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Verlag: J.M. Dent, London, 1934
Anbieter: Royoung Bookseller, Inc. ABAA, Ardsley, NY, USA
Hardcover. 130 pages. Edited by M.R. Ridley. The New Temple Shakespeare. With title-page, half-title binding, and jacket designs by Eric Gill. Teg. Orig. decorated,crimson cloth. Near fine in very good dust wrapper.
Verlag: J.M. Dent, London, 1934
Anbieter: Royoung Bookseller, Inc. ABAA, Ardsley, NY, USA
Hardcover. 118 pages. Edited by M.R. Ridley. The New Temple Shakespeare. With title-page, half-title binding, and jacket designs by Eric Gill. Teg. Orig. decorated, crimson cloth. Near fine in very good dust wrapper.
Verlag: J.M. Dent, London, 1935
Anbieter: Royoung Bookseller, Inc. ABAA, Ardsley, NY, USA
Hardcover. 165 pages. Edited by M.R. Ridley. The New Temple Shakespeare. With title-page, half-title binding, and jacket designs by Eric Gill. Teg. Orig. decorated, crimson cloth. Near fine in very good dust wrapper.
Hardcover. 178 pages. Edited by M.R. Ridley. The New Temple Shakespeare. With title-page, half-title binding, and jacket designs by Eric Gill. Teg. Orig. decorated, crimsoncloth. Near fine in very good dust wrapper.
Verlag: J.M. Dent, London, 1935
Anbieter: Royoung Bookseller, Inc. ABAA, Ardsley, NY, USA
Gill, Eric (illustrator). 140 pp. 8vo, edited by M.R. Ridley. The New Temple Shakespeare. With title-page, half-title binding, and jacket designs by Eric Gill. Teg. Orig. decorated, crimson cloth. Near fine in chipped dust wrapper.
Verlag: J.M. Dent, London, 1935
Anbieter: Royoung Bookseller, Inc. ABAA, Ardsley, NY, USA
Gill, Eric (illustrator). 121 pp. 8vo, edited by M.R. Ridley. The New Temple Shakespeare. With title-page, half-title binding, and jacket designs by Eric Gill. Teg. Orig. decorated,crimson cloth. Near fine in chipped dust wrapper.
Verlag: Faber & Faber, London, 1948
Anbieter: Royoung Bookseller, Inc. ABAA, Ardsley, NY, USA
Hardcover. Reprint. 59 pages. 19 x 13 cm. Illustrated. First published 1921: No. 10 of St. Dominic's Press publications. Adverts at rear. Barry Moser's copy with his bookplate. Orig. salmon cloth. Very good in dust wrapper lacking spine.
Verlag: The Ward Ritchie Press, New York, 1967
Anbieter: Royoung Bookseller, Inc. ABAA, Ardsley, NY, USA
Erstausgabe Signiert
Wraps. Gill, Eric (illustrator). First edition. 24 pages. 17.5 x 11.5 cm. Illustrated. With laid-in oversllip signed by Ward Ritchie and Joseph Simon. Barry Moser's copy with his bookplate. This publication was also printed by the Book Club of California where Kindersley was a resident research fellow at the Williams Andrews Clark Library. Orig. gray decorated wrappers. Near fine.
Verlag: St. Dominic's Press, Ditchling, 1927
Anbieter: Royoung Bookseller, Inc. ABAA, Ardsley, NY, USA
Original Wraps. 4 leaves. 13 x 9 cm. Two woodcuts and initial letter by Gill, printed from Caslon O.F. on hand made paper. This was one of the Rhyme Booklets (No.9) in St. Dominic's Press Book List published 1930. GILL 392. Clean, bright copy. Orig. illustrated wrappers. Fine.
Verlag: St. Dominic's Press, Ditchling, 1919
Anbieter: Royoung Bookseller, Inc. ABAA, Ardsley, NY, USA
Erstausgabe
Stiff Wraps. Gill Eric (illustrator). First edition. 47 pages in text. 13.5 x 11 cm. One wood engraving by Gill, printed from Caslon O.F. on Batchelor hand made paper. No. 28 of St. Dominic's Press publications. GILL 371. TAYLOR & SEWELL A51. Partly unopened, crisp, clean copy. Orig. gray/brown stiff wrappers. Fine.
