Gotch a f (17 Ergebnisse)

Zustand: Good. 1ST. Former library copy. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Zustand: Good. Former library copy. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Hardback. Zustand: Very Good. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.

hardcover. Zustand: Good. Most items will be dispatched the same or the next working day. A copy that has been read but remains in clean condition. All of the pages are intact and the cover is intact and the spine may show signs of wear. The book may have minor markings which are not specifically mentioned.…

1st edition. 8vo. 348pp. B/w. illustrations. Pages browned. Original boards. Pictorial pale blue d/w. lettered in brown and navy, slightly rubbed to edges. ISBN 0713711752 US$18.

Octavo,348 pp.,very good copy in dustwrapper.

8vo.152pp Original boards in defective dustwrapper.Black and white illustrations; a very good copy. . First edition From the C.A. Patching Gliding Collection.

First Edition. With B&W & line illustrations. Free end papers lightly browned; dust jacket worn & chipped at edges, with short tears Used - Good. VG hardback in Good dust jacket Used - Good. VG hardback in Good dust jacket.

Hardcover. Zustand: Very Good. Zustand des Schutzumschlags: Very Good. 1st Edition. 151pp to include the Index on quality paper Bound in Publisher's sky blue cloth titled in black to the spine. Within a photographic unclipped dust-wrapper with minor shelf- wear. Internally unmarked and without inscription An important book on the subject and in very good condition. Black & White photographs & Line Drawings (illustrator).…

Hardcover. Zustand: Good. Immediate dispatch from Somerset. Nice older book in good condition. Some tanning wear and marking due to age. Hardcover. English. See images for condition. About the book >.>.> Most books about animals usually give their Latin names and this is particularly evident in the ever growing numbers of ornithological and avicultural titles. This welcome trend enables a species to be identified as that particular species, regardless of its common name, and it is applicable throughout the world. However, most readers have little or no idea what the Latin names mean, or indeed why the names are given; no attempt is made to 'translate' the Latin names into English or to explain the reason for the names. This book is an attempt to remedy such a situation. Of the more than 8,000 known species of birds, some 1,850 are included. Most have been selected because they are well known, and some because they are rare, or even on the point of extinction; the selection is world-wide and even includes some birds known only on remote islands. The book's coverage is sufficient for it to be of practical everyday use to ornithologists throughout the world. The first five chapters of the book expl.…

Blanford Press, Dorset. 1981. First edition. Hardback with DW. Wrapper browned with some foxing. Page edges foxed but overall a nice clean copy.

Poole, 1981. 348 pp. Boards,d/j.

Zustand: Fine. First edition hard back binding in publisher's original olive green paper covered boards, blocked and lettered gilt back, family trees to end papers. 8vo. 8½'' x 6''. Contains 271 pp with small monochrome illustrations in the text and family trees throughout. Fine condition book in Fine condition dust wrapper, not price clipped. Dust wrapper supplied in archive acetate film protection. Member of the P.B.F.A. ISBN 0713709391 ZOOLOGY (Animal Biology).…

Hardcover. Zustand: Very Good. No Jacket. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.

hardcover. Zustand: Very Good. Most of our very good books have only minor imperfections such as shelf wear consistent with a new book that's sat on a bookshop shelf for a year or two. Occasionally we may miss other minor imperfections as we have to grade books at speed. Our books are dispatched from a Yorkshire former cotton mill. We list via barcode/ISBN so please note that the images are stock images and may not be the exact copy you receive, furthermore the details about edition and year might not be accurate as many publishers reuse the same ISBN for multiple editions and as we simply scan a barcode or enter an ISBN we do not check the validity of the edition data when listing. If you're looking for an exact edition please don't order (at least not without checking with us first, although we don't always have time to check). We aim to dispatch prompty, the service used will depend on order value and book size. We can ship to most countries, see our shipping policies. Payment is via Abe only.…

