Gai wang (24 Ergebnisse)
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Paperback. Zustand: Very Good. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.
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Zustand: good. Befriedigend/Good: Durchschnittlich erhaltenes Buch bzw. Schutzumschlag mit Gebrauchsspuren, aber vollständigen Seiten. / Describes the average WORN book or dust jacket that has all the pages present.
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Zustand: New. This is a Brand-new US Edition. This Item may be shipped from US or any other country as we have multiple locations worldwide.
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Verlag: Beijing United 2017
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PAPERBACK. Zustand: Fine. 1st edition. 2 VOLUMES of 4, octavo, b/w ill., tight bindings, clean and colorful wraps, clean pages throughout, sharp corners. Volumes I & II only Chinese text on spine.
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Zustand: New. In.
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Zustand: New. In.
Fine Chinese paintings.
Sotheby's (Firm) [Arnold Chang, Roberta Louckx, Thomas J Sillivan, Robert Geary, Edwin Roman ; art, Zhao Mengfu, Wu Zhen, Zhao Yong, Yang Weizhen, Shen Zhou, Lu Ji, Zhang Lu, Tang Yin, Zhan Ruoshui, Wen Zhengming, Zhu Yunming, Wang Chong, Xie Shichen, Wen Jia, Qian Gu, Zhou Tianqiu, Wu Bin, Song Moujin, Chen Jiayan, Li Liufang, Zhang Kunlin, Dong Qichang, Chen Jiru, Zhao Zuo, Zhao Zun, Jiang Ai, Li Shida, Shang Maoye, Chen Guan, Wang Weilie, Zhang Ruitu, Huang Daozhou, Ni Yuanhu, Xiao Yuncong, Lan Ying, Zhang Feng, Wang Jian, Wang Shimin, Gu Jianlong, Wang Wu, Zha Shibiao, Gong Xian, Ma Futu, Yun Shouping, Luo Mu, Zu Da (Bada Shanren), Daoji, Chen Yixi, Sun Yi, Yu Zhiding, Wang Yuanqi, Wang Gai, Wang Hui, Ma Quan, Xu Bin, Qing Shengzu]
Verlag: New York : Sotheby's, 1989 1989
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Soft cover. Zustand: Fine. No Jacket. 1 v. (unpaged) : ill. ; 27 cm. ; Sale code: 5948 WU BIN/ Place of sale: New York ; OCLC: 171301984 ; color photographic stiff paper wrappers ; prices realized laid in ; features works by Zhao Mengfu, Wu Zhen, Zhao Yong, Yang Weizhen, Shen Zhou, Lu Ji, Zhang Lu, Tang Yin, Zhan Ruoshui, Wen Zh…engming, Zhu Yunming, Wang Chong, Xie Shichen, Wen Jia, Qian Gu, Zhou Tianqiu, Wu Bin, Song Moujin, Chen Jiayan, Li Liufang, Zhang Kunlin, Dong Qichang, Chen Jiru, Zhao Zuo, Zhao Zun, Jiang Ai, Li Shida, Shang Maoye, Chen Guan, Wang Weilie, Zhang Ruitu, Huang Daozhou, Ni Yuanhu, Xiao Yuncong, Lan Ying, Zhang Feng, Wang Jian, Wang Shimin, Gu Jianlong, Wang Wu, Zha Shibiao, Gong Xian, Ma Futu, Yun Shouping, Luo Mu, Zu Da (Bada Shanren), Daoji, Chen Yixi, Sun Yi, Yu Zhiding, Wang Yuanqi, Wang Gai, Wang Hui, Ma Quan, Xu Bin, Qing Shengzu ; FINE. Book.
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Paperback. Zustand: Brand New. 452 pages. 7.00x0.95x10.00 inches. In Stock.
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Zustand: New. Gai-Ge Wang is currently a Professor with the Ocean University of China, Qingdao, China. His entire published works have been cited more 15,000 times (Google Scholar). The latest Google H-index and i10-index are 62 and 131, respectively. Of his 81.
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hardcover. Zustand: Fine.
