Groys boris (554 Ergebnisse)

- Softcover
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Paperback. Zustand: Good. In the early 20th century, art and its institutions came under critique from a new democratic and egalitarian spirit. In an age of secularism and materialism, artworks would be understood as merely things among other things. This meant an attack on the techniques of realism, and the traditional mission of the museum, both designed shield a small class of objects from the entropic fate awaiting everything else-and the development of an approach that Boris Groys calls "direct realism": an art that would not produce objects, but practices that could enter the flow of time to live and die like the rest of us. But for more than a century now, every advance in this direction has been quickly followed by new means of preserving art's distinction. In this major new work, Groys, one of the world's leading art theorists, charts the paradoxes produced by this tension, which continues to structure the production and reception of new art. The internet, the latest medium through which artists have attempted to disavow this special status, inverts the most notorious consequence of early modernist developments. If the techniques of mechanical reproduction gave us objects without aura, digital production generates aura without objects, transforming all its materials into vanishing markers of the transitory present.…

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Playing by the Rules: Alternative Thinking/ Alternative Spaces
Steven Rand; Robert Atkins; Julie Ault; Rene Block; Winslow Burleson; Biljana Ciric; Renaud Ego; Sofija Grandakovska; Boris Groys; Marina Grzinic; Pablo Helguera; Naeem Mohaiemen; Raphael Rubinstein; Irene Tsatsos
- Softcover
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- Softcover
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- Softcover
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- Hardcover
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Hardback. Zustand: Good. As communism collapses into ruins, Boris Groys provokes our interest in the aesthetic goals pursued with such catastrophic consequences by its founders. Interpreting totalitarian art and literature in the context of cultural history, this brilliant essay likens totalitarian aims to the modernists' demands that art should move from depicting to transforming the world. The revolutionaries of October 1917 promised to create a society that was not only more just and more economically stable but also more beautiful, and they intended that the entire life of the nation be completely subordinate to Communist party leaders commissioned to regulate, harmonize, and create a single "artistic" whole out of even the most minute details. What were the origins of this idea? And what were its artistic and literary ramifications? In addressing these issues, Groys questions the view that socialist realism was an "art for the masses." Groys argues instead that the "total art" proposed by Stalin and his followers was formulated by well-educated elites who had assimilated the experience of the avant-garde and been brought to socialist realism by the future-oriented logic of avant-garde thinking. After explaining the internal evolution of Stalinist art, Groys shows how socialist realism gradually disintegrated after Stalin's death. In an undecided and insecure Soviet culture, artists focused on restoring historical continuity or practicing "sots art," a term derived from the combined names of socialist realism (sotsrealizm) and pop art. Increasingly popular in the West, sots-artists incorporate the Stalin myth into world mythology and demonstrate its similarity to supposedly opposing myths.…

- Hardcover
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Sprache: Englisch
Verlag: Polity Press, 2022
- Softcover
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Paperback. Zustand: Very Good. Modern history is a history of aesthetizations ? and every aesthetization raises a claim of protection. We aestheticize and want to protect almost everything, including Earth, oceans, the atmosphere, rare animal species and exotic plants. Humans are no exception. They also present themselves as objects of contemplation that deserve admiration and care. For some time, artists and intellectuals struggled for the sovereign right to present themselves to society in their own way ? to become self-created works of art. Today everybody has not only a right but also an obligation to practice self-design. We are responsible for the way we present ourselves to others ? and we cannot get rid of this aesthetic responsibility. However, we are not able to produce our own bodies. Before we begin to practice self-design, we find ourselves already designed by the gaze of others. That is why the practice of self-design mostly takes a critical and confrontational turn. We want to bring others to see us in the way we want to be seen ? not only during our earthly life but also after our death. This is a complicated struggle, and the aim of this book is to describe and analyze it.…

Sprache: Englisch
Verlag: Rizzoli International Publications, Incorporated, 2014
- Softcover
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- Softcover
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- Hardcover
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Sprache: Englisch
Verlag: Rizzoli International Publications, Incorporated, 2014
- Softcover
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- Softcover
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Zustand: New. An insider's account of the art and artists of the most interesting Russian artistic phenomenon since the Russian Avant-Garde. Num Pages: 208 pages, 92 b&w illus. BIC Classification: 1DVUA; ACXJ8. Category: (P) Professional & Vocational. Dimension: 223 x 171 x 11. Weight in Grams: 450. . 2013. paperback. . . . . Books ship from the US and Ireland. …

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- Hardcover
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Ostalgia
Gioni, Massimiliano; Degot, Ekaterina; Misiano, Victor; Mytkowska, Joanna; Pejic, Bojana; Groys, Boris
- Softcover
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- Softcover
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Verlag: Steidl
- Hardcover
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- Hardcover
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Concerning War: A Critical Reader in Contemporary Art (BAK Critical Reader)
Ross Birrell; Boris Buden; Jordan Crandall; Bregje van Eekelen; Boris Groys; Viktor Misiano; Irit Rogoff; Martha Rosler; Sean Snyder; Hito Steyerl
- Softcover
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- Hardcover
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- Softcover
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Zustand: New. pp. 160.