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Verlag: New York: G. Schirmer, 1954, 1954
Anbieter: Steven Wolfe Books, Newton Centre, MA, USA
Gounod, Charles, 1818-1893. Metropolitan Opera: Faust : opera in five acts. Libretto. Original text and English translation. New York: G. Schirmer, 1954, vii, 20, 20pp., stapled PAPERBACK, covers stained and soiled, with vertical fold mark throughout, still more than acceptable copy for use. Schirmer Ed. 2528. Libretto by Michel Carré and Jules Barbier. English version by George Mead,.
Verlag: Boston: Guild of the Opera Company of Boston, 1981, 1981
Anbieter: Steven Wolfe Books, Newton Centre, MA, USA
Gounod, Charles, 1818-1893. Faust. Opera Guide 1981. Boston: Guild of the Opera Company of Boston, 1981, 20pp., stapled PAPERBACK, still very good, BUT fold marks on front corner with small tear to edges, and a few very minor pencil marks neatly erased from margins. Staged and conducted by Sarah Caldwelll. - Substantial texts and many illustrations.
Verlag: Paris, Choudens (VN 1006) [um 1888]., 1888
Anbieter: Musikantiquariat Bernd Katzbichler, Unterwössen, D, Deutschland
7 S. X Titelblatt mit Incipit-Verzeichnis der Oper.
Verlag: Paris, Durdilly (VN 583) [um 1885]., 1885
Anbieter: Musikantiquariat Bernd Katzbichler, Unterwössen, D, Deutschland
7 lithogr. S. Mit Porträtlithographie des Komponisten von F. Buval und alten Händlerstempeln auf Titelblatt. - Rücken verstärkt. Titelblatt mit kleinen Papiereinrissen (ohne Textverlust). Leicht fingerfleckig. Spätere Ausgabe (Klavierlied wurde lt. Grove, Bd. 7, S. 589, im Jahr 1868 geschrieben; diese Ausgabe nicht im KVK nennt zahlreiche weitere Ausgaben, EA vermutlich bei Choudens erschienen). - Datierung??? (Verlag von 1896 bis 1908 unter derselben Adresse).
Verlag: Paris, Heugel (VN 2440) [nach 1900]., 1900
Anbieter: Musikantiquariat Bernd Katzbichler, Unterwössen, D, Deutschland
5 S. X.
Verlag: 1894., 1894
Anbieter: Antiquariat Heinz Tessin, Quickborn, Deutschland
15,0 x 11,0 cm. Aus einer illustrierten Zeitschrift, Rückseite mit Text. [SW - Portrait, Porträt, Charles Gounod].
Verlag: Paris, Choudens (Pl.Nr. 1144) [ca. 1875]., 1875
Anbieter: Musikantiquariat Bernd Katzbichler, Unterwössen, D, Deutschland
Erstausgabe
8 lithogr. S. Stockfleckig. Vermutlich Titelauflage der Erstausgabe von ca. 1864 (Uraufführung der Oper).
Verlag: Paris, Choudens (VN 1051) [um 1864]., 1864
Anbieter: Musikantiquariat Bernd Katzbichler, Unterwössen, D, Deutschland
Erstausgabe
9, 3 S. Rücken verstärkt. Titelblatt mit Händler- u. Besitzstempeln. Stockfleckig. Titelauflage der Erstausgabe dieser Bearbeitung.
Verlag: G. Schirmer [PN 16100], New York, 1920
Anbieter: J & J LUBRANO MUSIC ANTIQUARIANS LLC, Syosset, NY, USA
Noten
Large octavo. Full dark green decorative cloth gilt, titling gilt to spine, top edge gilt. 1f. (recto blank, verso portrait of composer), 1f. (recto title, verso cast list), v-xiv (notes on first performance, named cast list, and synopsis), 1f. (contents), 323, [i] (publisher's advertisement) pp. Named cast includes Barbot, Balanqué, Reynald, Cibot, Miolan-Carvalho, Faivre, and Duclos. Occasional performance annotations in blue crayon. Spine slightly worn. Former owner's signature to front free endpaper; occasional annotations in pencil. First performed, to a libretto by Jules Barbier and Michel Carré after Carré's Faust et Marguerite and Johann Wolfgang von Goethe's Faust, Part I (in the French translation by Gérard de Nerval) in Paris at the Théâtre Lyrique on 19 March 1859. To most opera lovers today, Gounod is essentially the composer of Faust and Roméo et Juliette and with good reason, for it would be difficult to defend the critical position that these are not his best works for the stage." Steven Huebner in Grove Music Online.
