groot thomas (34 Ergebnisse)

hardcover. Zustand: Very Good. Zustand des Schutzumschlags: Good Jacket. . Posted within 1 working day. 1st class tracked post to the UK, Airmail with tracking worldwide. Robust recyclable packaging. Picture is the actual item.

Zustand: New. In.

118 pp.; 27 x 26.9 cm.; staple bound; black-and-white & color; edition size unknown; unsigned and unnumbered; offset-printed; Summer 1982 issue of Artforum edited by Ingrid Sischy. Contents include: "Forum: Waking Up to How We Sleepwalk," by Lawrence Weschler; "Great Expectations: Artists' TV Guide," by Robin White; "Book for Nigel Greenwood," a project by Richard Tuttle; "Framed: Innocence or Gilt?" by Germano Celant; "Three Color + within +," a project by Robert Mangold; "Negative Presences in Secret Spaces: The Art of Eric Orr," by Thomas McEvilley; "In the Absence of Heroes: The Early Work of Georg Baselitz," by Dr. Siegfriend Gohr; "An Iconography of Recent Figurative Painting: Sex, Death, Violence and the Apocalypse," by Marcia Tucker; "Tor-re-a-dora, Blood-up-on-the Floor-a: Peter Brook's Carmen," by Frederic Tuten; "Books: Charlotte Douglas on Russian Avant-Garde Art" and "Reviews," by Colin Westerbeck, Kate Linker, Thomas Lawson, Jeanne Silverthorne, Ida Panicelli, Donald Kuspit, Jamey Gambrell, Richard Flood, Barbara Kruger, Ronny H. Cohen, Lisa Liebmann, Nancy Stapen, Judith Russi Kirshner, John Perreault, Susan C. Larsen, Hal Fischer, Max Wechsler, Gérard-Georges Lemaire, Paul Groot, Saskia Bos, and Stuart Morgan. Cover: Robert Mangold. Good. Light soiling of covers including dust soiling, spiling along cover edges, and rubbing with light edge wear. Contents clean and unmarked. Due to large size and weight additional shipping charges will be required for international orders.

Zustand: Good. This is an ex-library book and may have the usual library/used-book markings inside.This book has hardback covers. In good all round condition. Please note the Image in this listing is a stock photo and may not match the covers of the actual item,850grams, ISBN:9781493923250.

Zustand: New.

Zustand: New. In.

Paperback. Zustand: Brand New. reprint edition. 300 pages. 9.25x6.10x0.68 inches. In Stock.

Taschenbuch. Zustand: Neu. Imaging and Visualization in The Modern Operating Room | A Comprehensive Guide for Physicians | Yuman Fong (u. a.) | Taschenbuch | xii | Englisch | 2016 | Springer | EAN 9781493955596 | Verantwortliche Person für die EU: Springer Verlag GmbH, Tiergartenstr. 17, 69121 Heidelberg, juergen[dot]hartmann[at]springer[dot]com | Anbieter: preigu.

Zustand: New. In.

Taschenbuch. Zustand: Neu. Druck auf Anfrage Neuware - Printed after ordering - This text provides a state of the art overview of tools for guiding surgeons in the modern operating room. The text explains how many modalities in the current armamentarium of radiologic imaging have been brought to the operating room for real time use. It also explains the current use of near infrared, fluorescent, and chemo-luminescent imaging to guide minimally invasive and open surgery to improve outcome. The book is separated into two sections. The first, discusses the biologic principles that underlie novel visualization of normal organs and pathology. The currently available equipment and equipment anticipated in the near future is covered. The second section summarizes current clinical applications of advanced imaging and visualization in the OR. Novel means of visualizing normal anatomic structures such as nerves, bile duct, and vessels that enhance safety of many operations are covered. Novel biologic imaging using radio-labeled and fluorescent-labeled molecular probes that allow identification of inflammation, vascular abnormalities, and cancer are also discussed.Authored by scientists who pioneer research in optics and radiology, tool makers who use this knowledge to make surgical equipment, and surgeons who innovate the field of surgery using these new operative tools, Imaging and Visualization in the Modern Operating Room is a valuable guide for surgeons, residents and fellows entering the field.

