gomringer eugen et al (10 Ergebnisse)

Zustand: Fine. - Octavo, softcover bound in printed wrappers in original glassine dust wrapper. The binding is lightly bumped & the tail of the spine is slightly darkened. 195 pages & [4] pages. Black-and-white illustrations. Near fine. "Portrait 1". This is the first of a series of "portraits" of cultural figures issued by Qumran Verlag fur Ethnologie und Kunst. A brochure announcing the series and this book is laid in.Helmut Heissenbuttel [1921-1996] was a German novelist and poet. Among his works are "Das Textbuch" and "Marlowe's Ende". He won the important Georg Buchner Prize in 1969.The text is in German.

Wraps. Zustand: Very Good. Color illustrated wraps. 166 pp. A guide aimed toward beginning poets, providing different exercises to create poetry, as well as giving an overview of different styles of poetry. This includes found poetry and concrete poetry, featuring examples by Bern Porter, Eugen Gomringer and others. VERY GOOD condition. General fading. Minor scuffing, a bit heavier along the extremities. Previous owner's signature on the inside front cover.

Zustand: Near Fine. 110 x 150mm. Invitation card with montage folded colour cover advertising "Tigel & Tumult" No. 16 edition of The Artists' Deck of Cards in 1991.

Two volumes housed in illustrated cloth-covered cardboard slipcase, 34 x 23,5 cms., 82, XX pp. with (colour) illustrations + 232 pp. with numerous mainly colour illustrations, index.

Paperback. Zustand: very good. Book. 245 x 245 mm, 32 pp. in stapled, printed wraps. Special issue of the groundbreaking art, architecture and literary magazine FORM, which was edited by influential Cambridge academics of the period, and was noteworthy for republishing and translating avant-garde texts. This particular issue is dedicated to the 'Brighton Festival Exhibition of Concrete Poetry'. Features a map and index of the works exhibited (the exhibition was directed by FORM editor Stephen Bann), as well as a translation of 'The first years of Concrete Poetry' by Eugen Gomringer. This issue also includes: an essay by Lewis Shelley on the avant-garde Black Mountain College (the first in a series); an essay by Joseph Albers entitles 'My courses at the Hochschule fur Gestaltung at Ulm', and an essay on 'Albers' 'Graphic Tectonics' by Irving Finkelstein'; 'What is Kinetism?' by Lev Nusberg - translated from his manifesto; 'Symmetry: Nature and the Plane' and 'A Non-Aristotelian Creative Reality' by Charles Biederman; poetry by Anselm Hollo, and a section on 'Great Little Magazines', with this particular issue focused on 'Mecano', which was edited by Theo von Doesburg. Reprinted from 'Mecano' here is 'Two Men' by Kurt Schwitters, 'Towards a Constructive Poetry' by I.K. Bonset (aka Theo von Doesburg) and 'Manifesto on the Lawfulness of Sound' by Raoul Hausman (translated by Richard Taylor'. Ref: Allen, Artist's Magazines, MIT Press, 2011. p. 261 Condition: crease to front cover as seen, minor toning to covers, internally near fine. Overall very good.

Hardcover. Schutzumschlag. Lohse, Richard Paul (illustrator). Du Mont Schauberg, Köln. Pages 230. Size: 31 x 28.4 cm Dedication to "Hr. und Frau Müller". With dustjacket cover, dustjacket minimally yellowish, otherwise very good. Hardcover with dustjacket and additional jacket.

Softcover. Zustand: Near fine condition. First edition. "Für mausi mit allen guten wünschen Max Bill am jahresende 1958" on front free endpaper. Octavo. 84pp. Original cream wraps with black lettering on cover and spine, in original glassine dustwrapper. Publication in appreciation of the Swiss architect, artist, painter, typographer and designer Max Bill. Contributions by Max Bense (Arguments for Max Bill), Will Grohmann (Tendency towards Synthesis), Richard P. Lohse (Unity of the Design Principle), Kurt Marti (The Second Commandment and Concrete Art), Annie Müller-Widmann (Dear Max Bill), Carlos Flexa Ribeiro (The Fiftieth; in French), Ernesto N. Rogers (The Unit of Max Bill; Italian), Ernst Scheidegger (Visual Report 19441958 on Max Bill) and Eugen Gomringer (Max Bill and Concrete Poetry). Illustrated with eight b/w photographs of Max Bill in professional and personal situations. Contains biographical data from 1928 to 1958 on Max Bill and short biographical sketches of the contributors at rear. Texts in German, one each in French and Italian.

Zustand: Fair. New York: George Wittenborn, Inc., 1968. 1st English Language edition. Oblong 4to hardcover. White cloth with black spine lettering. 197pp. Illustrations. Fair book. No dust jacket. Ex-Library copy with usual markings. Covers slighly dampstained. Rear hinge cracked. Endpages missing. (Modern Art, Paintings) Inquire if you need further information. NOT AVAILABLE FOR SHIPMENT OUTSIDE OF THE UNITED STATES.

Hardcover. Zustand: Good +. 1st Edition. Paul de Vree, Poezie in Fusie, De Bladen Voor de Poezie, Lier, Belgium, 1968. 304 x 208mm, 128pp. Printed black on white stock. Printed by Sanderus in Oudenaarde, commissioned by de Bladen Voor de Poezie. Cover design by Walter Pluym. Introduction by Paul de Vree who edited this International Concrete Poetry Anthology. Illustrations of work by the editor together with Pierre Albert-Birot,Alain Arias-Mission, Ronaldo Azerido, Stephen Bann, Max Bense, Julien Blaine, J.F.Bory, Edgar Braga, Augusto de Campos, Haroldo de Campos, Ugo Carrega, Henri Chopin, Hans Clavin, Bob Cobbing, Oyvind Fahlstrom, Ian Hamilton Finlay, john Furnival, Heinz Gappmayr, Hochen Gerz,Mathias Goeritz, Eugen Gomringer, B.Grogerova, J.Hirsal, Jose Lino Grunwald, Brion Gysin, Dom Sylvester Houedard, ernst Jandl, Jiri Kolar, F.Kriwet, A.Lora-Titino, Hansjorg Mayer, Franz Mon, M.Nannucci, D.Pignatari, Diter Rot, Gerhard Ruhm, John Sharkey, Mary Ellen Solt, Adriano Spatola, Timm Ulrichs, Jiri Valoch, Edgardo Antonio Vigo, Herman de Vries, Ivo Vroom, Emmett Williams, Pedro Xisto et al. Text in Flemish. Condition: slight toning throughout, general wear to hard cover on edges and corners, Very Good +.

Zustand: Very good +. Barnstone, Willis, ed, Artes Hispanicas / Hispanic Arts: Volume 1 Number 3 & 4, The Macmillan Company for Indiana University Press, Richmond, 1968. 254 x 216mm. 312pp with some colour illustrations and foldout. Cover by Augusto de Campos. An important survey of concrete poetry featuring Mary Ellen Solt's essay titled 'A World Look at Concrete Poetry' from pp. 7-66. Final section entitled 'English Spanish Word Gloss and Comments' gives short biographies of the poets and translations, as needed, of texts in their illustrated works. Heavy item, extra postage required. Condition: some wear and marks to cover and minor rubbing, slight ding to top right corner which faintly affects the first 125 pages, but overall a fresh clean copy. VG+.