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Taschenbuch. Zustand: Neu. Neuware - This book introduces the theory and applications of metaheuristic algorithms. It also provides methods for solving practical problems in such fields as software engineering, image recognition, video networks, and in the oceans.
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Zustand: New.
- Hardcover
Anbieter: Ria Christie Collections, Uxbridge, Vereinigtes KönigreichRia Christie Collections
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Zustand: New. In.
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Hardcover. Zustand: Brand New. 344 pages. 10.00x7.00x1.93 inches. In Stock.
Verlag: Ravensburger 1987 1987
- Softcover
Anbieter: Antiquariat Thomas & Reinhard, Recklinghausen, NRW, DeutschlandAntiquariat Thomas & Reinhard
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Broschiert, Vorderschnitt band 2 2unscheinbare Fleckchen, Kopfschnitte etwas bestaubt, die Bücher sind gut erhalten. Shipping to abroad insured with tracking number.
Verlag: Suzhou, 1782. 1782
- Softcover
Anbieter: Antiquariat INLIBRIS Gilhofer Nfg. GmbH, Vienna, A, ÖsterreichAntiquariat INLIBRIS Gilhofer Nfg. GmbH
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EUR 28.000,00
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Tall 8vo (160 x 267 mm). 4 vols. 48 ff. 62 ff. 41 ff. 49 ff. Folded leaves with 126 woodcut illustrations, mostly double-page, many in multi-block colour, some rudimentary or executed as models for completion. Chinese stitched. Stored in a green cloth chitsu. A fine Qianlong-dated reissue of the most popular section of the Musta…rd Seed Garden Manual, an instruction manual of Chinese painting technique: the particularly popular second collection devoted to orchids, bamboo, flowering prunus (plums), and chrysanthemums, here preserved in a clear and well-registered impression with subtle colouring. - Issued in eight juan across four volumes, the set is organised as four manuals, each divided into two sections: the first chiefly devoted to method, with text and demonstrations, the second presenting fuller model compositions. It is therefore both a practical handbook and a repertory of finished exemplars for the cultivation of brushwork. - The edition was produced at Jinchang Shuye Tang in Suzhou and is explicitly dated 1782 in the preliminary matter and in later volumes. While the blocks closely follow the celebrated 1701 issue, the colophon describes the edition as recut; the set thus stands at the intersection of faithful transmission and renewed production from one of the most influential printing traditions in Qing art. - The Mustard Seed Garden Manual became the foundational pictorial primer for generations of painters in China and, after its transmission to Edo-period Japan, for Japanese artists as well. The present second collection was especially prized for its treatment of the Four Gentlemen, whose disciplined repertory of forms lay at the heart of literati training and artistic self-fashioning. - Some minor water-staining, light wear to wrappers, but overall a remarkably clean set, in very good condition. - P. K. Hu, Visible Traces, Rare Books And Special Collections From The National Library Of China (Beijing, 2000), no. 18. Mai-mai Sze, The Tao of Painting: A Study of the Ritual Disposition of Chinese Painting, with a translation of the Chieh Tzu Yuan Hua Chuan or Mustard Seed Garden Manual of Painting 1679-1701 (New York, 1956). OCLC 754864988.
