graadt roggen (15 Ergebnisse)

First Edition. Near fine paperback copy. Slightest suggestion only of dust dulling to the spine bands and panel edges. Remains uncommonly well-preserved; tight, bright, clean and sharp-cornered. Physical description: 88 pages. Subjects: Finland. Travels. Lakes. 1 Kg.

Original publisher's black cloth spine with gilt lettering and ornamentation, back paper-covered boards, gilt ornament frontcover, 8vo: frontispiece portrait, 176pp, acknowledgemments, table of contents. Very fine copy.,

Gebonden. Zustand: Boek goed. Zonder jaar ( 1935?) 142 pp. Z/w illustraties. Met voorin een uitvouwbare kaart van de stad Utrecht. Opnieuw ingebonden met behoud van de oorspronkelijke voorkant.

Zustand: Good. Oorspronkelijk omslag geniet, 8vo.

Zustand: Good. Oorspronkelijk omslag, softcover, 196,VII pagina's, 8vo.; Rug vernruind.

Utrecht 11-10-1923 ; 14 x 22 cm.

Utrecht 11-10-1923 ; 14 X 22 cm.

With: Addendum ( 6 tables ).

Rotterdam, 1931-33. 10 vols in 2 bindings. Text & ills. Bound in two uniform h.cloth bindings. - Orig. cover by Piet Zwart preserved. - Covers trimmed with some loss of text; ex-libris on first endpapers; owner's handwriting on first free endpapers; cover of vol. 6 damaged.Good complete set. - Nos 11 & 12 were never published. - Typography by Piet Zwart.

ZWART, Piet. Monografieën over filmkunst. Edited by C.J. Graadt van Roggen. 10 vols. 4to, 218 x 170 mm., bound in original illustrated wrappers in a new cloth folding box. Rotterdam: Brusse, 1931-1933. A complete set of this legendary film magazine with brilliantly designed covers by Piet Zwart. "Zwart employed images of film-strips, movie cameras, and projectors, formal devices such as multiple exposures and overprinting, and frames for slapstick comedy to documentary films. He therefore summarized the cinematic and photographic ideas that influenced avant-garde page design during the 1920s and 1930s." The series consists of: 1. Het Linnen Venster, by C.J. Graadt van Roggen; 2. Dertig Jaar Film, by L.J. Jordaan; 3. Nederlandsche Filmkunst, by Henrik Scholte; 4. Russische Filmkunst, by Th.B.F. Hoyer; 5. Duitsche Filmkunst, by Simon Koster; 6. Fransche Filmkunst, by Elisabeth de Roos; 7. Amerikaansche Filmkunst, by J. F. Otten; 8. De Absolute Film, by Menno ter Braak; 9. De Komische Film, by Constant van Wessem; 10. De Geluidsfilm, by Lou Lichtveld. Most sets have since been bound into two volumes with some trimming to the covers, the present set remains unbound thus the covers are untrimmed. The spines and edges have a bit of wear with some loss, however, rare in this state. Andel 404, 405, 406.

Zustand: Good. Portfolio of matted original etchings in various sizes. Mats are 14 x 20 inches. No table of contents or title page. 11 of 12 etchings. Original fabric portfolio. Includes the etching by Meryon: "Bain-Froid Chevrier." Delteil-Wright, 44; Schneiderman, 93V. Minor foxing in the image and more specks in the margins. May not be OCLC Number: 145382593 which is American prints whereas this one contains European artists.

Etching of a Dutch farmer, leaning on a cane. The man is standing in a pasturage, wearing a hat, cape and clogs. Under the plate is a stamp ''Gedrukt door den etser'. It is signed in pencil by the artist, and is noted to be the 18th print out of 25. See also: Mia van Regteren Altena, J.M. Graadt van Roggen als grafisch kunstenaar, 1948. l Etching on paper, passé-partout: 322x498 mm print: 257x218mm. Modern014.

1928-1929, Very rare dry needle etching, there are only three prints. Third state. This one is in black ink, but it also exists in red. The etching shows a shore with rocks. In the lower left is the monogram of the artist, it is also signed in pencil. The print is covered in a firm passé-partout. The depicted rockformation is presumed to be in Bretagne (France) but written on back is "Riviera". See also: Mia van Regteren Altena, J.M. Graadt van Roggen als grafisch kunstenaar, 1948. l dry point etching on paper, in passé-partout. , passé-partout: 349x300 mm print:171x217 mm. Modern018.

View of a street in an old Dutch city, with the church tower disappearing into the clouds in the background. A small group of figures near an open door with a woman standing in it. Etching on wove paper, sheet size 338 x 236 mm., platemark 238 x 159 mm., signed in pencil by the artist in the margin lower right. Published by P.J. Zürcher, The Hague. As Zürcher was active between 1904 and 1931, this print must have been made during that period. In very good condition, although the sheet seems overall somewhat browned.

Etching 31x43cm (including margins) by J.M. Graadt van Roggen (1867-1959), after A. Mauve. Signed in pencil: j.m. graadt van Roggen 09. the original print after the etching by Mauve was published by Francois Buffa et fils, Amsterdam and printed at Roeloffzen, Hubner en van Santen, Amsterdam. Graadt van Roggen copied the original etching and added two wooden shoes (clocks or klompen) in the margin and possibly also other elements to the original composition by Mauve. Graadt would copy appr. 25 etchings by earlier masters between 1890-1909. See also: Mia van Regteren Altena, J.M. Graadt van Roggen als grafisch kunstenaar, 1948.