Zustand: New.

4°. 67 S. m. einigen Tafeln u. 5 Faltpläne. Br. Bibl.-Ex. m. Bibliotheksschild. Einband etwas gebräunt u. fleckig. Ecke geknickt.

Zustand: Sehr gut. Zustand: Sehr gut | Seiten: 300 | Sprache: Englisch | Produktart: Bücher | This text provides a state of the art overview of tools for guiding surgeons in the modern operating room. The text explains how many modalities in the current armamentarium of radiologic imaging have been brought to the operating room for real time use. It also explains the current use of near infrared, fluorescent, and chemo-luminescent imaging to guide minimally invasive and open surgery to improve outcome. The book is separated into two sections. The first, discusses the biologic principles that underlie novel visualization of normal organs and pathology. The currently available equipment and equipment anticipated in the near future is covered. The second section summarizes current clinical applications of advanced imaging and visualization in the OR. Novel means of visualizing normal anatomic structures such as nerves, bile duct, and vessels that enhance safety of many operations are covered. Novel biologic imaging using radio-labeled and fluorescent-labeled molecular probes that allow identification of inflammation, vascular abnormalities, and cancer are also discussed. Authored by scientists who pioneer research in optics and radiology, tool makers who use this knowledge to make surgical equipment, and surgeons who innovate the field of surgery using these new operative tools, Imaging and Visualization in the Modern Operating Room is a valuable guide for surgeons, residents and fellows entering the field.

Buch. Zustand: Neu. Druck auf Anfrage Neuware - Printed after ordering - This text provides a state of the art overview of tools for guiding surgeons in the modern operating room. The text explains how many modalities in the current armamentarium of radiologic imaging have been brought to the operating room for real time use. It also explains the current use of near infrared, fluorescent, and chemo-luminescent imaging to guide minimally invasive and open surgery to improve outcome. The book is separated into two sections. The first, discusses the biologic principles that underlie novel visualization of normal organs and pathology. The currently available equipment and equipment anticipated in the near future is covered. The second section summarizes current clinical applications of advanced imaging and visualization in the OR. Novel means of visualizing normal anatomic structures such as nerves, bile duct, and vessels that enhance safety of many operations are covered. Novel biologic imaging using radio-labeled and fluorescent-labeled molecular probes that allow identification of inflammation, vascular abnormalities, and cancer are also discussed.Authored by scientists who pioneer research in optics and radiology, tool makers who use this knowledge to make surgical equipment, and surgeons who innovate the field of surgery using these new operative tools, Imaging and Visualization in the Modern Operating Room is a valuable guide for surgeons, residents and fellows entering the field.

Hardcover. Zustand: Brand New. 1st edition. 288 pages. 10.00x7.50x1.00 inches. In Stock.

Gebundene Ausgabe. Zustand: Wie neu. 1.,. 224 S. Alle Bücher & Medienartikel von Book Broker sind stets in gutem & sehr gutem gebrauchsfähigen Zustand. Die Ausgabe des gelieferten Exemplars kann um bis zu 10 Jahre vom angegebenen Veröffentlichungsjahr abweichen und es kann sich um eine abweichende Auflage handeln. Unser Produktfoto entspricht dem hier angebotenen Artikel, dieser weist folgende Merkmale auf: Helle/saubere Seiten in fester Bindung. Sprache: Deutsch Gewicht in Gramm: 1171.

Second Edition. Pencil scoring throughout (underlining) . Near fine copy in the original gilt-blocked cloth. Slightest suggestion only of dust-dulling to the spine bands and panel edges. Remains particularly well-preserved overall; tight, bright, clean and strong. ; 592 pages; Description: 592 p. : maps ; 24 cm. Subjects: Disciples of Christ --History. Notes: Includes index. Bibliography: p. 571-576. Contains map-illustrated papers. 3 Kg.

