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Verlag: Creative Media Partners, LLC Sep 2021, 2021
ISBN 10: 101331400XISBN 13: 9781013314001
Anbieter: AHA-BUCH GmbH, Einbeck, Deutschland
Buch
Taschenbuch. Zustand: Neu. Neuware - This work has been selected by scholars as being culturally important and is part of the knowledge base of civilization as we know it.
Verlag: Creative Media Partners, LLC Sep 2021, 2021
ISBN 10: 1013553349ISBN 13: 9781013553349
Anbieter: AHA-BUCH GmbH, Einbeck, Deutschland
Buch
Taschenbuch. Zustand: Neu. Neuware.
Verlag: HASSELL STREET PR Sep 2021, 2021
ISBN 10: 1013588363ISBN 13: 9781013588365
Anbieter: AHA-BUCH GmbH, Einbeck, Deutschland
Buch
Taschenbuch. Zustand: Neu. Neuware.
Verlag: Creative Media Partners, LLC Sep 2021, 2021
ISBN 10: 1013426436ISBN 13: 9781013426438
Anbieter: AHA-BUCH GmbH, Einbeck, Deutschland
Buch
Taschenbuch. Zustand: Neu. Neuware - This work has been selected by scholars as being culturally important and is part of the knowledge base of civilization as we know it.
Verlag: John Wiley & Sons Inc, 2015
ISBN 10: 111885263XISBN 13: 9781118852637
Anbieter: Buchpark, Trebbin, Deutschland
Buch
Zustand: Sehr gut. Zustand: Sehr gut - Gepflegter, sauberer Zustand.
Verlag: Liverpool University Press, 2011
ISBN 10: 1846316863ISBN 13: 9781846316869
Anbieter: moluna, Greven, Deutschland
Buch
Zustand: New. Considered by many as one of the most innovative writers to hit the French literary scene in over 40 years, Chamoiseau made his name with his book Texaco (published in 1992 and winner of the highest literary prize in France, the Prix Goncourt). This book ex.
Anbieter: Antiquariaat Arine van der Steur / ILAB, Den Haag, Niederlande
Landscape by the mountains: a small house at center, the mountains on the right, beyond a river, on the left the woods. A path with two characters conversing.[NL] Antieke tekening, Franse school 19e eeuw. Landschap in de bergen. Berglandschap. Drawing on laid paper, watercolour in gray, pen and brown ink; total: 187 x 240 mm; mounted on cardboard, in passepartout. In good condition.
Anbieter: Herbst-Auktionen, Detmold, Deutschland
Erstausgabe
HISTOIRE DE LA MEDECINE CLINIQUE Depuis son origine Jusqu a nos Jours, e t Recherches Importantes. Et manière de traité les maladies syphilitiques dans les femmes enceintes, dans les enfants nouveaux-nés et dans les nourrices, par Louis LAMAUVE. . par P.A.O. MAHON (Oeuvres posthumes du Docteur Mahon) 2 Teile in einem Band : Ventose an 12 (1804), 1. Auflage, ERSTAUSGABE, 518 SS. gebunden (schönes Halbleder der Zeit, goldgeprägt mit Rückenschild) 8°, Bibl-Schildchen, gut erhalten.
Anbieter: Antiquariaat Arine van der Steur / ILAB, Den Haag, Niederlande
A putto or Cupid holding an arrow in his right hand and holding the left index to his lips. Within a highly decorative frame, surmounted by a flame. At the bottom are Hymen and Cupid attributes, the lit torch and the quiver.As the design is punched throughout it is likely it was used for an applique or for decorating a majolica plate, possibly for a marriage, given its iconography. Interestingly, the design was folded in two as the right section was reputed more suitable to be copied, and, actually, it is the most decorated half.[NL] Een putto of Cupido met een pijl in zijn rechterhand en de linker wijsvinger naar zijn lippen. Binnen een zeer decoratief kader, bekroond door een vlam. Onderaan staan de attributen Hymen en Cupido, de brandende fakkel en de pijlkoker. Aangezien het ontwerp door en door is gestanst, is het waarschijnlijk gebruikt voor een applique of voor het versieren van een majolica bord, mogelijk voor een huwelijk, gezien de iconografie. Interessant is dat het ontwerp in tweeën is gevouwen omdat het rechtergedeelte geschikter werd geacht om te worden gekopieerd, en dit is dan ook de meest gedecoreerde helft. Drawing on paper, pen and brown ink, washed in gray; total: ca. 200 x 103 mm; some staining, traces of handling; overall in very good condition. Mounted on cardboard passepartout.
