george bluestone (25 Ergebnisse)

Zustand: Good. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Paperback. Zustand: Good. Paperback. Pages are clean and unmarked. Covers show light edge wear.; 100% Satisfaction Guaranteed! Ships same or next business day!

Soft cover. Zustand: Good. Small marks to fore edge o/w tight, clean copy with crease-free spine. TM.

Paperback. Zustand: Good. No Jacket. Former library book; Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.

Paperback. Zustand: Good. No Jacket. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.

Paperback. Zustand: Good. No Jacket. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.

Paperback. Zustand: Good. First Edition; Sixth Printing. 237 pages; minor fading on spine. Moderate shelf rubbing and creasing on the covers. Good condition otherwise. No other noteworthy defects. No markings. ; - Your satisfaction is our priority. We offer free returns and respond promptly to all inquiries. Your item will be packaged with care and ship on the same or next business day. Buy with confidence.

Soft cover. Zustand: Very Good. 1st. First edition thus. First softcover edition. Published Berkeley, University of California Press, 1961, first printing. 8vo. wrappers, xvi+237 pp. Very good.

, Bluestone, George, 1929-2009. Novels into Film. Baltimore, Johns Hopkins Press, 2003, 237pp., PAPERBACK, very good. First published in 1957. - Novels into Film concludes that because the novel lends itself to states of consciousness and the film to observed reality, the adaptation of one from the other produces a new and wholly autonomous art form. - CONTENTS: Chapter 1. The Limits of the Novel and the Limits of the Film -- I. The Two Ways of Seeing -- II. A Note on Origins -- III. Contrasts in the Media -- IV. The Audiences and the Myths -- V. Of Time and Space -- VI. Conclusion -- Chapter 2. The Informer -- Chapter 3. Wuthering Heights -- Chapter 4. Pride and Prejudice -- Chapter 5. The Grapes of Wrath -- Chapter 6. The Ox-Bow Incident -- Chapter 7. Madame Bovary -- Epilogue. 9780801873867 ISBN 080187386X.

Softcover. Zustand: Very Good. Third edition. Very good in wrappers. Creases along spine. Shelf rubbing on cover.

Softcover. Zustand: Good. Magazine. Quarto. Stapled wrappers. Good or better with well rubbed wrappers, edgewear and creasing. Contributors to this issue include a conversation with Jean Renoir and contributions from William Carlos Williams, John Frederick Nims, George Bluestone, harvey Swados, and Richard Emil Braun, among others.

Soft cover. Zustand: Very Good. Wrappers. Spine slightly darkened. First paperback edition (book first published by Johns Hopkins Press, 1957).

Zustand: New.

Zustand: New. In.

Zustand: New. pp. 264 1:B&W 5.5 x 8.5 in or 216 x 140 mm (Demy 8vo) Perfect Bound on Creme w/Gloss Lam.

Hard cover. Zustand: Fine. Zustand des Schutzumschlags: Near Fine. First Edition. 8vo 8" - 9" tall; 285 pages; HC/DJ is tight bright and very neat. No marks. Bright and clean dust jacket with just a hint of handling at extremities. $3.95 issue price on unclipped front flap. Book appears unread; a splendid copy. F/NF.

Paperback. Zustand: Brand New. 264 pages. 8.25x5.25x0.75 inches. In Stock.

Softcover. Zustand: Sehr gut. 1. Auflage. First edition thus. First softcover edition. fine clean copy. no marks from previous owner. the binding remains firm. the spine lightly creased. the back of the cover curiously foxed.

Hardcover. Zustand: Very Good. Zustand des Schutzumschlags: Good. First edition. 237pp. Illustrated with black and white plates. Very good with wear on the board edges and foxing on the page edges in a good only price-clipped dust jacket with ink price on the front panel, spotting, and short tears.

Zustand: Fine. Zustand des Schutzumschlags: Very Good+. Watertown: Ploughshares Books, 1985. First Edition. Octavo; publisher's cloth in white printed dust jacket; 208pp. Very light wrinkling to jacket extremities, else Very Good to Near Fine. Bookplate signed by William Styron laid in.

Softcover. Zustand: Very Good. Cover by Sylvia Jarrico. 40pp. Stapled wrappers. Small split at the bottom of the spine, very good. A literary magazine out of Southern California with early contributions from Allen Ginsberg ("Shipyard No. 3Richmond"), Gregory Corso ("Poets Hitchhiking on the Highway"), James Comorthoon, Duane Jones, Lachlan MacDonald, Thomas McGrath, Lawrence D. Gurney, James Schevill, Edith G. Wies, Felix Stefanile, George Bluestone, Walter H. Kerr, and Norman Friedman.