Weitere BilderVerlag: [China], s.n., (prefaces:) Qianlong renyin [i.e.1782] and Jiaqing 23 [i.e.1818]. 1700
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Anbieter: Bernard Quaritch Ltd ABA ILAB, London, , Vereinigtes KönigreichBernard Quaritch Ltd ABA ILAB
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Six vols in 3 cases (tao), 8vo and square 4to; printed in Chinese on double-leaves, 40 monochrome and 80 polychrome double-leaf woodcuts in third series, more than 150 full-page and smaller monochrome woodcuts in fourth series, leaves of third series mounted as single-page spreads; lacking some title-leaves and prefatory matter,… some leaves bound out of order, but the images seemingly complete (see below); occasional tears, marginal losses, and worming but with loss to only part of one image and a few characters of text and neatly repaired throughout, light pink staining to a couple of leaves, light foxing to parts; else a good set, the third serie;s in modern blue paper wrappers, the fourth in contemporary beige paper wrappers, housed in 3 modern folding tao; a few brush-and-ink pentrials in Chinese to fourth series.A handsome set comprising the third and fourth series of 'without question the best-known opus of Chinese color woodblock printing' (Splashes of Color, pp.[2][3]). 'It is safe to say that for the last two centuries and a half no book on Chinese painting has enjoyed wider circulation in China and Japan' (Ch'iu, p.55). 'The impetus for this publishing project is attributed to the dramatist Li Yu, whose estate in Nanjing was known as the Jiezi yuan (Mustard Seed Garden). Li persuaded his friend Wang Gai to compile and create designs that instructed the reader how to paint, beginning with simple motifs and components such as rocks, trees, and figures, and advancing to complex landscapes. Many of the images of completed landscapes were based on Li's private collection, while others drew on prestigious private collections in southern China. Li's son-in-law, Shen Xinyou, published the first set of books in 1679. Two decades later, in 1701, Wang Gai and his two brothers, Wang Nie and Wang Shi, collated Part II, with two volumes each on orchids, bamboo, plum blossoms, and chrysanthemums. Later the same year, they issued Part III, with designs of plants, insects, and birds' (Splashes of Color, p.[3]). Shen had planned a fourth series on portraits but did not live to finish it; this was compiled after his death and published in 1818. This attractive set consists of the third series in a Qianlong-era edition and the fourth possibly in its first edition, both with their woodblock images seemingly complete. The third series, as mentioned, covers plants, flowers, insects, and birds in forty monochrome and eighty polychrome full-leaf illustrations, the latter brilliantly coloured. The fourth series contains more than 150 woodblock illustrations, most of them full-page, depicting immortals, historical worthies, and famous beauties, together with prefaces and afterwords on the history and theory of portraiture. We have collated the partly unfoliated third series against the Cambridge and Huntington copies, which contain 78 and 72 polychrome woodblocks respectively as against the 80 in ours. All the illustrations in those copies are present in ours, though as expected there are small differences in detail, colour, and wear. See Chi'iu, 'The Chieh Tzu Yüan Hua Chuan (Mustard Seed Garden Painting Manual): early Editions in American Collections', Archives of the Chinese Art Society of America 5 (1951); Splashes of Color: Chinese Woodblock Prints from the You Wei Du Zhai Collection (2016). Language: Chinese.
Weitere BilderVerlag: Fukuyama Shoten, Tokyo 1934
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Anbieter: Rare Books Honolulu, Honolulu, HI, USARare Books Honolulu
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EUR 1.646,21
