Gregory meyer (28 Ergebnisse)
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Against the Wall, Under the Armor: Less Spicy Edition
Blush, Macy; Blood, Penny; Cee, Kara; Powell, Shantell; Meyer, Rory; Davis, Elizabeth; Clamshell, Bonda; Roberts, B.S.; Gonzalez, Gregory; Willard, Jason
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Zustand: Gut. Hogrefe-Verlag, Hardcover, 38/2017, sehr guter Zustand, h4.
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Gebundene Ausgabe. OPp. SU. Zustand: Gut. 288 S. + Cassetten SU leicht berieben/angeschmutzt. mit Widmung auf Vorsatz. Cassetten sehr gut erh. ISBN: 1570426627 Sprache: Deutsch Gewicht in Gramm: 550.
Harlequin Ballet Trust Limited Present: Harlequin Ballet | Souvenir Theatre Brochure Programme Performed at The Marlowe Theatre, St. Margaret's Street, Canterbury, Kent | Monday 31st July to Saturday 5th August 1967.
Directed by John Gregory [Starring: Yvonne Meyer, Ivan Dragadze]
Verlag: Performance Programme Dated Monday 31st July to Saturday 5th August . 1967., 1967
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Zustand: Very Good. Original wire stitched souvenir theatre brochure programme. 8'' x 5¼''. Contains 8 pages. In Very Good condition. Member of the P.B.F.A. THEATRE PROGRAMMES.
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Zustand: New. pp. 416.
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Taschenbuch. Zustand: Neu. Neuware - Automatic target recognition (ATR) using radar commonly relies on modeling a target as a collection of point scattering centers. Features extracted from these scattering centers for input to a target classifier may be constructed that are invariant to translation and rotation, i.e., they are…independent of the position and aspect angle of the target in the radar scene. Here an iterative approach for building effective scattering center models is developed, and the shape space of these models is investigated. Experimental results are obtained for three-dimensional scattering centers compressed to nineteen-dimensional feature sets, each consisting of the singular values of the matrix of scattering center locations augmented with the singular values of its second and third order monomial expansions. These feature sets are invariant to translation and rotation and permit the comparison of targets modeled by different numbers of scattering centers. A Mahalanobis distance metric is used that effectively identifies targets under 'real world' conditions that include noise and obscuration. In particular, eight targets of military interest are sampled in tenth-degree aspect angle increments to extract scattering centers, and 36 subclasses that encompass ten degrees are specified for each target. Each subclass is compressed to a nineteen-dimensional singular value feature set, and because the spatial distribution of the 100 nineteen-dimensional points in each subclass is approximately Gaussian, a mean and a covariance matrix represent each subclass.This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
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Hardcover. Zustand: Brand New. 416 pages. 10.75x7.25x1.50 inches. In Stock.
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Verlag: Dijkstra Zeist, 1980
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Weitere Bilder- Hardcover
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Hardcover. Zustand: Sehr gut. Band 39 9780889375628 9780889375468 9780889374959 4 books all fine.
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Zustand: New. 2017. 1st Edition. Hardcover. . . . . . Books ship from the US and Ireland.
Rorshach Performance Assessment System: Administration, Coding, Interpretation, and Technical Manual
Gregory J. Meyer; Donald J. Viglione; Joni L. Mihura; Robert E. Erard; Philip Erdberg
Sprache: Englisch
Verlag: Rorschach Performance Assessment System, LLC, 2011
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Zustand: New. Joni L. Mihura, PhD, is Professor of Psychology at the University of Toledo, where she teaches personality assessment, advanced assessment, and psychodynamic/integrative psychotherapy. She received early career awards from the American Psychoanalytic Ass.
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Zustand: New. pp. 284.
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Sprache: Englisch
Verlag: Rorschach Performance Assessment System, LLC, 2011
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Zustand: Sehr gut. Zustand: Sehr gut | Sprache: Englisch | Produktart: Bücher | Keine Beschreibung verfügbar.
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Buch. Zustand: Neu. Using the Rorschach Performance Assessment SystemA® (R-PASA®) | Gregory J. Meyer (u. a.) | Buch | Einband - fest (Hardcover) | Englisch | 2018 | Guilford Publications | EAN 9781462532537 | Verantwortliche Person für die EU: Libri GmbH, Europaallee 1, 36244 Bad Hersfeld, gpsr[at]libri[dot]de | Anbieter: preigu….
