gelatin (33 Ergebnisse)

Softcover. Zustand: Gut bis sehr gut. 1. Auflage. 180 S., 200 farb. Abb., kart., 28 x 24 cm.Einband etwas bestoßen, darüber hinaus in guter Erhaltung.

Unknown. Zustand: Good. No Jacket. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less 1.1.

163 S. Kartoniert. 8°. Sauberes Exemplar ohne Stempel und Anstreichungen. Mit zahlreichen Abbildungen und Tafeln. Originaleingeschweißt. Neuwertig. Sprache: deu.

Broschur. 182 S.; GUTER ZUSTAND, fine. Mit zahlreichen Farbabbildungen. Size: 28 x 24 Cm. 1100 Gr.

zus. 157 S. mit sehr vielen farbigen Abbildungen, Orig.-Kartonbände im Pappschuber. Erste Ausgabe.- Mit Beiträgen von Elisabeth Schweeger, Dick Pursel, David Medalla, Timothy Druckrey und Manfred Faßler.- 'Synthesis' Band mit winzigen Kratzspuren auf Vorderdeckel. Ansonsten sehr gute Exemplare.

Buch. Zustand: Neu. Neuware -Gelatin are four artists who have been working together since 1993. This book pictures all their exhibitions from 2008 to 2022. It's called ATLAS because the content is arranged alphabetically by the cities where they've shown their work. From Antwerp to Zurich.ATLAS is the follow-up publication to GELATIN'S ACB (Walther König, Cologne, 2008), which covers their work until 2008.Every single book is unique. Each linen cover was individually designed by Gelatin. The artists carved their names into shoe soles, walked through paint and across the linen cover.Text: Christian Egger, Sarah Lucas, Dieter Roelstraete, Tex Rubinowitz, Florian Waldvogel, John Waters andJos Van den Bergh, Cathryn Drake, Goschka Gawlik, Maximilian Geymüller, Hinako Kasagi, Midori Matsui, Christian Meyer, Max Power, Ralph Rugoff, Martha Schwendener, Nina Siegal, Roberta Smith, Salvatore Viviano.König, Walther, EHRENSTRASSE 4, 50672 Köln 344 pp. Englisch.

28 x 23 cm, 2 Blatt jeweils beschrieben, 3 fach Faltung, 19 x 23 cm, 1 fach Faltung, jeweils guter Zustand, /01 . Sprache: de.

Pamphlet. Zustand: Fair. Clean with creases, outer edge knick. Salads, Main Dishes, Desserts. Illustrated with color drawings and photos. Also how How to Make a Basic Gelatin Mixture.

Staplebound. Zustand: Fair. Rubbed spine with split at tail; worn, soiled and faded covers; food splatter in approx. 10 pages (but not overwhelming - see photo) otherwise clean bright text and illustrations. Undated 5th edition circa 1965 (6th edition has the same cover design). Sliker 1797. 140 x 210 mm.,95 pages. 95 p. Book.

Staplebound. Zustand: Good. Soiled, faded covers with rubbed spine. Food stains on two pages (still legible) with remainder of illustrated 95 pages in excellent state. Undated 6th edition circa 1966. Sliker 1797. Staplebound 140 x 210 mm. 95 p. Book.

Staplebound. Zustand: Good. Nice interior but extensive surface wear and rub marks to the covers. Undated 6th edition circa 1966. Sliker 1797. Illustrated staplebound 140 x 210 mm., 95 pages. 95 p. Book.

Staplebound. Zustand: Very Good. Staplebound 14 x 21 cm., 95 pages. 11th Edition includes numerous BW photos and vintage color illustrations. Fine interior, light edge wear and some fading to covers. All editions of the Joys of Jell-O are notorious for omitting publication dates although the reprints change nothing except for the ads. What we do know is the first known circulation of this cover design as documented in the Sliker Collection was around 1955. We also know that the seventh edition was in circulation in 1975 thanks to some advertising it contained. It would be reasonable to assume this edition dates from the 1980s but before special offers required expiration dates (in 1987 25% of coupons had no expiration date, by 1991 only 1% did not have expiration dates). Recipes often include many other GF brands like Dream Whip. 95 p. Book.

