graves ida (28 Ergebnisse)

Paperback. Zustand: Very Good. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.

Paperback. Zustand: Very Good. Prompt Shipment, shipped in Boxes, Tracking PROVIDEDVery good paperback. First edition.

Soft cover. Zustand: Fine. First edition. Wrappers. From the library of the poet David Gascoyne, with the Gascoyne library book-label.

Paperback. Zustand: Good. First. 8vo. ver creasing and eneven rusty staples. Book.

Paperback. Zustand: Good. First. 8vo. Book.

1st edition. Very good paperback copy; edges slightly dust-dulled and nicked. Remains particularly well-preserved overall; tight, bright, and clean. Physical description; 63 pages ; 22 cm. Subjects; English poetry. British poetry. Hospitals - poetry. Death - poetry. 1 Kg.

PAP. Zustand: New. New Book. Shipped from UK. Established seller since 2000.

PAP. Zustand: New. New Book. Shipped from UK. Established seller since 2000.

PAP. Zustand: New. New Book. Shipped from UK. Established seller since 2000.

Paperback. Zustand: Good. First. 8vo. rear cover a biy marked. Book.

PAP. Zustand: New. New Book. Shipped from UK. Established seller since 2000.

HRD. Zustand: New. New Book. Shipped from UK. Established seller since 2000.

Softcover. Zustand: Very Good. Zustand des Schutzumschlags: No Dust Jacket. Hughes-Stanton, Blair (illustrator). Edition Unstated. Size: 13" x 7 3/4". Text body is clean, and free from previous owner annotation, underlining and highlighting. *Prospectus Only* This trifold prospectus for the Basilisk Press's production of Epithalamion is decorated with two wood engravings by Blair Hughes-Stanton. Top edge bumped. Illustrator: Hughes-Stanton, Blair. Quantity Available: 1. Shipped Weight: 2 lbs 0 oz. Category: Poetry; Pictures of this item not already displayed here available upon request. Inventory No: 016258.

No Binding. Zustand: Very Good. Blair Hughes-Stanton (illustrator). 33x20cm, single sheet folded to 6pp. With reproductions of two large wood engravings by Blair Hughes-Stanton and two Basilisk Press devices printed in black. The imposing prospectus for the Basilisk Press's elaborate 1980 issue of the remaining sheets from the Gemini Press 'Epithalamion' of 1934, in various bindings and with additional material. Very Good (rather creased around the head).

Taschenbuch. Zustand: Neu. Druck auf Anfrage Neuware - Printed after ordering - Books are still among the most important cultural achievements of humanity. Their invention was as important as the Internet: for the first time, a mass transfer of information became possible. Education, science, research, but also entertainment was based on a new revolutionary basis. Books are changing society until today. The technical possibilities of mass printing led to a radical increase in titles in the 18th and 19th centuries. Nevertheless, the conditions were still very different than today: Who wrote a book at that time, often wrote a life's work. This is reflected in the high quality of old books. Unfortunately, books age. Paper is not made for eternity. Therefore, we have made it our mission to preserve the book of knowledge of humanity and to make old books available in high quality at low prices.

Gebunden. Zustand: New.

Taschenbuch. Zustand: Neu. An Admiral's Wife in the Making | Ida Margaret Graves Poore | Taschenbuch | Englisch | Inktank-Publishing | EAN 9783750937840 | Verantwortliche Person für die EU: preigu GmbH & Co. KG, Lengericher Landstr. 19, 49078 Osnabrück, mail[at]preigu[dot]de | Anbieter: preigu.

Taschenbuch. Zustand: Neu. Neuware.

Buch. Zustand: Neu. Neuware - This work has been selected by scholars as being culturally important and is part of the knowledge base of civilization as we know it.

Buch. Zustand: Neu. Neuware - This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

Hardcover. Zustand: Good. Zustand des Schutzumschlags: Good. Hughes-Stanton, Blair (illustrator). Scarce hard cover with unclipped dust jacket, both in good condition for their age. General shelf and handling wear; tanning and blemishes to DJ, with a watermark the length of the front and rear leading edges. Colour seepage has caused discolouration at these points. Sunning, creasing and wear to DJ edges, corners and folds, with occasional small nicks present. Boards are slightly bowed, light wear to edges. Colour fading to board's edges, both watermarks and rubbing/general fading. Light tanning and foxing within, occasional blemish noted. However, string bound pages are secure and content clear and bright. Additional photographs available upon request. CN. Used.

