gill eric illustrator (23 Ergebnisse)

Hardcover. 130 pp. 8vo,edited by M.R. Ridley. The New Temple Shakespeare. With title-page, half-title binding, and jacket designs by Eric Gill. Teg. Orig. decorated,crimson cloth. Near fine in very good dust wrapper.

Hardcover. 118 pp. 8vo,edited by M.R. Ridley. The New Temple Shakespeare. With title-page, half-title binding, and jacket designs by Eric Gill. Teg. Orig. decorated,crimson cloth. Near fine in very good dust wrapper.

Hardcover. 165 pp. 8vo,edited by M.R. Ridley. The New Temple Shakespeare. With title-page, half-title binding, and jacket designs by Eric Gill. Teg. Orig. decorated,crimson cloth. Near fine in very good dust wrappers.

Hardcover. 178 pp. 8vo, edited byM.R. Ridley. The New Temple Shakespeare. With title-page, half-title binding, and jacket designs by Eric Gill. Teg. Orig. decorated, crimsoncloth. Near fine in very good dust wrapper.

Gill, Eric (illustrator). 140 pp. 8vo, edited by M.R. Ridley. The New Temple Shakespeare. With title-page, half-title binding, and jacket designs by Eric Gill. Teg. Orig. decorated, crimson cloth. Near fine in chipped dust wrapper.

Gill, Eric (illustrator). 121 pp. 8vo, edited by M.R. Ridley. The New Temple Shakespeare. With title-page, half-title binding, and jacket designs by Eric Gill. Teg. Orig. decorated,crimson cloth. Near fine in chipped dust wrapper.

Hardcover. Reprint. 59 pages. 19 x 13 cm. Illustrated. First published 1921: No. 10 of St. Dominic's Press publications. Adverts at rear. Barry Moser's copy with his bookplate. Orig. salmon cloth. Very good in dust wrapper lacking spine.

Wraps. Gill, Eric (illustrator). First edition. 24 pages. 17.5 x 11.5 cm. Illustrated. With laid-in oversllip signed by Ward Ritchie and Joseph Simon. Barry Moser's copy with his bookplate. This publication was also printed by the Book Club of California where Kindersley was a resident research fellow at the Williams Andrews Clark Library. Orig. gray decorated wrappers. Near fine.

4to, (xii), 268, (2) pp. Wood engraved illustrations. Maroon cloth, slipcase with some minor marks, near fine. Originally published in an edition of 500 copies by the Golden Cockerel Press in 1931.

Original Wraps. 4 leaves. 13 x 9 cm. Two woodcuts and initial letter by Gill, printed from Caslon O.F. on hand made paper. This was one of the Rhyme Booklets (No.9) in St. Dominic's Press Book List published 1930. GILL 392. Clean, bright copy. Orig. illustrated wrappers. Fine.

Stiff Wraps. Gill Eric (illustrator). First edition. 47 pages in text. 13.5 x 11 cm. One wood engraving by Gill, printed from Caslon O.F. on Batchelor hand made paper. No. 28 of St. Dominic's Press publications. GILL 371. TAYLOR & SEWELL A51. Partly unopened, crisp, clean copy. Orig. gray/brown stiff wrappers. Fine.

Original Wraps. Zustand: Orig. dark gray wrappers. Fine. Gill Eric (illustrator). First edition. 22 pages. 16 x 11.5 cm. No. 28 (9) of Saint Dominic's Press publications. Gill's Paschal Lamb on cover and interior, Gravestone with Angel, Chalice and Host with Candles, initial letter and S D P and cross on back cover. GILL 380.

Original Wraps. Gill Eric (illustrator). First edition. 13 pages in text. Four engravings by Gill -- device on front cover and title page (peacock from a wood-engraving by Desmond Chute), and Dress (2) P186 & P187, plus Dog and flaming torch. No. 28 (7) of St. Dominic's Press publications, printed from Caslon O.F. on Batchelor hand-made paper. This a variant, without the one shilling price and back cover. GILL 7. Fresh, crisp copy. Orig. stitched dark gray wrappers. Fine.

