gallo philip (22 Ergebnisse)

Paperback. Zustand: Fair. The item might be beaten up but readable. May contain markings or highlighting, as well as stains, bent corners, or any other major defect, but the text is not obscured in any way.

Paperback. Zustand: Fair. No Jacket. Readable copy. Pages may have considerable notes/highlighting. ~ ThriftBooks: Read More, Spend Less.

Paperback. Zustand: Fair. No Jacket. Readable copy. Pages may have considerable notes/highlighting. ~ ThriftBooks: Read More, Spend Less.

paperback. Zustand: Acceptable.

Zustand: Very Good. Very Good condition. (Saltwater Fishing, Fishing Equipment) A copy that may have a few cosmetic defects. May also contain light spine creasing or a few markings such as an owner's name, short gifter's inscription or light stamp.

Softcover. Zustand: Near Fine. First edition. 12mo. String-tied gray wrappers. Near fine with small tear at the crown. One of 192 copies.

Hardcover. Zustand: Fine. No Jacket. Limited Edition. 14 pages. First edition, first printing. One of 300 copies printed on Curtis Rag paper from Optima, with Homewood for display. 26 copies lettered, a to z, have been bound in boards. Fine book in wrappers. A beautiful copy!

Softcover. Zustand: Near Fine. First edition. 12mo. String-tied gray wrappers. Near fine with small tears at the spine ends. One of 192 copies.

Paperback. Zustand: Brand New. 480 pages. 9.25x6.25x0.75 inches. In Stock.

Zustand: New. KlappentextrnrnOne of the most explosive and hidden secrets in U.S. history -- one that has never been previously told, Remember the Liberty explores how a sitting U.S. president collaborated with Israeli leaders in the fomentation of a war betw.

Soft cover. Zustand: Fine. 1st Edition. One of 100 copies set in bernhard fashion and eurostyle extended, printed in grey on Arches handmade paper in black and blue (decorations in red, blue and brown). Original printed envelope. A fine copy.

First Edition. First edition. Broadside printed in two color that measures 9.5" x 13" with two deckle edges. Copy 28 from an edition of only 85 numbered copies. Signed by Gallo. Uncommon.

Softcover. Zustand: Fine. First edition. Engraving by Gaylord Schanilec. Small quarto. Sewn printed wrappers. Copy 119 of 200 numbered copies Signed by both Gallo and Schanilec.

Softcover. Zustand: Fine. Zustand des Schutzumschlags: Very Good. Limited. 183 pages (complete). Hand-numbered 793 of a limited edition of 900 copies. A stunning, shiveringly beautiful book for those interested in printing and books. The book has a clear cellophane protective cover. Stiff card covers with paper dustjacket. All are in wondrous condition. The contents were printed on Sommerville Laid and Zerkall Halbmatt papers. The wood engravings were printed from the wood, and the line blocks were made by Keene Engraving. The contents are able to make one gasp with pleasure. They are hand-pressed, the illustrations and other devices are tipped-in. The pages are gorgeous, creamy, thick, luxuriant in their elegance, very clean and very - as if brand new throughout. Oh happy book! fk. Our orders are shipped using tracked courier delivery services.

11 Bll. m. einem Origin.-Farbholzschnitt von Gaylord Schanilec, Gr.-8°, OKart. Erstausgabe. Eines von 200 num. Exemplaren auf Invicta. ExLibris.

First edition. Original wrappers, spine slightly faded, else fine. One of 200, signed by the author and illustrator.