Paperback. Zustand: Good. First Edition. Pages 246-308. Printed on glossy stock. Numerous black and white photos. Features: Nice Prescott Pianos ad inside front cover; The Woman's Club of Henniker; By Winnipesaukee (poem); The Scotch-Irish Settlers of Peterborough; A Pathetic Monument (poem); George F. Putnam; Cloister Mar Saba; Hannah Eastman's Capture; Beyond the Veil (poem); The First Bank in Concord; Compensation (peom); The McClarys of Epsom; Sea-Dreams (poem); Kearsarge in Autumn (poem); Is the Norse Claim Authentic?; Nice full-page photo-ad for The First National Bank of Concord, N.H.; Nice full-page ad for the Boston and Maine Railroad; New Hampshire Necrology. Peripheral chipping. Contents in quality condition. A worthy vintage copy.

5 vol.: vol. 1: 57 pp. ; vol. 2: 58 pp. ; vol. 3: 42 pp.; vol. 4: 66 pp. ; vol. 5: 50 pp.; 5 vol.: 23.2 x 14.6 cm. (each); glue bound; black-and-white; edition size unknown; unsigned and unnumbered; offset-printed Volumes I-V of "Summary of a Workshop," a biannual series of symposiums on contemporary art sponsored by the Frederick R. Weisman Foundation and held at various North American locations. Each symposium was accompanied by a catalogue which summarized the conversations that took place. Volume I: "The Relationship Between Art and Architecture," held in Santa Monica, CA, January 21-22, 1989. Participants included: Frank O. Gehry, Daniel Buren, Jean-Louis Cohen, Cesar Pelli, Donald Judd, Irving Lavin, Germano Celant, Henry N. Cobb, Christopher Knight, Mildred Friedman, John Chamberlain, Peter Eisenman, Robert Irwin, Michael Graves, Nancy Wexler, Henry T. Hopkins, and Michael Rotondi. Volume II: "Art + Architecture + Society," held in Toronto, Canada, July 22-23, 1989. Participants included: Henry T. Hopkins, Michael Rotondi, Diana Agrest, Lynda Benglis, Scott Burton, Adele Freedman, April Greiman, Alanna Heiss, Craig Hodgetts, Walter Hopps, Catherine Ingraham, Eric Owen Moss, Matt Mullican, Larry Richards, David Ross, Alexis Smith, and Leon Whiteson. Volume III, "Art Fairs : Plans and Process," held in Los Angeles, CA, December 5-6, 1989. Participants included: O. Kelley Anderson Jr., Brian Angel, Dr. Alberto Anfossi, Rosina Gómez Baeza, Dr. Emil Bammatter, Thomas P. Blackman, Van Deren Coke, Michelle De Angelus, Milton Esterow, Anita Kaegi, Claudio Bruni Sakraischik, Allan Schwartzman, Leif Ståhle, Tamara Thomas, Robert Thomson. Volume IV, "Conservation and Contemporary Art," held in Richmond, VA, June 4-5, 1990. Participants included: Henry T. Hopkins, Billie Milam, Albert Albano, James Bernstein, Sharon Blank, Victoria Blyth Hill, Tom Branchick, William Leischer, Carol Mancusi-Ungaro, Ross Merill, Roy De Forest, Tim Ebner, George Herms, Duane Hanson, Rotraut Klein-Moquay, Ida Kohlmeyer, Miriam Shapiro, Paul Brach, Zora Sweet Pinney, and Nora Halpern Brougher. Volume V, "Support for the Arts in Unsupportive Times," held in Los Angeles, CA, December 4-5, 1990. Participants included: Nora Halpern Brougher, Henry T. Hopkins, Cee Scott Brown, Marie Cieri, Pamela Clapp, Gary Garrels, Stanley Grinstein, David Ireland, Steven D. Lavine, Bella Lewitzky, Lisa Lyons, Anne MacDonald, Peter Norton, Max Palevsky, Claire Peeps, Dr. Thomas Reese, Joy Silverman, Tina Summerlin, Ella King Torrey, Joel Wachs, and Frederick R. Weisman. "Twice each year the Frederick R. Weisman Art Foundation conducts workshops dealing with issues of importance to those involved in the creation, exposition, collection, conservation and education of international contemporary art in all of its manifestations. These workshops bring together approximately eighteen experts in closed session for two days. The topic is determined by the Foundation but the direction that conversation takes is determined by the participants. There is no agenda. The workshops are taped, transcribed, edited, published in the present form and distributed to participants, interested parties, museums and libraries." -- Henry T. Hopkins, director. Very Good / Fine. Set of 5 volumes. Light rubbing and yellowing of cover edges and light yellowing of pages, otherwise Fine. Contents clean and unmarked.