Original Wraps. Zustand: Orig. black wrappers. Fine. Gill Eric (illustrator). First edition. 23 pages in text. 26 x 20 cm. No. 24 of St. Dominic's Press Publications. Contains Gill's red cross on title, Paschal Lamb and Spray of Leaves. Two pages of St. Dominic Press adverts at rear. GILL 366. "This was also published in black paper wrappers lettered on front cover in gilt (our copy)." Fresh, almost as new copy.

Hardcover. Zustand: Very Good. 1st Edition. Hardback with slipcase, original cloth with leather label to spine. 268pp (3), xiv, (2). Wood-engraved initial letters and illustrations by Eric Gill. A high quality facsimile of the original 1931 Golden Cockerel edition. One of 480 un-numbered copies. Slipcase a little worn and grubby. Spine slightly faded. Very clean inside.

Hardcover. First edition. 31 pages, 26 x 13.5 cm. Limited edition, copy 180 of 200 designed by Count Harry Kessler: printed in red and black in Jenson Antiqua on hand-made Maillol Kessler paper with watermark of the Cranach Press. 11 wood engraved illustrations (seven are full page) and 18 initials by Eric Gill. Laid-in, "Former Publications Of The Cranach Press." which lists three tittles -- The Ecologues of Virgil, Hamlet & The Duinese Elegies. An almost as new copy save for a few small toned fore-edge spots. THE ARTIST AND THE BOOK. 121. EVAN GILL 284. Quarter vellum and gilt lettered tan parchment boards. Fine in fine plain wrapper in matching fine board slipcase.

Zustand: Very Good in a Good + jacket. First American edition. First US edition of this handsome edition of Chaucer, reproduced in slightly smaller format from the Golden Cockerel Press edition. [Gill 279]. 309pp. Hardcover. 8vo. Quarter parchment over blue clothVery good in a good plus jacket. Jacket has large chip at corner of front panel. Mild toning, edgewear. Book has mild shelfwear to extremities. Else clean and sound.

First edition, early issue; 8vo; wood-engraved frontispiece and 21 engravings by Eric Gill, including initials and tailpieces, occasional light offsetting; original stiff pink printed wrappers, 'sxipence' on the front cover, minor creasing to corners, spine and edges slightly discoloured, slight soiling to edges, otherwise a very good copy. The first and only edition of this collection of poetry by Frances Cornford, printed on handmade paper. Comprising seventeen of her poetical works, including 'Autumn Midnight', 'On the Roads', 'Susan to Diana', 'Hope' and others. Frances Cornford was a granddaughter to Charles Darwin.

Limited edition, one of 361 copies, signed by the author, unnumbered; 8vo; engravings by Eric Gill, occasional light offsetting, otherwise unmarked internally; original cream cloth boards, black leather spine label with gilt lettering, housed in the slightly worn original unprinted cardboard slipcase, an excellent example. Aldous Huxley was one of the most prolific 20th-century authors, primarily known for his dystopian novel ?Brave New World? Huxley also wrote this collection of poems which he entitled ?Leda? This 1929 edition was part of a limited print run of 361 copies signed by Huxley himself, and illustrated by Eric Gill by special arrangement with the Golden Cockerel Press.

Hardcover. Zustand: Near fine. Gill, Eric (illustrator). Limited Edition. No. 197 of 500, octavo size, 16 pp. "The Lord's Song" is a sermon composed by the inimitable Eric Gill (1882-1940); it is a call to reaffirm free will as well as an acknowledgement of sin and spiritual responsibility, in an age dominated by an industrial work force. This volume is the first book in which the Golden Cockerel Press has made use of Eric Gill's Perpetua Roman and Felicity Italic types, and Gill contributes wood engravings to accompany his text, in a combination of spiritual and social criticism. This copy has a rather remarkable provenance, as evidenced by the prior owners' bookplates to the paste-down endpapers: A. M. (Albert Mayer) Cohn, bibliographer of George Cruikshank, whose bookplate features Cruikshank's "Connoisseurs at a Book Stall," and a Ditchling address label; Evelyn and Lowell Kerr, creators of one of the principal collections of Algernon Charles Swinburne in the U.S.; and the bookseller's ticket of Philip Duschnes, renowned New York bookseller and publisher of "The New Colophon". ___DESCRIPTION: Full white buckram with gilt lettering on the spine and front board, wood engraving of "St. Thomas' Hands" (P382, used on books containing writings by Gill) to title page, plate of "The Lord's Song" (P856) facing page 5; Perpetua Roman and Felicity Italic types, Arnold and Foster's pure rag paper, octavo (9" by 4.5"), pagination: [1-4] 5-15 [16], one of 500 copies, this number 197. ___CONDITION: Volume is near fine, with straight corners without rubbing, a strong, square text block with solid hinges, the interior is clean and bright, and the only prior owner markings we see are the bookplates mentioned above; the white buckram has light overall soiling, spine is lightly sunned, and there is slight foxing to front and rear endpapers. ___CITATION: Gill no. 26, Chanticleer 92. ___POSTAGE: International customers, please note that additional postage may apply as the standard shipping charge does not always cover costs; please inquire for details. ___Swan's Fine Books is pleased to be a member of the ABAA, ILAB, and IOBA and we stand behind book we sell. Please contact us with any questions you may have, we are here to help.

