grimshaw nicholas (20 Ergebnisse)

Paperback. Zustand: Very Good. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.

paperback. Zustand: Very Good. Most of our very good books have only minor imperfections such as shelf wear consistent with a new book that's sat on a bookshop shelf for a year or two. Occasionally we may miss other minor imperfections as we have to grade books at speed. Our books are dispatched from a Yorkshire former cotton mill. We list via barcode/ISBN so please note that the images are stock images and may not be the exact copy you receive, furthermore the details about edition and year might not be accurate as many publishers reuse the same ISBN for multiple editions and as we simply scan a barcode or enter an ISBN we do not check the validity of the edition data when listing. If you're looking for an exact edition please don't order (at least not without checking with us first, although we don't always have time to check). We aim to dispatch prompty, the service used will depend on order value and book size. We can ship to most countries, see our shipping policies. Payment is via Abe only.

Paperback. Zustand: Very Good. Fusion: Nicholas Grimshaw and Partners - Industrial Design This book is in very good condition and will be shipped within 24 hours of ordering. The cover may have some limited signs of wear but the pages are clean, intact and the spine remains undamaged. This book has clearly been well maintained and looked after thus far. Money back guarantee if you are not satisfied. See all our books here, order more than 1 book and get discounted shipping. .

Paperback. Zustand: Fine.

Paperback. Zustand: Very Good. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.

Soft cover. Zustand: Very Good. No Jacket. Softcover. Condition: Very good, with very light shelfwear to covers. Previous owners bookplate on reverse of front cover. No inscriptions. 158pp. plus two page list of RA benefactors. 52 colour plates plus many other colour and b/w illustrations. This catalogue was produced to accompany the exhibition of work by Amedeo Modigliani (1884-1920) held at the Royal Academy, London from 8 July to 15 October 2006. Size: 4to - over 9¾" - 12" tall.

Hardcover. Zustand: New.

Hardcover. Zustand: Very Good. Large format tender document setting out detailed proposals for the design and build of a station at Stratford with architecture by Nicholas Grimshaw & Partners. Unpaginated, ill. (some col.), plans ; 31 x 44 cm. Slight shelf wear to edges, small split to head of spine, no inscriptions, tight and square binding. Photographs available on request. All books dispatched same or next working day in robust packaging.

Paperback. Zustand: Very Good. First Edition. Wraps. Square 4to, pp (60), Copiously illustrated in colour and black and white throughout. ISBN: 0714827479 Very good indeed.

paperback. Zustand: Molto buono (Very Good). Introduced by Kenneth Powell. Edited by Rowan Moore. Volume in lingua inglese, riccamente illustrato con fotografie a colori e alcune in bianco e nero, e descrizione delle opere realizzate . 8vo. pp. 256. . Molto buono (Very Good). Manca la pagina dell'occhiello (No half-title page). . . Book.

Hardcover. Zustand: Good. No Jacket. Missing dust jacket; Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.

Zustand: Very good.

Poster c 60x85. Vg, folded. Nice exhibition poster.

gebunden. Zustand: Sehr gut. 192 Seiten Text Englisch - Leichte äußere Mängel - Buch ist als Mängelexemplar gekennzeichnet - Buch ansonsten in sehr gutem und ungelesenem Zustand - Jeder Lieferung liegt eine ordentliche Rechnung mit ausgewiesener MwSt. bei Sprache: Englisch Gewicht in Gramm: 2200.

8vo. pp. 256. numerous illus. (some colour). biblio. wrs (front wrapper & first few leaves curled). Reprint.

London, 1988. 2 vols. 79,143 pp. Ills. Soft covers, in plastic slipcase. Slipcase sl. damaged.

Softcover. Zustand: Very Good. Signed. Pages clean and bright, no markings. Complete with numerous illustrations. Housed in slipcase. Poster signed by author. ALL ITEMS ARE DISPATCHED FROM THE UK WITHIN 48 HOURS ( BOOKS ORDERED OVER THE WEEKEND DISPATCHED ON MONDAY) ALL OVERSEAS ORDERS SENT BY TRACKABLE AIR MAIL. IF YOU ARE LOCATED OUTSIDE THE UK PLEASE ASK US FOR A POSTAGE QUOTE FOR MULTI VOLUME SETS BEFORE ORDERING.