Verlag: Chappell & Co. [PN 22805], London, 1895
Anbieter: J & J LUBRANO MUSIC ANTIQUARIANS LLC, Syosset, NY, USA
Noten
Quarto. Original publisher's blue wrappers with titling in dark blue within decorative border. 1f. (recto title, verso named cast list and notes on first English performance), [i] (contents), 2-225 [i] (publisher's catalogue) pp. Named cast includes from the Royal Opera, Covent Garden London production includes Melba, Eames,Regina Pinkert, Bauermeister, Edouard de Reszké, Dufriche, Igenio Corst, Ceste, Castelmary, Miranda, Rinaldini, and Jean de Reszké, and from the Carl Rosa Opera Company production Zelie de Lussan, Kate Drew, Annie Cook, Abramoff, Max Eugene, John Child, F. H. Celli, E. Albert, and Barton McGuckin. Wrappers worn and detached with remnants of tape repairs; spine reinforced with cloth tape. Tape to inner margin of title and verso of final leaf; minor soiling to edges of title with small publisher's facsimile signature handstamp to lower margin. First performed in English in Liverpool by the Carl Rosa Opera Company at the Royal Court Theatre on 15 January 1890.
Verlag: Edition Choudens, Paris, 1970
Anbieter: J & J LUBRANO MUSIC ANTIQUARIANS LLC, Syosset, NY, USA
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Large octavo. Original publisher's ivory wrappers printed in red and black. 1f. (recto title, verso blank), 1f. (recto named cast list and contents, verso blank), 230 pp. Named cast for the Théâtre de l'Opéra performance in 1862 includes Gueymard, Hamackers, Tarby, Gueymard, Belval, Grisy, Marié, Coulon, and Féret, and from the from the Opéra Populaire performance in 1900 Julia Brietti, A. Gillard, Broglia, Émile Cazenueve, Stanler, Outhier, Corin, Montégut, and Darras. Wrappers slightly worn; small catalogue handstamp to lower margin of upper. Seventh version. First performed in Paris at the Opéra on February 28, 1862, to a libretto by Barbier and Carré inspired by G. de Nerval's Le voyage en Orient. "The magnificent, first production was directed by Eugène Cormon, with costumes designed by Alfred Albert and Paul Lormier, and scenery by Édouard Desplechin (Act I), Charles-Antoine Cambon and Joseph Thierry (Acts II and IV, scene 2), Hugues Martin (Act III), and Joseph Nolau and Auguste-Alfred Rubé (Act IV scene 1)." Wikipedia.
Verlag: Choudens Fils [PN A.C. 1005], Paris, 1890
Anbieter: J & J LUBRANO MUSIC ANTIQUARIANS LLC, Syosset, NY, USA
Noten
Large octavo. Original publisher's full red cloth flexible blindtooled boards, titling in silver to upper and spine. 1f. (recto title, verso blank), 1f. (recto named cast list and contents verso blank), 3-32, [viii] (1)32-32(8), 33-213, [i] (blank) pp. Binding slightly worn, soiled, and bumped; front free endpaper brittle, corner lacking. Browned; some signatures split. Third version, fourth issue. Mireille, to a libretto by Michel Carré after Frédéric Mistral, was first performed at the Lyrique on March 19, 1864. "There are. fine moments in Mireille, particularly in the title role where Gounod exhibits his particular talent for feminine characterization. Mireille. is a noteworthy contribution to the French lyric stage. It presents the unsuitability of a love match because of difference in social status entirely within the framework of a rural agrarian society and transforms the daughter of a farmer into a tragic heroine." "In his unceasing quest for what he saw as dramatic and spiritual truth, Gounod succeeded in restoring a higher sense of artistic purpose to the French stage, and in strictly musical terms his influence on the course of French music was substantial." Steven Huebner in Grove Music Online.