Rorschachiana: Journal of the International Society for the Rorschach (Yearbook of the International Rorschach Society, Band 40) Lionel Chudzik; Sadegh Nashat; Filippo Aschieri; Anna Elisa de Vellemor Amaral; Gregory J. Meyer; Tomoko Maramatsu
Lionel Chudzik; Sadegh Nashat; Filippo Aschieri; Anna Elisa de Vellemor Amaral; Gregory J. Meyer; Tomoko Maramatsu
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Hardcover. Zustand: gut. 2019. Rorschachiana: Journal of the International Society for the Rorschach (Yearbook of the International Rorschach Society, Band 40) In englischer Sprache. pages.
Verlag: Artforum, 2001
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Encuadernación de tapa blanda. Zustand: Muy bien. Zustand des Schutzumschlags: Aceptable. Essays "Reading 9-11-01," by Charles Simic, Catharine R. Stimpson, Andrew Ross, Daniel Libeskind, Daniel Birnbaum, Homi K. Bhabha, Avital Ronell, Arthur C. Danto, Anne Carson, Carlos Basualdo, Johan Grimonprez, Linda Nochlin, William Gass,…Barbara Kruger, Allucquère Rosanne Stone, Robert Storr, and Leon Golub; "Adam Lehner on Art in the Aftermath," by Adam Lehner; "Philip Nobel on the Future," by Philip Nobel; "Passages: Benjamin Ivry on Pierre Klossowski," by Benjamin Ivry; "Passages: Paul Mattick on Sidney Tillim," by Paul Mattick; "Hotlist," by Ken Goldberg; "Hotlist: Matthew Israel on Video-game Art." by Matthew Israel; "First Break: Michael Duncan on Peter Saul," by Michael Duncan; "Top Ten," by Richard Phillips; "10-20-30: Eric C. Banks on Artforum, November 1971," by Eric C. Banks; "Cargo and Cult: The Displays of Thomas Hirschhorn," by Benjamin H.D. Buchloh; "A Thousand Words: Rodney Graham," by Rachel Kushner; "Artists Curate: Impact and Satori - Instruments of Comprehension," by Gabriel Orozco; "Plane Songs," Lauren Sedofsky talks with Alexander Sokurov; "Centerfold: Wolfgang Staehle," by Alexi Worth; "Eternal Returns: The Art of Verne Dawson," by Bob Nickas; "Openings: Jennifer and Kevin McCoy," by David Frankel. Reviews by Daniel Soutif, David Lubin, Richard Shone, James Meyer, George Baker, Julie Caniglia, Frances Richard, Meghan Dailey, Nico Israel, David Frankel, Donald Kuspit, Gregory Williams, Martha Schwendener, Tom Breidenbach, Joan Seeman Robinson, Philip Auslander, Ellen Berkovitch, Christopher Miles, Bruce Hainley, Alexandre Melo, Pablo Llorca, Massimo Carboni, Hans Rudolf Reust, Philipp Kaiser, Miriam Rosen, Matthias Dusini, Jennifer Allen, Noemi Smolik, Lars Bang Larsen, Barry Schwabsky, and James Hall. Cover: John Pilson.