42 x 32cm. Eleven large oblong volumes in red silver-gilt-illustrated paper-covered boards, fully illustrated. Very rare. Not institutionally recorded in COPAC or OCLC. Various pagination. A fascinating voluminous glimpse of one of the possible futures for this important London site. For the latter part of the 20th century Sir Giles Gilbert Scott's Battersea Power Station was not being actively maintained, and many property developers have been thwarted in their attempts to redevelop the iconic building by the sheer cost and complexity of the undertaking; the site has been described as "a graveyard of architectural visions". These volumes comprise Arup Associates' highly ambitious proposal to Victor Hwang's Hong Kong-based Parkview International for the complete redevelopment of the site, subsequently rejected. Arup's plan - fully detailed in these volumes - included a large residential area of apartments, hotels, a retail centre and entertainment zones. Sir Nicholas Grimshaw was involved in the redesign proposal, which would have seen shops and designer outlets situated inside the two turbine halls, a cinema multiplex and base for the Cirque du Soleil, the addition of a riverside walkway running from Battersea Park to Vauxhall featuring a viewing platform, and the top of one chimney housing a high-class restaurant. The project was deemed unattractive by the Battersea Power Station Community Group and campaigned against it, citing its unaffordable housing, promoting a more community-focussed plan instead.

4°, 255 S. mit vielen, teils ganzseitigen Abbildungen, Oln. mit bedrucktem Orig.-Transparentumschlag. Erste deutsche Ausgabe.- Kleine Widmung auf Vorsatz, Umschlag gering fleckig.

NICHOLAS GRIMSHAW & PARTNERS HALLE 3, MESSE FRANKFURT AM MAIN. (Riesen-Architekturbildband, Text Volker Fischer, Photographien/Photographs Waltraud Krase Edition Axel Menges, Stuttgart/London 1. Auflage 2002, ERSTAUSGABE, 60 SS. gebunden (Hardcover gr. 4°, 30,5 x 28,5 cm ) mit vielen Fotos und Plänen, mit Schutzumschlag, gut erhalten - von Nicholas Grimshaw mit Datum 2-9-13 eigenhändig signiert ( Text in English and German. The internationally known British architect Nicholas Grimshaw is better than almost anyone else at making structural and architectural requirements cohere in his High-Tech buildings. And his most recent building, Hall 3 of the Frankfurt Fair and Exhibition Centre, one of Europe's largest exhibition halls , covering 220 X 120 m, is particularly striking because it combines architecture and engineering so ingeniously. Six gigantic steel girders looking like the skeleton of a dinosaur span the 160 m length of the two-storey exhibition area 45 m above the ground, making a total of 40000 m2 available. The roof structure makes luxurious daylight illumination possible for the upper storey, and this is also continued on the ground floor, as the light is handled so skilfully. The architects have confronted this roof structure, which is delicate despite its size, with two solid four-storey foyer and access blocks at the ends. Thus Grimshaw blends high-tech lightness with traditional mass. The mezzanine level between the two exhibition levels contains technical equipment and also a large number of work-stations with computer facilities. And of course the building, which concludes the large central 'Agora' of the Centre on its south side, is connected to the internal access system of the site, the 'Via Mobile'. The hall does not simply function as a logistical architectural key for the firms exhibiting there, but can also be used for political, cultural and other events. It enhances the architectural landscape of the Frankfurt Fair and Exhibition Centre, which includes Helmut Jahn's Messeturm, the Torhaus, the Galleria and the Halle 9 designed by Oswald Mathias Ungers as well as Friedrich von Thiersch's Festhalle from the beginning of this century, by adding another significant landmark building. The Messe Frankfurt itself sees this building as the first step towards a new infrastructural dimension, as it has for some time now had the chance to expand further south on disused railway land. The internationally known architecture and design historian Volker Fischer was vice director of the Deutsches Architekturmuseum in Frankfurt for over 10 years. Since 1995 he has been building up a new design department in the Museum fur Kunsthandwerk in Frankfurt; in addition to his museum work he teaches history of architecture and design at the Hochschule fur Gestaltung in Offenbach. Waltraud Krase studied at the Fachakademie fur Fotodesign in Munich and lives in Frankfurt am Main. She has photographed buildings by many prominent architects, among them Max Dudler, Frank O. Gehry, James Stirling and Oswald mathias Ungers. (Verlagsanzeige) ).