Verlag: Choudens, [Paris], 1900
Anbieter: J & J LUBRANO MUSIC ANTIQUARIANS LLC, Syosset, NY, USA
Noten
1f. (recto title, verso blank), 1f. (recto named cast list and contents, verso blank), 132 pp. Named cast includes Barbot, Balanqué, Reynald, Cibot, Carvalho, Faivre, and Duclos. Bound with: Adam, Adolphe 1803-1856. Le Brasseur de Preston Opéra-Comique en trois Actes Paroles de MM. de Lenven et Brunswick. Représenté pour la première fois a Paris sur le Théatre Royal de l'Opéra-Comique le 31 Octobre 1838 Partition Piano et Chant: 15 francs. [Piano-vocal score]. Paris: Bichault [PN 4932 R.], [ca. 1900]. 1f. (recto title, verso blank), 1f. (blank), [i] (contents), 102, [i] (blank), 103-240, [i] (blank), [i] (decorative device) pp. Large octavo. Quarter red leather with textured red cloth, spine in decorative compartments gilt, titling gilt, decorative endpapers. Binding slightly worn; remnants of label to spine. Browned; occasional foxing; some leaves trimmed; several leaves partially detached; some signatures split; annotation in pencil to verso of free front endpaper; small publisher's facsimile handstamp to upper margin of first page of music. First performed, to a libretto by Jules Barbier and Michel Carré after Carré's Faust et Marguerite and Johann Wolfgang von Goethe's Faust, Part I (in the French translation by Gérard de Nerval) in Paris at the Théâtre Lyrique on 19 March 1859. To most opera lovers today, Gounod is essentially the composer of Faust and Roméo et Juliette and with good reason, for it would be difficult to defend the critical position that these are not his best works for the stage." Steven Huebner in Grove Music Online.
Verlag: Choudens [PNs A.C. 1005 (1012), 7410], Paris, 1901
Anbieter: J & J LUBRANO MUSIC ANTIQUARIANS LLC, Syosset, NY, USA
Noten Signiert
Large octavo. Original publisher's dark ivory illustrated wrappers printed in green. 1f. (recto title, verso blank), 1f. (recto named cast list and contents, verso blank), 242 pp. Named cast includes Marthe Rioton, Marié de L'Isle, de Crapone, Eyreams, M.L. Rolland, Marechal, Dufrane, Vieuiller, Jacquin, and Huberdeau. With an autograph inscription signed by English dramatic soprano Florence Easton (1882-1955) to upper portion of title. Wrappers worn and soiled; spine creased. Signatures partially split. Fourth version. Mireille, to a libretto by Michel Carré after Frédéric Mistral, was first performed at the Lyrique on March 19, 1864. "There are. fine moments in Mireille, particularly in the title role where Gounod exhibits his particular talent for feminine characterization. Mireille. is a noteworthy contribution to the French lyric stage. It presents the unsuitability of a love match because of difference in social status entirely within the framework of a rural agrarian society and transforms the daughter of a farmer into a tragic heroine." "In his unceasing quest for what he saw as dramatic and spiritual truth, Gounod succeeded in restoring a higher sense of artistic purpose to the French stage, and in strictly musical terms his influence on the course of French music was substantial." Steven Huebner in Grove Music Online.
Verlag: Mainz/London, Schott (VN 12756) [ca. 1877]., 1877
Anbieter: Musikantiquariat Bernd Katzbichler, Unterwössen, D, Deutschland
Erstausgabe
7 S. Sauberes Exemplar. Frühe Titelauflage der Erstausgabe von 1874. - Mit gestaltetem Titelblatt.
Verlag: Choudens Père & Fils [PN A. C. 1411], Paris, 1890
Anbieter: J & J LUBRANO MUSIC ANTIQUARIANS LLC, Syosset, NY, USA
Noten
Large octavo. Half maroon cloth with marbled boards, title label in manuscript to spine. 1f. (recto illustrated title, verso notes), [i] (named cast list and contents), 2-71, [i] (72-80), 81-132, [i] (133-137), 138-249, [250] (blank), 251-290 pp. Binding slightly worn and faded; repairs to inner margins of many leaves; tear to lower margin of title repaired. Third version, second issue. First performed in Paris at the Lyrique on April 27, 1867 to a libretto by Barbier and Carré after Shakespeare. Gounod's "Roméo et Juliette contains four exquisite soprano-tenor duets, a number almost certainly unprecedented in 19th-century opera and a harbinger of the prominence of love duets in such works as Massenet's Manon and Werther; to Gounod's great credit each has a distinct musico-dramatic ambience and shape." Steven Huebner in Grove Music Online.