Verlag: Faber & Faber
Anbieter: Besleys Books PBFA, Diss, Vereinigtes Königreich
Verbandsmitglied: PBFA
Buch Erstausgabe
Hardcover. Zustand: Good. No Jacket. 1st Edition. Hardback, original cloth. 18 x 10.5cm. 55pp, [5]. Illustrated with engraved plates by Eric Gill. One of an unstated limitation 300 copies. Text in Latin and English on facing pages. Engraved title for each of the gospel accounts and a final engraved leaf entitled Resurrexit sicut dixit alleluia. Boards rubbed with some staining. Internally a very good clean copy.
Verlag: St. Dominic's Press, Ditchling, 1922
Anbieter: Royoung Bookseller, Inc. ABAA, Ardsley, NY, USA
Erstausgabe
Original Wraps. Zustand: Orig. dark gray wrappers. Fine. Gill Eric (illustrator). First edition. 22 pages. 16 x 11.5 cm. No. 28 (9) of Saint Dominic's Press publications. Gill's Paschal Lamb on cover and interior, Gravestone with Angel, Chalice and Host with Candles, initial letter and S D P and cross on back cover. GILL 380.
Verlag: St. Dominic's Press, Ditchling, 1921
Anbieter: Royoung Bookseller, Inc. ABAA, Ardsley, NY, USA
Erstausgabe
Original Wraps. Gill Eric (illustrator). First edition. 13 pages in text. Four engravings by Gill -- device on front cover and title page (peacock from a wood-engraving by Desmond Chute), and Dress (2) P186 & P187, plus Dog and flaming torch. No. 28 (7) of St. Dominic's Press publications, printed from Caslon O.F. on Batchelor hand-made paper. This a variant, without the one shilling price and back cover. GILL 7. Fresh, crisp copy. Orig. stitched dark gray wrappers. Fine.
Verlag: St. Dominic's Press, Ditchling, 1918
Anbieter: Royoung Bookseller, Inc. ABAA, Ardsley, NY, USA
Erstausgabe
Original Wraps. Zustand: Orig. black wrappers. Fine. Gill Eric (illustrator). First edition. 23 pages in text. 26 x 20 cm. No. 24 of St. Dominic's Press Publications. Contains Gill's red cross on title, Paschal Lamb and Spray of Leaves. Two pages of St. Dominic Press adverts at rear. GILL 366. "This was also published in black paper wrappers lettered on front cover in gilt (our copy)." Fresh, almost as new copy.
Verlag: Christopher Skelton at The September Press, 1988
ISBN 10: 0948906022ISBN 13: 9780948906022
Anbieter: Besleys Books PBFA, Diss, Vereinigtes Königreich
Verbandsmitglied: PBFA
Buch Erstausgabe
Hardcover. Zustand: Very Good. 1st Edition. Hardback with slipcase, original cloth with leather label to spine. 268pp (3), xiv, (2). Wood-engraved initial letters and illustrations by Eric Gill. A high quality facsimile of the original 1931 Golden Cockerel edition. One of 480 un-numbered copies. Slipcase a little worn and grubby. Spine slightly faded. Very clean inside.
Verlag: Golden Cockerel Press, Waltham St. Lawrence, 1925
Anbieter: Royoung Bookseller, Inc. ABAA, Ardsley, NY, USA
Hardcover. 43 pages. 26 1/2 x 20 cm. Twenty wood engravings by Eric Gill. Printed in black and red in Caslon O.F. Limited edition, copy 441 of 750 on Batchelor hand-made paper. CHANTICLEER 31. Humbert Wolfe in his Introduction to "Chanticleer." notes, "The type and paper of `The Song of Songs' are both beyond praise. GILL 275. Mostly unopened, spine darkened, covers a bit dusty, interior contents immaculate. Orig. white buckram spine lettered in gilt. Very good.
Verlag: Golden Cockerel Press, Waltham St. Lawrence, 1926
Anbieter: Royoung Bookseller, Inc. ABAA, Ardsley, NY, USA
Hardcover. 15 pages. 26 x 19.5 cm. Copy 188 of 250 printed by Robert Gibbings. Text is that of the Vulgate According To The Edition of the Aloysius Fillion (Paris, Letouzy Et Ane). Title page printed in red and black, initial letters in red. Gill provides two full page and text wood engravings. Compositors: F. Young and A.H. Gibbs, Pressman: A.C. Cooper. Interior contents pristine, mostly unopened, covers dusty, spine darkened. CHANTICLEER 35. GILL 276. Orig. white buckram spine lettered in gilt. Very good.
