gray thomas james (33 Ergebnisse)

Zustand: Very Good. Very Good condition. Good dust jacket. A copy that may have a few cosmetic defects. May also contain light spine creasing or a few markings such as an owner's name, short gifter's inscription or light stamp.

Hardcover. Zustand: Good. No Jacket. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.

Hardcover. Zustand: Very Good. No Jacket. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.

Hardcover. Zustand: Very Good. No Jacket. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.

Zustand: Good. Former library book; may include library markings. Used book that is in clean, average condition without any missing pages.

Zustand: Good. Former library book; may include library markings. Used book that is in clean, average condition without any missing pages.

Zustand: fair. 24 cm, 511, illus., title page appears to have been lost, and pre-title and table of contents pages show gluing.

hardcover. Zustand: Good. bound in full leather, cover shows moderate wear and rubbing. pages lightly tanned.

Hardcover. First Edition Thus. First Edition Thus. Hardcover. Light shelf/edge wear, spine label missing, bump to head of spine, very minor foxing at preliminaries, else tight, bright and unmarred. Full brown leather boards, marbled endpages and textblock edges, frontispiece, boarder to all pages. 12mo. 308pp plus np Index. Illus. (b/w plate). Index. Good+ [Textblock Very Good+]. No DJ as Issued.

Zustand: Good. Phillips, Sampson, and Company Boston 1856 red blindstamped boards are slightly soiled. spine is age toned. text is bright, binding is tight.

paperback. Zustand: Good. Our good condition books are generally good for reading but not for gifting or collecting. They could have imperfections such as creasing, fanning, inscriptions, margin notes, yellowing, staining on edge or cover or pages, bumps, scuffs, etc etc (sometimes multiple of these). It's a wide category that encompasses anything that isn't almost-new down to anything that is slightly better than poor. We would NOT recommend gifting Good books - these should be considered reading copies. Our books are dispatched from a Yorkshire former cotton mill. We list via barcode/ISBN so please note that the images are stock images and may not be the exact copy you receive, furthermore the details about edition and year might not be accurate as many publishers reuse the same ISBN for multiple editions and as we simply scan a barcode or enter an ISBN we do not check the validity of the edition data when listing. If you're looking for an exact edition please don't order (at least not without checking with us first, although we don't always have time to check). We aim to dispatch prompty, the service used will depend on order value and book size. We can ship to most countries, see our shipping policies. Payment is via Abe only.

Hardcover. Zustand: Near Fine. Zustand des Schutzumschlags: Near Fine. 1st Edition. Xxxv, 659 Pp. Blue Cloth, Spine Gilt. First Printing Stated. Very Near Fine In Near Fine Price-Clipped Dust Jacket With $ Sign Remaining.

Leather. Zustand: Fair. First Edition. 340pp. Still well bound but with top inch of external spine missing. Interior in nice clean condition. Frontispiece portrait missing. Owner's name on fep & top of title page. Notes on last blank.

Zustand: New.

Hardcover. Zustand: Fair. Philadelphia: John Grigg, 1831. Title page dated 1831. Collected works of the five poets in double-column format. Brick red smooth leather with spine lettering and decoration in faded gilt and in blind, gilt ruled covers, marbled edges and endpapers, tissue protected frontis engraving, various pagination, about 8.75 inches tall. Front covers holding by binder's cords, uneven coloration to the covers, spine foot chipped, other external wear, binding sound, pages clean, bookplate of Nelson Myles Adcock inside front cover, no other names or markings. Hard Cover. Fair. 8vo - over 7¾" - 9¾" tall.

Zustand: New.

Hardcover. Zustand: Very Good. No Jacket. Hardback copy in full burgundy leather boards, raised bands and gold gilt lettering, with embossed decorations, no dustjacket as issued. 425pp. B/w portrait frontispiece with tissue guard, full page b/w illustrations throughout. Gold gilt page edges. Not library copy, no inscriptions, wear to top spine edge and front spine edge. (57/2).

