Gilbert roland john (16 Ergebnisse)

Vintage black-and-white press photograph from the 1954 French release of the 1953 film. "Service de Presse" rubber stamp on the verso. Steve (Stewart) is an ex-GI who, with help from his army buddy Gambi (Duryea), head south to begin their careers in oil drilling. Trouble greets them before their first drill, when local shrimp fishermen boycott their presence. Things get worse when Steve falls in love with Stella (Dru), the daughter of a combative fisherman. Set in the Deep South, shot on location in Louisiana. 8 x 10 inches. Very Good plus, with manuscript annotations on the verso, and evidence of a mimeo snipe removal.…

Zustand: New. In.

Zustand: New. In.

Zustand: New. In.

Zustand: New. In.

Kartoniert / Broschiert. Zustand: New.

Kartoniert / Broschiert. Zustand: New.

Original-kartoniert. Zustand: Sehr gut. gr8 Original-kartoniert Reprint of: London, John Murray, 1921 en Asien, Geschichte, Singapur (Nabu Public Domain Reprints); XVI pp., 592 pp.

Gebunden. Zustand: New. KlappentextThis work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it.This work is in the public domain in the United States of America, and possibly .

Gebunden. Zustand: New.

Hardcover. Zustand: Fine. 5th or later Edition. 6th ed. ; 3 v. in 5. illus. (part col.) 24 cm. ; Contents: v. 1. The elements, N. H. Furman, editor.--v. 2. Industrial and natural products and noninstrumental methods, F. J. Welcher, editor. 2 v.--v. 3. Instrumental methods, F. J. Welcher, editor. 2 v. ; LCCN: 62-2869 ; LC: QD131; Dewey: 545 ; OCLC: 283405 ; black cloth ; ex-lib, stamps, labels, date dues, pockets ; Contents: Vol. 1 -- alkali metals aluminum antimony arsenic barium beryllium bismuth boron bromine cadmium calcium carbon cerium rare earth chlorine chromium cobalt copper flourine gallium germanium gold hydrogen indium iodine iron lead magnesium mercury moybdenum nickel vanadium titanium nitrogen oxygen phosphorus platinum radium rhenium technetium scandium selenium tellurium silicon silver strontium sulfur thallium thorium tin titanium tungsten uranium vanadium zinc zirconium hafnium -- Vol.2 Pt.1 Explosives propellants natural fats fertilizers fuel gases paper wood paint varnish lacquer pesticides petroleum plastics paint poisons rubber silicates soaps detergents soils vitamins water analysis -- Vol.2 Pt.2 Apparatus general operations and reagents -- Special techniques for industrial products and other special substances -- Vol.3 Pt.A Instrumental methods -- Instrumental methods for industrial products and other special substances -- Vol.3 Pt.B Instrumental methods in clinical medicine Natural fats Fertilizers Foods Organic functional groups Gases Glass Paint Paper Pesticide Petroleum Plastics Rubber Semiconductors Soaps Soils Water ; exhaustive; 5 thick heavy volumes ; the bible of chemical analysis, required reference in every laboratory ; FINE. Book.…

Hardcover. Zustand: Near Fine. Zustand des Schutzumschlags: Near Fine. First printing. 104pp. Stapled paper wraps with handwritten price at lower left corner ($1.00), likely as issued. Rubbed, rear wrap detached, first few pages chipped at one corner and crease at two corners, about very good. A literary magazine packed with luminaries of the New York poetry scene and Warhol's Factory. This issue features a poem by Andy Warhol and Gerard Malanga ("Date in Tunis"); an eight-page excerpt from *Tarzan of the Flicks* by Theatre of the Ridiculous co-founder, Ronald Tavel; an essay from avant-garde film expert Jonas Mekas; a three-page interview with Pete Seeger; a three-page profile of painter Ben Shahn; a two-page interview with Edward Albee. Additional contributor include Ed Sanders, Ted Berrigan, Tuli Kupferberg, Joan Baez, Diane Wakoski, The Fugs, Jules Feiffer, Kirby Congden, Paul Krassner, Roland Stone, Les Peer, David Henderson, Allen Katzman, Eric Von Schmidt, Erik Viviat, Gerald Dooher, Sotere Torregian, Mari Parcell, Danny Boyarin, Mordecai, Barney McCaffrey, Cohn, Jeff Broadbent, Winstan Brooks, Gari Youree, Joan Gilbert, Norman, Ken Weaver, John Wilcock, Elaine Statman, Dov Seeger, Calvin Herton, John Cornillon, Calvin Forbes, Ronnie Billet, Jack Smith and John Keys. A very scare magazine with five copies listed in *OCLC*.…