Verlag: Count Harry Kessler at the Cranach Press, Weimar, 1931
Anbieter: Royoung Bookseller, Inc. ABAA, Ardsley, NY, USA
Erstausgabe
Hardcover. First edition. 31 pages, 26 x 13.5 cm. Limited edition, copy 180 of 200 designed by Count Harry Kessler: printed in red and black in Jenson Antiqua on hand-made Maillol Kessler paper with watermark of the Cranach Press. 11 wood engraved illustrations (seven are full page) and 18 initials by Eric Gill. Laid-in, "Former Publications Of The Cranach Press." which lists three tittles -- The Ecologues of Virgil, Hamlet & The Duinese Elegies. An almost as new copy save for a few small toned fore-edge spots. THE ARTIST AND THE BOOK. 121. EVAN GILL 284. Quarter vellum and gilt lettered tan parchment boards. Fine in fine plain wrapper in matching fine board slipcase.
Verlag: Golden Cockerel Press, Waltham St. Lawrence, 1927
Anbieter: Royoung Bookseller, Inc. ABAA, Ardsley, NY, USA
Hardcover. Gil, Eric (illustrator). Small Folio, 309 (1) pages. 32 x 20 cm. Limited editions, copy 107 of 225, (six copies on vellum), Compositors: F. Young and A.H. Gibbs, Pressman: A.C. Cooper. Bound by Sangorski & Sutcliffe in same pattern style covers as The Canterbury Tales. Five full-page plates, sixty decorative borders and four tail pieces by Eric Gill. Printed in blue, red and black in Caslon Old Face type on Kelmscott hand-made paper. It is the first and considered the scarcest and the first of the three books produced by Gill and Gibbings at the Golden Cockerel Press, having a relatively small limitation as the Canterbury Tales and The Four Gospels (Edition of 500 copies). CHANTICLEER 50. GILL. 279. CAVE & MANSON. pp. 50 ff. RANSOM, p. 297. Raised bands, spine lettered in gilt, slight wear at corners, interior contents very bright, clean and fresh. Orig. quarter morocco spine and patterned boards. Teg. Very good.
Verlag: St. Dominic's Press,, Ditchling,, 1918
Anbieter: Burwood Books, Wickham Market, Vereinigtes Königreich
Verbandsmitglied: PBFA
Erstausgabe
Paperback. Zustand: Good. First Edition. Wraps. 23 pages in text. No. 24 of St. Dominic's Press Publications. Contains Gill's red cross on title, Paschal Lamb and Spray of Leaves (at rear). Two pages of St. Dominic Press adverts at rear. In GILL bibliog at 366 who note 'This was also published in black paper wrappers lettered on front cover in gilt ." Larger than normal copy 28.4 cms tall, 22 cms wide. Loosely inserted a small Christmas card (sent in 1949) printed by the Ditchling Press with Gill image of praying woman and baby by Eric Gill ('Ave Jesu Parvule') Printed black wraps slightly dusty, slight creasing at edges, lowe spine a little bumped and creased else near VG sound copy with clean text.
Verlag: London The Poetry Bookshop, 1923
Anbieter: Shapero Rare Books, London, Vereinigtes Königreich
Buch Erstausgabe
First edition, early issue; 8vo; wood-engraved frontispiece and 21 engravings by Eric Gill, including initials and tailpieces, occasional light offsetting; original stiff pink printed wrappers, 'sxipence' on the front cover, minor creasing to corners, spine and edges slightly discoloured, slight soiling to edges, otherwise a very good copy. The first and only edition of this collection of poetry by Frances Cornford, printed on handmade paper. Comprising seventeen of her poetical works, including 'Autumn Midnight', 'On the Roads', 'Susan to Diana', 'Hope' and others. Frances Cornford was a granddaughter to Charles Darwin. Gill 273.