Staplebound. Zustand: Fair. 4th Edition. Stated first printing of 4th edition (1963). Staplebound 14,2 x 21 cm. vintage little cookbook collectible Americana. Contains recipes, BW and color illustrations, 95 pages. Rubbed spine, faded and soiled covers throughout, some spotting recto of covers and endpapers with the text block and illustrations in excellent condition. . 95 p. Book.

Staplebound. Zustand: Good. Mildly soiled, faded covers with writing on front, rubbed spine, some creased page tips, clean illustrated text. Undated 9th edition (based on information in the text around 1970). Staplebound 140 x 210 mm., 95 pages. 95 p. Book.

Hardcover. Zustand: Brand New. har/pstr edition. 80 pages. 9.50x7.50x0.25 inches. In Stock.

SOFTCOVER. Zustand: Fine. 1st Edition. Quarto size (4to) in colour printed stiff card covers, 112pp, illustrated in colour throughout . [CONDITION: An extremely well preserved almost AS NEW unmarked copy (minute speck of shelf rub to cover corner tips) ] . . . We always ship in STRONG PROTECTIVE CARD PARCELS.

Zustand: As New. Like New condition. (cooking, gelatin, recipes) A near perfect copy that may have very minor cosmetic defects.

Spiral. Zustand: Good. White wire spiral bound with only obvious defects newsprint shadow on one page and large crease on back cover. Stated first printing (probably of 4th edition 1963), illustrations, 95 pages. 95 p. Book.

Staplebound. Zustand: Near Fine. Staplebound 14 x 21 cm., 95 pages. 11th Edition includes numerous BW photos and vintage color illustrations in fine condition aside from light rubbing of spine. All editions of the Joys of Jell-O are notorious for omitting publication dates although the reprints change nothing except for the ads. What we do know is the first known circulation of this cover design as documented in the Sliker Collection 1805 was around 1955. We also know that the seventh edition was in circulation in 1975 thanks to some advertising it contained. It would be reasonable to assume this edition dates from the 1980s but before special offers required expiration dates (in 1987 25% of coupons had no expiration date, by 1991 only 1% did not have expiration dates). Recipes often include many other GF brands like Dream Whip. GF was acquired by Philip Morris in 1985. 95 p. Book.

Original-kartoniert. Zustand: Sehr gut. 4 Original-kartoniert 1. Aufl. de 159 pp.

8°, 1 DVD (Laufzeit ca. 120 Min.), Kart. m. mont. Deckel-Collage, Min. berieben. EA. Ex. Nr. 15 der 50 (laut dem Verlag 37 realisierten) Ex. der Vorzugsausgabe. Von «Gelatin» im Impressum signiert.- "I think they are the most intelligent Austrians who have been to Mexico." Sarah Glaxia Nach dem legendären Balkon am 91. Stock des World Trade Center ("The B-Thing") und dem "Channel Hopping" in Venedig (Nellanutella") folgt nun das Roadmovie, das das österreichische Quartett - mittlerweile im Status einer Popband - von Nordamerika nach Mexiko führt. Vorzugsausgabe: Von 50 geplanten Exemplaren sind 37 realisiert worden, nummeriert und signiert, mit einer farbigen Photocollage auf dem vorderen Deckel. 600 gr. Schlagworte: Kunst - Künstlerbücher, Signierte Bücher, Film.

