grillo paul (23 Ergebnisse)

Zustand: Good. Former library book; may include library markings. Used book that is in clean, average condition without any missing pages.

Zustand: Good. Used book that is in clean, average condition without any missing pages.

Paperback. Zustand: Fair. No Jacket. Readable copy. Pages may have considerable notes/highlighting. ~ ThriftBooks: Read More, Spend Less.

Paperback. Zustand: Good. No Jacket. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.

Paperback. Zustand: Very Good. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.

Paperback. Zustand: Used; Very Good. Prompt Shipment, shipped in Boxes, Tracking PROVIDEDIndividual Artists, Art MonographsVery Good or Better Copy; call or email for more info.

Soft Cover. Zustand: Good. Five separate parts plus ten page score. The pages are clean and unmarked. Cover shows light wear.

Zustand: Fair. This is an ex-library book and may have the usual library/used-book markings inside.This book has soft covers. In fair condition, suitable as a study copy. Please note the Image in this listing is a stock photo and may not match the covers of the actual item,750grams, ISBN:9780486201825.

First edition. [48 pp]. Some light scattered foxing, else near fine in illustrated wrappers. Cover art by Paul Grillo. Poems. Dated (76) and SIGNED by Grillo on the title page. Erratum slip laid in.

First edition. Small 4to. [56 pp]. Some faint foxing to covers, else near fine in stapled wrappers. Introduction by Claude Pelieu-Washburn.

Softcover. Zustand: Near Fine. First edition. Stapled wrappers. A trifle age-toned, near fine or better.

Softcover. Zustand: Near Fine. First edition. Quarto. Stapled wrappers. Introduction by Claude Pelieu-Washburn. Slight age-toning, very near fine. Inscribed by the author to another poet.

Hardcover. Zustand: Good. No Jacket. First Edition. The boards are edge rubbed with scuffing along the edges and knocked corners. The binding is secure. Browning along the edges of the pages. No ink inscriptions or annotations. Tall, extra postage required unless posted within South Africa. JHK. Our orders are shipped using tracked courier delivery services.

Softcover. Zustand: Near Fine. First edition. Stapled wrappers. Some faint splash marks and light soiling, else a near fine copy. One of 300 numbered copies. Signed by the author.

Hardcover. Zustand: Very Good. 36th edition ; folio in pictorial boards ; ex-lib, stamps, remains of label ; knocked ; 528 pp. ; 33 x 24 cm ; 66 color photos, 792 b/w-photos ; as stated, numerous photographs, many in color ; G. Book.

Paperback. Zustand: Very Good. First Paperback Edition. 8vo. pp 48. Stapled wraps. Original publishers illustrated covers, lettered black. Signed presentation from Guy Beining to Martin Bax, witer, doctor (paediatrician) and editor - he founded the Arts magazine Ambit in 1959. A Happenstance book. Very good indeed. Signedes.

Softcover. Zustand: Near Fine. First edition. Stapled illustrated wrappers. A trifle age-toned, near fine or better. Signed by the poet. *OCLC* locates four copies.

8vo. pp [12]. Wraps. Original publisher's illustrated covers, lettered black. Signed presentation from the author on the inside cover, "A kind of homage to the past and future, Paul Grillo '75." Very good.

Hardcover. Zustand: Fine. 1st Edition. Small Slim 12mo. Original wraps. Unpaginated. BeautifulLimited Edition, one of 300 unnumbered copies printed. Square, tight and clean throughout with little or no wear. Fresh and bright with no creases, tears or chipping. Inscribed, signed and dated by the poet to American poet, photographer, filmmaker, actor and Andy Warhol collaborator, Gerard Malanga, on the inside front cover, "To Gerard Malanga, We need hungry co-sinners. Sincerely, Paul Grillo, '75". A sharp collectable copy of an uncommon title and a great association.

Hardcover. Dust Jacket Included. 1st Edition. 4to. pp. 238. 422 b/w & colour illus. cloth. dw. (rubbed, chipped, 1 long tear, couple short tears). First Edition.

First edition, lettered & signed issue. Small 4to. [56 pp]. Some faint foxing to cover, else near fine in stapled wrappers. Introduction by Claude Pelieu-Washburn. One of 26 lettered copies SIGNED by Grillo with an original signed collaged postcard laid in.

