Glenn a graham (10 Ergebnisse)

Paperback. Zustand: New. It was an age of adventure. An age of sorcery. An age of unrelenting horror. Sword and sorcery and pulp horror go hand-in-hand. Sinister enchanters working foul magic. Hideous beasts lurking in shadowy dungeons. Blasphemous elder gods uncoiling from forgotten and forbidden temples.Swords in the Shadows features twenty-one stories with a bloody stake driven into the heart of both the horror and fantasy camps. Herein, you will find fantasy worlds, brave warriors, fabulous creatures, wondrous magic. But you will also uncover bloodcurdling chills, spine-tingling horror, and an examination of those things that truly terrify.…

Paperback. Zustand: New. It was an age of adventure. An age of sorcery. An age of unrelenting horror. Sword and sorcery and pulp horror go hand-in-hand. Sinister enchanters working foul magic. Hideous beasts lurking in shadowy dungeons. Blasphemous elder gods uncoiling from forgotten and forbidden temples.Swords in the Shadows features twenty-one stories with a bloody stake driven into the heart of both the horror and fantasy camps. Herein, you will find fantasy worlds, brave warriors, fabulous creatures, wondrous magic. But you will also uncover bloodcurdling chills, spine-tingling horror, and an examination of those things that truly terrify.…

Paperback. Zustand: New. The image of a tortured genius working in near isolation has long dominated our conceptions of the artist's studio. Examples are abound: think Jackson Pollock dripping resin on a cicada carcass in his shed in the Hamptons. But times have changed; ever since Andy Warhol declared his art space a 'factory', artists have begun to envision themselves as the leaders of production teams, and their sense of what it means to be in the studio has altered just as dramatically as their practices. "The Studio Reader" pulls back the curtain from the art world to reveal the real activities behind artistic production. What does it mean to be in the studio? What is the space of the studio in the artist's practice? How do studios help artists envision their agency and, beyond that, their own lives? This forward-thinking anthology features an all-star array of contributors, ranging from Svetlana Alpers, Bruce Nauman, and Robert Storr to Daniel Buren, Carolee Schneemann, and Buzz Spector, each of whom locates the studio both spatially and conceptually - at the center of an art world that careens across institutions, markets, and disciplines.A companion for anyone engaged with the spectacular sites of art at its making, "The Studio Reader" reconsiders this crucial space as an actual way of being that illuminates our understanding of both artists and the world they inhabit.…

Paperback. Zustand: New. It was an age of adventure. An age of sorcery. An age of unrelenting horror. Sword and sorcery and pulp horror go hand-in-hand. Sinister enchanters working foul magic. Hideous beasts lurking in shadowy dungeons. Blasphemous elder gods uncoiling from forgotten and forbidden temples.Swords in the Shadows features twenty-one stories with a bloody stake driven into the heart of both the horror and fantasy camps. Herein, you will find fantasy worlds, brave warriors, fabulous creatures, wondrous magic. But you will also uncover bloodcurdling chills, spine-tingling horror, and an examination of those things that truly terrify.…

Paperback. Zustand: New. It was an age of adventure. An age of sorcery. An age of unrelenting horror. Sword and sorcery and pulp horror go hand-in-hand. Sinister enchanters working foul magic. Hideous beasts lurking in shadowy dungeons. Blasphemous elder gods uncoiling from forgotten and forbidden temples.Swords in the Shadows features twenty-one stories with a bloody stake driven into the heart of both the horror and fantasy camps. Herein, you will find fantasy worlds, brave warriors, fabulous creatures, wondrous magic. But you will also uncover bloodcurdling chills, spine-tingling horror, and an examination of those things that truly terrify.…

Zustand: New. What does it mean to be in the studio? What is the space of the studio in the artist s practice? How do studios help artists envision their agency and, beyond that, their own lives? This title locates the studio both spatially and conceptually - at the cent.

hardcover. Zustand: Gut. 959 Seiten; 9780781791410.3 Gewicht in Gramm: 6.