Verlag: Choudens [PN A.C. 703], Paris, 1900
Anbieter: J & J LUBRANO MUSIC ANTIQUARIANS LLC, Syosset, NY, USA
Noten
Large octavo. Red cloth-backed textured blue paper boards with decorative device and titling printed in black to upper, titling gilt to spine. 1f. (recto title within decorative architectural border, verso blank), 1f. (recto named cast list and contents, verso blank), 49, [i] (50-54), 55-178 pp. Some leaves unopened. Named cast includes Nicot, Chapuyt, Bouhy, and Giraudet from the Opéra-Comique, and Froment, Carvalho, Battaille, Balanqué, and Sax from the Théâtre Lyrique. Binding slightly worn and soiled; upper hinge partially split. Browned; some signatures split. Third version, second issue. Philémon et Baucis, to a libretto by Jules Barbier and Michel Carré after Jean de La Fontaine's fable, was first performed in Paris at the Théâtre Lyrique on 18 February 1860. "At the suggestion of Léon Carvalho, director of the Théâtre Lyrique, Gounod expanded his original two-act frame into three by adding a middle act that depicts the orgiastic celebrations of the townspeople in Jupiter's temple . For the 1876 revival at the Opéra-Comique which established Philémon in the repertory of that house until World War II, Gounod reduced the work to two acts." Steven Huebner in Grove Music Online.
Verlag: Choudens Père et Fils [PN A.C. 1411], Paris, 1873
Anbieter: J & J LUBRANO MUSIC ANTIQUARIANS LLC, Syosset, NY, USA
Noten
Large octavo. Quarter red morocco with matching pebbled paper boards with crown and "M" gilt to upper, spine in gilt-ruled compartments, titling gilt, marbled endpapers. 1f. (recto title, verso publisher's notes), [1] (named cast list for performances in April 1867 and January 1873), 2-249, [i] (blank), 251-290 (supplement). With attractive engraved armorial bookplate of the Duke of Massa (possibly Alfred, 1837-1913) to front pastedown. Binding slightly worn, rubbed, and bumped; foot of spine frayed; joints splitting. Significantly browned throughout; tears to inner margins of first two leaves. First performed in Paris at the Lyrique on 27 April 1867 to a libretto by Barbier and Carré after Shakespeare. Gounod's "Roméo et Juliette contains four exquisite soprano-tenor duets, a number almost certainly unprecedented in 19th-century opera and a harbinger of the prominence of love duets in such works as Massenet's Manon and Werther; to Gounod's great credit each has a distinct musico-dramatic ambience and shape." Steven Huebner in Grove Music Online.
Verlag: London : Chappell & Co., Ltd. ;
Anbieter: WeBuyBooks, Rossendale, LANCS, Vereinigtes Königreich
Zustand: Good. Most items will be dispatched the same or the next working day. Hardcover edition in red gilt cloth boards and gilt page edges. Boards quite marked and splitting at the hinge near the tail. Neatly inscribed on the opening page but clean unannotated contents otherwise. Endpapers tanned but contents fairly bright for a book this age. Has a good firm binding.
Verlag: Choudens Fils [PN A.C. 1482], Paris, 1900
Anbieter: J & J LUBRANO MUSIC ANTIQUARIANS LLC, Syosset, NY, USA
Noten
Large octavo. Half black cloth with textured black paper boards. 1f. (recto title, verso blank), [i] (cast list and contents), 2-253, [i] (blank) pp. Text in German. With occasional lyrics translated into Danish in manuscript. Binding slightly worn and shaken. Tear to outer margin of pp. 197-98. First performed in Paris at the Lyrique on 27 April 1867 to a libretto by Barbier and Carré after Shakespeare. Gounod's "Roméo et Juliette contains four exquisite soprano-tenor duets, a number almost certainly unprecedented in 19th-century opera and a harbinger of the prominence of love duets in such works as Massenet's Manon and Werther; to Gounod's great credit each has a distinct musico-dramatic ambience and shape." Steven Huebner in Grove Music Online.
Verlag: Choudens [PN A.C. 703], Paris, 1900
Anbieter: J & J LUBRANO MUSIC ANTIQUARIANS LLC, Syosset, NY, USA
Noten
Large octavo. Quarter dark blue morocco with marbled boards, raised bands on spine in gilt-ruled compartments, titling gilt. 1f. (recto title within decorative architectural border, verso blank), 1f. (recto named cast list and contents, verso blank), 49, [i] (50-54), 55-178 pp. Some leaves unopened. Named cast includes Nicot, Chapuy, Bouhy, and Giraudet from the Opéra-Comique, and Froment, Carvalho, Battaille, Balanqué, and Sax from the Théâtre Lyrique. Binding very slightly worn, rubbed, and bumped. Third version, later issue. Philémon et Baucis, to a libretto by Jules Barbier and Michel Carré after Jean de La Fontaine's fable, was first performed in Paris at the Théâtre Lyrique on February 18, 1860. "At the suggestion of Léon Carvalho, director of the Théâtre Lyrique, Gounod expanded his original two-act frame into three by adding a middle act that depicts the orgiastic celebrations of the townspeople in Jupiter's temple. For the 1876 revival at the Opéra-Comique which established Philémon in the repertory of that house until World War II, Gounod reduced the work to two acts." Steven Huebner in Grove Music Online.
