ghertner ed (19 Ergebnisse)

Hardcover. Zustand: Very Good. No Jacket. Ghertner, Ed; Thompson, Del (illustrator). May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.

Hardcover. Zustand: Very Good. No Jacket. Ghertner, Ed; Thompson, Del (illustrator). May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.

Hardcover. Zustand: Very Good. No Jacket. Ghertner, Ed; Thompson, Del (illustrator). May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.

Zustand: Very Good. Ghertner, Ed; Thompson, Del (illustrator). Former library book; may include library markings. Used book that is in excellent condition. May show signs of wear or have minor defects.

Zustand: Very Good. Used book that is in excellent condition. May show signs of wear or have minor defects.

PAP. Zustand: New. New Book. Shipped from UK. Established seller since 2000.

Paperback. Zustand: Brand New. 1st edition. 216 pages. 9.60x7.40x0.50 inches. In Stock.

Zustand: New. 2010. 1st Edition. Paperback. A guide that is filled with examples of what a composition should look like and examples also of poorly designed layouts. With "Beauty and the Beast" examples and "Simpson" character layouts, it helps readers learn how to develop character layout and background layout as well as strengthen composition styles with a toolset of trick shot examples. Num Pages: 218 pages, 275 colour illustrations, 75 colour line drawings. BIC Classification: UGN. Category: (P) Professional & Vocational. Dimension: 245 x 189 x 13. Weight in Grams: 558. . . . . . Books ship from the US and Ireland.

Paperback. Zustand: Brand New. 1st edition. 216 pages. 9.60x7.40x0.50 inches. In Stock.

Zustand: NEW.

Zustand: New. Ed is a renowned Layout Artist and Character Layout Artist who has spent over thirty years in film and animation. He has worked at Disney Studios and Disney TV. He has worked on some of the great Disney classics including The Fox and the Hound , Beauty an.

Taschenbuch. Zustand: Neu. Neuware - This essential, hands-on guide is filled with examples ofwhat a composition should look like and example of poorly designed layouts. Spot potential problems before they cost time and money, andadapt creative solutions for your own projects with this invaluable resource for beginner and intermediate artists.With Beauty and the Beast examples and Simpson character layouts, readers will learn how to develop character layout and background layout as well as strengthen composition styles witha creativetoolset of trick shot examples andinspirational case studies. A companion website will include further technique based tools,finalized layout and composition examples and tutorials for further artisticskill development.

Taschenbuch. Zustand: Neu. Layout and Composition for Animation | Ed Ghertner | Taschenbuch | Einband - flex.(Paperback) | Englisch | 2010 | CRC Press | EAN 9780240814414 | Verantwortliche Person für die EU: Libri GmbH, Europaallee 1, 36244 Bad Hersfeld, gpsr[at]libri[dot]de | Anbieter: preigu.

Zustand: New.

Gebunden. Zustand: New. Ed is a renowned Layout Artist and Character Layout Artist who has spent over thirty years in film and animation. He has worked at Disney Studios and Disney TV. He has worked on some of the great Disney classics including The Fox and the Hound, Beauty an.

Buch. Zustand: Neu. Neuware - A guide that is filled with examples of what a composition should look like and examples also of poorly designed layouts. With 'Beauty and the Beast' examples and 'Simpson' character layouts, it helps readers learn how to develop character layout and background layout as well as strengthen composition styles with a toolset of trick shot examples.

One Final Draft script, one Draft script and two Treatment scripts for Season 2 Episode 5 of the 1988-1991 television series. Originally aired October 7, 1989 on ABC. Based on the books by A. A. Milne and E. H. Shepard, this children's series taught important lessons through stories about the characters in the Hundred Acre Woods. The series won two daytime Emmys in 1989 and 1990 for Outstanding Animated Program and sparked a revival of Winnie-the-Pooh media. In this installment, Rabbit tries to cancel Valentine's Day after the disorganization of the celebration the year prior. Set in the fictional Hundred Acre Woods. Final Draft script: White titled self-wrappers, noted as Final on the front wrapper, production No. 4W89-010, dated January 16, 1989, with credits for Screenwriters Carter Crocker and Stephen Sustarsic. With a script distribution list bound before front self-wrapper. Title page integral with front self-wrapper. 40 leaves, with last page of text numbered 37. Xerographic duplication, rectos only. Pages Near Fine, wrapper Near Fine, bound with a staple at the top left corner. Draft script: Title page integral with first page of narrative text, production No. 4W89-010. 19 leaves, with last page of text numbered 19. Xerographic duplication, rectos only. Pages Near Fine, bound with a staple at the top left corner. Treatment script 1: Title page integral with first page of narrative text, production No. 4W89-010. 21 leaves, with last page of text numbered 21. Xerographic duplication, rectos only. Near Fine, bound with a staple at the top left corner. Treatment script 2: Title page integral with first page of narrative text, dated 12/28/88, with credits for screenwriter Stephen Sustarsic. 8 leaves, with last page of text numbered 8. Xerographic duplication, rectos only. Near Fine, bound with a staple at the top left corner.