296 pp.; 28 x 23.5 cm.; sewn bound; black-and-white & color; edition size unknown; unsigned and unnumbered; offset-printed; Exhibition catalogue published in conjunction with show held March 14-June 1, 1999. Exhibition curated by, edited by, and with an essay by Kynaston McShine. Texts by artists and Lilian Tone, Birgit Pelzer, Brian Wallis, Susan Stewart, Magdalena Dabrowski, Ecke Bonk, Jodi Hauptman, Kristen Erickson, Coosje van Bruggen, James Trainor, Thomas McEvilley, Sally Yard, Thomas Kellein, James Roberts, Kitty Scott, Kate Linker, Dave Hickey. Extensive illustrations, artist's biographies, bibliography. Artists within exhibition: Vito Acconci, Eve Arnold, Art & Language, Michael Asher, Lothar Baumgarten, Barbara Bloom, Christian Boltanski, Marcel Broodthaers, Daniel Buren, Sophie Calle, Janet Cardiff, Henri Cartier-Bresson, Christo, Joseph Cornell, Jan Dibbets, Lutz Dille, Mark Dion, Herbert Distel, Marcel Duchamp, Kate Ericson and Mel Ziegler, Elliot Erwitt, Roger Fenton, Robert Filliou, Larry Fink, Fluxus, Gunther Forg, Andrea Fraser, General Idea, Hans Haacke, Richard Hamilton, Susan Hiller, Candida Höfer, Komar and Melamid, Louise Lawler, J.B. Gustave Le Gray, Jac Leirner, Zoe Leonard, Sherrie Levine, El Lissitzky, Allan McCollum, Christian Milovanoff, Vik Muniz, Claes Oldenburg, Dennis Oppenheim, Charles Wilson Peale, Hubert Robert, Edward Ruscha, David Seymour, Robert Smithson, Thomas Struth, Hiroshi Sugimoto, Charles Thurston, Thompson, Jeff Wall, Christopher Williams, Fred Wilson, Garry Winogrand. Endpapers of book by Daniel Buren. "Since public museums came into being in the late 18th century, artists have looked upon them with a mixture of reverence, complicity, suspicion, and disdain. In The Museum as Muse, artists of many persuasions speak their minds about museums, their functions and spaces, their practices and politics, and their relationship to the art they contain. More than 60 artists are represented by a wide range of works: photographs of museum patrons by Henri Cartier-Bresson and Elliot Erwitt; 'personal museums' and 'cabinets of curiosities' by Charles Wilson Peale, Marcel Duchamp, and Claes Oldenburg; fantasies of the destruction or transformation of museums by Hubert Robert, Ed Ruscha, and Christo and more, including works created especially for this project by contemporary artists, and an anthology of statements and writings by artists about museums. This volume was published to accompany an exhibition at The Museum of Modern Art, New York." -- publisher's statement. Very Good. Light wear to dust-jacket including a 6 mm. tear to spine edge and bumping of upper edge of recto. Light yellowing of page edges. Contents otherwise clean and unmarked.

Gebunden. Zustand: New. KlappentextThis work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original w.

First edition hard back binding in publisher's original brick red cloth covers, gilt title and author lettering to the spine. 8vo. 9'' x 6''. Contains [xvi] 300 printed pages of text with nine monochrome illustrations throughout. Fine condition book in Good condition price clipped dust wrapper with small chips to the spine tips and corners. Dust wrapper supplied in archive acetate film protection, this preserves and prolongs the life of the paper, it is not adhered to the book or to the dust wrapper. Member of the P.B.F.A. LAKE DISTRICT.

Taschenbuch. Zustand: Neu. Neuware - This is an EXACT reproduction of a book published before 1923. This IS NOT an OCR'd book with strange characters, introduced typographical errors, and jumbled words. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book.

Hardcover. Zustand: Fine. This is an elegantly bound early 19th-century volume featuring a curated collection of popular English poetry by James Beattie, Thomas Gray, and Oliver Goldsmith. Each title was printed in London by Suttaby and other associated publishers between 1805 and 1812, reflecting the period's taste for portable, affordable editions of admired poets. These pocket-sized workseach with engraved frontispiece and vignette title pagehave been custom-bound together in a single fine morocco volume and are presented in a matching cloth slipcase. Combining biographical sketches with celebrated poetic selections, the book captures the literary sensibilities of the Romantic and pre-Romantic era in a format that is both attractive and collectable. Comprising: The Wreath. Containing The Minstrel and Other Favorite poems; to which is prefixed the life of Dr. Beattie; Published by Suttaby, Evance & Hutchings, Crosby & Co. Scatcherd and Letterman, London, 1810; Frontispiece + Vignette Title + x + (1) + 156pp;  The Poetical Works of Thomas Gray; Published by Suttaby & S. Corral, London, 1805; Frontispiece + Vignette Title + xxxii + (1) + 35-93pp;  The Poetical Works of Oliver Goldsmith, M.B., With an Account of the Life and Writings of the Author; Published by Suttaby, Evance & Co, Crosby & Co. and Scatcherd and Letterman, London, 1812; Frontispiece + Vignette Title + iii-xii + 13-72pp;  Bound in modern full russet morocco with gilded rule borders and gilt panelled bands to spine with gilded brown morocco title label. Housed in a brown cloth-covered card slipcase. All in fine condition. The book has marbled endpapers and some faded marbling to edge of text block. With previous owner's 19th century inscriptions to a free blank endpaper. Text pages are bright and clean throughout, with light signs of age. A handsome volume. Text in English. Dimensions: approx. 142mm high x 78mm wide x 30mm deep (in slipcase). Weight: approximately 219g (the set with box - unpacked).

