Verlag: United Artists, Beverly Hills, CA, 1961
Anbieter: Royal Books, Inc., ABAA, Baltimore, MD, USA
Manuskript / Papierantiquität
Combined 16mm Continuity script for the 1961 re-release of the 1939 film. An American remake of the 1936 Swedish film directed by Gustaf Molander. A famed violinist meets his daughter's piano teacher, asks her to tour with him, and falls in love with her despite his children and wife at home. Shot in Monterey, and Santa Monica, California. Tall pink titled wrappers, noted as Combined 16mm Continuity on the front wrapper, dated May 9th, 1961. 62 leaves, with last page of text numbered 4. Mimeograph duplication, rectos only. Pages Near Fine, wrapper Near Fine, bound with two staples along the top edge.
Verlag: St James's Theatre, London, 1937
Anbieter: Victoria Bookshop, BERE ALSTON, DEVON, Vereinigtes Königreich
Erstausgabe
EUR 13,46
Anzahl: 1 verfügbar
In den WarenkorbPaperback. Zustand: Good+. First Edition. Lady Catherine Brooke in Autumn at the St. Martin's Theatre, London, 1937. Book.
Verlag: St James's Theatre, London, 1937
Anbieter: Victoria Bookshop, BERE ALSTON, DEVON, Vereinigtes Königreich
Erstausgabe
EUR 13,46
Anzahl: 1 verfügbar
In den WarenkorbPaperback. Zustand: Good+. First Edition. Lady Catherine Brooke in Autumn at the St. Martin's Theatre, London, 1937. Book.
Verlag: Twentieth Century-Fox, Los Angeles, 1953
Anbieter: Royal Books, Inc., ABAA, Baltimore, MD, USA
Two vintage studio still photographs from the 1953 film, showing actors Blanche Yurka and Dan Dailey. Loosely based on Jean-Paul Le Chanois' 1951 French film "Without Leaving an Address." An ill-tempered New York cabbie helps an Irish immigrant with an infant son locate her missing husband. Set and shot on location in New York. 8 x 10 inches. Near Fine.
Verlag: Produced by Columbia Pictures . 1941., 1941
Anbieter: Little Stour Books PBFA Member, Canterbury, Vereinigtes Königreich
Verbandsmitglied: PBFA
EUR 23,64
Anzahl: 1 verfügbar
In den WarenkorbBlack and white press photograph, promotional device resembling lobby card. 8'' x 10''. In Very Good condition. Member of the P.B.F.A. CINEMA [Front of House Press Photograph].
Verlag: Twentieth Century-Fox, Los Angeles, 1936
Anbieter: Royal Books, Inc., ABAA, Baltimore, MD, USA
Vintage photograph of directors Otto Brower and Gregory Ratoff surrounded by members of the crew on the set of the 1936 film. With a printed description on the verso. Based on the 1930 novel titled "Job" by Joseph Roth. Set in 1900 in Tyrol on the Austiran-Italian border in the Alps, Christopher (Jean Hersholt), a church bell ringer wishes for his sons (Both played by Don Ameche) to take to music and the church as he has. One of his sons, Gabriel, is born deaf and mute, the other, Karl moves to New York City after falling out with his father. During the bombing of WWI Gabriel gains his hearing back, but it isn't until much later in life that he and his father cross paths. 8 x 10 inches. Near Fine.
Verlag: Selznick International, Beverly Hills, CA, 1939
Anbieter: Royal Books, Inc., ABAA, Baltimore, MD, USA
Manuskript / Papierantiquität
Archive of five scripts from the 1939 film, including a Temporary Draft script and four post-production scripts: 1939 One Line Continuity for the 1936 Swedish version, Cutting Continuity for a re-release (October 20, 1947), and two drafts, release and re-release, of the Dialogue Continuity (September 22, 1939 and October 20, 1947, respectively). Nominated for two Academy Awards: Best Cinematography and Best Musical Score. A richly produced American remake of the Swedish film by Gustav Molander, with Ingrid Bergmannew to the American studios at that timerecreating her role. A famed concert violinist (Leslie Howard) who is married with children falls in love with a young pianist (Bergman) and begins an affair with her. Temporary Draft script (pre-production): Pale blue titled wrappers, rubber stamped TEMPORARY on the front wrapper, dated March 15, 1939, with credits for screenwriter John van Druten. Distribution page present, with receipt intact. 84 leaves, mimeograph duplication. Pages Near Fine, wrapper Near Fine bound with two gold brads. One Line Continuity (1939): Blue titled wrappers, dated April 22, 1939. Mimeograph duplication. Near Fine. Cutting Continuity (1947): Yellow card titled wrappers, dated October 20, 1947, noting 4 reels, rubber stamped Copy No. 45. Mimeograph duplication. Near Fine. Dialogue Continuity (1939): Goldenrod card titled wrappers, dated September 22, 1939, noting 4 reels. Mimeograph duplication. Near Fine. Dialogue Continuity (1947): Goldenrod card titled wrappers, dated October 20, 1947, noting 4 reels, rubber stamped Copy No. 32. Mimeograph duplication. Near Fine.
Verlag: Twentieth Century-Fox, Los Angeles, 1952
Anbieter: Royal Books, Inc., ABAA, Baltimore, MD, USA
Manuskript / Papierantiquität
Revised Draft script for the 1953 film. With screenwriter Daniel Fuchs' manuscript pencil and ink annotations throughout, most noting substantive revisions and deletions. Loosely based on Jean-Paul Le Chanois' 1951 French film "Without Leaving an Address." An ill-tempered New York cabbie helps an Irish immigrant with an infant son locate her missing husband. Set and shot on location in New York. Blue titled wrappers, noted as Revised and WRITER'S WORKING SCRIPT on the front wrapper, dated June 14, 1952, noted as production No. 473. Title page present, dated June 14, 1952, noted as Revised Writer's Working Script, with credits for screenwriter Daniel Fuchs. 116 leaves, with last page of text numbered 115. Mimeograph duplication on yellow stock, rectos only. Pages Near Fine, wrapper Very Good plus, with a small dampstain to the bottom edge of the front wrapper, bound internally with three gold brads.