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Japanese Binding. Zustand: very good +. Showa 5 (1930) edition. Fukuyama Shoten, Tokyo, Showa 5 (1930) edition, lithography, 3 parts in 13 volumes (complete boxed set), printed on double-leaves. Illustrated with wood block prints. Each volume has 50-60 files (100-120 pages) Publisher and editor: ???? (Kosugi H?an) - Editor ?????… (K?da Rentar?) - Editor ??? (Hakk?nin) - Publisher ???? (Kitahara Yoshio) - Publisher This edition, not in color, was printed via lithography in Tokyo in 1930, and well illustrates the continuing popular appeal of the work. ----- Condition: Japanese bindings in 13 volumes, in four-hole string bindings laid in printed paper wrappers backed in cloth-covered card board folders with bone clasp and paper cover labels. All volumes in near fine condition, no worm holes, no missing pages, no stains, no torn pages. The strings of the binding of two volumes are broken, but all pages present. The folders have bumped edges , some with a bit of loss of the cloth binding. Total weight: 4.2 kg Bilingual (original Chinese text/ Japanese translation) ---- ----. "The Mustard Seed Garden Painting Manual", the first collection has 5 volumes (A Brief Introduction to Qingzaitang Painting, A Manual of Trees, A Manual of Mountains and Rocks, A Manual of Figures and Buildings, and A Manual of Imitating Various Artists' Paintings); ---- the second collection consists of 4 manuals on orchids, bamboo, plum blossoms, and chrysanthemums, painted by Zhu Sheng and Wang Zhi, and edited by Wang Gai, his brother Wang Shi, and his younger brother Wang Nie; the third collection consists of 2 manuals on flowers, grass insects, and flowers, trees, and birds, in 4 volumes, compiled and illustrated by the Wang brothers. Manual of the Mustard Seed Garden (?????, Jieziyuan Huazhuan), sometimes known as Jieziyuan Huapu (?????), is a printed manual of Chinese painting compiled during the early-Qing Dynasty. Many renowned later Chinese painters, like Qi Baishi, began their drawing lessons with the manual. The work was commissioned by Shen Xinyou (???), whose mansion in Lanxi, Zhejiang province was known as Jieziyuan, or Mustard Seed Garden. Shen possessed the teaching materials of Li Liufang (???), a painter of the late-Ming dynasty, and commissioned Wang Gai [zh](??), Wang Shi (??), Wang Nie [zh] (??), and Zhu Sheng (??) to edit and expand those materials with the aim of producing a manual for landscape painting. The result was the first part of Jieziyuan Huazhuan, published in 1679, in five colours. It comprises five juan (?) or fascicles. Li Yu, as the publisher, wrote a preface for this part. The first fascicle deals with the general principles of landscape painting, the second the painting of trees, the third that of hills and stones, the fourth that of people and houses, and the fifth comprises the selected works of great landscape painters. This substantial book set represents an exceptionally important publication in the history of both Chinese and Japanese art. They are a Japanese Edo Period printing of The Mustard Seed Garden Painting Manual, known as Jieziyuan huazhuan in Chinese and Kaishien gaden in Japanese. The manual made its way over to Japan in the early Edo Period, where woodblock printed copies became relatively easily accessible in all the major cities and becoming a crucial part of the training of many Edo Period artists. Over the centuries, the Mustard Seed Garden Painting Manual has become one of the most influential art publications in both China and Japan. The Mustard Seed Garden Manual came to be used by Japanese nanga (bunjinga) artists and was an important element in the training of nanga artists and the development of nanga painting. "The Mustard Seed Garden Painting Manual", the first collection has 5 volumes (A Brief Introduction to Qingzaitang Painting, A Manual of Trees, A Manual of Mountains and Rocks, A Manual of Figures and Buildings, and A Manual of Imitating Various Artists' Paintings); ---- the second collection consists of 4 manuals on orchids, bamboo, plum blossoms, an.
Weitere BilderJieziyuan huazhuan [Kiai-tseu-yuan Houa Tchouan] [Manuel de peintures du Jardin grand comme un grain de moutarde ; Manual of the Mustard Seed Garden]
Shen Xinyou ; Wang Gai ; Wang Shi ; Wang Nie ; Jieziyuan huazhuan
Verlag: [ ? Xiaoyou Shanfang, Jiaqing 23rd year] 1818
- Softcover
Anbieter: Librairie de l'Avenue - Henri Veyrier, Saint-Ouen, FR, FrankreichLibrairie de l'Avenue - Henri Veyrier
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EUR 3.512,00