Verlag: Paris, Maisonneuve et Cie, Éditeurs; Avec les types Orientaux de La Revue Orientale et Américaine, chez Madame Veuve Bouchard-Huzard; 1874, 1876 and 1878. --- Foretitlepage, Titlepage; Pages (49*: 'Première Séance, . . .') - 583 (+1 p.: 'Placement des Planches #1-#57'). / Foretitlep., Titlep.; 4 confusingly* numbered p. (5), 6-32, 33-47, 48; pages (5)-532. / Foretitlep., Titlep.; p. (5)-68, (I)-CXCIV [=1-194]. - Brown mid-20th century library-cloth bindings with white shelf-signatures at upper spines and trace of removed lib.-labels at lower spines., 1878
Anbieter: C O - L I B R I , Bremen - Berlin ; Deutschland / Germany ., Berlin, Deutschland
8vo.(ca. 21 x 14 x 10 cm; ca. 2,4 kg.). *** [Verlängerter FRÜHSOMMER-VERKAUF / EARLY SUMMER-SALE: um über 20% REDUZIERTER PREIS bis Donnerstag 20.06.2024, 24 Uhr (PRICE REDUCTION of over 20% until Thursday, June 20, 2024); vorheriger Preis / previously EUR 465,-] --- FIRST EDITIONS, 3 VOLUMES COMPLETE; WITH 59 OF 62** PARTLY FOLDED, MULTI- OR DOUBLEPAGE-, LITHOGRAPHED AND/OR COLOURED PICTORIAL AND TYPOGRAPHIC PLATES. INITIALLY DEVOTED TO JAPANESE STUDIES, THE CONGRESS PROJECT WAS QUICKLY EXTENDED TO OTHER FIELDS OF ORIENTAL STUDIES in the face of the growing interest of the world scholarly community (Egyptian, Assyriological, Semitic, Indian, Iranian and Dravidian, Neo-Hellenic and Armenian studies, Tartar, Indochinese and Oceanian); the 1st 'Congress' at the Sorbonne in Paris from September 1 to 11, 1873, attracted over 1.000 registrants from more than twenty countries who, for the most part, knew each other only through the circulation of their works; the second 'Congress' took place in London just one year later. . . CONTENT: 1) 'Découvertés d'Antiquité préhistoriques dans la Province de Kawatsi, (Japon)'; 2) 'Antiquité de la Province de Kawati[!]'; 3)-6) 'Ancien Miroir[s] japonais'; 7) 'Les Couleurs des Japonais; 8) 'Monnaies japonaises'; 9)-37) Monnaies d'Or; 38) 'Aiguière, conservée dans la Pagode Hau-ryô zi'; 39) 'Aigière d'Argent de la Collection Seillière'; 40) 'Inscription du temple de Ha-se'; 41) 'La grande Déesse Ten-Syau-Dai-Zin (fac-similed'un dessin original japonais)', [42]) 'Les trois types japonais', 43) 'Carte du pays de Tesiho', 44)-46) 'Ethnographie kourilienne, types Aïno 3 pl. de tirages photoglyptiques ovales montés sur papier'(missing!)', 47) 'Les Trois Soirées de la Poésie japonaise'', 48) 'Poésies du Man-yó-siu [Man yo shu]', [49]) 'Problème des beaux-fils', 50)-51) 'La plante Ai (Indigo des Japonais)', 52) 'Fossiles japonais', 53) 'Texte japonais (style épistolaire)', 54) 'Vocabulaire comparé des langues finno-japonaises', 55) 'Esquisse de la carte préhistorique de l'Asie', 56)-57) 'Instruments en pierre des sauvages de l'Océanie', 58) 'Fragment du Rituel de Nebkat', [59]) 'Inscription Suisienne de Koul-Firaoun', 60) 'Inscription Carthaginoise de Sulci', 61) 'Stèle de Saba (Inscription Himyarite), Arabie', 62) 'Manuscrit arménien de la Bibliothèque Nationale'. - *) THE PAGINATION OF VOLUME I AND VOLUME II STARTS CONFUSINGLY, but is explained in the footnote of pages (5)-6/32 [1 sheet!] in volume II: ''La liste des membres et souscripteurs de la Première Session . . . a pris un tel accroissement, . . ., que les trois feuilles [=48 pages] que nous avions reservées en tête du premier volume pour la publication de cette liste, se sont trouvées trop étroites pour la contenir. Nous nous sommes donc vus dans la nécessité de la renvoyer à la fin du troisième volume.''