Encuadernación de tapa blanda. Zustand: Bien. Zustand des Schutzumschlags: Bien. Issue edited by Ingrid Sischy. Essays "Who's Afraid of Red, Yellow, and Blue?," by Thierry de Duve; "Tadanori Yokoo: Between Painting and Graphic Art," by Yoshiaki Tono; "Richard Artschwager," by Coosje van Bruggen; "Marina Abramovic," by Thomas McEvilley; "Der Hang zum Gesamtkunstwerk," by Germano Celant; "Brice Marden: Two Drawings"; "Photograph into Sculpture," by Sam Wagstaff; "Books: Carrie Rickey on 'Overlay,'" by Carrie Rickey; "Airtime," by Greil Marcus; "Forum," by Richard Armstrong. Reviews by Richard Armstrong, Lisa Liebmann, Thomas Lawson, Donald Kuspit, Ronny H. Cohen, John Howell, Jeanne Silverthorne, Barbara Kruger, Charles Hagen, Kate Linker, Judith Russi Kirshner, Suzaan Boettger, Hal Fischer, Howard Singerman, Annelie Pohlen, Martha Fleming, Paul Groot, Lars Nittve, Stuart Morgan, Ida Panicelli, and Luciana Rogozinsky. Cover: Brice Marden.

Encuadernación de tapa blanda. Zustand: Bien. Zustand des Schutzumschlags: Bien. Issue edited by Ingrid Sischy. Essays "Robert Cumming's Subject Object," by Charles Hagen; "Unpopular Culture (Travels in Kienholzland)," by Carrie Rickey; "A Project," by Nancy Graves; "Carroll Dunham: Painting Against the Grain - Painting with the Grain," by Klaus Kertess; "Getting Ready for the Golden Eighties: A Conversation with Chantal Akerman," by Gary Indiana; "Art in the Dark," by Thomas McEvilley; "A Fvnny Thing Happened on the Way to the Forvm (In the Name of Love)," by Duncan Smith. Reviews by Lisa Liebmann, Thomas Lawson, Kate Linker, Glenn O'Brien, Jeanne Silverthorne, John Howell, Donald Kuspit, Charles Hagen, Richard Armstrong, Barbara Kruger, Rosetta Brooks, Ronny H. Cohen, Susan C. Larsen, Mark Johnstone, Suzaan Boettger, Annelie Pohlen, Paul Groot, Luciana Rogozinsky, Max Wechsler, and J. Hoberman. Cover: Chantal Akerman.

Encuadernación de tapa blanda. Zustand: Bien. Zustand des Schutzumschlags: Bien. Issue edited by Ingrid Sischy. Essays "About Garry Winogrand," by Ben Lifson; "Astral America," by Jean Baudrillard; "Once Upon a Time in Amerika: Straub/Huillet/Kafka," by J. Hoberman; "De Chirico in America, 1935-37: His Metaphysics of Fashion," by Maurizio Fagiolo dell'Arco; "Signs: A Conversation with Luis Jimenez," by Amy Baker Sandback; "Waiting for Dr. Coltello," a project by Coosje van Bruggen, Frank O. Gehry, and Claes Oldenburg; "Books: David Hayman on 'Larva,"; "Jacksonism," by Greil Marcus; "Forum: Generation in Vitro," by Thomas Lawson. "The 41st Venice Biennale": "Hubris on the Lagoon," by Denys Zacharopoulos; "Fritto Misto," by Ida Panicelli; "A Few Highlights but No Festival," by Annelie Pohlen; "On the Couch: The Vienna Secession," by Ingrid Rein; "Closed Quotes," by Paul Groot; "'Quartetto,'" by Lars Nittve; "Tangled Nets," by Lisa Liebmann; "The One that Got Away," by Pier Luigi Tazzi. Reviews by Thomas Lawson, Pier Luigi Tazzi, Donald Kuspit, Patricia C. Phillips, Thomas McEvilley, Barbara Kruger, Ronny Cohen, John Howell, Jeanne Silverthorne, Jean Fisher, John Yau, Glenn O'Brien, Judith Russi, and Annelie Pohlen. Cover: Claes Oldenburg.

