Sprache: Englisch
Verlag: University of York, Institute of Advanced Architectural Studies, 1996
ISBN 10: 0904761363 ISBN 13: 9780904761368
Anbieter: Better World Books Ltd, Dunfermline, Vereinigtes Königreich
EUR 80,72
Anzahl: 1 verfügbar
In den WarenkorbZustand: Good. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.
Zustand: Sehr gut. Zustand: Sehr gut | Sprache: Englisch | Produktart: Bücher | Keine Beschreibung verfügbar.
Zustand: Hervorragend. Zustand: Hervorragend | Sprache: Englisch | Produktart: Bücher | Keine Beschreibung verfügbar.
Zustand: Sehr gut. Zustand: Sehr gut | Sprache: Englisch | Produktart: Bücher | Keine Beschreibung verfügbar.
Zustand: Hervorragend. Zustand: Hervorragend | Sprache: Englisch | Produktart: Bücher | Keine Beschreibung verfügbar.
Anbieter: BUCHSERVICE / ANTIQUARIAT Lars Lutzer, Wahlstedt, Deutschland
Softcover. Zustand: gut. 2021. CODING FOR KIDS SCRATCH In englischer Sprache. pages.
Verlag: Np, London, 1978
Anbieter: Neil Pearson Rare Books, London, Vereinigtes Königreich
EUR 596,85
Anzahl: 1 verfügbar
In den WarenkorbSingle sheet ALS on recto only. Personalised stationery, the printed address deleted and the new one added in Garner's hand. Faint creases from folding for posting, a little age-toning, one small and very faint stain to bottom left, not affecting text. Envelope not present. ALS FROM ALAN GARNER TO LEO McKERN, DATED 3 MAY 1978, FOLLOWING AN EVENTFUL VISIT TO THE THEATRE. Leo McKern was in the last week of the run of Michael Elliott's troubled production of Crime and Punishment at the Royal Exchange Theatre, Manchester, when Alan Garner, the novelist and creator of the Brisingamen trilogy, came to see the show, He made an untimely backstage appearance afterwards: 'Dear Leo McKern, I hope that my intrusion on your underpants last night was not remiss. At the best of times I have a disinclination to barge into dressing rooms after a show. However, I knew a little of the traumas surrounding Michael's production & so was moved to say to your face that I not only enjoyed the evening but admired its execution. You will know that you have a difficult part -- & I simply would add that you also have my respect for your craftsmanship & art. It was not the time to relax & eat, but I noted the intent! May I keep the idea casually in mind? It would be very pleasant to be convivial when we are both in a vein. Thank you again -- for all your performances. Yours ever, Alan Garner' Very well preserved, and written in Garner's beautiful script.