Verlag: The Golden Cockerel Press, London, 1934
Anbieter: Swan's Fine Books, ABAA, ILAB, IOBA, Walnut Creek, CA, USA
Hardcover. Zustand: Near fine. Gill, Eric (illustrator). Limited Edition. No. 197 of 500, octavo size, 16 pp. "The Lord's Song" is a sermon composed by the inimitable Eric Gill (1882-1940); it is a call to reaffirm free will as well as an acknowledgement of sin and spiritual responsibility, in an age dominated by an industrial work force. This volume is the first book in which the Golden Cockerel Press has made use of Eric Gill's Perpetua Roman and Felicity Italic types, and Gill contributes wood engravings to accompany his text, in a combination of spiritual and social criticism. This copy has a rather remarkable provenance, as evidenced by the prior owners' bookplates to the paste-down endpapers: A. M. (Albert Mayer) Cohn, bibliographer of George Cruikshank, whose bookplate features Cruikshank's "Connoisseurs at a Book Stall," and a Ditchling address label; Evelyn and Lowell Kerr, creators of one of the principal collections of Algernon Charles Swinburne in the U.S.; and the bookseller's ticket of Philip Duschnes, renowned New York bookseller and publisher of "The New Colophon". ___DESCRIPTION: Full white buckram with gilt lettering on the spine and front board, wood engraving of "St. Thomas' Hands" (P382, used on books containing writings by Gill) to title page, plate of "The Lord's Song" (P856) facing page 5; Perpetua Roman and Felicity Italic types, Arnold and Foster's pure rag paper, octavo (9" by 4.5"), pagination: [1-4] 5-15 [16], one of 500 copies, this number 197. ___CONDITION: Volume is near fine, with straight corners without rubbing, a strong, square text block with solid hinges, the interior is clean and bright, and the only prior owner markings we see are the bookplates mentioned above; the white buckram has light overall soiling, spine is lightly sunned, and there is slight foxing to front and rear endpapers. ___CITATION: Gill no. 26, Chanticleer 92. ___POSTAGE: International customers, please note that additional postage may apply as the standard shipping charge does not always cover costs; please inquire for details. ___Swan's Fine Books is pleased to be a member of the ABAA, ILAB, and IOBA and we stand behind book we sell. Please contact us with any questions you may have, we are here to help.
Verlag: Garden City New York Doubleday Doran & Company Inc, 1929
Anbieter: Shapero Rare Books, London, Vereinigtes Königreich
Buch Signiert
Limited edition, one of 361 copies, signed by the author, unnumbered; 8vo; engravings by Eric Gill, occasional light offsetting, otherwise unmarked internally; original cream cloth boards, black leather spine label with gilt lettering, housed in the slightly worn original unprinted cardboard slipcase. Aldous Huxley was one of the most prolific 20th-century authors, primarily known for his dystopian novel Brave New World. Huxley also wrote this collection of poems which he entitled Leda. This 1929 edition was part of a limited print run of 361 copies signed by Huxley himself, and illustrated by Eric Gill by special arrangement with the Golden Cockerel Press. Gill 282.
Verlag: London The Hampshire House Workshops but 1934, 1915
Anbieter: Shapero Rare Books, London, Vereinigtes Königreich
Buch
Reissue, inscribed by the author; 8vo; 12 woodcuts, 11 by Eric Gill, some full-page, scattered light foxing, slight toning to leaves; publisher's red cloth, black lettering to spine, spine faded, corners slightly rubbed, light toning to endpapers, otherwise a very good copy. Inscribed by the author after half-title, 'M.D.S. [?] H.D.C.P. auct / post hoc Whitsuntide 1944'. The Devil's Devices was the second book to feature Eric Gill's illustrations. Gill 259.
Verlag: Printed by Douglas Pepler, 1917
Anbieter: Blackwell's Rare Books ABA ILAB BA, Oxford, Vereinigtes Königreich
FIRST EDITION, 14 wood-engravings and 4 devices by Eric Gill, title-page printed in red and black with the initial letter and footnote red, pp. [24], foolscap 8vo, original quarter holland with grey boards, the spine faintly browned, slightly later ownership inscription to flyleaf, very good. (Taylor & Sewell A23).
Verlag: London Golden Cockerel Press, 1934
Anbieter: Shapero Rare Books, London, Vereinigtes Königreich
Buch Signiert
Limited edition, number 186 of 300 copies, signed by the author and illustrator; 8vo; 6 wood engravings by Eric Gill, tissue guards, light toning to endpapers, otherwise unmarked internally; original cloth-backed green boards, paper label to spine, boards slightly faded, edges partly unopened, others uncut, overall a very good copy. The Constant Mistress was issued as a sister volume to Clay's Sonnets & Verses, in similar format, with new engravings by her brother Eric Gill. This is number 186 of the regular edition (250 were bound in cloth-backed paper boards and 50 in full morocco), and is signed by both Eric Gill and Enid Clay on the colophon. Gill 293.
Verlag: The Golden Cockerel Press, 1934
Anbieter: Blackwell's Rare Books ABA ILAB BA, Oxford, Vereinigtes Königreich
93/250 COPIES (of an edition of 300 copies) printed on Batchelor handmade paper and signed by the author and artist, with 6 wood-engravings by Eric Gill, the 'Cockerel' press-mark at the tail of the colophon-page printed in gold, pp. 40, crown 8vo, original quarter natural linen with green boards, backstrip with printed label, hint of fading to board edges, edges untrimmed, Sotheran ticket at foot of front pastedown, very good. The second of the sibling collaborations by poet and artist published at The Golden Cockerel Press, signed by both. (Chanticleer 101: Gill, Corey & Mackenzie 293).
