?Inquisition. Mais l?int r t de l?opuscule va bien au-del de l?enjeu th ologique : par l?invention d?un langage visuel in dit et d routant ( mi-chemin entre le g om trique et le figuratif, entre le diagramme et l?embl me), ainsi que par plusieurs chapitres explicitement consacr s aux pouvoirs des images et de l?imagination, l?ouvrage offre une tonnante cl de lecture l?ensemble de l??uvre de Vaenius, et constitue en m me temps un t moignage frappant de la cr ativit d?une poque en pleine mutation pist mologique. La pr sente dition propose une reproduction en fac-simil de cet opuscule rarissime ainsi que, pour la premi re fois, une traduction int grale en langue fran aise. Le texte est pr c d d?une introduction nourrie, fruit d?une collaboration entre cinq chercheurs croisant des approches historiques, litt raires, artistiques et s miotiques. Les Conclusiones sont ainsi remises dans le contexte de leur poque, au c?ur des querelles th ologiques mais aussi au croisement de deux courants de pens e majeurs qui ont impr gn la r flexion de Vaenius, le n o-sto cisme de Juste Lipse et l?alchimie de Paracelse ; dans un second temps, elles sont tudi es en profondeur dans leur rapport particulier aux images, qui apparaissent la fois comme le moyen et l?objet de la d monstration propos e. Enfin, l?ouvrage se cl ture par une s rie d?outils facilitant la consultation de l?ensemble : trois index (des noms propres, des passages bibliques, des notions fran aises et latines) ainsi qu?une abondante bibliographie. 0 g.

Paperback. Zustand: New.

Taschenbuch. Zustand: Neu. Neuware - Aux limites de l'imitation pose une question audacieuse que les innombrables études existantes sur l'ut pictura poesis à l'âge classique ont eu tendance à laisser dans l'ombre: celle de la matière comme limite de l'imitation, suivant l'hypothèse selon laquelle le surgissement du matériel est à l'origine du délitement de l'ut pictura poesis au cours de l'âge classique. Les études réunies ici abordent cette question pour l'ensemble de l'âge classique (allant du XVIe à la fin du XVIIIe siècle) ainsi que pour les principaux domaines artistiques que l'on peut distinguer (littérature, peinture, sculpture, musique, danse).

652pp., avec 124 bl/w illustrations, publisher's hardcover binding in blue cloth with gilt lettering, 25cm., in the series "Imago Figurata. Studies" volume 7, good condition, weight: 1.2kg., R119725.

Hardback, 652 p., 124 b/w ill., 160 x 240 mm. ISBN 9782503524696. The present volume of essays, Emblemata Sacra. The Rhetoric and Hermeneutics of Illustrated Sacred Discourse, follows a conference that took place in January 2005 in Leuven and Louvain-la-Neuve, thanks to the close collaboration between the Katholieke Universiteit Leuven (Literature Department) and the Universite Catholique de Louvain (the research group 'Figures et formes de la spiritualite dans la litterature et les expressions artistiques'). The 38 essays have been organised in seven sections. The first section ('Historical and methodological issues') presents methodological bases for the study of emblematics and spiritual images, as well as the elements necessary for the Christian contextualisation of the corpus. The second section ('Exegesis of the Scriptures and the Creation'), complementary to the first section, is devoted to exegetical processes developed in different contexts and seeks to emphasise the correspondence between the exegesis of Sacred Scripture and the exegesis of the Creation, which are the two central symbolisms in Christianity. The third section ('The image in absentia') focuses on the most critical aspect of the encounter between the Word and the Image, in the form of a paradoxical iconoclastic image, already mentioned in the first section. The fourth section ('Rhetoric and poetics of the image') exposes the mutual exchanges between the word of the images and the images of the word. The last three sections all deal with the uses of figures in determined contexts. Thus, the fifth section ('The image performance') explores staged, incarnated, and exhibited figures, while the sixth section ('Circulation of images among different faiths') gathers studies about different confessional contexts in which spiritual images are used to support and feed the polemics, and the seventh section ('The efficient image') opens up the chronology toward the 19th century and then to our own time. Languages : English, French. 0 g.

Hardback, XXXVII+482 p., 155 b/w ill. + 10 colour ill., 15,6 x 23,4. ISBN 9782503535838. Ut pictura meditatio: The Meditative Image in Northern Art, 1500 -1700 examines the form, function, and meaning of pictorial images produced and/or circulated in the Low Countries, Germany, and northern France as templates for the meditative life and its spiritual exercises. Our epigraph ut pictura meditatio (as is a picture, so is meditation) connotes the ways in which pictures facilitated meditative prayer and, conversely, the extent to which such prayer was experienced visually. Our essayists are prominent scholars in the fields of art history, history, literary studies, philosophy, and religious studies, all of whom study the ways in which visual images served to structure the interior religious life of laity and clergy in the early modern period. The volume asks how and why images were used not only to initiate, sustain, and structure kinds and degrees of meditative and contemplative devotion, but also to figure the soul's cognitive operations, its negotiation between states of being, between interior and exterior sense, between corporeal and spiritual sight. Implicit in this questioning are further explorations of the nature and scope of the interplay among mental, visual, and verbal images, and the subject positions such images allowed the votary to represent and inhabit. These questions touch upon issues of identity, subjectivity, and figuration that should be of interest to historians of art, literature, religion, and society. Languages : English. 0 g.

Leiden & Boston, Brill, [2022 (copyright 2023)]. XVII,299 pp. Col. ills. Orig. hardcover (boards). 8vo. (Brill's Studies on Art, Art History, and Intellectual History, Vol. 61). [ISBN: 978-90-04-22894-8]. - As new.Intermediality, figurability, iconotext, visual exegesis: these are some of the many new ways in which the relationship between text and image has been explored in recent decades. Scholars have benefited from theoretical work in the fields of anthropology, psychoanalysis, and semiotics, alongside more traditional fields such as literature, art history and cultural history. Focusing on religious texts and images between 1400 and 1700, the essays gathered in this volume contribute to these developments by grounding their case studies in methodology. In considering various relations between the visual and the verbal, the editors have adopted the broadest position possible, emphasizing the phenomenological point of view from which the objects under discussion are examined. Contributors to this volume: Ralph Dekoninck, Grégory Ems, Ingrid Falque, et al. - Text in English. - Publisher's retail price: 140,61.