garnett constance dostoevsky fyodor dostoyevsky (16 Ergebnisse)

Zustand: New. pp. 592.

Zustand: New. pp. 160.

Zustand: New. pp. xlv + 667.

Hard back binding in publisher's original scarlet cloth covered boards, blocked and lettered gilt back and front. 8vo. 7½'' x 5¼''. Contains 277 pp. Very Good condition book in Good condition torn and chipped price clipped dust wrapper. Dust wrapper protected. Member of the P.B.F.A. RUSSIAN [Literature].

Hard back binding in publisher's original scarlet cloth covered boards, blocked and lettered gilt back and front. 8vo. 7½'' x 5¼''. Contains 821 pp. Very Good condition book in torn, chipped dust wrapper with one third of the spine paper missing, not price clipped, 15s. Dust wrapper protected. Member of the P.B.F.A. RUSSIAN [Literature].

[Russian Literature] FIRST GARNETT EDITION, third impression. Octavo (20 x 14cm), pp.[8] 284. Publisher's red cloth with gilt titles and decoration to spine. Blind device to upper. Moderately toned throughout, as usual, with a bookseller's label to fly-leaf. Moderate general wear to cloth, with toning to spine and dulling to gilt. Very good. The fifth volume of Dostoevsky's works translated by Garnett between 1912 and 1920.

[Russian Literature] FINELY BOUND SET. Twelve volumes, all early impressions or reset printings of the Constance Garnett translations. Octavo (19 x 13 x 37cm). Handsomely bound in recent deep red half morocco, with raised bands, gilt titles on black labels and further gilt decoration to spines, matching red cloth over boards, and top edges gilt. Contents clean, exterior as new. A fine set in attractive recent leather bindings. Dostoevsky's works translated by Garnett between 1912 and 1920, now rather difficult to assemble in this format. Six titles included here are the first new impressions since their original publication in the 1920's.

[Russian Literature] FIRST GARNETT EDITION, first impression thus. Octavo (19 x 13cm), pp.[4] 345 [18]. Publisher's first issue red cloth, with oxidised gilt titles and decoration in to spine, and a device stamped in blind to upper. Black ink ownership to front fly-leaf. Some creases to rear leaves, and some toning to edges, otherwise internally clean. Spine quite heavily toned, with moderate general wear to cloth. Very good. The sixth volume of Dostoevsky's works translated by Garnett between 1912 and 1920.

[Russian Literature] FIRST EDITION IN ENGLISH, first impression thus. Octavo (19 x 13cm), pp.[4] 560. Publisher's later issue red cloth with titles and decoration in black to spine, and a device stamped in black to upper. Toned to edges, otherwise internally crisp and clean. Cloth shows moderate general wear, with heavy toning to spine. Very good. The seventh volume of Dostoevsky's works translated by Garnett between 1912 and 1920.

[Russian Literature] FIRST EDITION IN ENGLISH, first impression. Octavo (20 x 14cm), pp.viii; 637 [1]. Publisher's red cloth with gilt titles and decoration to spine, and a blind device to upper. Black ink ownership to fly-leaf, and bookseller's label to front pastedown, otherwise internally clean. Spine heavily toned, with light general wear to cloth. Very good. The third volume of Dostoevsky's works translated by Garnett between 1912 and 1920, and notably not one of the titles translated into English by Frederick Whishaw in the 1880s.

[Russian Literature] FIRST US GARNETT EDITION, first impression thus. Octavo (19 x 13cm), pp.[6] 312. Publisher's later issue red cloth with titles and decoration in black to spine, and a device stamped in black to upper. Moderately toned with some spotting throughout. Rear fly-leaf cancelled. Spine toned and rubbed. Very good. The ninth volume of Dostoevsky's works translated by Garnett between 1912 and 1920.

[Russian Literature] FIRST EDITION IN ENGLISH, first impression thus. Octavo (19 x 13cm), pp.[8] 323 [16]. Publisher's first issue red cloth, with oxidised gilt titles and decoration in to spine, and a device stamped in blind to upper. Moderately toned throughout, otherwise internally clean. Spine toned and rubbed. Rear fly-leaf cancelled. Very good. The eighth volume of Dostoevsky's works translated by Garnett between 1912 and 1920.

First American edition hard back binding in publisher's original blue | grey cloth covered boards, blocked and lettered gilt back, top edge gilt. 8vo. 7½'' x 5''. Contains 620 pp. Light blue crayon name to the front free end paper 'Nazuwoda'?, rubbing of the cloth across the spine ends and corners, surface stains to the covers, hinges firm and not cracked. Member of the P.B.F.A. RUSSIAN [Literature].

First American edition hard back binding in publisher's original grey cloth covered boards, blocked and lettered gilt back, top edge gilt. 8vo. 7½'' x 5''. Contains (xii), 838 pp. Front end paper cracked, rubbing of the cloth across the spine ends and corners, surface stains to the covers, ink note to the top rear end paper 'The last of the Dead, Poor Folk'. Member of the P.B.F.A. RUSSIAN [Literature].

[Russian Literature] FIRST GARNETT EDITION. Octavo (20 x 13cm), pp.[8] 361 [3]. Publisher's red cloth with gilt titles and decoration to spine, and a gilt device to upper. Spotting and toning to edges and endpapers. Browning throughout; quite heavily to margins. Spine sunned with a few marks; gilt dulled and rubbed. Very good. The final volume of Dostoevsky's works translated by Garnett between 1912 and 1920. Also including 'Nyetochka Nyezvanov.'.

[Russian Literature] FIRST EDITION IN ENGLISH, first impression. Octavo (20 x 14cm), pp.viii; 637 [1]. Publisher's red cloth with gilt titles and decoration to spine, and a blind device to upper. Small blue bookseller's ticket to front pastedown. A black ink ownership, and a blue ink Convent school inscription to flyleaf. Spotting and toning to edges and endpapers. Occasional light thumbing and creasing. Light rubbing to cloth with some white splashes to boards. Spine toned and gilt dulled, with a small white 'VI' to base denoting the Convent form number. Very good. The third volume of Dostoevsky's works translated by Garnett between 1912 and 1920, and notably not one of the titles translated into English by Frederick Whishaw in the 1880s.