Sewn Wrappers. Zustand: Very Good. First Edition. First edition. 8vo. Sewn wrappers,513-640 pp, Atlantic Advertiser 4 pp plus 8 pp of advertising. Contains the first appearance of Harriet Beecher Stowe's "Captain Kidd's Money", a story that appeared in "Sam Lawson's Oldtown Fireside Stories" published two years later. Wear along page edges, previous owner name and a few ticks in pencil. Very good.

Hardcover. Zustand: Good. 1st Edition. The Poetical Works of Milton, Young, Gray, Beattie, and Collins. Complete in One Volume. Published by John Grigg, Philadelphia, 1831. Stereotyped by J. Crissy and G. Goodman. We believe this was the first edition thus - we have previously sold an 1832 printing, but this is the earliest we have been able to trace - and Worldcat brings up no earlier copies. A good full calf leather hardback with gilt decoration and raised bands. Covers are worn and rubbed with some scuffed leather areas and wear to hinges, and head and tail of spine. Marbled edges to text block, and marbled endpapers. Previous owner's signature to title page. Black morocco title label is worn. Illustrated frontispiece with tissue guard opposite title page. Second free blank endpaper has torn lower corner losses. Text has scattered foxing and age toning to extremities. Soundly bound. xxxii + 170pp + viii + 208pp + x + 47pp + ix + 23pp + iv + 19pp + 3pp advertisements (with uncut top edge). Language: English. Dimensions: 226mm high x 145mm wide x 42mm deep. A substantial volume - Unpacked weight approximately 916g. More photos on request.

Hardcover. Zustand: Very Good. 1st Edition. 2nd printing ; xv, 352 pp. ; illustrated ; (portraits) ; 22 cm. ; LCCN: 37-20307 ; LC: PS558.G4; Dewey: 810.822 ; OCLC: 2553812 ; "Biographical sketches and notes": p. 321-348. ; pictorial green cloth ; authors featured are Conrad Potter Aiken, Clara Lundie Askew, Bill Arp, Myrta Lockett Avary, Maude Barragan, J M Barron, Charles J Bayne, Daniel Garnett Bickers, Logan Edwin Bleckley, John T Boifeuillet, Agnes Cochran Branblett, Hennie I. Burke, Warren A Candler, Margaret Davis Cate, Joseph Ha rris Chappell, Thomas Holley Chivers, Betty Reynolds Cobb, Ellis Merton Coulter, Francis Potter Daniels, Will Allen Dromgoole, William T Dumas, Harry Stillwell Edwads, Lawton B Evans, Herbert M Franklin, John B Gordon, Francis Robert Goulding, Henry Woodfin Grady, John Temple Graves, Agnes Kendrick Gray, James A hall, Betsy Hamilton, Christine Park Hankinson, Will N Harben, Corra Harris, Joel Chandler Harris, Paul Hamilton Hayne, William Hamilton Hayne, Clarence L Haynie, Daniel Whitehead Hicky, Benjamin H Hhill, Nelle Womack Hines, Clark Howell, Charles W Huner, Louise Prudden Hunt, Henry Rootes Jackson, Thornwell Jacobs, Richard Malcolm Johnston, Charles Colcock Jones, Sara Singleton King, Lucian Lamar Knight, Marie de La Coste, John Basil Lamar, Sidney Lanier, Octavia Walton Le Vert, Constance Deming Lewis, Robert Loveman, Margaret McGarvey, Carlyle McKinley, Wightman Fletcher Melton, Olin Miller, Abby Crawford Milton, Margaret Mitchell, Roselle Mercier Montgomery, Minnie Hite Moody, Will D. Muse, Ernest Neal, Louie D Newton, Marie Conway Oemler, Thaddeus Oliver, George F Pierce, James Henry Reddick, Thomas W Reed, Loula Kendall Rogers, Mildred Lewis Rutherford, Abram Joseph Ryan, Anderson M Scruggs, Nelson M Shipp, Carrie Bell Sinclair, Johnny Spencer, Frank Lebby Stanton, Alexander H Stephens, Margaret Price Stillman, Jessie Gertrude Thomas, Ralph Methven Thomson, Ella May Thornton, William Tappan Thompson, Francis Orray Ticknor, Lida Wilson Turner, Thomas E Watson, Ouida C Wells, Charles Wesley, Gertrude Capen Whitney, Francis P Wightman, Richard Henry Wilde, and Augusta Evans Wilson ; portraits of Frank Stanton, General James Oglethorpe, Margaret Mitchell, Corra Harris, Henry W Grady, and Harry Stillwell Edwards ; intended for use by female college students in Georgia, this literary collection contains a large number of contributions from women authors in Georgia, making it a rather desirable book for women's studies collections ; "Free School Book Record" for Hart County, Georgia's Goldmine School, shows race of student required to be filled in; included on front endpaper ; VG. Book.