Verlag: Paris, H. Lemoine (VN 7480-7491) [ca. 1890]., 1890
Anbieter: Musikantiquariat Bernd Katzbichler, Unterwössen, D, Deutschland
Erstausgabe
63 lithogr S. Etwas berieben und bestoßen, leicht stockfleckig. Titelauflage der Erstausgabe von 1875.
Verlag: Mainz, Schott (VN 12832) [ca. 1870]., 1870
Anbieter: Musikantiquariat Bernd Katzbichler, Unterwössen, D, Deutschland
Erstausgabe
7 lithogr. S. Kleine Randausbesserung. Papier etwas vergilbt, gering stockfleckig. Titelauflage der deutschen Erstausgabe dieser Fassung von 1854. - Partitur ohne Separatstimmen.
Verlag: Mainz, Schott (V.Nrn. 12832, 26747, 22116) [ca. 1870]., 1870
Anbieter: Musikantiquariat Bernd Katzbichler, Unterwössen, D, Deutschland
Erstausgabe
7, 1, 1, 1, 1 S. Umschlag Umschlag mit Stempel, stark berieben und bestoßen. Seitenränder knickig und ausgefranst. Titelauflage der deutschen Erstausgabe dieser Fassung von 1854.
Verlag: Paris, Lemoine (VN 7985) [ca. 1875]., 1875
Anbieter: Musikantiquariat Bernd Katzbichler, Unterwössen, D, Deutschland
5 S. Mit Faksimile-Unterschriftsstempel des Komponisten. - Titelblatt etwas stockfleckig und mit alten Händlerstempeln. Hopkinson, S. 80.
Verlag: Boosey and Co, London and New York, 1880
Anbieter: J & J LUBRANO MUSIC ANTIQUARIANS LLC, Syosset, NY, USA
Noten
Large octavo. Original publisher's full dark red cloth decoratively tooled in blind, black, dark blue, and gilt, titling gilt to spine, all edges gilt. 1f. (recto title, verso printer's note), 1f. (recto contents, verso cast list and synopsis), 176 pp. Head and tail of spine very slightly frayed. Some signatures partially split; minor staining to upper margins of pp. 158-161. "There are. fine moments in Mireille, particularly in the title role where Gounod exhibits his particular talent for feminine characterization. Mireille. is a noteworthy contribution to the French lyric stage. It presents the unsuitability of a love match because of difference in social status entirely within the framework of a rural agrarian society and transforms the daughter of a farmer into a tragic heroine." "In his unceasing quest for what he saw as dramatic and spiritual truth, Gounod succeeded in restoring a higher sense of artistic purpose to the French stage, and in strictly musical terms his influence on the course of French music was substantial." Steven Huebner in Grove Music Online.
Verlag: Oliver Ditson, Boston, 1892
Anbieter: J & J LUBRANO MUSIC ANTIQUARIANS LLC, Syosset, NY, USA
Noten Erstausgabe
Quarto. Original publisher's dark orange wrappers with titling within architectural border. 1f. (recto title, verso blank), 1f. (recto preface, verso blank), [3]-5 (dramatis personae, synopsis, and contents), 6-236 pp. Wrappers detached with minor chips, tears, and tape repairs to edges; former owner's signature ("E.B. Shinmon") to upper wrapper; spine lacking. Some signatures split; former owner's signature to title; tape repair to upper margin of p. 131, not affecting music. Third version. [?]First American edition. First performed, to a libretto by Jules Barbier and Michel Carré after Carré's Faust et Marguerite and Johann Wolfgang von Goethe's Faust, Part I (in the French translation by Gérard de Nerval) in Paris at the Théâtre Lyrique on 19 March 1859. To most opera lovers today, Gounod is essentially the composer of Faust and Roméo et Juliette and with good reason, for it would be difficult to defend the critical position that these are not his best works for the stage." Steven Huebner in Grove Music Online.