[=''The list of members and subscribers of the First Session. . . took such an increase, . . ., that the three sheets [=48 pages] that we had reserved at the beginning of the first volume for the publication of this list, were found to be too narrow to contain it. We therefore saw ourselves in the need to send it back to the end of the third volume.''] Therefore Volume I starts with page #49 and it seems to be nothing but a reference to that number of 48 ommitted pages that the very first 4 pages of volume II - with a general introduction to the edition incl. the footnote mentioned above - are numbered ('5'), '6-32', '33-47' and '48'. The text of volume II then starts with page (5). Although the introduction states the number ''67 planches'' the list of 62 is definitely complete and confirmed by the indexes (the amount of '67' may result of a singlewise counting of multipage plates which are counted as one in the plates' index. - The verso of all 3 titlepage wear old round library-stamps of the 'Institut für vorderasiat[ische] Altertumskunde Berlin' and younger official deletion-stamps, the same marks appear on page (5) in volume II. --- **) BESIDE THE MISSING PLATES 44-46 THE SET IS COMPLETE AND IN BEST CONDITION.
Verlag: [Paris, 20. IX. 1960]., 1960
Anbieter: Antiquariat INLIBRIS Gilhofer Nfg. GmbH, Vienna, A, Österreich
Manuskript / Papierantiquität
Oblong small 8vo. 2 ff. On the fragment of a cigarette box, Derain records a book written by Agathe Godard, "Pousse avec ton pain", and draws a small sketch on the reverse; the other piece is a bill from the café "Les Deux Magots", on which reverse Derain has drawn something like a face or the sun.
Verlag: , 1. I. 1935., 1935
Anbieter: Kotte Autographs GmbH, Roßhaupten, Deutschland
Manuskript / Papierantiquität
4to. 3/4 p. Gruber regrets not being able to exhibit at the Salon des Indépendants. I thank you very much for thinking of me regarding the Salon des Indépendants. Unfortunately, I won't be able to send you photos this year as my painting couldn't be completed in time. If it is presentable by the time of the Salon des Tuileries, I would be very happy, and I hope you could consider me then.".
Verlag: NP ND, NP
Anbieter: Royoung Bookseller, Inc. ABAA, Ardsley, NY, USA
Zustand: Fine. 21 x 16 inches, gouache on paper of Art Deco jewelry shop designed by R. Tailliard.
Verlag: Paris, Imprimerie Royale, 1644
Anbieter: Hünersdorff Rare Books ABA ILAB, London, Vereinigtes Königreich
Signiert
Hardcover. Zustand: Good. No Jacket. Special Edition. Folio. 179pp. With engraved royal arms of France on title, 2 finely engraved head-pieces, 2 initials and 2 tail-pieces. Contemporary French brown sprinkled calf with the arms of Cardinal Mazarin gilt-stamped in centres of sides within gilt line borders and with gilt lilies in corners; restored. One of the finest editions of the classics published by the Imprimerie Royale, founded in 1640 by Louis XIII on the advice of Richelieu to raise the standards of printing in France. The best paper and types were obtained, and seven presses were installed in the Louvre. On recto of front flyleaf is the following manuscript dedication inscription in an early hand: 'Ingenuo adolescenti Stephano Joanni baptistae Duchesne amoris pignus et sapientiae Testimonium D.D. a Theru'. Bernard, Histoire de l'Imprimerie Royale, p125. Signed by Author(s).
