gallo philip (31 Ergebnisse)

Paperback. Zustand: Good. No Jacket. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less 1.2.

Paperback. Zustand: Very Good. No Jacket. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less 1.2.

Paperback. Zustand: Good. No Jacket. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less 1.2.

Zustand: Very Good. Former library book; may include library markings. Used book that is in excellent condition. May show signs of wear or have minor defects.

Zustand: Good. Used book that is in clean, average condition without any missing pages.

paperback. Zustand: Acceptable.

Zustand: New. pp. 480.

Paperback. Zustand: Brand New. 480 pages. 9.25x6.25x0.75 inches. In Stock.

Soft cover. Zustand: Fine. 1st Edition. One of 100 copies set in bernhard fashion and eurostyle extended, printed in grey on Arches handmade paper in black and blue (decorations in red, blue and brown). Original printed envelope. A fine copy.

Zustand: Very Good. Very Good condition. (Saltwater Fishing, Fishing Equipment) A copy that may have a few cosmetic defects. May also contain light spine creasing or a few markings such as an owner's name, short gifter's inscription or light stamp.

Softcover. Zustand: Near Fine. First edition. 12mo. String-tied gray wrappers. Near fine with small tear at the crown. One of 192 copies.

Hardcover. Zustand: Fine. No Jacket. Limited Edition. 14 pages. First edition, first printing. One of 300 copies. Fine book in wrappers. A beautiful copy!

Softcover. Zustand: Near Fine. First edition. 12mo. String-tied gray wrappers. Near fine with small tears at the spine ends. One of 192 copies.

Softcover. Zustand: Fine. Zustand des Schutzumschlags: Very Good. Limited. 183 pages (complete). Hand-numbered 793 of a limited edition of 900 copies. A stunning, shiveringly beautiful book for those interested in printing and books. The book has a clear cellophane protective cover. Stiff card covers with paper dustjacket. All are in wondrous condition. The contents were printed on Sommerville Laid and Zerkall Halbmatt papers. The wood engravings were printed from the wood, and the line blocks were made by Keene Engraving. The contents are able to make one gasp with pleasure. They are hand-pressed, the illustrations and other devices are tipped-in. The pages are gorgeous, creamy, thick, luxuriant in their elegance, very clean and very - as if brand new throughout. Oh happy book! fk. Our orders are shipped using tracked courier delivery services.

First edition. Broadside printed in two color that measures 9.5" x 13" with two deckle edges. Copy 28 from an edition of only 85 numbered copies. Signed by Gallo. Uncommon.

Softcover. Zustand: Fine. First edition. Engraving by Gaylord Schanilec. Small quarto. Sewn printed wrappers. Copy 119 of 200 numbered copies Signed by both Gallo and Schanilec.

Title page with a 4 colour plexiglass engraving by Gaylord Schanilec. No. 98 of 200 copies, signed by the author and illustrator. Designed by Gerald Lange. Set in Garamond and Trump Medieval bold types and printed on Invicta English mould-made paper. Pp. [24]. 8vo., [17 x 27 cms], bound by Robin Price in original sewn Larroque black paper wrappers and Moriki black endpapers, lower edges uncut. Mild fading to spine and along upper edge of rear cover, otherwise a good copy. This is Schanilec's first colour engraving, created circa 1980, but not published until this book appeared. Very scarce.

One of only 70 copies. An alphabet of initial letters set in Goudy type and printed in colour. Conceived by Philip Gallo and designed by Dean Lindblad. Printed on Arches paper at the Hermetic Press, Minneapolis. Pp. [64]. Sq. 12mo., bound by Gallo in original quarter linen over brown paper covered boards, printed title label to spine. A handsome copy. A really charming, colourful and attractive alphabet book.

Broadside invitation, approx. 6¼" x 8¾", printed in red and black.

A Phil Gallo sampler: 15 letterpress invitations, greeting cards and announcements, 16mo to 8vo; plus Advice to Bibliophiles by Umberto Saba, N.Y.: Barnes & Noble, 2000, pp. [3]-17, [1], original black paper wrappers lettered in silver. All fine.

First edition limited to 200 numbered copies signed by the poet and the illustrator, 8vo, pp. [22]; title page with 4-color plexiglass engraving; original charcoal printed wrappers, bound by Robin Price; fine. Designed and printed by Gerald Lange. This is the first color engraving made by Schanilec in about 1980 but not published until here. Quarter to Midnight A.113; Smith, Bieler, 40.

Ziploc plastic bag, approx. 9" x 7", with typed yellow peel-off mailing label, containing the following printed broadsides and cards, all 6½" x 4" or smaller: 1) Lapel button: "Just Say No to Art"; 2) Homage a Maciunas; 3) William S. Burroughs (Recombinant); 4) Radon Dispersal thru the typical suburban home and its effects; 5) Danger. Do not play on or around; 6) Schedule F. Fluxus surtax; 7) Some trepanned dementias; 8) Invocation and mantra for tape loop; 9) for better help we offer a smoke-free environment; 10) Real Ants / Imaginary Bugs; 11) Park even tonight; 12) Park odd tonight. 13) Three tiny plastic ants. Distributed gratis to the attendees of an interview with Phil Gallo, Ides of April, 1992 at the Walker Art Center, Minneapolis.