Hardcover. Zustand: Very Good. 8vo (9in x 6in), steel-engraved frontispiece. Attractive original gilt stamped publisher's full calf, smooth back with titles and continuous gilt decoration. All edges gilt. Very good clean bright copy with professional repair to head-caps. Sheets with some foxing, unmarked, complete. H5846.

Cuir. Zustand: Bon. Paris: Le Jay, 1781. In-12°. 202; 274pp. Reliure plein cuir d'époque (dos à nerfs orné de dorures et d'une pièce de titre en maroquin rouge titré Tombeaux d'Hervey, mors fendillés, quelques épidermures avec manque de cuir, tranches rouges, sans page de titre pour la deuxième partie, sans taches ni rousseurs). Format 10,5 x 16,8 cm. Contenu: Vie d'Hervey, Recteur ou Curé de deux Villages dans la Province de Northampton (72 pages). Les Tombeaux d'Hervey (90 pages). [Deux] Lettre[s] d'Hervey à sa soeur (10 pages). Lettre d'Hervey à une Dame (14 pages). Méditation composée par une Jeune Angloise en 1750, à l'imitation de celles d'Hervey (6 pages). Elégie écrite sur un Cimetière de Campagne, traduite de l'anglois de M. Cray [sic] (10 pages). Méditations au Milieu d'un Parterre (134 pages). Méditations sur les Cieux Etoilés (63 pages). L'Hiver (28 pages). Hymne sur la Création (21 pages). Les Funérailles d'Arabert religieux de la Trappe, Poëme traduit de l'anglois de M. Jerningham par M. Peyron (28 pages).

Zustand: Good. 8vo. 162 pp. Gilt Full Leather, Marbled Endpapers, Gilt Edges. 6 engraved plates (3 after Henry Fuseli) engraved by Jas Neagle, James Heath and Thomas Holloway. Very Good with light foxing on some pages, leather worn to edges.Provenance: The estate of Paul Gallico (1897 - 1976), one of the greatest storytellers and writers of the 20th Century. The celebrated American-born novelist, screenwriter and journalist is renowned for the writing of a number of significant works, including his most well-known book, The Snow Goose, a short novel that achieved much acclaim and was later made into a film and broadcast on BBC TV.

Cloth. Zustand: Very Good Indeed. Not Stated (illustrator). A pocket sized collection of poetical works by renowned poets Collins, Gray, Beattie, and Byron, with an engraved title page and frontispiece. A pocket sized collection of poetical works by renowned poets Collins, Gray, Beattie, and Byron.Neatly rebound in quarter cloth with marbled boards.With a frontispiece and engraved title page.Featuring notable works such as Collins' 'Oriental Eclogues', Gray's 'Elegy Written in a Country Church Yard', Beattie's 'The Minstrel, and Lord Byron's 'English Bards and Scotch Reviews'. In quarter cloth. Externally, very smart. Rubbing to spine title sticker. Internally, firmly bound. Pages are bright and clean, with the odd spot to the front and rear. Damp stain to head of first 5 or so pages. Very Good Indeed. book.

1/2 leather. Zustand: Very Good. First Edition. Engraved frontis; 4to 11" - 13" tall; 533 pages; 1775 Printed By A. Ward; and Sold By J. Dodsley & J. Todd, York & London. 1st edition. Soundly bound quarto in period quarter calf with leather spine label and marbled paper covered boards. [iv], (1]) - 416; (1-3]) - 111, [2] pp. One blank at front followed by half title; page [112] a contents leaf and [113} errata, followed y 2 blanks. Mild cracking to leather top third of the front joint, but still sound and pliable. Light scuffing and rubbing to leather at spine and tips with expected light shelf rubbing to board surfaces. Cut paper bookplate of Louisa Catherine Sligo mounted to front pastedown. . The 1st edition in well preserved condition. VG . Oversize book likely to require additional charges for expedited or international shipping.