Softcover. Zustand: Near Fine. Magazine. 104pp. Stapled paper wrappers with handwritten price at lower left corner ($1.00), likely as issued, and numbered #163 on the front flap. Tiny closed tear on the front wrap, small chip on rear wrap that has pulled at the staples and toning to the pages, near fine. A literary magazine produced by luminaries of the New York Sixties avant-garde movement and Warhol's Factory scene. This issue features a poem by Andy Warhol and Gerard Malanga ("Date in Tunis"); an eight-page excerpt from *Tarzan of the Flicks* by Theatre of the Ridiculous co-founder, Ronald Tavel; an essay from avant-garde film expert Jonas Mekas; a three-page interview with Pete Seeger; a three-page profile of painter Ben Shahn; a two-page interview with Edward Albee. Additional contributors include Ed Sanders, Ted Berrigan, Tuli Kuferberg, The Fugs, Joan Baez, Diane Wakoski, Jules Feiffer, Kirby Congden, Paul Krassner, Roland Stone, Les Peer, David Henderson, Allen Katzman, Eric Von Schmidt, Erik Viviat, Gerald Dooher, Sotere Torregian, Mari Parcell, Danny Boyarin, Mordecai, Barney McCaffrey, Cohn, Jeff Broadbent, Winstan Brooks, Gari Youree, Joan Gilbert, Norman, Ken Weaver, John Wilcock, Elaine Statman, Dov Seeger, Calvin Herton, John Cornillon, Calvin Forbes, Ronnie Billet, Jack Smith and John Keys. Scarce. *OCLC* locates five copies.…

Vintage studio still publicity photograph from the 1957 film noir. Provenance stamps on the verso. A traffic cop investigates the cold-blooded murder of his beloved friend, a San Francisco priest, whose death is linked to an Italian immigrant family. From the archive of noted Hollywood still photographer Ray Jones. Born in Wisconsin on January 1, 1901, Jones worked for Paramount Pictures in the early 1930s, and went on to be the head of the still photography department at Universal Pictures in 1935, where he worked well into the 1950s. Set and shot on location in San Francisco. 8 x 10 inches. Near Fine. Grant US. Selby US. Spicer US.…

Two vintage studio still photographs from the 1957 film noir, one showing Tony Curtis and Peggy Maley, the other showing Maley. Annotations in manuscript pencil on the verso. A traffic cop investigates the cold-blooded murder of his beloved friend, a San Francisco priest, whose death is linked to an Italian immigrant family. Set and shot on location in San Francisco. 8 x 10 inches. Very Good plus, lightly curled and edgeworn. Grant US. Selby US. Spicer US.…

Ten original jumbo oversize photographs taken by noted photographer George Hurrell, comprising the entirety of his Portfolio III series. Each photograph signed and numbered by Hurrell, all No. 39 from an edition of 50. Shot between 1932 and 1944, and struck by Hurrell in 1979. Hurrell produced a total of 23 series, each comprised of ten images, struck from his original negatives and printed in various sizes, this being the largest. This portfolio includes some of Hurrell's most stunning and innovative glamour portraits from Hollywood's Golden Age, with images of John Barrymore (circa 1932), Charles Boyer (circa 1938), James Cagney (circa 1932), Joan Crawford (circa 1932), Jascha Heifetz (circa 1938), Veronica Lake (circa 1941), Gilbert Roland (circa 1939), Ann Sheridan (circa 1938), Gene Tierney (circa 1944), and Anna May Wong (circa 1938). A trained painter, Hurrell was encouraged to pursue photography by Edward Steichen in the mid-1920s. By the late 1920s Hurrell had opened a photography studio in Los Angeles, specializing in society portraits-a venture that would soon draw the attention of Hollywood. In 1930 he was asked to join MGM as head portrait photographer, quickly becoming one of the most sought after photographers of the stars. His career would encompass both Old and New Hollywood, as well as fashion and glamour photography for America's top corporations and publications, and he is now considered one of the most influential and accomplished portrait photographers of the twentieth century. Photographs 36 x 48 inches, mounted onto rigid polystyrene board. Fine. Shipping at cost.…