Verlag: c. 1760., 1760
Anbieter: Antiquariat Steffen Völkel GmbH, Seubersdorf, Deutschland
Kunst / Grafik / Poster
Pen, black ink with watercolor; 298 x 243 mm This interesting design impresses with a rather unusual corner solution. Sprache: Deutsch Gewicht in Gramm: 550.
Verlag: [Paris], 4 Feb. (no year).
Anbieter: Antiquariat INLIBRIS Gilhofer Nfg. GmbH, Vienna, A, Österreich
Manuskript / Papierantiquität
Large 8vo. 1 p. on bifolium. To a doctor Clavel, asking him to come and see his ill wife: "Ayez je vous prie l'obligeance de venir voir ma femme. Elle est comme à son ordinaire ; mais comme il lui a été impossible de supporter l'eau froide le mal reste sans être combattu. Peut-être verrez-vous quelque autre chose à faire. Je vous serre la main bien cordialement". - One line scratched out; small tears at centerfold. Rare.
Verlag: "rue Pigalle 77" [Paris, February 1850]., 1850
Anbieter: Antiquariat INLIBRIS Gilhofer Nfg. GmbH, Vienna, A, Österreich
Manuskript / Papierantiquität
8vo. 1 p. on bifolium. Beautiful letter to an unnamed recipient, announcing an exhibition in the Rue des Jeûneurs and asking him for support through his influence in an unspecified matter: "Le 1er et 2 mars prochain je vais faire rue des Jeuneurs une exposition et une vente de tableaux et études que j'ai faits depuis quelques années. Comme cette exposition ne durera qu'un jour, je viens donc vous prier de vouloir bien me donner l'appui de votre influence [.]". - The letter can be dated with respect to the upcoming exhibition in the Hôtel de la rue des Jeûneurs, where he would put 55 paintings on sale that realized good prices. In 77 rue Pigalle, Rousseau shared a studio with his friend Jules Dupré. - With tears to the blank leaf due to former mounting. Well preserved.
Verlag: Tiflis,
Anbieter: PY Rare Books, London, Vereinigtes Königreich
Buch
Contemporary portrait --- An important and very unusual watercolour: the portrait of one of the most famous Caucasian leaders against Russia, drawn from life three months before his death, with a close connection to one of the most famous plates of Gagarin's Caucase Pittoresque. Indeed the ink inscription reads: "chez le Prince Gregoire Gagar[ine] / Hadji Mourad généralissime des armées de Chamyl / à Tiflis le 30 Janvier 1852 / dessiné d'après nature. [illegible signature]". The portrait is a full length depiction of a seated man wearing a heavy brown cherkeska coat, a long sword and a dagger hang down from his hip, on his head is a papakha woollen hat. Across his breast are the characteristic gazyrs, holding bullets or charge for a firearm. The pose is a near perfect match to that in which Hadji Murat is depicted by Prince Gagarine in plate LXVI of his monumental visual record of the region, Le Caucase Pittoresque. Though clearly in a less accomplished hand, there is also just a very slight perspective shift, as if this sketch was made just a step or two to the right of Gagarine's viewpoint. This, added to the inscription, places the image tangibly within the Prince's immediate circle of companions for this significant meeting with the famed Dagestani freedom fighter. By 1852 Murat was both a captive and a legend in the ongoing territorial campaigns of the Caucasian wars. Ethnically of the Avar tribe, he had achieved notoriety in his various rebel allegiances, most significantly with Imam Shamil, unifying many mountain tribes against Russian imperialism. His relationship with Shamil was not stable however, and once internal struggles of succession from within Shamil's camp made it no longer safe for Murat to remain, he defected to the Russian forces under the captaincy of General Vorontsov. Expecting to be immediately armed and dispatched against his former ally, Murat was rather held captive at Tbilisi, considered a trophy of the Russian campaign. Mere months after this portrait was painted, on May 5th 1852, Murat would be killed whilst attempting an escape. The romance of this captive warrior did not elude Prince Gagarine. In the textual accompaniment to his engraving for Caucase Pittoresque he describes Murat as: "sombre, pensif, recherchant la solitude, se reprochant de vivre sous l'égide des Giaours". This image of the brooding and subdued rebel would certainly