Verlag: ca. 1790., 1790
Anbieter: Antiquariat Steffen Völkel GmbH, Seubersdorf, Deutschland
Kunst / Grafik / Poster
Bildmaße: ca. 17 x 13 cm -- Schöner original Kupferstich aus dem 18. Jh. -- gut erhalten. || Beautiful engraving from the 18. Century. -- in very good condition. || Belle gravure du 18ème siècle. Sprache: Französisch Gewicht in Gramm: 10.
Verlag: ca. 1790., 1790
Anbieter: Antiquariat Steffen Völkel GmbH, Seubersdorf, Deutschland
Kunst / Grafik / Poster
Bildmaße: ca. 17 x 13 cm -- Schöner original Kupferstich aus dem 18. Jh. -- gut erhalten. || Beautiful engraving from the 18. Century. -- in very good condition. || Belle gravure du 18ème siècle. Sprache: Französisch Gewicht in Gramm: 10.
Verlag: ca. 1790., 1790
Anbieter: Antiquariat Steffen Völkel GmbH, Seubersdorf, Deutschland
Kunst / Grafik / Poster
Bildmaße: ca. 17 x 13 cm -- Schöner original Kupferstich aus dem 18. Jh. -- gut erhalten. || Beautiful engraving from the 18. Century. -- in very good condition. || Belle gravure du 18ème siècle. Sprache: Französisch Gewicht in Gramm: 10.
Verlag: Forgotten Books, 2016
ISBN 10: 1334580782 ISBN 13: 9781334580789
Anbieter: Buchpark, Trebbin, Deutschland
Zustand: Sehr gut. Zustand: Sehr gut - Gepflegter, sauberer Zustand. | Seiten: 282 | Sprache: Französisch | Produktart: Bücher.
Verlag: Paris ca. 1690., 1690
Anbieter: Antiquariat Steffen Völkel GmbH, Seubersdorf, Deutschland
Kunst / Grafik / Poster
Maße: ca. 27,5 x 20 cm. -- Schönes, original Kupferstich Portrait. -- gut erhalten. | Copper engraved portrait. -- in good condition. la Gewicht in Gramm: 1550.
Verlag: ca. 1790., 1790
Anbieter: Antiquariat Steffen Völkel GmbH, Seubersdorf, Deutschland
Kunst / Grafik / Poster
Bild-Maße: ca. 18,5 x 13 cm. -- Altkolorierter Kupferstich aus dem 18. Jh. -- gut erhalten. || Hand colored engraving from the 18th century. -- in good condition. Sprache: Französisch Gewicht in Gramm: 10.
Verlag: ca. 1790., 1790
Anbieter: Antiquariat Steffen Völkel GmbH, Seubersdorf, Deutschland
Kunst / Grafik / Poster
Bild-Maße: ca. 18,5 x 13 cm. -- Altkolorierter Kupferstich aus dem 18. Jh. -- gut erhalten. || Hand colored engraving from the 18th century. -- in good condition. Sprache: Französisch Gewicht in Gramm: 10.
Verlag: ca. 1790., 1790
Anbieter: Antiquariat Steffen Völkel GmbH, Seubersdorf, Deutschland
Kunst / Grafik / Poster
Bild-Maße: ca. 18,5 x 13 cm. -- Altkolorierter Kupferstich aus dem 18. Jh. -- gut erhalten. || Hand colored engraving from the 18th century. -- in good condition. Sprache: Französisch Gewicht in Gramm: 10.
Verlag: Paris ca. 1700., 1700
Anbieter: Antiquariat Steffen Völkel GmbH, Seubersdorf, Deutschland
Kunst / Grafik / Poster
Original Kupferstich-Portrait von ca. 1700. -- Blatt-Maße: ca. 37 x 25 cm. Platten-Maße: ca. 28 x 22 cm. -- gut erhalten. || Original copper engraved portrait from c. 1700. -- in good condition. || Dies ist ein Original! - Kein Nachdruck! - Keine Kopie! || This is an original! - No reprint! - No copy! Sprache: Französisch Gewicht in Gramm: 1550.
Verlag: LEGARE STREET PR, 2022
ISBN 10: 1017283419 ISBN 13: 9781017283419
Anbieter: moluna, Greven, Deutschland
Kartoniert / Broschiert. Zustand: New.
Erscheinungsdatum: 1968
Anbieter: Antiquariat Uwe Berg, Toppenstedt, Deutschland
178 S., Opbd., viele Abb., klf., gut. 34 Sprache: Französisch.
Verlag: Willy Fischer, Strasbourg, 1968
Anbieter: exlibris24 Versandantiquariat, Freiburg im Breisgau, Deutschland
Hardcover. Zustand: Sehr gut. Sauberes und wohlerhaltenes Exemplar. (16), 23, (7), 178 Seiten. Reprint (der Ausgabe Paris 1696) von 1968. Mit zahlreichen schwarzweißen Abbildungen. Ganzledereinband mit goldgeprägtem und floralem Deckelschmuck sowie mit goldgeprägtem Deckel-/Rückentitel. 224 Seiten. 272 Gramm. 17x12cm. Französisch. Alle Preise inkl. MwSt.