Encuadernación de tapa blanda. Zustand: Bien. Zustand des Schutzumschlags: Bien. Issue edited by Ingrid Sischy. Essays "Forum: Waking Up to How We Sleepwalk," by Lawrence Weschler; "Great Expectations: Artists' TV Guide," by Robin White; "Book for Nigel Greenwood," a project by Richard Tuttle; "Framed: Innocence or Gilt?" by Germano Celant; "Three Color + within +," a project by Robert Mangold; "Negative Presences in Secret Spaces: The Art of Eric Orr," by Thomas McEvilley; "In the Absence of Heroes: The Early Work of Georg Baselitz," by Dr. Siegfriend Gohr; "An Iconography of Recent Figurative Painting: Sex, Death, Violence and the Apocalypse," by Marcia Tucker; "Tor-re-a-dora, Blood-up-on-the Floor-a: Peter Brook's Carmen," by Frederic Tuten; "Books: Charlotte Douglas on Russian Avant-Garde Art." Reviews by Colin Westerbeck, Kate Linker, Thomas Lawson, Jeanne Silverthorne, Ida Panicelli, Donald Kuspit, Jamey Gambrell, Richard Flood, Barbara Kruger, Ronny H. Cohen, Lisa Liebmann, Nancy Stapen, Judith Russi Kirshner, John Perreault, Susan C. Larsen, Hal Fischer, Max Wechsler, Gérard-Georges Lemaire, Paul Groot, Saskia Bos, Stuart Morgan. Cover: Robert Mangold.

Encuadernación de tapa blanda. Zustand: Bien. Zustand des Schutzumschlags: Bien. Issue edited by Ingrid Sischy. Essays "The Uncanny Resurrections of 'America is Waiting,'" by Scott Cook; "Yves Klein, Messenger of the Age of Space," by Thomas McEvilley; "John Waters' 'Divine Comedy,'" by Scott MacDonald; "Neither Fool, nor Naive, nor Poseur-Saint: Fragments on R.B. Kitaj," by Frederic Tuten; "Michael McClard's Faces," by Ted Castle; "Books: Kelly Wise on 'Interviews with Francis Bacon 1962-1979," by Kelly Wise; " Books: Douglas Blau on 'The Persian Poems,'" by Douglas Blau. Reviews by Thomas Lawson, Jeanne Silverthorne, Colin Westerbeck, Lisa Liebmann, Ronny H. Cohen, Richard Flood, Jamey Gambrell, Shelley Rice, Jim Hoberman, Joan Casademont, Kate Linker, Judith Russi Kirshner, Susan C. Larsen, Christopher Knight, Annelie Pohlen, Paul Groot, Gerard Georges Lemaire, and Jo Anna Isaak. Cover: Yves Klein.

Encuadernación de tapa blanda. Zustand: Bien. Zustand des Schutzumschlags: Bien. Issue edited by Ingrid Sischy. Essays "Books: Peter Galassi on 'Photography: A Concise History,'" by Peter Galassi; "David True's 'Pendulums,'" by John Yau; "William Eggleston's Color Photographs: Matters of Record"; "Eikoh Hosoe and Yukio Mishima: The Shadow in the Time Machine," by Mark Holborn; "Statuary Versus Idols," by Alain Kirili; "Escher or Newman: Who Puts the Ghosts in the Machine?" by Gary Stephan; "Bracusi + Mondrian: A Sum, a Summa," by Sidney Geist. Reviews by Lisa Liebmann, Thomas Lawson, Ronny H. Cohen, Barbara Kruger, Richard Armstrong, Glenn O'Brien, Donald Kuspit, Charles Hagen, Kate Linker, Jeanne Silverthorne, John Howell, Edit deAk, Judith Russi Kirshner, Hal Fischer, Christopher Knight, Susan C. Larsen, Stuart Morgan, Paul Groot, Annelie Pohlen, and Ida Panicelli. Cover: William Eggleston.