Reissue, inscribed by the author; 8vo; 12 woodcuts, 11 by Eric Gill, some full-page, scattered light foxing, slight toning to leaves; publisher's red cloth, black lettering to spine, spine faded, corners slightly rubbed, light toning to endpapers, otherwise a very good copy. Inscribed by the author after half-title, 'M.D.S. [?] H.D.C.P. auct / post hoc Whitsuntide 1944'. The Devil's Devices was the second book to feature Eric Gill's illustrations. Evan Gill Bibliography, 259.

Limited edition, number 186 of 300 copies, signed by the author and illustrator; 8vo; 6 wood engravings by Eric Gill, tissue guards, light toning to endpapers, otherwise unmarked internally; original cloth-backed green boards, paper label to spine, boards slightly faded, edges partly unopened, others uncut, overall a very good copy. The Constant Mistress was issued as a sister volume to Clay's Sonnets & Verses, in similar format, with new engravings by her brother Eric Gill. This is number 186 of the regular edition (250 were bound in cloth-backed paper boards and 50 in full morocco), and is signed by both Eric Gill and Enid Clay on the colophon. Evan Gill Bibliography, 293.

318 x 197 mm. (12 1/2 x 7 3/4"). Four volumes. Original Niger morocco-backed patterned paper boards by Sangorski & Sutcliffe, raised bands, gilt titling, top edges gilt, others untrimmed. The four volumes housed in two burnt orange morocco-backed cloth clamshell boxes with gilt lettering on the backs. Red and blue initials, ONE FULL-PAGE AND EIGHT HALF-PAGE WOOD ENGRAVINGS, AND 267 VERY PLEASING WOOD-ENGRAVED BORDERS (frequently inhabited) AND TAILPIECES BY ERIC GILL (each border design repeated two to five times, so that nearly every page is thus adorned). Chanticleer 63; Gill 281. â Spines softly sunned--though uncharacteristically very minor and uniform in the fading; otherwise faultless. AN EXEMPLARY COPY, PRISTINE INTERNALLY. This is as fine a copy as one could hope to find of one of the best examples in modern fine press work of the successful collaboration of text, decoration, and typography. With the "Four Gospels" of 1931 and "Troilus and Criseyde" of 1927, it is one of the three greatest Golden Cockerel Press books, and according to Cave & Mason, its "naughty, amusing" engravings make it one of the five "foremost English illustrated books of the 20th century." It was produced at the zenith of the decade-long collaboration between Golden Cockerel Press director and book designer Robert Gibbings (1889-1958) and artist Eric Gill (1882-1940) which, in the words of Gill biographer Fiona McCarthy, "resulted in some of the classic examples of specialist book production of that period," works that "have a forcefulness and clarity which still excites one." While some squeamish critics deemed Gill's racy engravings inappropriate, the bawdy Chaucer would no doubt have been delighted with them and found them most apt. Colin Franklin astutely observed that the "Gill/Gibbings version [of 'Canterbury Tales'] tackled the problems of illustrating Chaucer IN ALL HIS MOODS. [emphasis in original]." Cave & Mason report that its publication was "regarded as a literary event" and was widely reported and well received by the press. The book was very profitable, grossing some £14,000 for the Press. It is to be expected that a major production from a major press like the Golden Cockerel "Tales" would in many cases be very well treated by owners down through the years, but copies now are almost never found in the immaculate condition seen here. No. 344 OF 485 COPIES on paper (and 15 on vellum).