Verlag: réprésenté par des figures en taille-douce déssinés d'après nature avec un pétit abrégé de l'Exercise comme il se fait aujourd'hui. Paris, P.Giffart, 1696,, Paris,, 1696
Anbieter: Libreria Antiquaria Pregliasco, Torino, Italien
Zustand: molto buono. in-8, ff.(20), pp.178, pp.(20) aggiunte dall'editore nel 1703 ''Exercice pour toute l'Infanterie de France''. Leg. coeva p.pelle, dorso ornato. Elegantemente illustrato da: un antiporta fig., una testata fig. nella dedica a Boufflers, 85 animate scene a p.pag. di armati, il tutto disegnato e inciso in rame dallo stesso P.Giffart che fu pure autore e stampatore del presente volume, firmandolo solo nella dedica. Delizioso e raro libro sui fucilieri di fanteria. Bell'esempl. (due ex-libris antichi). Barbier, Anonymes, I, 300. Book.
Verlag: Paris, Pierre Giffart, 1696
Anbieter: Librarium of The Hague, The Hague, Niederlande
Erstausgabe
Hardcover. Zustand: . ~ [TEMPORARY REDUCTION SALE: 20-30% OFF THE REGULAR PRICE] ~ (illustrator). 1st Edition. Small octavo (175x120 mm). Pp. (iv), 178. Plus engraved frontispiece, large engraved head-piece. With 85 copper engraved plates, each captioned by hand on the copper. With extended explanatory notes on facing page. Plain letterpress initials. HARDCOVER, bound in modern vellum, spine with raised band, few small brown spots on title-page. In fine condition. Excellent copy with bright interior and crisp plates. ~ Rare first edition of this military exercise book which relies heavily on the illustrated material. The wonderful plates, in their accuracy and visual beauty, can be considered a French counterpart to De Gheyn's Wapenhandelinghe which was designed for the use of the soldiers of Prince Maurits. The publisher, Pierre Giffart (1637-1723), was a gifted engraver who since the 1680's was appointed "Graveur du Roy". He is assumed to be both the artist and the publisher of this splendid work. F-2.
Verlag: "Pierre Giffart" [publisher unknown],, "Paris" [printed in the Netherlands?],, 1697
Anbieter: Antiquariaat FORUM BV, Houten, Niederlande
Erstausgabe
Second (probably pirated) edition of a succinct and well-illustrated military exercise book, first published by Giffart in Paris in 1696. Its 85 precisely engraved illustrations show the use of the pike, halberd, musket and in a few figures the sword by various officers and soldiers. One plate shows a grenadier with grenade in hand, just about to throw it. They are also valuable for their meticulous rendition of the military uniforms. The present edition is much rarer than the first edition of 1696 and the Paris edition of 1698. We have located only 4 other copies, none in a French collection, though the present copy has a French provenance and probably a French binding.With engraved bookplate of the library of Baron de Marbot (1782-1854). Somewhat browned, but otherwise in very good condition. The binding is slightly worn, with some early restorations, but still good. Rare pirated second edition of a very detailed visual record of the use of arms and of French military uniforms in the 17th century.l Goldsmith BMC STC French, G403; KVK & WorldCat (4 copies); cf. Hiler 46 (1696 ed.); Lipperheide Qk1 (1696 ed.); not in Colas; for Giffart: Thieme-Becker XIV, pp. 9-10. Contemporary calf, sewn on 5 cords, gold-tooled spine with title in 2nd of 6 compartments, edges sprinkled in red and brown. With engraved frontispiece (showing a meeting of officers in an army camp, with the title in a decorated cartouche at the head and the crowned and supported coat of arms of the dedicatee, the Duc de Boufflers, at the foot with flags and military attributes), letterpress title-page in red and black, and 85 full-page engraved illustrations (12 x 7.5 cm, numbered in letterpress above the engraving), each showing a French soldier or officer exercising his arms, with a view of army exercises in the background and an engraved caption below. Further with headpieces assembled from arabesque fleurons, and a cast vine-leaf ornament printed in pairs at the foot of most text pages. Pages: [14], 178 pp.
