fuller jamie (23 Ergebnisse)

Hardcover. Zustand: Fair. The item might be beaten up but readable. May contain markings or highlighting, as well as stains, bent corners, or any other major defect, but the text is not obscured in any way.

Paperback. Zustand: Good. annotated edition. It's a preowned item in good condition and includes all the pages. It may have some general signs of wear and tear, such as markings, highlighting, slight damage to the cover, minimal wear to the binding, etc., but they will not affect the overall reading experience.

Hardcover. Zustand: Very Good. No Jacket. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.

Hardcover. Zustand: Very Good. No Jacket. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.

Zustand: Good. Former library copy. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Zustand: Good. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Zustand: Good. Former library copy. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Zustand: Good. annotated edition. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Paperback. Zustand: As New. No Jacket. Pages are clean and are not marred by notes or folds of any kind. ~ ThriftBooks: Read More, Spend Less.

Paperback. Zustand: Good. No Jacket. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.

Zustand: Good. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Hardback. Zustand: Very Good. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.

Zustand: Good. Former library copy. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Zustand: Very Good. Former library copy. Pages intact with possible writing/highlighting. Binding strong with minor wear. Dust jackets/supplements may not be included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Hardcover. Zustand: Good+. Zustand des Schutzumschlags: Good. First Edition. - Good overall condition. General wear. No major blemishes. No writing. ; - We offer free returns for any reason and respond promptly to all inquiries. Your order will be packaged with care and ship on the same or next business day. Buy with confidence.

Hardcover. Zustand: Good copy, good dusk jaket. Prompt Shipment, shipped in Boxes, Tracking PROVIDEDDictionaries & Dictionary BooksGood hardcover copy with dust jacket. lightly used. For more information please email.

Paperback. Zustand: Very Good. Prompt Shipment, shipped in Boxes, Tracking PROVIDEDVery good used book, minor creasing and wear.

Zustand: FINE. First printing. A fictional journal recording the events of Emily Dickinson's daily life from March 1867 to April 1868, written in her distinctive style and "annotated" by the author. Laid in is an attractive tri-fold illustrated promotional brochure printed on heavy white cardstock. 210 pp. Fine in a fine dust jacket (as new.).

Softcover. Zustand: Very Good. First edition. Cover by Ruth Hope. Edited by John Fuller and Howard Sergeant. Glossy pictorial wrappers. Slight foxing on interior wraps with modest foxing on page edges, tiny crease on the cover, very good. Contributions by: Lisa St. Aubin de Teran, Carol Ann Duffy, Peter Armstrong, Iain Bamforth, Paul Berry, R. W. Burns, Martin Crucefix, Hilary Davies, John Greening, James Harpur, Mike Imlah, John Lees, Pippa Little, John McKendrick, Christopher Meredith, Michael O'Neill, Deirdre Shanahan, Bill Smith and Michael Stokes.

Zustand: BUONO USATO. IED. INGLESE Brossura filo refe, copertina illustrata a colori, con comune alterazione cromatica, patinato segnato da sfregamento e manipolazione, comuni tracce da contatto e attrito alle estremità, conservazione interno molto buona, ossidati i tagli velati da denso pulviscolo. N. pag. 208.

Hardcover. Zustand: Brand New. unabridged edition edition. 304 pages. 10.50x8.50x1.00 inches. In Stock.

Paperback. Zustand: Brand New. 320 pages. 9.25x6.25x0.75 inches. In Stock.

Poetry on the wall - signed by the poet --- A scarce poetical poster, signed by the future Nobel Prize laureate and "the most popular Russian poet of the second half of the 20th century" (Shubinskii, our translation here and ). A very early US production of the poet and apparently Brodsky's first separate work to be printed by "the most important and legendary foreign publisher of Russian literature, the pinnacle of tamizdat history" (Oborin). Written in early 1966, the poem reflects on the destruction of a Greek church in Leningrad to make way for a concert hall marking the 50th anniversary of the October Revolution. Just a few months earlier, Joseph Brodsky (194096) had returned from exile in a labour camp, where he had been sent for "social parasitism." In 1972, he was forced out of his homeland and settled in the US, where, thanks to his close friends Carl and Ellendea Proffer, he became Poet in Residence at the University of Michigan. In 1971, the Proffers founded a small publishing house named "Ardis" in the basement of their Ann Arbor house, publishing banned Russian literature and, in doing so, "completely changed the map of Russian literature" (Oborin). Thanks to Ardis, works excluded from Soviet publishing became accessible to readers in both the West and the USSR. From 1977 onwards, Ardis published the majority of Brodsky's Russian poetry. After Carl Proffer's death in 1984, Brodsky remarked: "What Proffer did for Russian literature is comparable to Gutenberg's invention, for he brought back the printing press. By publishing in Russian and English works that were not destined to appear in print, he saved many Russian writers and poets from oblivion, distortion, neurosis, and despair. Moreover, he has changed the very climate of our literature" (quoted by Voronina). A very early professional collaboration between Brodsky and Ardis, this broadside-poster was apparently published in 1972, as catalogued by Harvard and other libraries. It features a rare translation by Jamie Fuller (b. 1945), previously printed in Ardis's Russian Literature Triquarterly, (#1, Fall 1971), alongside a handful of her other translations of Brodsky. This translation appears to have been published nowhere else. In his detailed biography of Brodsky, Lev Losev refers to a limited edition of 200 copies of Stop in the Desert in Fuller's translation, misdating it to 1973 and mistakenly describing it as a poetry collection; but we have found no trace of such a collection elsewhere. This broadside is indeed limited to 200 copies, most of them hand-numbered and signed by Brodsky this one being no. 200. The broadside was likely produced for Brodsky's public poetry readings both to promote his work and to help raise funds during his first year in the United States. His first public appearance in America took place on 12 September 1972, at Rackham Hall Auditorium, University of Michigan. Later that autumn, he gave readings in New York, at the Donnell Library and the New School. While copies of the broadside are held in several American university collections, very few have appeared on the market in recent decades: we are aware of only two other copies. From the publication of Selected Poems (Penguin Books, London, and Harper & Row, New York, 1973) onwards, English translations of Brodsky's poetry came to be dominated by George Kline, who played an essential role in establishing Brodsky's reputation in the English-speaking world. Kline's translation "Halt in the Desert" appeared in Selected Poems (1973), and earlier in The Living Mirror: Five Young Poets from Leningrad (Victor Gollancz Ltd., London, 1972). Another translationlikely also by Klinetitled "A Stopping Place in the Wasteland" was published in Unicorn Journal in 1968. Provenance: From the estate of Ellendea Proffer (Ellendea Proffer Teasley (b. 1944), co-founder of Ardis publishing house, writer, translator of Russian literature into English, and Brodsky's lifelong friend; by repute). Physical description:Broadside (63 x 37 cm) on this tan paper. Condition:Edges of the lower half minimally chipped, with a few minor holes and thinning parts, light staining along left edge, but still in lovely condition in spite of the fragile paper. Bibliography:Brodskii, Iosif. "Pamiati Karla Proffera". Per. Olga Voronina // Zvezda, n.4, 2005; Losev, Lev. Iosif Brodskii. Opyt literaturnoi biografii. ZhZL, Moskva, Molodaia gvardiia, 2006; Oborin, Lev. "Ardis byl obshchim delom", Polka academy, 2021; Shubinskii, Valerii. "Proshchaniie s normoi", Polka academy, 2020.