Verlag: Golden Cockerel Press, 1934
Anbieter: Blackwell's Rare Books ABA ILAB BA, Oxford, Vereinigtes Königreich
41/50 COPIES (from an edition of 300 copies) printed on Batchelor's handmade paper and signed by the author and artist, 6 wood-engravings by Eric Gill, a set of proof pulls on Japanese paper of the engravings in a pocket to rear pastedown, the 'Cockerel' press-mark at the foot of colophon-page printed in gold, pp. 40, [i], crown 8vo, original tan morocco, backstrip gilt lettered and very gently faded, a little rubbed at extremities, top edge gilt, others untrimmed, good. The special issue, with the extra suite of Gill's superb engravings; seen in both tan (as here) and black morocco. (Chanticleer 101: Gill, Corey & Mackenzie 293).
Verlag: London The Golden Cockerel Press -31, 1929
Anbieter: Shapero Rare Books, London, Vereinigtes Königreich
Buch
Limited edition, number 439 of 485 copies on paper, from a total edition of 500; 4 vols, small folio (31.8 x 20 cm); wood engravings by Eric Gill, including one full-page, 29 half-page, tailpieces, initials and decorative borders, initials printed in red, blue and black; original Niger morocco-backed patterned boards by Sangorski & Sutcliffe, gilt lettering to spines, top edges gilt, others uncut, light rubbing to extremities, slight toning and soiling to boards, some spotting and fading to spines (as always); an attractive set. One of the major titles of the Golden Cockerel Press and an extraordinary collaboration between the press director and book designer Robert Gibbings (1889-1958) and artist Eric Gill (1882-1940). Printing the Canterbury Tales dominated work at the press for two and a half years, and relatively few other books were printed during that period. However, despite some critics deeming Gill's illustrations risqué and inappropriate, the book was a considerable critical and financial success and grossed £14,000. Chanticleer 63; Evan Gill 281.
Verlag: Golden Cockerel Press 1929-31, Waltham St. Lawrence, 1929
Anbieter: Phillip J. Pirages Rare Books (ABAA), McMinnville, OR, USA
318 x 197 mm. (12 1/2 x 7 3/4"). Four volumes. Original Niger morocco-backed patterned paper boards by Sangorski & Sutcliffe, raised bands, gilt titling, top edges gilt, others untrimmed. The four volumes housed in two burnt orange morocco-backed cloth clamshell boxes with gilt lettering on the backs. Red and blue initials, ONE FULL-PAGE AND EIGHT HALF-PAGE WOOD ENGRAVINGS, AND 267 VERY PLEASING WOOD-ENGRAVED BORDERS (frequently inhabited) AND TAILPIECES BY ERIC GILL (each border design repeated two to five times, so that nearly every page is thus adorned). Chanticleer 63; Gill 281. â Spines softly sunned--though uncharacteristically very minor and uniform in the fading; otherwise faultless. AN EXEMPLARY COPY, PRISTINE INTERNALLY. This is as fine a copy as one could hope to find of one of the best examples in modern fine press work of the successful collaboration of text, decoration, and typography. With the "Four Gospels" of 1931 and "Troilus and Criseyde" of 1927, it is one of the three greatest Golden Cockerel Press books, and according to Cave & Mason, its "naughty, amusing" engravings make it one of the five "foremost English illustrated books of the 20th century." It was produced at the zenith of the decade-long collaboration between Golden Cockerel Press director and book designer Robert Gibbings (1889-1958) and artist Eric Gill (1882-1940) which, in the words of Gill biographer Fiona McCarthy, "resulted in some of the classic examples of specialist book production of that period," works that "have a forcefulness and clarity which still excites one." While some squeamish critics deemed Gill's racy engravings inappropriate, the bawdy Chaucer would no doubt have been delighted with them and found them most apt. Colin Franklin astutely observed that the "Gill/Gibbings version [of 'Canterbury Tales'] tackled the problems of illustrating Chaucer IN ALL HIS MOODS. [emphasis in original]." Cave & Mason report that its publication was "regarded as a literary event" and was widely reported and well received by the press. The book was very profitable, grossing some £14,000 for the Press. It is to be expected that a major production from a major press like the Golden Cockerel "Tales" would in many cases be very well treated by owners down through the years, but copies now are almost never found in the immaculate condition seen here. No. 344 OF 485 COPIES on paper (and 15 on vellum).