Sprache: Englisch
Verlag: Oxford University Press Canada, 1991
ISBN 10: 0195407105 ISBN 13: 9780195407105
Anbieter: ThriftBooks-Dallas, Dallas, TX, USA
Paperback. Zustand: Very Good. No Jacket. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.
Sprache: Englisch
Verlag: Oxford University Press, Incorporated, 1991
ISBN 10: 0195407105 ISBN 13: 9780195407105
Anbieter: Better World Books Ltd, Dunfermline, Vereinigtes Königreich
EUR 5,95
Anzahl: 1 verfügbar
In den WarenkorbZustand: Good. 0th Edition. Ships from the UK. Former library book; may include library markings. Used book that is in clean, average condition without any missing pages.
Sprache: Englisch
Verlag: Merrit Publishing, Printed in Canada, 1982
ISBN 10: 0920886167 ISBN 13: 9780920886168
Anbieter: Acadia Art & Rare Books. Est. 1931, Toronto, ON, Kanada
Erstausgabe
Zustand: Near Fine. Zustand des Schutzumschlags: Near Fine. 1st. Ed. Hardcover with complete Dj. 4to. 178pp. Copiously illustrated in color and b/w. Clean and unmarked copy.
Hardcover. Zustand: Very Good+. Zustand des Schutzumschlags: Very Good +. 1st Edition. Very good + copy;nearly as new. (see picture) 178 pages including index.
Hardcover. Zustand: Very Good. No Jacket. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less 3.3.
Verlag: Oxford University Press, [Toronto], 1990
Anbieter: Attic Books (ABAC, ILAB), London, ON, Kanada
Zustand: Very good. Page proofs. [i], 3, 183 leaves + illustrations. 28 cm. Unbound. First leaf is a page from publisher's catalogue with two notations in ink. A bit of soiling, otherwise very good. Collection of the authors best articles.
Zustand: Very Good. Location:410, 927, 860 178 pp. First sections with images and paintings of his life in Poland and surviving Auschwitz and Buchenwald. Emigrated to Toronto and images are very colorful and life affirming. 410, 927, 860.
Verlag: Sable-Castelli Gallery, Toronto, 1981
Anbieter: Attic Books (ABAC, ILAB), London, ON, Kanada
Booklet. Zustand: Good. Unpaginated booklet. 18 cm. 4 illustrations, 1 in colour. Staplebound booklet. Small label on front cover, last leaf chipped at bottom.
Anbieter: Wissenschaftl. Antiquariat Th. Haker e.K, Klettgau, Deutschland
Hardcover with dustjacket. Zustand: Sehr gut. 178 p. ISBN: 9780920886168 Sprache: Englisch Gewicht in Gramm: 1508.
Verlag: Merritt Publishing Company, Toronto, 1982
Anbieter: Attic Books (ABAC, ILAB), London, ON, Kanada
Signiert
Hardcover. Zustand: As new. 178 p. 35 cm. 59 tipped-in colour plates and 67 b&w illustrations. Beige cloth hardcover with blank impressing. In grey cloth covered box with a little soiling. Book is like new. Water colour not included. The Polish-born artist began as an expressionist painter who dealt with figurative subjects. After his post-war immigration to Toronto he began to paint the Canadian landscape in an abstract expressionist style. No. 27 of 100 copies signed by the artist.
Verlag: Frederick R. Weisman Art Foundation Santa Monica, CA, 1990
Anbieter: Specific Object / David Platzker, New York, NY, USA
5 vol.: vol. 1: 57 pp. ; vol. 2: 58 pp. ; vol. 3: 42 pp.; vol. 4: 66 pp. ; vol. 5: 50 pp.; 5 vol.: 23.2 x 14.6 cm. (each); glue bound; black-and-white; edition size unknown; unsigned and unnumbered; offset-printed Volumes I-V of "Summary of a Workshop," a biannual series of symposiums on contemporary art sponsored by the Frederick R. Weisman Foundation and held at various North American locations. Each symposium was accompanied by a catalogue which summarized the conversations that took place. Volume I: "The Relationship Between Art and Architecture," held in Santa Monica, CA, January 21-22, 1989. Participants included: Frank O. Gehry, Daniel Buren, Jean-Louis Cohen, Cesar Pelli, Donald Judd, Irving Lavin, Germano Celant, Henry N. Cobb, Christopher Knight, Mildred Friedman, John Chamberlain, Peter Eisenman, Robert Irwin, Michael Graves, Nancy Wexler, Henry T. Hopkins, and Michael Rotondi. Volume II: "Art + Architecture + Society," held in Toronto, Canada, July 22-23, 1989. Participants included: Henry T. Hopkins, Michael Rotondi, Diana Agrest, Lynda Benglis, Scott Burton, Adele Freedman, April Greiman, Alanna Heiss, Craig Hodgetts, Walter Hopps, Catherine Ingraham, Eric Owen Moss, Matt Mullican, Larry Richards, David Ross, Alexis Smith, and Leon Whiteson. Volume III, "Art Fairs : Plans and Process," held in Los Angeles, CA, December 5-6, 1989. Participants included: O. Kelley Anderson Jr., Brian Angel, Dr. Alberto Anfossi, Rosina Gómez Baeza, Dr. Emil Bammatter, Thomas P. Blackman, Van Deren Coke, Michelle De Angelus, Milton Esterow, Anita Kaegi, Claudio Bruni Sakraischik, Allan Schwartzman, Leif Ståhle, Tamara Thomas, Robert Thomson. Volume IV, "Conservation and Contemporary Art," held in Richmond, VA, June 4-5, 1990. Participants included: Henry T. Hopkins, Billie Milam, Albert Albano, James Bernstein, Sharon Blank, Victoria Blyth Hill, Tom Branchick, William Leischer, Carol Mancusi-Ungaro, Ross Merill, Roy De Forest, Tim Ebner, George Herms, Duane Hanson, Rotraut Klein-Moquay, Ida Kohlmeyer, Miriam Shapiro, Paul Brach, Zora Sweet Pinney, and Nora Halpern Brougher. Volume V, "Support for the Arts in Unsupportive Times," held in Los Angeles, CA, December 4-5, 1990. Participants included: Nora Halpern Brougher, Henry T. Hopkins, Cee Scott Brown, Marie Cieri, Pamela Clapp, Gary Garrels, Stanley Grinstein, David Ireland, Steven D. Lavine, Bella Lewitzky, Lisa Lyons, Anne MacDonald, Peter Norton, Max Palevsky, Claire Peeps, Dr. Thomas Reese, Joy Silverman, Tina Summerlin, Ella King Torrey, Joel Wachs, and Frederick R. Weisman. "Twice each year the Frederick R. Weisman Art Foundation conducts workshops dealing with issues of importance to those involved in the creation, exposition, collection, conservation and education of international contemporary art in all of its manifestations. These workshops bring together approximately eighteen experts in closed session for two days. The topic is determined by the Foundation but the direction that conversation takes is determined by the participants. There is no agenda. The workshops are taped, transcribed, edited, published in the present form and distributed to participants, interested parties, museums and libraries." -- Henry T. Hopkins, director. Very Good / Fine. Set of 5 volumes. Light rubbing and yellowing of cover edges and light yellowing of pages, otherwise Fine. Contents clean and unmarked.