Hardcover. Zustand: Fair. Two volume set. The format is approximately 14 inches by 18.5 inches. With One Hundred Forty-Five Plates, and One Hundred Eighty Illustrations in the Text. Footnotes. Chronological list of subjects illustrated. Index to illustrations and descriptive text. Ink notation on half-title page of Volume I. This copy has sustained some moisture impacts at the bottom. All pages are separate and there has only been limited impact on the pages (text or illustrations). The Preface is dated 1890. There appears to have been an issuance of this material in 1891 in six portfolios, but not in this bound volume form. This work was apparently initially sold via Subscription. Folio, [two volumes], xxii, 52pp, [66 plates]; 64pp, [79 plates]. Books measure 14 x 18.5 . Publisher's very worn and soiled binding is three quarter brown morocco, raised bands, title in gilt on spines. Top edge gilt. Text blocks solid. A complete set with 145 photogravure plates. Among the subject of illustrations are Exeter Cathedral, Burghley House, Merton College, and Kenilworth Castle. One of the most important considerations in the undertaking was the qualify of the photographic illustrations. The art of fitly illustrating architecture by means of the camera has not been wildly acquired, and we hold ourselves fortunate in having secured the services of Mr. Charles Latham. Charles Latham (15 May 1847 27 October 1912) was staff photographer of the magazine Country Life in the early years of the 20th century. His first work for Batsford was with the architect John Alfred Gotch on his book Architecture of the Renaissance in England. John Alfred Gotch (28 September 1852, Kettering, Northamptonshire 17 January 1942, Kettering, Northamptonshire was a noted English architect and architectural historian. John Gotch attended Kettering Grammar School and later studied at the University of Zürich and at King's College London. In 1879 Gotch set up a private architectural practice in Kettering which developed into Gotch & Saunders by entering into partnership with Charles Saunders in 1887. They were later joined by Henry Ralph Surridge and they jointly retired in 1938. The practice still exists as Gotch, Saunders & Surridge LLP, or GSSArchitecture. In Kettering, Gotch was responsible for the design and construction of shoe factories, warehouses, houses, shops, offices, banks, hospitals, schools, public houses, sports venues, entertainment venues and a temperance hall. The Practice was also responsible for the design of several First World War memorials, and the alteration and expansion of numerous historic country houses, for example, Madingley Hall, now the Institute of Continuing Education, part of the University of Cambridge. Following the end of the War, Gotch's practice designed and built over 140 branches of Midland Bank and, in association with Edwin Lutyens, Gotch designed the interior of the Bank's former headquarters in Poultry, London which is considered an Art Deco icon. As well as designing many buildings Gotch had an interest in Elizabethan and Jacobean architecture. He was the author of nine books in this field, as well as editor of a book on the history of the Royal Institute of British Architects (RIBA). Apart from his renown as an architectural historian, he also achieved eminence as a public figure and representative of the architectural profession. He was president of the Architectural Association in 1886-1887, vice-president of the Royal Institute of British Architects (RIBA) in 1914-1919, and president of RIBA in 1923-1925: the first provincial architect to be appointed president since the formation of the institute in 1834. In addition, he was vice-president of the Society of Antiquaries, a founder member of the Royal Fine Art Commission, a Trustee of the Soane Museum, and president of the Northamptonshire Association of Architects in 1911-1922. In 1924 he received an honorary M.A. degree from the University of Oxford. John Alfred Gotch was appointed the first Charter Mayor of Kettering in 1938. In 2018 a blue plaque in honor of the architect, often cited as 'the man who built Kettering', was unveiled on the former Midland Bank building that he designed in Kettering High Street. RIBA has an archive of Gotch's sketchbooks, topographical drawings and manuscripts whilst further correspondence is held by Northamptonshire Record Office. Historic England hold a series of negatives taken by Gotch and photographs, donated by him, are also held in the Conway Library whose archive of architectural images is in the process of being digitized as part of the wider Courtauld Connects project. Walter Talbot Brown and born in Birmingham, Warwickshire, England on 10 July 1852 and was articled to Edmund Francis Law (1810?-1882) in Northampton, England from 1869 to 1874. He was a Pugin Student in 1877. He worked as an assistant to John George Dunn (?-1833) in Birmingham, and to Edmund Sharpe (1809-1877). Brown commenced independent practice in Wellingborough, Northamptonshire in c.1876 and was in partnership with James William Fisher (1857-1936) as Talbot Brown & Fisher from 1880 to 1931. He was elected an Associate of the Royal Institute of British Architects (ARIBA) in 1880 and a Fellow of the Royal Institute of British Architects (FRIBA) in 1894. Presumed First Edition, First printing thus. Charles Latham (Photographer) (illustrator).…

Poole 1981, 348 pp., dust jacket (code V-30).