Verlag: Choudens [PN A.C. 1412], Paris, 1867
Anbieter: J & J LUBRANO MUSIC ANTIQUARIANS LLC, Syosset, NY, USA
Noten Erstausgabe
Large octavo. Mid-tan morocco-backed dark brown pebbled paper boards with titling and rules gilt to upper. 1f. (recto title printed in dark blue within architectural border, verso blank), 1f. (recto dedication to "Charles XV Roi de Suède & de Norwège," verso blank), 1f. (recto cast and contents, verso blank), 3-147, [i] (blank) pp. Lithographed. Berlin agents Schlesinger and Lienau printed to foot of title; handstamp of former Viennese owner to upper outer corner of free front endpaper. Binding worn and rubbed; corners abraided. Light browning throughout, most noticeable to first and last leaves; many signatures split. [?]First Edition in this form, evidently published for both French- and German-speaking markets. First performed in Paris at the Lyrique on 27 April 1867 to a libretto by Barbier and Carré after Shakespeare. Gounod's "Roméo et Juliette contains four exquisite soprano-tenor duets, a number almost certainly unprecedented in 19th-century opera and a harbinger of the prominence of love duets in such works as Massenet's Manon and Werther; to Gounod's great credit each has a distinct musico-dramatic ambience and shape." Steven Huebner in Grove Music Online.
Verlag: Choudens Fils [PN A.C. 7409, 2743, 880], Paris, 1897
Anbieter: J & J LUBRANO MUSIC ANTIQUARIANS LLC, Syosset, NY, USA
Noten
Large octavo. Quarter dark red cloth with decorative textured blue paper boards printed in black. 1f. (recto title, verso blank), 1f. (recto named cast list and contents, verso blank), 222, xxii pp. Named cast includes Gueymard, Hamackers, Tarby, Belval, Grisy, Marié, Coulon, and Fréret. Binding slightly worn; signature to upper outer corner of front pastedown. Slightly browned. Sixth version. First performed in Paris at the Opéra on February 28, 1862, to a libretto by Barbier and Carré inspired by G. de Nerval's Le voyage en Orient. "The magnificent, first production was directed by Eugène Cormon, with costumes designed by Alfred Albert and Paul Lormier, and scenery by Édouard Desplechin (Act I), Charles-Antoine Cambon and Joseph Thierry (Acts II and IV, scene 2), Hugues Martin (Act III), and Joseph Nolau and Auguste-Alfred Rubé (Act IV scene 1)." Wikipedia.
Verlag: Choudens Père et Fils [PN A.C. 945(1), (1*) [1803]; A.C. 2482, A.C. 3730, Paris, 1890
Anbieter: J & J LUBRANO MUSIC ANTIQUARIANS LLC, Syosset, NY, USA
Noten
4 volumes bound in 2. Large octavo. Quarter black morocco with marbled boards, raised bands on spine in gilt-ruled compartments, titling gilt, marbled endpapers. A total of 80 songs. Vol. I: 1f. (recto title, verso blank), 1f. (recto named cast list and contents, verso blank), 123 pp. Named cast includes Béranger, A. de Lamartine, Passerat, Baïf, Victor Hugo, Alfred de Musset, Eugène Tourneux, Ponsard, La Fontaine, Théodore de Banville, and A. Porte. Vol. II: 1f. (recto title, verso blank), 1f. (recto named cast list and contents, verso blank), 123 pp. Named cast includes Émile Augier, O. Pradère, Jules Barbier, H. Lefevre, Louise Bertin, A. de Lamartine, Ernest Lebouvé, Leon Gozlan, L. de Peyre, and Théophile Gautier. Vol. III: 1f. (recto title, verso blank), 1f. (recto named cast list and contents, verso blank). 123 pp. Named cast inclues Alexandre Dumas fils, Jules Barbier, Louis Gallet, Théophile Gautier, Joseph Collin, M. Carré, Ch. Gounod, Scribe, Delavigne, Émkle Augier, Albert Delpit, O. Pradère, and Comte A. de Ségur. Vol. IV: 1f. (recto title, verso blank), 1f. (recto named cast list and contents, verso blank). 119 pp. Named cast includes Paul de Choudens J. Barbier, Michel Carré, Comte A. de Ségur, Poirson, Gallet, Émile Augier, E. Legouvé, Eugène Manuel, and Pierre Barbier. Binding slightly worn, rubbed, and bumped.