Buch: Quer-Kl.8° (9 x 14 cm), ca. 80 farb. Taf.; 1 lose farb. Orig.-Photogr. (33 x 22 cm); alles in Orig.-Kart-Schachtel m. mont. Deckelschild, Buch: Metall-Spiralgeh., Letztes Bl. bei der Spirale randknittrig, sonst tadellos. EA. Ex. Nr. 2 der 3 Ex. der Vorzugsausgabe: Das Buch von den Künstlern, die der Ausgabe beiliegende Photographie recto von Tobias Urban signiert. Erschienen anlässlich der 49. Biennale Venedig.- Für Venedig-Liebhaber - Venedig als Freibad: "Wie läßt sich der Identität einer Stadt bestimmen, die als Markenzeichen das Geheimnis kultiviert? Indem man ihr auf den Grund geht. Genau das macht die österreichische Künstlergruppe Gelatin in ihrer Arbeit für die diesjährige Biennale di Venezia mit einer Hommage auf das ureigene Element der Stadt - das Wasser (.) Schönere Stürze als die, die hier dokumentiert sind, kann man sich kaum vorstellen: rückwärts aus der Gondel, zerstreuten Schrittes von der Brücke, horizontal vom Cafe am Wasserrand ins trübe Naß explodierend - ja selbst aus dem Fenster im zweiten Obergeschoß fallen sie in ekstatischen Verrenkungen." Andreas Ruby in der "Zeit" 1200 gr. Schlagworte: Kunst - Künstlerbücher, Signierte Bücher, Photographie - Orig.-Photographie.

London, Gagosian Gallery, [2005]. 48 pp. Col. & b./w. ills. Softcover.Published on the occasion of the exhibition of the same name held at Gagosian Gallery October 22 - November 26, 2005. - Text in English by Cerith Wyn Evans & Claire Bishop. - - Gelitin is a group of four artists from Vienna, Austria. The group, it consists of the artists Wolfgang Gantner, Ali Janka, Florian Reither and Tobias Urban, was formerly known as Gelatin and changed their name in 2005. They are known for creating sensational art events in the tradition of Relational Aesthetics, often with a lively sense of humor.

Kl.-4°, 27 Bl., dacon 18 Bl. mit Zeichnungen, 14 S. mit Orig.-Photoabzügen auf Agfa Professional-Papier, 1 Klapptafel., Kart, Tadell. Erste Ausgabe. - Illustriert und Photographiert von Maria Ziegelbock (Photographie), Thomas Sandbichler, Susanne Wimmer (Illustration); Gelatine."Am 19. März 2000, bei Sonnenaufgang um viertel nach sechs, trat ein Mann aus dem 91. Stockwerk des World Trade Center auf einen selbstgezimmerten Balkon, nachdem er zuvor ein Element der Glasfassade entfernt hatte. Für wenige Minuten verharrte er dort regungslos, mehr als 300 Meter über dem Erdboden, von den Aufwinden auf der Haut des Gebäudes geschüttelt und von einem eigens gemieteten Helikopter gefilmt. Dann wurde der Balkon abgebaut und das Fenster wieder eingesetzt." (aus der FAZ) Das Buch enthält die Zeichnungen und Fotos der Geheimaktion der österreichischen Künstlergruppe Gelatin. Text: engl. 1600 gr. Schlagworte: Kunst - Künstlerbücher.

Hardcover. Zustand: As New. Large octavo, un paginated, 62 pages of which 2 fold out pages + 23 photographic plates. Illustrated paper over boards. Mint. - First edition. Rubinowitz: And then the surgical intervention in the World Trade Center in New York City. Everything top secret and illegal of course. In days of conspiratorial work, somewhere on the 148th floor and using building site refuse they had tediously smuggled into the building under their pullovers, they constructed a functioning load-bearing balcony. In a long complicated process they scratched putty from the tall heavy window, which couldn't be opened. Then they extracted it using suction pads, shunted the balcony out, posed on it at 6 in the morning and had themselves photographed there from a helicopter for their nearest and dearest back home. They kept very mum about it all, because if word had crept out about their coup they could have been fined very heavily for sabotaging a national treasure. Even if it was built by the Japanese. Incidentally, as proof that they were there, there is now a piece of old chewing gum stuck to the outside of the building at a dizzy height. Moukhtar Kocache Director of Visual Art & Media: Dear Colleagues, The purpose of this letter is to categorically deny and refute Gelatin's (the Austrian art collective) preposterous claim to have removed a window and installed a balcony from the 91st floor of Tower 1 in the World Trade Center, while guests and in residence at World Views, LMCC's internationally acclaimed studio program. No one in his or her sane mind would believe such an account! Talk about this action has recently taken on plague proportion in the sensation driven and rumor hungry art world. Rumors and claims that are concocted by no one else but Gelatin's adolescent-like members. Anyone that is familiar with their work knows very well that these boys thrive on shock value and attention. They are pranksters in real life and often aim to introduce an element of doubt and disbelief in their art; they are in fact masters of deception and their real art for the program at the World Trade Center has been to fabricate this action and promulgate it as an urban myth.