Edition limited to 70 copies, printed and bound by hand at the Hermetic Press in Minneapolis by Philip Gallo; [32] leaves printed on rectos only in a multitude of colors; original quarter black niger over red cloth-covered boards. The dedication reads: "For Frederic W. Goudy whose Types these are." A collection of initial letters from the three named typefaces, beginning with W X Y Z, and then A B C up to V. Only the G is uncolored.

Edition limited to 75, folio, consisting of 4 bifolia (each approx. 13" x 10") with letterpress wrappers and contents, and a total of 6 visual poems printed in color, as below: 1) Preface to an Autobiography, by Richard Kostelanetz; 2) A Naive Topognomy of Loopules on a Fabric-Manifold of the All-Angel, by Franz Kamin; 3) Dialogue with Anna Blume, by Scott Helmes; 4) High-Heeled, by K. S. Ernst; 5) Untitled. John M. Bennett; 6) Nuclear Child, by Philip Gallo. Fine, and contained in the original Zip-Loc bag, as issued.

Edition limited to 31 copies, this being one of 26 lettered copies on 125 gsm Stardream paper (there are also 5 on 110 gsm Plike paper), 8vo (approx. 9¾" x 5½"); [22] leaves; printed in color throughout, handset foundry type used includes Eurostyle Normal & Extended; Aurora Condensed & Bold Condensed; Permanent; Headline & Headline Open; Impact Open; Anzeigen & Inserat Grotesk; Folio Extra Bold; Huxley Vertical; Bauer Bodoni Italic & Bold Roman; Libra; Sapphire; Prisma; Boulevard and Fry's Ornamented, card covers in an orange chemise of RFID/NFC Faraday fabric. The covers are suseptible to soiling and this copy shows evidence of that. Quite a book, pushing the limits of color, type, design, and poetry, found or otherwise, "like a slurry full of swarth.".

Edition limited to 31 copies signed by Gallo, press numbered 1-26 and 5 lettered A-E; 8vo, pp. [34]; frontispiece printed in silver, "from Bric-A-Brac [J Swift] and first appearance of Hermetic Press imprint :: 1966," the whole printed in red, blue, green, and black, in roman and cyrillic type, on Johannot, with extracts from Montaigne, William Massey, John Ruskin, Laurence Sterne, Ralph Ellison, and Vladimir Nabokov's translation of Lewis Carroll's Alice Adventures in Wonderland; stiff card wrappers with black dust jacket, stamped in silver, in a plexiglas slipcase. An overtly political book, on the "limitations, if not the failings of Cancel Culture.".

245 x 143 mm. (9 3/4 x 5 5/8"). [20] leaves. Original card covers wrapped in a shiny orange chemise, upper wrapper with title printed in dark orange. Printed in color throughout. âIn mint condition. An alchemy of typography, color, words, and design, this is an impeccably printed work that plays on the word "allotropes"--a term used in chemistry that refers to the different states a particular element may take (such as graphite and diamond for carbon). As we admire the vibrant color combinations juxtaposed with shifting letter forms, the printer also invites us to consider the science and experimentation inherent to this work, using diagrams, chemical notations, and images that look as if they were taken from under a microscope to provoke our imaginations. The shimmering paper on which the text is printed here and especially the glistening orange cover make a very pleasing impression. The poet/artist/typographer/printer Phillip Gallo has been printing concrete and visual poetry since he founded his Hermetic Press in 1965. His books are in important collections around the world, including in the Museum of Modern Art and the Walker Art Center. COPY "G" OF 26 LETTERED COPIES on 125 gsm Stardream paper (and five copies on 110 gsm Plike paper).

Edition limited to 25 copies signed by Gallo; folding brown printed box with the colophon incorporated into the back panel (loose in this copy), the box containing 11 printed leaves, 8 of them with color initials, plus another leaf with the red herring wood engraving by Dean Lindblad. The six-color tint blocks for the head of the red herring [sheet 3] and the initial "I" [sheet 11] were done by overprinting translucent Day-Glo inks by silk screen. An early Minneapolis production by Phil Gallo at the Hermetic Press. This is (was) Phil's personal copy and he has no more.

Zustand: Fine. Signed Limited First Edition. First edition. An artist's book containing drawn and painted images by Timothy C. Ely, set against text written by Terence McKenna, with typography by Philip Gallo. From a limited edition of only 75 copies, signed by McKenna and Ely. Of those 75, there were 55 numbered copies and 20 hors commerce copies lettered G-Z, and this is copy letter O. Pages printed letterpress on Rives BFK in pairs on single leaves, wrapped around and pasted onto thick card stock and adorned with original watercolor paintings by Ely; sewn binding with brass rods securing textblock to black embossed paper-covered boards with decorative brass piece affixed to upper board, housed in original black cloth chemise case with printed paper title label to spine. Fine. In 1991, McKenna visited an exhibition at Granary Books featuring Ely's work, and this collaboration would result. A fantastic push and pull of Gallo's refined typography set against Ely's abstract watercolor, offering a visual landscape for the eye to wander, perfectly paired with McKenna's text on broad themes such as art, language, history and nature.

Edition limited to 35 copies, 8vo (approx. 10¼" x 6½"), 16 leaves printed in blue, green and black on rectos only; illustrations throughout; original blue card wrappers; as new, in a plexiglas slipcase. "Printed on 180 gsm Rives from handset Studio & Allegro; 'a fractal of pterodactyls' was set in Illustrator from Eurostile and printed from polymer plate; the drawings were created in Illustrator from the Calligraphic Brushes Set & printed from polymer." Gallo's pandemic creation, a children's book for adults.