Paperback. Zustand: New. The image of a tortured genius working in near isolation has long dominated our conceptions of the artist's studio. Examples are abound: think Jackson Pollock dripping resin on a cicada carcass in his shed in the Hamptons. But times have changed; ever since Andy Warhol declared his art space a 'factory', artists have begun to envision themselves as the leaders of production teams, and their sense of what it means to be in the studio has altered just as dramatically as their practices. "The Studio Reader" pulls back the curtain from the art world to reveal the real activities behind artistic production. What does it mean to be in the studio? What is the space of the studio in the artist's practice? How do studios help artists envision their agency and, beyond that, their own lives? This forward-thinking anthology features an all-star array of contributors, ranging from Svetlana Alpers, Bruce Nauman, and Robert Storr to Daniel Buren, Carolee Schneemann, and Buzz Spector, each of whom locates the studio both spatially and conceptually - at the center of an art world that careens across institutions, markets, and disciplines.A companion for anyone engaged with the spectacular sites of art at its making, "The Studio Reader" reconsiders this crucial space as an actual way of being that illuminates our understanding of both artists and the world they inhabit.…

Hardcover. Zustand: New. Brand new book, sourced directly from publisher. Dispatch time is 7-8 days from our warehouse. Book will be sent in robust, secure packaging to ensure it reaches you securely.

31.5 x 31.4 cm.; edition size unknown; unsigned and unnumbered Vinyl record complication of audio by musicians and visual artists. Edited by Barbara Ess and Glenn Branca. Produced with the assistance of White Columns. Contributions by Larry Simon, Dara Birnbaum, Carla Liss, Bobby G, Wharton Tiers, Carol Parkinson, Nina Canal, Lee Ranaldo, Jenny Holzer, Annea Lockwood, Michael Smith, A. LeRoy, Chris Nelson, Willie Klein, Mitch Corber, Mark Abbott, Dan Graham, Michael Shamberg, Anne Demarinis, Thurston Moore, Andy Blinx, Don Hunerberg, Vikky Alexander, John Howell, Salvatore Principato, Nigel Rollings, Peggy Katz, Eric Bogosian, Herr Lugus, Amy Taubin, Remko Scha, Susan Russell, Bill Buchen, Verge Piersol, David Hofstra, Lynne Tillman, D. Brown, Sandra Seymour, Phill Niblock, Barbara Kruger, John Rehberger, Paul McMahon, Nancy Radloff, Bruce Tovsky, Martha Wilson, Ned Sublette, Glenn Branca, Gail Vachon, B. Conan Piersol, Gregory Sandow, Stephan Wischerth, Bob George, Judy Rifka, David Garland, Mark Bingham, Michael Byron, Glenda Hydler, Susan Fisher, Laurie Spiegel, Barbara Ess, Kiki Smith, Shelley Hirsch, Peter Gordon, Arleen Schloss, Tod Jorgensen, David Rosenbloom, Doug Snyder, Jon Rubin, Steve Stain, Thomas Lawson, Harry Spitz, Rhys Chatham, David Linton, Isa Genzken, Daile Kaplan, Kim Gordon, Miranda, Sally A. White, Joseph Nechvatal, Steven Harvey, Sammy Marshall Harvey, Brian Doherty, Rudolph Grey, Richard Morrison, and Zev. References : "In Numbers : Serial Publications by Artists Since 1955" by Andrew Roth, Philip Aarons, Victor Brand, Clive Phillpot, Neville Wakefield, Nancy Princenthal, William S. Wilson. Zurich / New York, Switzerland / NY : JRP - Ringier / PPP Editions, 2008, pp. 218. "Artists' Magazines : An Alternative Space for Art" by Gwen Allen. Cambridge / London, MA / United Kingdom : The MIT Press, 2011, pp. 269. Very Good. Light yellowing of verso from adhesives. Still in factory shrink-wrap, opened to sleeve cut. Dusting to plastic wrapping. Light scuff on side 1. Otherwise Fine. Due to the fragility of this item additional shipping charges will be required for international orders. …