Softcover. Zustand: Near Fine. Cover by Sylvia Jarrico. 40pp. Stapled wrappers. Small spots on front wrap, very good or better. A literary magazine out of Southern California with early contributions from Allen Ginsberg ("Shipyard No. 3Richmond"), Gregory Corso ("Poets Hitchhiking on the Highway"), James Comorthoon, Duane Jones, Lachlan MacDonald, Thomas McGrath, Lawrence D. Gurney, James Schevill, Edith G. Wies, Felix Stefanile, George Bluestone, Walter H. Kerr, and Norman Friedman.

Softcover. Zustand: Near Fine. Cover by Sylvia Jarrico. 40pp. Stapled wrappers. A tiny spot on rear wrap, else very near fine. A literary magazine out of Southern California with early contributions from Allen Ginsberg ("Shipyard No. 3Richmond"), Gregory Corso ("Poets Hitchhiking on the Highway"), James Comorthoon, Duane Jones, Lachlan MacDonald, Thomas McGrath, Lawrence D. Gurney, James Schevill, Edith G. Wies, Felix Stefanile, George Bluestone, Walter H. Kerr, and Norman Friedman.

Single Issue Magazine. Zustand: Fair. First Edition. Iconic cover photo features dog threatened with death if you don't buy this magazine! (Don't worry folks, we're just kidding!) Features include: Deadman Comics; 23 Ways To Be Offensive at the Funeral of Someone You Didn't Like; Man in Morgue; Who Are They Now?; Death on Ice; Dead Pages; Telling a Kid His Parents Are Dead; Finnswake Again; Children's Suicide Notes to Santa; The Day the Animals Discovered Death; Playdead (Lampoon's mock version of Playboy); and more. Several wonderful full-page ads for pop/rock records/stars of the day. 100 pages. Tight and unmarked with somewhat above-average wear. Please note: 2/3 of page 13 removed, probably because it contained a mail order form. A worthy vintage example. ; 4to.

Three Draft scripts for the 1969 film by three different screenwriters. From the estate of film producer Elliott Kastner, whose best known credits include "The Long Goodbye" (Robert Altman, 1973), "The Missouri Breaks" (Arthur Penn, 1976), and "Heat" (Michael Mann, 1996). The first script is an undated draft script by screenwriter George Bluestone, who previously adapted Winston Graham's 1967 novel "The Walking Stick," for the 1968 Eric Till film, with copied annotations throughout, striking, adding, and adjusting dialogue. The second is a Second draft script, dated 1st April, 1968, by novelist, playwright and screenwriter Derek Marlow, with copied annotations striking scenes or pages on nearly every page. Marlow said in an interview that he was asked by director Tony Richardson which book he'd like to adapt for a screenplay, and Marlow suggested Nabakov's "Laughter in the Dark." Two or three months afterward Marlow received a call from Richardson asking him to write the adaptation. At the time Richard Burton was to star alongside Marianne Faithfull. Marlow then went to the US to promote his 1968 novel "Memoirs of a Venus Lackey," and upon his return to the UK, found out a new screenplay by Edward Bond had been written, and Burton and Faithfull had been replaced. The third is a draft script, dated 24th June 1968, by Edward Bond. IMDB shows the filming date as starting June 1968, thus likely a draft used early in the production. The first half of the script (to page 66) is on pink paper with the remainder on green paper, with no revision date change. Based on the 1932 novel by Vladimir Nabokov, updating the original 1930s Berlin setting to 1960s swinging London, about a wealthy art dealer who is seduced and swindled out of his fortune by a young woman and her lover. Set in London and the Riviera, shot on location in Spain, France, and the United Kingdom. George Bluestone script: Wrapper integral with title page, with credits for screenwriter George Bluestone and author Vladimir Nabokov. 114 leaves, with last page of text numbered 109. Xerographic duplication, rectos only. Pages Near Fine, bound with two gold brads. Derek Marlowe script: Black wrappers with die-cut title window in the British style. Title page present, dated 1st April, 1968 (obscured, but visible through Winkast sticker), noted as Second Draft, with credits for screenwriter Derek Marlowe and author Vladimir Nabokov. 137 leaves, with last page of text numbered 136. Xerographic duplication, rectos only. Pages Near Fine, wrapper Near Fine, bound internally with two flat metal brads Edward Bond script: Black wrappers with die-cut title window in the British style. Title page present, dated 24th June 1968, with credits for screenwriter Edward Bond and author Vladimir Nabokov. 110 leaves, with last page of text numbered 108. Mimeograph duplication, rectos only. Pages Near Fine, wrapper Near Fine, bound internally with two flat metal brads.