glenn winters (12 Ergebnisse)

Paperback. Zustand: Good. No Jacket. Scot Ritchie; Jayleen Weaver; Alex Van Houwelingen; Iva Visosevic; Julia Filipone; Cecil Paplinskie; Julia Karlinsky; Christina Leist; Izabela Bzymek; Mike Linton (illustrator). Former library book; Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.

Paperback. Zustand: Very Good. No Jacket. Scot Ritchie; Jayleen Weaver; Alex Van Houwelingen; Iva Visosevic; Julia Filipone; Cecil Paplinskie; Julia Karlinsky; Christina Leist; Izabela Bzymek; Mike Linton (illustrator). May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.

Wraps. [4], viii, 227, [3] p. Occasional footnotes. Table. Illustration. Index. From Wikipedia: "The American Academy of Political and Social Science was founded in 1889 to promote progress in the social sciences. Sparked by Professor Edmund J. James and drawing from members of the faculty of the University of Pennsylvania, Swarthmore College, and Bryn Mawr College, the Academy sought to establish communication between scientific thought and practical effort. The goal of its founders was to foster, across disciplines, important questions in the realm of social sciences, and to promote the work of those whose research aimed to address important social problems. Today the AAPSS is headquartered at the Annenberg Public Policy Center in Philadelphia and aims to continue to offer interdisciplinary perspectives on important social issues. The primary modes of the Academy's communication were to be the bimonthly journal, The Annals, annual meetings, symposia, and special publications. Difficult topics were not avoided. The 1901 annual meeting was on race relations in America, and included a paper by Booker T. Washington. Membership was open and inclusive with an emphasis on educated professionals; even from the its establishment, women were permitted to obtain membership. The Academy's members have included not only academicians, but also distinguished public servants such as Herbert Hoover and Frances Perkins. Perhaps for this reason, it is not a member of the American Council of Learned Societies. Nevertheless, in 2000 the Academy began selecting and installing Fellows in recognition of social scientists who have made outstanding contributions to the field." The Editor of The Annals was Thorsten Sellin and the Assistant Edition was Richard D. Lambert. Good. Cover has some wear and soiling. Some edge soiling. Presumed first edition/first printing of this issue.

Hardcover. Good condition in lightly worn dust jacket. 271pp.

Zustand: New. In.

Paperback. Zustand: Brand New. 1st edition. 146 pages. 10.60x8.30x0.40 inches. In Stock.

Zustand: New.

Taschenbuch. Zustand: Neu. Neuware.

234 pp.; 22.8 x 15.3 cm.; glue bound; black-and-white; edition size unknown; unsigned and unnumbered; offset-printed Compendium of writings and images compiled by Richard Prince. Artists and writers include Tina Lhotsky, Reese Williams, Anne Turyn, Constance DeJong, Peter Nadin, Roberta Allen, Glenn O'Brien, Gary Indiana, Kathy Acker, Sylvia Reed, Robin Winters, Tricia Collins / Richard Milazzo, Cookie Mueller, Lynne Tillman, Paul McMahon, Spalding Gray, Wharton Tiers, and Richard Prince. References : "Sand in der Vaseline : Künstlerbüucher 1980 - 2002" by Uwe Koch, Sabine Roeder, Dorothea Klein, Klaus Pohl, Melitta Kliege. Köln, Germany : Verlag der Buchandlung Walther König, 2003, pp. 73. No. 137 in "Bibliothèque d'un Amateur : Richard Prince's Publications 1981 - 2014" by Richard Prince, Vincent Pécoil, Yann Sérandour, Francine Delaigle, Christophe Daviet-Thery, Jérôme Saint-Loubert Bié. Paris / Foligno, France / Italy : &: Christophe Daviet-Thery / VIAINDUSTRIAE Publishing, 2014, pp. 55, 137. No. 7 in "Bibliothèque d'un Amateur : Richard Prince's Publications" by Vincent Pécoil, Robert Rubin, Yann Sérandour. Paris / Foligno / Gènve, France / Italy / Switzerland : &: Christophe Daviet-Thery / Viaindustriae Publishing / Éditions de la Photographie Genève, 2021, pp. 53, 201. Fair / Good. Sunning of covers along edges with rubbing of edges. 2.8 cm. crease to top right corner of recto, and 3 cm. crease to top left corner of recto. Title page through to page 4 has separated from the spine as has pages 143 - 168 and pages 205 - 216. Light rubbing of separated page edges along text block edge. Contents otherwise clean and unmarked.

Encuadernación de tapa blanda. Zustand: Bien. Zustand des Schutzumschlags: Bien. Essays "The Sublime and the Avant-Garde," by Jean-François Lyotard; "From Imitation, to the Copy, to Just Effect: On Reading Jean Baudrillard," by Kate Linker; "Hiroshi Sugimoto: No Such Thing as Time," by John Yau; "The Critic Sees Through the Cabbage Patch," by Edit deAk; "Cheez Whiz (Roy Lichtenstein)," by Richard Armstrong; "The View from Past 50," by Sidney Tillim; "Forum," by Thomas McEvilley; "Books: Joe Lewis on 'How to Commit Suicide in South Africa," by Joe Lewis; "Books: Donald Kuspit on 'Art Worlds' and 'Patrons Despite Themselves," by Donald Kuspit. Reviews Kate Linker, Thomas McEvilley, Richard Armstrong, Donald Kuspit, Barbara Kruger, Lisa Liebmann, John Howell, Ronny Cohen, Charles Hagen, Glenn O'Brien, Jean Fisher, Thomas Lawson, Kevin Concannon, Judith Russi Kirshner, Michael Bonesteel, Sarah Fox Pitt, Suzaan Boettger, Howard Singerman, Jeff Kelley, Ida Panicelli, Luciana Rogozinsky, Max Wechsler, Denys Zacharopoulos, Annelie Pohlen, Wolfgang Max Faust, and Lars Nittve. Cover: Robin Winters.

Zustand: VG. Ann Arbor 1954 1st. Survey of Legal Profession and the Conference of Bar Association Presidents. Foreword by Howard L. Barkdull. Hardcover. Large, 243pp., original maroon cloth. VG, no DJ.

Third Draft script for the 1984 film. After the murder of her beloved father, a young girl plots revenge on her cunning stepmother and three lecherous stepbrothers. A southern gothic exploitation comedy distributed by Troma Entertainment. Set in the deep south, shot on location in Dallas and Maypearl, Texas. Gray generic agency wrappers with the title noted in manuscript ink on the front wrapper. Title page present, copyright date noted as 1980, noted as Draft #3, with credit for screenwriter Glenn Allen Smith. 148 leaves, with last page of text numbered 147. Xerographic duplication, rectos only. Pages Near Fine, wrapper Near Fine, bound with two gold brads.