Verlag: Artist: Giffart Pierre- Francois ( - 1774 ) Paris ; issued in: ; - He was a book dealer and copper printer and son of Pierre Giffart He continued with the conpany of his father and issued until 1774 under the companies name "Du fonds de P F Giffart", 1714
Anbieter: Antique Sommer& Sapunaru KG, München, Deutschland
Technic: Copper print, colorit: original colored, condition: Very good, size (in cm): 16 x 9,5; - Atlas shows and describe 18 maps and the continents, the world,Europe,America,Africa,Asia, Asia minor,Netherlands,Swizerland,Germany, River RhineItaly,Spain,Great Britain,Scandinavia,Poland,Turkey, Greece.BY BUFFIER - 5TH EDITION PARIS - 1749; History: The term Atlas goes back to Gerhard Mercator and his work Atlas sive Cosmographicae Meditationes de Fabrica Mundi et Fabricati Figura, published posthumously in 1595 ("Atlas or cosmographic considerations about the creation of the world and the form of it"). In the foreword, Mercator explains the naming of his work in relation to the mythical King Atlas of Mauritania, who appears to Diodorus Siculus as a wise connoisseur of the stars and their spherical shape. Atlas of Mauritania belongs to the legendary circle around the Titan Atlas. As early as 100 AD, Marinus von Tyrus introduced the grad network card. Around 50 years later, Claudius Ptolemy made a kind of atlas. The beginning of the great voyages of discovery heralded a new development in cartography. Until the 15th century, maps were based on the classic works of Ptolemy (2nd century AD) and atlases, any collection of linked maps. The first atlas, in the sense of a book that was published in a specific edition with cards of the same format that were specially designed or produced for this edition, was Theatrum Orbis Terrarum (i.e. world stage) by Abraham Ortelius (1527?1598) , 1570 appeared in Antwerp, a tome with 70 current maps, which were coordinated in terms of content. 41 editions are known, which were published in different languages until 1612. Such an atlas was that of Gerhard and Cornelis de Jode: Speculum Orbis Terrarum. The first to use Atlas as a title for a similar work was Gerhard Mercator (1512?1594, still known from the projection of the same name, 1569), who was born in Rupelmonde in Flanders and who wrote the atlas published shortly after his death, sive Cosmographicae Meditationes de Fabrica Mundi and Fabricati Figura. France: The golden age is called the heyday of the 17th century in Holland. But the end of this era was also the end of the leading position of the Dutch in the field of Atlas cartography. Atlases were reissued, but not kept up to date. The dominance was taken over by France, which was then predominant in science and art. Already in 1652 Nicolas Sanson (1600?1667) and Pierre Mariette (1603?1657) published an atlas, which in 1658 was followed by the Cartes générales de toutes les parties du monde (Paris, 1658, with 113 cards, six more editions until 1676) which the Dutch atlases surpassed in reliability and timeliness. Triangulation has greatly improved the accuracy of the maps. A first example of this is the atlases by Nicolas de Fer (1646-1720), who wrote his Atlas curieux ou le monde dressé (Paris, 1699, 2 vols with 295 panels), based on the latest survey data from the French Académie des sciences and these Also had data checked by astronomers. The Atlas Nouveau by Guillaume Delisle (1675?1726), which appeared in Amsterdam in 1730, had 56 cards; in later editions extended to 138. Delisle maintained relationships with scholars and authorities around the world (including the Russian Tsar Peter the Great) with the intention of acquiring original templates for his cards. The famous cartographer Jean-Baptiste Bourguignon d?Anville (1697?1782) not only used up-to-date geodetic data, but also, after a critical examination, reports from explorers. His Atlas Général (1780, 46 sheets) is known. Rigobert Bonne (1727?1794), who is still famous due to the map projection named after him, made a name for himself with the Atlas modern ou collection de cartes sur toutes les parties du globe terrestre (Paris, 1771) and with Nicolas Desmarest (1725?1815) wrote a three-volume atlas for the new edition (Paris, 1787/88) published by Panckouke of the famous Encyclopédie by Diderot and d'Alembert. England: The most famous 18th century English atlases were New and Compleat Atlas (1720, 27 maps) by Herman Moll, New General Atlas (1721, 48 plates) by Senex, General Atlas (1770) and New Universal Atlas (1790) by Kitchin, General Atlas of the four grand quarters of the World (1778, later General Atlas of the World) von Faden, u. a. However, they cannot be compared to the French atlases in the same period. Germany:World map from the Atlas portatilis (1717?1780) by Melissantes and Johann Christoph Weigel. The scientific value of the atlases that appeared in Germany in the 18th century was limited. The best-known cartographer and publisher was Johann Baptist Homann (1664?1724) from Nuremberg, who published several large atlases, such as the Great Atlas of the Whole World (1716, 126 maps). His heirs expanded the publishing house with a 3-volume Atlas geographicus maior (1740), which also contained works by others. A student of Homann, Mattias Seutter (1678?1756) from Augsburg published various atlases, for example an Atlas Geographicus (1720) with 46 maps, which was published several times. In general, however, Seutter's works are not very original and mostly reproductions. The small two-part ATLAS PORTATILIS by Johann Christoph Weigel (copperplate engraver) and Johann Gottfried Gregorii alias MELISSANTES (text author) underwent several editions between 1717/1723 and 1780. The second part, called Continuirter ATLAS PORTATILIS GERMANICUS, was somewhat accurate due to the partial use of the good templates by Adam Friedrich Zürner, which also explains the decades of use of these handy pocket and school atlases. Austria: It was only in Austria at the end of the 18th century that there was talk of its own Atlas culture. The best-known works are Schrämbl's General Great Atlas (Vienna, 1786 and later, 133 maps) and probably the most name-rich Atlas of all time, the scene of the five parts of the world, published by Franz Johann Joseph von Reilly (Vienna, 1789 and later) 830 plates that were n.