Encuadernación de tapa blanda. Zustand: Bien. Zustand des Schutzumschlags: Bien. Issue edited by Ingrid Sischy. Essays "Chasing Dreams: Victor Hitchcock and Alfred Burgin," by Jean Fisher; "Obsessive Pictures or Opposition to the Norm: Noteworthy Aspects of the Engaged Imagination in the New German Art," by Annelie Pohlen; "A Progression by Chuck Close: Who's Afraid of Photography?" by Chuck Close; "The Death of Semiotics (In Late Modern Architecture); The Corruption of Metaphor (In Post-Modernism); The Birth of the 'Punctum' (In Neomania)," by Douglas Davis; "Romare Bearden Sees in a Memory," by Myron Schwartzman; "Books: For Georges Remi/Hergé," by Frederic Tuten; "Free Speech," by Greil Marcus; "Forum," by Max Kozloff, Kay Larson, and Donald Kuspit. Reviews by Jean Fisher, Donald Kuspit, Annelie Pohlen, Charles Hagen, Thomas McEvilley, Lisa Liebmann, John Howell, Glenn O'Brien, Thomas Lawson, Kate Linker, Patricia Phillips, Richard Armstrong, Ronny Cohen, Jeanne Silverthorne, Scott MacDonald, Judith Russi Kirshner, Ed Hill, Suzanne Bloom, Susan C. Larsen, Suzaan Boettger, Richard Cork, Paul Groot, Max Wechsler, and Pier Luigi Tazzi. Cover: Chuck Close.

Encuadernación de tapa blanda. Zustand: Bien. Zustand des Schutzumschlags: Bien. Essays "Robert Cumming's Subject Object," by Charles Hagen; "Unpopular Culture (Travels in Kienholzland)," by Carrie Rickey; "A Project," by Nancy Graves; "Carroll Dunham: Painting Against the Grain - Painting with the Grain," by Klaus Kertess; "Getting Ready for the Golden Eighties: A Conversation with Chantal Akerman," by Gary Indiana; "Art in the Dark," by Thomas McEvilley; "A Fvnny Thing Happened on the Way to the Forvm (In the Name of Love)," by Duncan Smith. Reviews by Lisa Liebmann, Thomas Lawson, Kate Linker, Glenn O'Brien, Jeanne Silverthorne, John Howell, Donald Kuspit, Charles Hagen, Richard Armstrong, Barbara Kruger, Rosetta Brooks, Ronny H. Cohen, Susan C. Larsen, Mark Johnstone, Suzaan Boettger, Annelie Pohlen, Paul Groot, Luciana Rogozinsky, Max Wechsler, and J. Hoberman. Cover: Chantal Akerman.

Encuadernación de tapa blanda. Zustand: Bien. Zustand des Schutzumschlags: Bien. Issue edited by Ingrid Sischy. Essays "Issue edited by Ingrid Sischy. Essays "The Extravagant Depression: John Gutmann's Photographs of the Thirties," by Max Kozloff; "The Pledge of Allegiance," by Rene Ricard; "Portrait of Patti Astor," by Jimmy de Sana; "Heads It's Form, Tail It's Not Content," by Thomas McEvilley; "The Dark Side of the Bright Light," by Thomas Lawson; "Constructive Issues in Relief," by Joseph Masheck; "Venice Biennale 1982: No Form, Little Contentment," by Kate Linker and Ida Panicelli. Reviews by Thomas Lawson, Lisa Liebmann, John Howell, Edit deAk, Charles Hagen, Jeanne Silverthorne, Kate Linker, Barbara Kruger, Richard Flood, Michael Bonesteel, Thomas McEvilley, Susan C. Larsen, Christopher Knight, Annelie Pohlen, Paul Groot, Stuart Morgan, and Lisa Liebmann. Cover: John Cliett.

Encuadernación de tapa blanda. Zustand: Bien. Zustand des Schutzumschlags: Bien. Issue edited by Ingrid Sischy. Essays "Robert Doisneau's 'Oblique Regard,'" by Max Kozloff; "A Project by Giuseppe Penone"; "'The Other,'" by John Bernard Myers; "'Jiri Georg Dokoupil: The Imprisoned Brain," by Rainer Crone; "A Project by Robert Graham"; "Diogenes of Sinope (ca. 410 - ca. 320 B.C.): Selected Performance Pieces," by Thomas McEvilley; "Frida Kahlo: The Palette, the Pain, and the Painter," by Hayden Herrera. Reviews by John Howell, Kate Linker, Richard Armstrong, Glenn O'Brien, Richard Flood, Barbara Kruger, Charles Hagen, Ronnie Cohen, Thomas Lawson, Jeanne Silverthorne, Donald Kuspit, Richard Armstrong, Judith Russi Kirshner, Suzaan Boettger, Susan C. Larsen, Bruce Kurtz, Jean Fisher, Paul Groot, Gérard-Georges Lemaire, and Annelie Pohlen. Cover: Robert Graham.