Hardcover. Zustand: Fine. Illustrated by Ziegelbock, Maria; Sandbichler, Thomas; Wimmer, Susanne;Gelatin: Photography (illustrator). First Edition. Did foreign art students covertly install a balcony on the 91st floor of World Trade Center Tower 1 in the months preceding the 911 attacks? This enigmatic work claims to document the evolution and execution of such a stunt in both sketches and color photos. Examine for yourself the photos taken from a helicopter of a person apparently standing on the balcony. 55 pages. Clean, bright and unmarked with negligible wear. Photographic pages tend to stick together so must be opened with care. Provokes disquieting questions about WTC security and the demise of the twin towers in the same year the small print run of this work was issued.; 4to - over 9¾" - 12" tall; Gelatin B-Thing WTC 9/11 Foreign Art Students Balcony 911 Security Gelitin Conspiracy Architectural Intervention WTC 7 Infowars Larry Silverstein Dancing Israelis Odigo Paging.

Hardcover. Zustand: g+ to vg. Limited edition. 1/100. Folio (12 x 9 1/2"). 110, [2]pp. Original full brown cloth with white lettering to spine. Limitation page hand-numbered (No. 37/100). Book housed in its matching publisher's slipcase with b/w photographic reproduction pasted onto front cover. Completed in 1936 in Palestine, where Swiss Avant-Garde portrait photographer Helmar Lerski had immigrated in 1932, "Metamorphosis through Light" is a stunning 'tour de force' in which Lerski carried his talent to extremes. With the help of up to 16 mirrors and filters, he directed the natural light of the sun in constant new variations and refractions onto his model, the Bernese-born, at the time out-of-work draughtsman and light athlete Leo Uschatz. Thus he achieved, in a series of over 140 close-ups "hundreds of different faces, including that of a hero, a prophet, a peasant, a dying soldier, an old woman and a monk from one single original face" (Siegfried Kracauer in "Theory of Film," Oxford University Press, 1960, p. 162). According to Lerski, these pictures were intended to provide proof "that the lens does not have to be objective, that the photographer can, with the help of light, work freely, characterize freely, according to his inner face." Laid in at rear, inside a white envelope, is a splendid silver gelatin print (10 3/4 x 8 1/2") produced by German photographer André Gelpke from Helmar Lerski's original plate. The print depicts a close-up portrait of Leo Uschatz not featured in the book. The verso has been hand-captioned, numbered and signed by Gelpke. One of 100 copies, of which this is No. 37. Minor shelf wear and sporadic fraying along edges of slipcase. Head of spine slightly bumped (not affecting pages throughout). Text in German and English. Slipcase in overall good+, binding in good+ to very good, interior and silver gelating print in very good condition. About the author: Helmar Lerski (1871-1956) was born in Strasburg, then part of the German empire, as Israel Schmuklerski. His parents were Jewish immigrants of Polish origin. In 1876 the family moved to Zurich, Switzerland, where they obtained Swiss citizenship. Lerski moved to New York in 1893 at the age of twenty-two to work as an actor, changing his name in 1896. He spent several years with a German theatre company in Chicago and Milwaukee, where he met his first wife, a photographer.In 1911 Lerski began to experiment with photography by adapting dramatic stage lighting techniques to portrait photographs of fellow actors. In 1912, Lerski was encouraged to pursue a career in photography by Rudolph Dührkoop, who had come to St. Louis to demonstrate his photographic techniques. In 1914/15 he taught German language and literature at the University of Texas in Austin. In 1915, after more than twenty years in America, Lerski moved to Berlin, and after showing his portraits, was asked to become a cameraman at the UFA studios, where he worked as a cameraman and expert for special effects for many films, including Fritz Lang's movie Metropolis (1927). Lang wanted to insert the actors into shots of miniatures of skyscrapers and other buildings, so Lerski used specially made mirrors to create the illusion of actors interacting with huge, realistic-looking sets. With fascism on the rise, Lerski immigrated to Palestine where he worked as a director and cameraman for documentary films. After the war, Lerski moved back to Zurich, where he spent the rest of his life.