Verlag: Artists Space New York, NY, 1984
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[8] pp.; 22.8 x 15.3 cm.; accordion; black-and-white & color; edition size unknown; unsigned and unnumbered; offset-printed; Exhibition brochure / catalogue published in conjunction with show held January 21 - February 18, 1984. Foreword by Linda Shearer. Curated and with a text by Helene Winer. Galleries include Cash, Christmin…ster Fine Art, Civilian Warfare, East 7th Street Gallery, Executive Gallery, 51 X, Fun Gallery, Tracey Garet, International With Monument, Gracie Mansion, Nature Morte, The New Math Gallery, Oggi - Domani, Pat Hearn, Piezo Electric, PPOW, and Sharpe Gallery. Artists include Stephen Aljian, Alan Belcher, Paul Benney, Zeke Berman, Ellen Berkenblit, Keiko Bonk, Tom Brazelton, Barry Bridgwood, Nancy Brooks Brody, Chris Chevins, Craig Coleman, Rich Colicchio, Michael Collins, George Condo, Gregory A. Crane, Mark Dean, Jimmy de Sana, Futura, Robert Garratt, Dana Garrett, Judith Glantzman, Arthur Gonzalez, Rodney Alan Greenblat, Kathleen Grove, Richard Hambleton, Kiely Jenkins, Sermin Kardestuncer, Elizabeth Koury, Stephen Lack, Leora Laor, Robert Loughlin, Paul Marcus, Frank Moore, Peter Nagy, Michael Ottersen, Steven Parrino, Rick Prol, Hope Sandrow, Michael Sangaris, Bruno Schmidt, Peter Schuyff, Huck Snyder, Ahbe Sulit, Frederick Sutherland, Meyer Vaisman, Oliver Wasow, Dondi White, David Wojnarowicz, Robert Yarber, Zephyr, and Rhonda Zwillinger. "The exhibition includes work from seventeen galleries located in the East Village or the area east of Second Avenue, just below Houston Street: CASH, Christminster, Civilian Warfare, East 7th Street Gallery. Executive Gallery, 51 X, Fun Gallery, Garet/ Kohn Gallery, Gracie Mansion. International with Monument, Nature Morte, New Math, Oggi-Domani, Pat Hearn. Piezo Electric, P.P.O.W. and Sharpe Gallery. Work by artists associated with the galleries have been selected by the individual gallery directors, and Helene Winer, organizer of the exhibition. Helene Winer is a past Director of Artists Space and currently co-owner of Metro Pictures a commercial gallery in SoHo. As part of Artists Space''''s celebration of its 10th anniversary season, she has organized this exhibition to examine a growing number of artist organized commercial exhibition spaces. Ms. Winer''''s past experience with the non-profit art community and her present position in the commercial art world offer a unique outlook on this new trend. In keeping with Artists Space''''s support of new art through both its Exhibition Program and Grants Program, NEW GALLERIES OF THE LOWER EAST SIDE is a look at a new outlet for emerging art: an outlet which straddles the lines between the artists cooperative, the non-profit alternative space, the artist organized independent exhibition and the commercial gallery. NEW GALLERIES OF THE LOWER EAST SIDE acknowledges the recent appearance and rapid proliferation of more than twenty commercial art galleries that are introducing new artists and art. This phenomenon has created overnight, it seems, active new exhibition outlets for artists, an on-going vehicle for massive social opening events, a Sunday activity for the art audience, a new map in the Gallery Guide and a new focus of excitement and energy in the art community. The galleries are now numerous and offer more than the aesthetic that was first presented by the pioneers (Gracie Mansion, Fun Gallery and 51 X) and which has come to be associated with the East Village. They are very professional enterprises that intend to provide serious support and attention to the artists they show. Many of the galleries are artist owned. The artist/owners who converted storefronts to studios have now converted these studios to galleries. Most of these owners work at jobs separate from the gallery to support the activity and many live ''''behind the shop." The East Village Eye and New York Beat play the role that the SoHo News and the Village Voice did for SoHo and Tribeca. The East Village and the Lower East Side of New York has been an area many artists moved to, since SoHo and then Tribeca have been increasingly gentrified, a fate that may now befall the East Village itself. Over the years the art community has found ''''alternative'''' means of creating needed opportunities for artists to exhibit their work to at least their peers, and occasionally to a broader audience. In the fifties. New York artists opened cooperative galleries on Tenth Street. Later, alternative spaces opened with government funding: commercial galleries moved from Uptown to Downtown for both space and accessibility to the artists. community artists organized their own temporary exhibitions such as the Times Square Show, and now, in a period of two years, some 25 commercial galleries have opened on the Lower East Side, the majority in 1983."--from exhibition press release Very Good / Fine. Light yellowing of cover edges, otherwise Fine. Contents clean and unmarked.
Weitere BilderVerlag: L'Insensé, 1991
- Hardcover
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Hardcover. Zustand: Very Good. 1st Edition. In French. Broché, 37x27cm, 97p. Avec plusieurs photos. [1800].