Encuadernación de tapa blanda. Zustand: Bien. Zustand des Schutzumschlags: Bien. Issue edited by Ingrid Sischy. Essays "About Garry Winogrand," by Ben Lifson; "Astral America," by Jean Baudrillard; "Once Upon a Time in Amerika: Straub/Huillet/Kafka," by J. Hoberman; "De Chirico in America, 1935-37: His Metaphysics of Fashion," by Maurizio Fagiolo dell'Arco; "Signs: A Conversation with Luis Jimenez," by Amy Baker Sandback; "Waiting for Dr. Coltello," a project by Coosje van Bruggen, Frank O. Gehry, and Claes Oldenburg; "Books: David Hayman on 'Larva,"; "Jacksonism," by Greil Marcus; "Forum: Generation in Vitro," by Thomas Lawson. "The 41st Venice Biennale": "Hubris on the Lagoon," by Denys Zacharopoulos; "Fritto Misto," by Ida Panicelli; "A Few Highlights but No Festival," by Annelie Pohlen; "On the Couch: The Vienna Secession," by Ingrid Rein; "Closed Quotes," by Paul Groot; "'Quartetto,'" by Lars Nittve; "Tangled Nets," by Lisa Liebmann; "The One that Got Away," by Pier Luigi Tazzi. Reviews by Thomas Lawson, Pier Luigi Tazzi, Donald Kuspit, Patricia C. Phillips, Thomas McEvilley, Barbara Kruger, Ronny Cohen, John Howell, Jeanne Silverthorne, Jean Fisher, John Yau, Glenn O'Brien, Judith Russi, and Annelie Pohlen. Cover: Claes Oldenburg.

Encuadernación de tapa blanda. Zustand: Bien. Zustand des Schutzumschlags: Bien. Issue edited by Ingrid Sischy. Essays "Fluxus Focus: Photographs by Peter Moore," by Peter Moore; "George Maciunas: A Finger in Fluxus," by Barbara Moore; "Growing Up," by Patricia C. Phillips and James Wines; "Paikvision," by Bruce Kurtz; "Dali's Dreadful Relevance," by Carter Ratcliff; "Documenta 7: Continued," by Richard Flood, Donald Kuspit, Lisa Liebmann, Stuart Morgan, Annelie Pohlen, and Schuldt. Reviews by Lisa Liebmann, Donald Kuspit, Thomas Lawson, Jeanne Silverthorne, Edit deAk, Kate Linker, Charles Hagen, Ronny H. Cohen, John Howell, Judith Russi Kirshner, Howard Singerman, Hal Fischer, Barbara Kruger, Paul Groot, and Paul Taylor. Cover: James Wines.

Encuadernación de tapa blanda. Zustand: Bien. Zustand des Schutzumschlags: Bien. Issue edited by Ingrid Sischy. Essays "Constantin Brancusi's Photographs," by Sanda Miller; "Architecture and Limits II," "Introduction," by Bernard Tschumi, "Collisions," by Raimund Abraham, "Transformations, Decompositions and Critiques," by Peter Eisenman, "Intimations of Tactility: Excerpts From a Fragmentary Polemic," by Kenneth Frampton; "Words and Pictures: Notes on Alexander Pope and William Carlos Williams," by John Bernard Myers; "Public Sculpture: The Pursuit of the Pleasurable and Profitable Paradise," by Kate Linker; "Kes Zapkus' Modern Warfare," by Ted Castle; "Pastiche/Prototype/Purity: 'Houses for Sale,'" by Hal Foster. Reviews by Richard Flood, Thomas Lawson, Ronny H. Cohen, Carrie Rickey, Colin L. Westerbeck, Jr., Shelley Rice, Jayne Merkel, Martha Fleming, Stuart Morgan, Annelie Pohlen, Mickey Piller, Paul Groot. Cover: Raimund Abraham.