george trager (18 Ergebnisse)

Hardcover. Zustand: Fair. No Jacket. Former library book; Readable copy. Pages may have considerable notes/highlighting. ~ ThriftBooks: Read More, Spend Less.

Hardcover. Zustand: Good. No Jacket. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.

Soft cover. Zustand: Very Good. 82 pages, 10"x 7", a MUCH-REDUCED-POSTAGE paperback*, a generally very good ex-library copy (*The default postage figure will be MUCH reduced in this instance).

Original Wraps. Zustand: Near Fine. Reprint Edition. 8p.

Zustand: Good. Good condition. (Phonetics, Phonemics, Morphology, Syntax, Linguistics).

Broschiert, 91 Seiten, Format 8°, dies ist ein regulär ausgesondertes Bibliotheksexemplar aus einer wissenschaftlichen Bibliothek mit der üblichen Signatur und Stempel, keine Markierungen/Anmerkungen, Einbandränder nachgedunkelt, ein akzeptabel erhaltenes Buch --- Softcover, 91 pages, Lib. Ex., no marks, cover margins darkened, acceptable condition. Shipping to abroad insured with tracking number.

Soft cover. Zustand: Good. 1st Edition. Linguistic Society of America, 1942. 82 pages, some discolouring to covers but still in good tight clean reading order. Full refund if not satisfied. 24 hour despatch. If not pictured in this listing, a scan of the actual book is available on request.

Paperback. Zustand: Good. Stapled paperback binding with minor shelfwear to wraps, no markings to text.

Zustand: Good. Envoi rapide trace de scotch en bas de la couverture couverture défraîchie tampons étiquette dans le premier plat ex libris sur la page titre. in8. 1957. Agrafé. Good.

Gebunden. Zustand: New.

Buch. Zustand: Neu. Neuware - This work has been selected by scholars as being culturally important and is part of the knowledge base of civilization as we know it.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. To ensure a quality reading experience, this work has been proofread and republished using a format that seamlessly blends the original graphical elements with text in an easy-to-read typeface.We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

Philadelphia, University of Pennsylvania, 1933. In-8 br., 28pp. (Supplement to Language, Journal of the Linguistic Society of America ? N° XIII, March, 1933). /123E Little tear on covers, library stamp. Good condition.

Zustand: Sehr gut. Zustand: Sehr gut | Seiten: 92 | Sprache: Englisch | Produktart: Bücher | Keine Beschreibung verfügbar.

Zustand: Gut. (2), 82 Seiten. Ex-library copy with usual marks (signature marks on spine, stamps / inventory marks on a few pages). - Spine teared. Cover a bit browned and slightly rubbed. - Still good copy. Sprache: Englisch Gewicht in Gramm: 499 Gr. 8° (22,5-25 cm). Orig.-Broschur. [Softcover / Paperback].

VII,161 TyposkriptS. (= Adventistica; Band 4). 21 cm. OBroschur. Sammlung von Aufsätzen, u.a. über den Platz der Freikirchen in der deutschen Kirchengeschichte, die Rolle L. R. Conradis und seines Missionskonzepts für das rasche Anwachsen der der Bewegung u.a. in Deutschland und in Ost- und Südeuropa, sondern auch im Nahen Osten und in Ostafrika u.a.m. - Gut und sauber, ohne Lesespuren.

Zustand: Good-. Location:721 82 pp. cover worn and soliled Special Issue 721.

Zustand: Very Good. *Price HAS BEEN REDUCED by 10% until Monday, July 13 (SALE Item)* Twenty-four Volumes, Paperbacks, Volumes 1-13 are Johnson Reprint Editions, minor ownership markings, overall very good. - If you are reading this, this item is actually (physically) in our stock and ready for shipment once ordered. We are not bookjackers. Buyer is responsible for any additional duties, taxes, or fees required by recipient's country. Photos available upon request.

Boudoir size cabinet cards, albumen images on the photographer's mounts. Wounded Knee was the last of the major conflicts with the Sioux and the effectual end to the Indian Wars. "Long a marker of the end of the Indian wars and the close of the frontier era, the massacre at Wounded Knee holds a prominent position within western history and popular consciousness" (Klein). On the morning of December 29, 1890 the U.S. 7th Cavalry attempted to disarm a band of Lakota Sioux whom they had rounded up the previous day over concerns about participation in the messianic movement, the Ghost Dance - seen as a resistance to assimilation and the reservation system and act of self-determination. Tensions with the Sioux had been mounting for months over the loss of reservation land, displeasure with a new Indian agent, and fears of the Ghost Dance. In the process of disarming the Lakota, a gun went off and the cavalry opened fire with Hotchkiss guns, murdering about 300 Sioux, most of them women and children. Trager, a German immigrant, had arrived in America in 1876, opening his first photography studio in Wisconsin. In 1890, he opened a studio in Nebraska, selling landscapes and portraits to those traveling to the gold fields, and began photographing among the Sioux at the Pine Ridge Indian Reservation. Trager was among the first to photograph the scene after the massacre, along with Clarence Grant Morledge of the Omaha World-Herald. In the wake of the massacre, they captured hundreds of images of the dead and captured and returned to Chadron, Nebraska to print and market the images as the American Indian's last stand. To do so Trager formed the Northwestern Photographic Company with a partner, Joe Ford, and Morledge would eventually sell his negatives to the new company. Trager would advertise over 200 views of the Indian unrest. "Trager played a crucial role in the mass marketing and distribution of Wounded Knee images, handling Morledge's vast out-put as well as his own. He also took the only photographs that preserved the bloody aftermath of the battle" (Klein). Although the images initially sold well, by the end of 1891 and by the following year Trager would evidently close his studio. The present group includes a lovely standing portrait of Oglala Chief Crazy Bear, i.e. Mato Gnaskiyan, wearing what purports to be a Ghost Dance suit. The image, however, had been taken the previous summer at Pine Ridge and, in actuality, had nothing to do with Wounded Knee or the Ghost Dance. The other images comprise studio portraits of Chief Stinking Bear and Chief Hollow Wood, as well as an outdoor view of the three chiefs on horseback. "Over the years the pictures these photographers made to satisfy the needs of the moment drifted into museums and historical societies, separated from the stream of events that caused them to be. The photographs of Pine Ridge ceased to be pictures of the 'seat of war' as the reporters called it. Rather, they evolved into glimpses of reservation life . Separated from the immediacy of the incident that caused their creation, their significance dimmed with the passing of time" (Jensen, et. al., p.39). Taken together with images by other photographers, the photographs by Trager and Morledge established "our collective visual memory of the tragedy at Wounded Knee" (ibid., p. 60). Original negatives by Trager are housed in at the Nebraska State Historical Society and the Denver Public Library. Jensen, Paul and Carter, Eyewitness at Wounded Knee (1991). Klein, Christina. "'Everything of Interest in the Late Pine Ridge War Are Held by Us for Sale': Popular Culture and Wounded Knee." The Western Historical Quarterly, vol. 25, no. 1, 1994, pp. 45-68 Minor soiling and fading, overall very good Boudoir size cabinet cards, albumen images on the photographer's mounts.