64 pp.; 28.8 x 22.9 cm.; glue bound; other special feature[s]; black-and-white & color; edition size unknown; unsigned and unnumbered; offset-printed; First issue of six issues published of "It Is: A Magazine for Abstract Art." Director and collator: Sebastian Gallo. Contents include: "Recent Attacks on Abstract Art," by Hubert Crehan; "The Canvas Plane, or Onwards and Upwards," by Michael Goldberg; "Drawing the Figure," by Nicholas Marsicano; "Ambiance and Abstract Sculpture," by E.A. Navaretta; "44 Titles for Artists Under 45," by Ad Reinhardt; "The Literary Style in Art Writings Today," by Ruthven Todd; "A Manifesto-in-Progress," by P.G. Pavia and "Polemics," by P.G. Pavia. Artists include Landis Lewitin, Michael Lakakis, Reubin Nakian, Philip Guston, William de Kooning, Ad Reinholt, Ernie Briggs, Enrico Donati, John Ferren, Robert Goodnough, Raoul Hague, David Hare, Carl Holty, Angelo Ippolito, Franz Kline, Elaine de Kooning, Al Kotin, Ibram Lassaw, Mercedes Matter, Constantino Nivola, Ray Parker, Milton Resnick, James Rosati, Ludwig Sander, David Slivka, George Spaventa, Estaban Vincente, Alfred Duhrssen, Ray Parker, Jack Tworkov and Wilfred Zogbaum. Includes a statement and cahier section from various artists. Front cover: Landis Lewitin. Back cover: Michael Lekakis and Reuben Nakian. Reference : "Artists' Magazines : An Alternative Space for Art" by Gwen Allen. Cambridge / London, MA / United Kingdom : The MIT Press, 2011, pp. 269. Fair / Good. Repaired and moisture damaged copy. 12.2 cm. area of yellow soiling to top edge and right side edge of recto. Removed cloth binding tape along spine edge and recto and verso at spine. Two 2 cm. tears to top edge of spine. Intact cloth binding tape to interior along inside front cover and title page and last page and inside back cover. 6 cm. of water staining to top corner of pages. 9 cm. business card from previous owners adhered to inside of back cover. Contents otherwise clean and unmarked. Sold "as-is.".

Title page with a 4 colour plexiglass engraving by Gaylord Schanilec. No. 98 of 200 copies, signed by the author and illustrator. Designed by Gerald Lange. Set in Garamond and Trump Medieval bold types and printed on Invicta English mould-made paper. Pp. [24]. 8vo., [17 x 27 cms], bound by Robin Price in original sewn Larroque black paper wrappers and Moriki black endpapers, lower edges uncut. Mild fading to spine and along upper edge of rear cover, otherwise a good copy. This is Schanilec's first colour engraving, created circa 1980, but not published until this book appeared. Very scarce.

One of only 70 copies. An alphabet of initial letters set in Goudy type and printed in colour. Conceived by Philip Gallo and designed by Dean Lindblad. Printed on Arches paper at the Hermetic Press, Minneapolis. Pp. [64]. Sq. 12mo., bound by Gallo in original quarter linen over brown paper covered boards, printed title label to spine. A handsome copy. A really charming, colourful and attractive alphabet book.

A lovely copy of the 1978 1st edition, limited to 70 copies, each signed by Philip Gallo and each "printed on Arches and printed and bound by hand at the Hermetic Press in Miineapolis". Tight and Fine in its cloth-backed mocha boards. Square 16mo, wonderful letterpress alphabet designs.

245 x 143 mm. (9 3/4 x 5 5/8"). [20] leaves. Original card covers wrapped in a shiny orange chemise, upper wrapper with title printed in dark orange. Printed in color throughout. âIn mint condition. An alchemy of typography, color, words, and design, this is an impeccably printed work that plays on the word "allotropes"--a term used in chemistry that refers to the different states a particular element may take (such as graphite and diamond for carbon). As we admire the vibrant color combinations juxtaposed with shifting letter forms, the printer also invites us to consider the science and experimentation inherent to this work, using diagrams, chemical notations, and images that look as if they were taken from under a microscope to provoke our imaginations. The shimmering paper on which the text is printed here and especially the glistening orange cover make a very pleasing impression. The poet/artist/typographer/printer Phillip Gallo has been printing concrete and visual poetry since he founded his Hermetic Press in 1965. His books are in important collections around the world, including in the Museum of Modern Art and the Walker Art Center. COPY "G" OF 26 LETTERED COPIES on 125 gsm Stardream paper (and five copies on 110 gsm Plike paper).

Zustand: Fine. Signed Limited First Edition. First edition. An artist's book containing drawn and painted images by Timothy C. Ely, set against text written by Terence McKenna, with typography by Philip Gallo. From a limited edition of only 75 copies, signed by McKenna and Ely. Of those 75, there were 55 numbered copies and 20 hors commerce copies lettered G-Z, and this is copy letter O. Pages printed letterpress on Rives BFK in pairs on single leaves, wrapped around and pasted onto thick card stock and adorned with original watercolor paintings by Ely; sewn binding with brass rods securing textblock to black embossed paper-covered boards with decorative brass piece affixed to upper board, housed in original black cloth chemise case with printed paper title label to spine. Fine. In 1991, McKenna visited an exhibition at Granary Books featuring Ely's work, and this collaboration would result. A fantastic push and pull of Gallo's refined typography set against Ely's abstract watercolor, offering a visual landscape for the eye to wander, perfectly paired with McKenna's text on broad themes such as art, language, history and nature.