14 Originalphotos mit jeweils 1 vorgeschalteten Pergamin-Textblatt. Oktn.bzw. Okst. Ringbuchbindung Quer-8°.

[China n.d. ca. 1899-1903]. A double-sided glass mirror, silver gelatin photo with oval view, superb and prinstine crisp image, absolutely no fading, mirror/glass 6 x 9 cm., image ca. 4 x 6 cm., slightly off center. V E R Y R A R E ! A very RARE example of early silver gelatin technique with the most remarkable preservation and results. . This stunning and very early image is over 112 years old, , the portrait of the "page boy" coiffure Chinese girl is marvelous. She wears a modern patterned "Chi-pao," a high-neck split dress which reveals her legs [though not shown], and also she sports a watch, ring and earrings with a serious but gentle pouting sail. . Her arms are folded in front of her and showing a lot of self-confidence. Her neck is completely covered by her tall collar which exhibits not one but two "frogs" or Chinese button-clasps. Her "Chi-pao" dress is of an 'earlier style' and her sleeves are about half-way up her forearm. . Her full lips and very straight nose give her a lot of elegance and charm. Her very rounded face shows some elegance. Her jet black bangs hang straight down without a single hair out of place, to her eyebrows which are hidden. An immaculate portrait of a charming and beautiful girl in her early twenties. * PHOTO TECHNIQUE: Silver gelatin type photographs of this vintage sandwiched between two sheets of glass seldom survive; most are invaded by the air, oxidized and destroyed. Others have broken glass, most are poor examples with defective images. * CONDITION: The two sheets of glass are intact and held together firmly. The image is oval and has survived any exposure to the outside air, but the exterior edges have some exposure, thus darkening the silver. The image is without any problems. It is strong, clear and not faded at all. This again is "REMARKABLE" vis-à-vis the fact that the large majority by now are damaged and defective. This is a RARE item in the very best of collector's condition. SUPERB EXAMPLE ! . THE VERSO: The back side shows where the encroachment of air has enter the edges. The interior shows a bit of discoloration, but again this is in the silver margin, not near or behind the image at all. ***.

Loose gelatin silver photos c. 11x16,5 cm (4 ½ x 6 ½ in) mounted on card c. 20,5x27 cm (8 ¼ x 10 ½ in). All photos with period pencil or ink captions in French on recto or verso of the mounts; most photos with period ink or pencil numbers on the mounts; two photos dated â1905â on the mounts. Several images mildly faded or with mild silvering, several mounts with minor creases, small tears or chipping on the extremities, but overall a very good collection of interesting and unusual photos.Original large vernacular (not commercial) photos of Egypt taken by a French traveller in the early 20th century. Unlike most collections of Egyptian travel photos from this time, these ones donât cover ancient temples and sites but instead focus on the life of contemporary Arabic Egypt. Twenty-one photos depict Cairo and environs, showing the Nile with feluccas and buildings on the banks, narrow streets and shops of old Cairo, the gate to the Delta Barrage, Al-Rifaâi Mosque, mausoleums and tombs of the Mamluks in Cairo Necropolis, mud-brick buildings in Cairo environs, scenes with the local people, etc. Four photos show native mud-brick houses in Memphis and local people; two photos depict Muslim inhabitants of Ismailia and their huts made of dried grass. Eight photos show the beach at Attaka (modern-day Suez Governorate of Egypt), the Red Sea and steamers coming in or out of the Suez Canal, and a native camel rider portrayed near Attaka. Overall an unusual collection showing everyday life of Egypt in the early 20th century.