One Draft script, one Second Draft script, and eight Treatment scripts for Season 2 Episode 4 of the 1988-1991 television series. Originally aired September 30, 1989 on ABC. Five of the Treatment scripts are under the working title, "Land of Lost Wishes," one Treatment script under the working title, "Land of Forgotten Wishes," and the remaining two Treatment scripts with no title. Based on the books by A.A. Milne and E.H. Shepard, this children's series taught important lessons through stories about the characters in the Hundred Acre Woods. The series won two daytime Emmys in 1989 and 1990 for Outstanding Animated Program and sparked a revival of Winnie-the-Pooh media. In this installment, Winnie the Pooh tries to gift the moon to Tigger for his birthday. Set in the fictional Hundred Acre Woods. Second Draft script: White titled self-wrappers, lacking rear wrapper, noted as Second Draft on the front wrapper, production No. 4W88-160, dated December 20, 1988, with credits for screenwriters Stephen Sustarsic and Carter Crocker. Title page integral with front wrapper. 37 leaves, with last page of text numbered 36. Xerographic duplication, rectos only. Pages Near Fine, wrapper Near Fine. Bound with a staple at the top left corner. Draft script: White titled self-wrappers, lacking rear wrappers, production No. 4W88-160, dated December 14, 1988, with credits for screenwriters Stephen Sustarsic and Carter Crocker. Title page integral with front wrapper. 40 leaves, with last page of text numbered 39. Xerographic duplication, rectos only. Pages Near Fine, wrapper Near Fine, bound with a staple at the top left corner. Treatment script 1: No title page. 11 leaves, with last page of text numbered 11. Xerographic duplication, rectos only. Near Fine, bound with a staple at the top left corner. Treatment script 2: Title page integral with first page of narrative text. 3 leaves, with last page of text numbered 3. Mimeograph duplication, rectos only. Near Fine, bound with a staple at the top left corner. Treatment script 3: Title page integral with first page of narrative text, production No. 4W88-160. 24 leaves, with last page of text of numbered 24. Xerographic duplication, rectos only. Near Fine, bound with a staple at the top left corner. Treatment script 4: Title page integral with first page of narrative text, with credits for screenwriter Marley Clark. 7 leaves, with last page of text numbered 7. Xerographic duplication, rectos only. Near Fine, bound with a staple at the top left corner. Treatment script 5: Title page integral with first page of narrative text, dated 10/3/88, with credits for screenwriter Marley Clark. 7 leaves, with last page of text numbered 7. Xerographic duplication, rectos only. Near Fine, bound with a staple at top left corner. Treatment script 6: Title page integral with first page of narrative text, with credit for screenwriter Marley Clark. 5 leaves, with last page of text numbered 5. Xerogrpahic duplication, rectos only. Near Fine, bound with a staple at the top left corner. Treatment script 7: Title page integral with first page of narrative text, with credit for screenwriter Marley Clark. 3 leaves, with last page of text numbered 3. Xerographic duplication, rectos only. Near Fine, bound with a staple at the top left corner. Treatment script 8: Title page integral with first page of narrative text, with credit for screenwriter Marley Clark. 4 leaves, with last page of text numbered 4. Xerographic duplication, rectos only. Near Fine, bound with a staple at the top left corner.

One Final Draft script for "To Catch a Hiccup", and one Final Draft script, one Draft script, and four treatment scripts for "Me and My Shadow", together presented as Season 2 Episode 1 of the 1988-1991 television series. Originally aired September 9, 1989 on ABC. Based on the books by A. A. Milne and E. H. Shepard, this children's series taught important lessons through stories about the characters in the Hundred Acre Woods. The series won two daytime Emmys in 1989 and 1990 for Outstanding Animated Program and sparked a revival of Winnie-the-Pooh media. In this installment, Piglet 'loses' his shadow in one segment and in the next the gang tries to rid him of hiccups. Set in the fictional Hundred Acre Woods. Final script "To Catch a Hiccup": White titled self-wrappers, lacking rear wrapper, noted as Final on the front wrapper, production No. 4W88-151, dated December 1, 1988, with credits for screenwriter Stephen Sustarsic. Title page integral with front wrapper. 22 leaves, with last page of text numbered 21. Xerographic duplication, rectos only. Pages Near Fine, wrapper Near Fine, bound with a staple at the top left corner. Final script "Me and My Shadow": White titled self-wrappers, lacking rear wrapper, noted as Final on the front wrapper, production No. 4W88-131, dated October 24, 1988, with credits for screenwriter Stephen Sustarsic. Title page integral with front wrapper. 19 leaves, with last page of text numbered 19. Xerographic, rectos only. Pages Near Fine, wrapper Near Fine, bound with a staple at the top left corner. Draft script "Me and My Shadow": Title page integral with first page of narrative text, production No. 4W88-131. 19 leaves, with last page of text numbered 19. Xerograophic duplication, rectos only. Near Fine, bound with a staple at the top left corner. Treatment script "Me and My Shadow" 1: White titled self-wrappers, lacking rear wrapper, production No. 4W88-131, dated September 14, 1988, with credits for screenwriter Stephen Sustarsic. Title page integral with front wrapper. 12 leaves, with last page of text numbered 12. Xerographic duplication, rectos only. Pages Near Fine, wrapper Near Fine, bound with a staple at the top left corner. Treatment script "Me and My Shadow" 2: Title page integral with first page of narrative text, production No. 4W88-131. 12 leaves, with last page of text numbered 12. Xerographic duplication, rectos only. Near Fine, bound with a staple at the top left corner. Treatment script "Me and My Shadow" 3: Title page integral with first page of narrative text, production No. 4W88-131. 13 leaves, with last page of text numbered 13. Xerographic duplication, rectos only. Near Fine, bound with a staple at the left corner. Treatment script "Me and My Shadow" 4: Title page integral with first page of narrative text, production No. 4W88-131, dated 9/9/88, with credits for screenwriter Stephen Sustarsic. 3 leaves, with last page of text numbered 3. Xerographic duplication, rectos only. Near Fine, bound with a staple at the left corner.