80 pp.; 28.9 x 23.6 cm.; sewn bound; black-and-white & color; edition size unknown; unsigned and unnumbered; offset-printed; Issue number three (of six issues published) of "It Is : A Magazine for Abstract Art," published between 1958 and 1965. Edited by P.G. Pavia. Contents include: "A Little Room for Feeling," by Hubert Crehan; "Face Front," by Sidney Geist; "Abstraction in Poetry," by Allen Ginsberg; "Editor of a Hearsay Panel," by Elaine de Kooning; "Thoughts on the Dance," by Merle Marsicano; "Drawing," by Mercedes Matter; "Spontaneity," by George McNeil; "Manifesto-In-Progress III," by P.G. Pavia; "Book Review," by John Stephan "Book Review," by May Natalie Tabak. Artists statements by Paul Brach, Kenneth Campbell, Enrico Donati, John Grillo, Hans Hoffman, Landis Lewitin, Robert Motherwell, Theodoros Stamos, and George Sugarman. Cahier leafs by Fritz Bultman, Alfred Duhrssen, Ibram Lassaw, Kyle Morris, Georgine Oeri. Artists reproductions by Stefan Achilles, Peter Agostini, Alice Baber, Paul Brach, Fritz Bultman, Kenneth Campbell, Herbert Crehan, Nasso Daphnis, Enrico Donati, Helen Frankenthaler, John Ferren, Sam Francis, Jane Freilichter, Sidney Geist, Michael Goldberg, Adolph Gottlieb, John Grillo, Philip Guston, Grace Hartigan, Hans Hoffmann, Paul Jenkins, Matsumi Kanemitsu, Fredrick Kiesler, William de Kooning, Landis Lewitin, William Littlefield, Michael Loew, Corrado Marca-Relli, Nicholas Marsicano, Mercedes Matter, George McNeil, Robert Motherwell, Kyle Morris, Felix Pasilis, Ad Reinhardt, Milton Resnick, Ludwig Sander, Abram Schlamowitz, David Smith, Raymond Spillinger, Theodoros Stamos, Joseph Stephanelli, John Stephan, and George Sugarman. Cover: Robert Motherwell. Reference : "Artists' Magazines : An Alternative Space for Art" by Gwen Allen. Cambridge / London, MA / United Kingdom : The MIT Press, 2011, pp. 269. Good. Rubbing of cover edges. Artist's [likely, Walter De Maria] studio copy with silver paint stains on verso with handprint and silver paint along text block edge, bleeding over slightly onto pages. 1.5 cm. yellow soiling to page 11. Contents otherwise clean and unmarked.

7 vol. : [4] pp. (each); 7 vol. : 35.5 x 27.8 cm. (no. 1) ; 30.5 x 22.8 cm. (no. 2) ; 30.5 x 22.8 cm. (no. 3) ; 30.3 x 22.8 cm. (no. 4) ; 30.3 x 22.8 cm. (no. 5) ; 30.3 x 22.8 cm. (no. 6) ; 30.6 x 22.8 cm. (no. 7); black-and-white; edition size unknown; unsigned and unnumbered; offset-printed; Issues 1 - 7 of Scrap from total of 8, published in New York City and edited by Anita Ventura and Sidney Geist between 1960 - 1962. Issue One, contents include : "A Review of Sculpture this Season," by Sidney Geist ; "Report from the Club" featuring Gabriel Laderman, Neil Mallow, Wolf Kahn, Lester Johnson, Harold Cohen, Louis Finklestein, Paul Georges, Sidney Geist, Landes Lewitin, and E.A. Navaretta ; an overheard conversation betweeen Lois Dodd, Sally Hazelet, and Philip Pearlstein ; "I Confess," by Milton Resnick ; "Pollock by Robertson," by Barbara Butler ; an excerpt from "The Metamorphosis of the Gods" by André Malroux. Issue Two, contents include : a dance review of "Peripateia and Tableaux," by Landes Lewitin and Sidney Geist ; Letters to the editor from Irving Sandler and Sonia Gechtoff ; "Dear Scrap" with comments by Sally Hazelet, Mark di Suvero, Thomas B. Hess, Thomas A. Hess, Milton Resnick, James Terry, Stephen Radich, Hilton Kramer, Ad Reinhardt, R. Gordon, David Smith, and Yvonne Thomas ; "Beating the Beat" by Margaret Randall ; "Rauschenberg," by Paul Brach ; "Kanemitsu" by William McLean ; "Duchamp," by Jasper Johns ; and "Letter from India," by Milton Resnick. Issue Three, contents include : an excerpt from a panel conversation with Ad Reinhardt and Milton Resnick ; Letters to the editor from Richard Maxfield, Stanley Fisher ; "Change : Eight Lectures on the I Ching," book review by Adam Margoshes ; "The Totem," by May Swenson ; "Letter on the Maximus Poems," by James Mellow ; and "Sculpture and Other Trouble," by Sidney Geist. Issue Four, contents include : the reproduction of Peter Selz's essay on Mark Rothko published in MoMA's brochure for Rothko's 1961 exhibition along with an annotated critical response to the text by Sidney Geist. Issue Five, contents include : "Cajori," by Louis Finkelstein ; "A View of Rothko's Images," by Sidney Geist ; "Hard Put," by Margaret Randall ; "Brecht Berlin / New York," by Josephine Herbst ; "Manifestoes on the Music and Dance of 8 Clear Places," by Lucia Dlugoszewski; and letters to the editor by Katharine Kuh and David Sylvestor. Issue Six, contents include : "Yellow can be Black," by John Grillo ; "The Source (Desire)," by Mary Frank ; "Why Am I So?," by Philip Pearlstein ; "No Front-Side-Back-Side," by Tom Doyle ; "Taste of Potatoes," by Milton Resnick ; ".A Bad Habit," by Wolf Kahn ; "The Image Central," by Sonia Gechtoff ; "Catalyst for My Art," by Perle Fine ; "Like a Spider I Go," by Pat Passlof ; "I Had an Indian Nurse," by Alfred Jensen ; "m-m-m-m-MM," by Adam Margoshes ; "Brand-New & Terrific," by Alex Katz ; Includes letters to the editor and a report from the Arts Club. Issue Seven, contents include : "A Number of Things : Editorial Observations," by Sidney Geist ; "The Envious Male," by Adam Margoshes ; "A Wide-Open Image," by George Sugarman ; "Report from the Club," and letters to the editor. Very Good. Near complete set, missing Issue 8. Moderate yellowing from age to all issues. Folded in half as issued with some additional folds and occasional small tears to page edges. 2.5 cm. dog-ear to issue 4. Clean and unmarked. All issues from first printing on newsprint.