george wunderlich (7 Ergebnisse)

Paperback. Zustand: Fair. A readable copy of the book which may include some defects such as highlighting and notes. Cover and pages may be creased and show discolouration.

Paperback. Zustand: Used; Good. Dispatched, from the UK, within 48 hours of ordering. This book is in good condition but will show signs of previous ownership. Please expect some creasing to the spine and/or minor damage to the cover.

Paperback. Zustand: Used; Very Good. Dispatched, from the UK, within 48 hours of ordering. Though second-hand, the book is still in very good shape. Minimal signs of usage may include very minor creasing on the cover or on the spine.

0 28 p. Very good. light shelf wear, bonbi blue colored cover with illust.

Hardcover. Zustand: Very Good. First Edition. With dust jacket. It's a well-cared-for item that has seen limited use. The item may show minor signs of wear. All the text is legible, with all pages included. It may have slight markings and/or highlighting.

Zustand: Good. 8vo. [12] pp. Soft Cover. Stapled Wraps. Color and black and white plates throughout. Very Good, minor wear on covers, light toning to interior sheets edges, otherwise, clean and intact. From the Collection of the Art Historian Peter Selz.

Perfect bound magazine, screen printed cover in purple, gold and black with yellow paper wrap around. 309 x 203mm, 34pp. Edition of 300. Cover screenprint by Jan Voss and Guido Biasi; the inside of the back cover features a tipped-in fold out serigraph by René Bertholo. Issue 9 focuses on 'crowd' and includes photographs, comic streeps, reproductions of paintings including those of Cy Twombly and Christo, screenprints by , Lourdes Castro, and Paul Wunderlich, and texts by Guido Biasi, Benjamin Patterson, Jan Voss, Guido Biasi, George Noël, Carl László, François Dufrêne, and Jean Jaques Levêque. The KWY group were based in Paris and founded in 1958 by Rene Bertholo and Lourdes Castro. The name KWY came about as the letters K, W and Y were officially (but only temporarily) removed from the Portuguese language in 1943 as they were so rarely used, and thus reflected the artists own feelings of marginalisation from Portuguese culture. Condition: loose binding, as usual for these magazines, small ding to top left and bottom right corner noticable to some pages, yellow wrap around included in two parts. All screen printed pages fresh and beautifully printed as ever.