Hardcover. Zustand: Very Good. Limited Edition. Graves (Ida). Epithalamion, number 255 of 330 copies signed by the artist (but one of 150 copies issued later), wood-engravings by Blair Hughes-Stanton, original boards edged in brown morocco and with morocco label, spine a little faded, with accompanying booklet in original wrappers, together in board slip-case, Colchester, Gemini Press, 1934 and Basilisk Press, 1980.

Hardcover. Zustand: Near Fine. 1st Edition. The First UK printing published by The Gemini Press in 1934. This is number 7' of the special 50 Japanese Vellum copies in the publisher s original Sangorski and Sutcliffe binding of half morocco with handmade, rose coloured paper called 'Winterstroke' Tudor Brick over the boards. Housed in the publisher s original slipcase with red morocco edging. The latter is a little rubbed and marked in places. The book is signed by both Ida Graves and Blair Hughes Stanton to the colophon as issued. The BOOK is in near Fine condition with just some very light rubbing to the spine in places. Of the proposed edition of 50 special copies, it was thought that only 25-35 were originally bound as such, with the remaining 15-25 copies being bound in a different binding at a much later date by The Basilisk Press in 1980 (These copies were only signed by BHS). 23 striking full page wood engravings by Blair Hughes-Stanton. Printed in Blado italic. Tall folio. Top edge gilt. This book was the first book to be published by the Gemini Press in 1934, and celebrated the love between Ida Graves and Blair Hughes-Station who had left his wife Gertrude Hermes to join her. But Ida Graves' husband denied her a divorce. The folio pamphlet published by the Basilisk Press in 1980 'Background to the Ida Graves poems Epithalamion' describes in detail the original binding for these special copies on vellum. This pamphlet booklet accompanied the Basilisk Press reissue in 1980. A very handsome production in exceptional condition with only minor markings to the slipcase. More images available on request. Ashton Rare Books welcomes direct contact. Signed by Author(s).

With 23 associate wood-engravings by Blair Hughes-Stanton. (32) leaves. Folio. Orig. green paper boards, spine label (somewhat rubbed) . The first book from The Gemini Press". One of 280 num. copies on Basingwerk Parchment (of which 30 were not for sale) of a total of 330 copies. Designed, hand-set in 24 pt Blado italic and handprinted by Blair Hughes-Stanton. This is the original edition, bound in the 1930s. Hughes-Stanton, Penelope. The Wood-Engravings of Blair Hughes-Stanton (1991), no. 25.

FIRST EDITION, one leaf with light crease at top corner, pp. 266, crown 8vo, original red boards, backstrip lettered in black, a few very faint spots to edges and free endpapers, the latter slightly browned in part, dustjacket with designs by Pearl Binder to front and backstrip panels, very slightly nicked and rubbed at extremities, a little waterstaining at foot of rear panel and internal tape-repair ot a couple of horizontal cracks to backstrip panel, very good. A scarce book, the author's second novel. She had earlier established herself as a poet, under the name Ida Graves, publishing volumes with the Hogarth Press and the Fortune Press, as well as working in collaboration with her then partner, the artist Blair Hughes-Stanton, with whom she had two children. By the time of this work she had met Don Nevard, a jazz pianist, with whom she would remain until her death - the novel carries a printed dedication to 'Don and the Happy Jazzmen'. The narrative-method here, in a 'story [.] about a little servant girl who brings calamity to a childless couple without meaning to', perhaps bears traces of the influence of that musical form, with a breathless style dominated by the present tense. Graves published one other novel with Faber, as well as some works for children; a long interval followed before her poetry career was revived in the 1990s.

Fine Binding. Zustand: Fine. Blair Hughes-Stanton. (illustrator). First edition. A scarce, limited edition of this poem by Ida Graves, beautifully illustrated by Blair Hughes-Stanton. This is the first work to be published by the Gemini Press. It has been designed, hand set and printed by hand by Blair Hughes-Stanton. It was completed on 30th June 1934 at Valley Farm Cottage, Higham, Colchester. Blair-Hughes-Stanton, the illustrator of this work, was the partner of Graves at the time. Limited to 330 copies, of which this is number 198. Bound in a sumptuous crushed morocco binding with gilt detailing to the spine. Ida Graves had her first poem published in the Spectator in 1920 and her first volume of poetry was published by the Hogarth Press in 1929. This long poem won the top literary award at the 1937 Venice Biennale. In a full crushed morocco binding. Externally, excellent with minor shelfwear to the head and tail of spine and to the extremities. Internally, firmly bound. Pages are very bright with just the odd spot. Fine. book.