inform the literary depictions of Murat which would propel him to such fame at the turn of the twentieth century. The caged animal of Tolstoi and Mordovcev's novels comes to embody all resistance to Russian imperialism, making this intimate field sketch of the man behind the myth all the more important. Gagarine was not innocent of embellishment however, and the present work highlights this when compared to the lithographed plate. Gagarin placed Murat on a mountainside overlooking the town of Ghmiri, a settlement in Dagestan near the coast of the Caspian Sea. The inscription to our sketch however indicates that the drawing was made miles away, at Tbilisi, showing that Gagarine's decision to situate the subject in his mountain environs rather than his more metropolitan site of incarceration is one deliberately imbued with meaning. The desire to show Hadji Murat as a wild rebel rather than a gunless captive plays again into his construction as a revered and untameable figure. Provenance: Physical description:Watercolour on a sheet of wove paper (29 x 21.5 cm). Sepia ink inscription to lower right hand corner. Recently mounted under passepartout. Condition:Two small paper repairs and light evidence of restoration to remove soiling, as a result inscription a bit blurred; corner creased. Bibliography:
Verlag: France Early 19th century
Anbieter: Shapero Rare Books, London, Vereinigtes Königreich
Kunst / Grafik / Poster
Oil paintings on canvas, each 179.5 x 47.5 cm., canvas split in places and general wear. Each panel shows a Chinese actor or musician (two female, two male, one with a lute, one with a mask) placed amidst an exotic floral canopy, with three of the panels showing a large bird, (incuding a crane and a firebird), and one a snake coiled around a tree. In the style of Jean-Baptiste Pillement (24 May 1728 - 26 April 1808), son of a textile designer of Lyon, who created a distinctive style of rococo chinoiserie that is permanently linked to his name. It was adopted by artisans in every medium from textiles to wallpaper to furniture marquetry. Pillement's playful vision of the East was spread throughout Europe through his engraved ornament suites and peripatetic career. From afar, each picture had that Asian 'look', but upon closer inspection, displayed a distinctly Western style of perspective and human figure drawing.
Verlag: France Early 19th century
Anbieter: Shapero Rare Books, London, Vereinigtes Königreich
Kunst / Grafik / Poster
Pair of oil paintings on canvas, each 179.5 x 47.5 cm., canvas split in places and general wear. Each panel shows a Chinese actor or musician (two female, two male, one with a lute, one with a mask) placed amidst an exotic floral canopy, with three of the panels showing a large bird, (incuding a crane and a firebird), and one a snake coiled around a tree. In the style of Jean-Baptiste Pillement (24 May 1728 - 26 April 1808), son of a textile designer of Lyon, who created a distinctive style of rococo chinoiserie that is permanently linked to his name. It was adopted by artisans in every medium from textiles to wallpaper to furniture marquetry. Pillement's playful vision of the East was spread throughout Europe through his engraved ornament suites and peripatetic career. From afar, each picture had that Asian 'look', but upon closer inspection, displayed a distinctly Western style of perspective and human figure drawing.
Verlag: c, 1850
Anbieter: Shapero Rare Books, London, Vereinigtes Königreich
Buch
Folio ( 52 x 35 cm); an album of 38 pencil and watercolour plates, all in colour except one interior scene in pencil, inscribed and dated throughout, 37 mounted on paper including one advertisement by Smith's, one loose, 14 blank pages at rear, slight browning and fading throughout, decorated endpapers; bound in nineteenth century morocco backed marbled boards, spine gilt ruled and lettered, green morocco label, gilt lettered on upper board, worn at extremities, frayed; overall an attractive album. An unusual and amusing album of period pencil and watercolour plates. The numerous plates depict furniture, street scenes including protests with placards, a variety of costumes including military uniforms, theatrical and various trades all English.