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Couverture souple. Zustand: Bon état. 11 volumes, reliure japonaise refaite bleu nuit étoilée, sous 2 coffret toilés moderne à fermoirs :30 x 18,5 cm. Entièrement remonté sur ff. intercalaire - [Coffret 1, vol. I] Livre 1. Introduction générale. 64 pp. de texte. Livre II. Les arbres. 4 pp. de texte & 80 pp. d'illustrations en no…ir. Livre III. Les pierres. 4 pp. de texte & 90 pp. d'illustrations en noir. Livre IV. Figures humaines Les jen-you 20 pp. de texte & 94 pp. d'illustrations en noir. Livre V : Exemples de peintures & paysages [4 sections] : 3 pp. de texte& 20 pp. d'illustrations en noir & couleurs, à simple ou double pages; 2 pp. de texte & 20 pp. d'illustrations en noir & couleurs, à double pages; 2 pp. de texte & 20 pp. d'illustrations en noir & couleurs à double pages; 2 pp. de texte & 14 pp. d'illustrations en noir & couleurs à simple ou double pages; 1 pp. de colophon. [Coffret 2, vol. II & III] 26 cm. Sur intercalaire de 30 cm. Livre VI. Peinture des iris et orchidées [3 sections]: 31 pp. de texte; 14 pp. de texte & 27 pp. d'illustrations en noir à simple ou double pages; 3 pp. de texte & 32 pp. d'illustrations en noir & couleurs, à simple ou double pages; colophon. Livre VII. Les bambous: 24 pp. de texte & 24 pp. d'illustrations en noir à simple ou double pages; 4 pp. de texte & 46 d'illustrations en noir & couleurs à double pages; colophon. Livre VIII La peinture de prunier: 28 pp. de texte & 20 pp. d'illustrations en noir à simple ou double pages; 6 pp. de texte & 40 pp. d'illustrations en couleurs à simple & double pages; colophon. Livre IX Les chrysanthèmes: 14 pp. de texte & 20 pp. d'illustrations en noir à simple pages; 4 pp. de texte & 40 pp. d'illustrations en couleurs à double pages; colophon. Livre X Les plantes herbacées et Insectesfeuillets jaunis, lég. auréoles d'humidité au 3 derniers ff. : 46 pp. de texte & 40 pp. d'illustrations en noir à simple pages. Livre XI : Les plantes ligneuses et les Oiseaux feuillets jaunis: 34 pp. de texte & 40 pp. d'illustrations en noir à simple pages; 18 pp. de texte appendice. [Complet des volumes I à III. Sans le vol. IV : Personnages bouddhiques-Femmes célèbres 4 fasc.] Le Jieziyuan huazhu est un manuel de peinture chinoise réalisé au début des Qing. Ce travail fut commandé par Shen Xinyou, le gendre du dramaturge célèbre de l'époque, Li Yu, dont la demeure était surnommé Jieziyuan, "Jardin du grain de moutarde". C'est un ouvrage collectif de plusieurs lettrés. Le premier volume du manuel fut publié en 1679, en cinq couleurs. Le manuel était originellement composé de trois volumes, auxquels a été rajouté un quatrième volume en 1817. - Le vol. II, le plus connu du manuel, traite de quatre plantes : prunier, orchidée, bambou et chrysanthème (BNF) in-4°.
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China ca. 1910-20. (20 x 14 cm.). Text in chinese and profusely illustrated with woodblock prints in black/white in all 4 parts, each part sewn with original wrappers in japanese style. In original portfolio with bone clasps. Later edition of Wang Gai's famous and popular manual for drawing and painting (1679-1701).
- Softcover
Anbieter: Ursus Rare Books, New York, NY, USAUrsus Rare Books
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EUR 7.563,66
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GAI, Wang and Li Yu. Jieziyuan Huazhuan. (Mustard Seed Garden Manual of Painting). First Series: Five volumes; and Second Series: Four volumes. Profusely iIllustrated with black and white and colour woodblock prints. Large 8vo, bound in later wrappers in two chitsu cases. Suzhou: 1800. The Mustard Seed Garden Manual, sometimes k…nown as Jieziyuan Huapu is a manual of Chinese painting compiled during the early Ch'ing Dynasty and first printed in one volume in 1679 with a second group of volumesprinted in 1701, followed by a second edition in 1782 with newly cut blocks, and a third edition in 1800. The work was commissioned by Shen Xinyou, son-in-law of the famous playwright Li Yu, whose mansion in Jinling was known as Jieziyuan, or Mustard Seed Garden. Shen possessed the teaching materials of Li Liufang , a painter of the late Ming dynasty, and commissioned Wang Gai to edit and expand those materials with the aim of producing a manual for landscape painting. The result was the first part of Jieziyuan Huazhuan, which, first published in 1679 in five colours, comprises five juan or fascicles. Li Yu, as the publisher, wrote a preface for this part. In the first series, the first fascicle deals with the general principles of landscape painting, the second the painting of trees, the third that of hills and stones, the fourth that of people and houses, and the fifth comprises the selected works of great landscape painters. In the second series, the first fascicle deals is the book of Orchids, the second of bamboo, the third of plums and the fourth of chrysanthemums. Occasional internal staining and title-page with damaged margins protected by tissue. Nevertheless a sound copy of an early edition of this rare and important work. From the library of legendary art dealer C.T.Loo.
