fredrick hans (14 Ergebnisse)

Hardcover. Zustand: Very Good. Zustand des Schutzumschlags: Very Good. Hardcover in dustjacket; both in very good condition. Ex-libris plate to verso. 520 pages.

XVI, 520 S. ; 8 °. Orig.-Leinen. Ital. / deutsch. - (gut erhalten).

XVI, 520 S. ; 8 °. Orig.-Leinen mit OU. Ital. / deutsch. - (gut erhalten).

gebundene Ausgabe. Leinen. SU. Zustand: Gut. XVI, 520 S. , gr. 8. SU etw. berieben/angeschmutzt/gebräunt. Seiten altersbedingt gebräunt, ansonsten gut erh. Sprache: Deutsch Gewicht in Gramm: 670.

OLn. XVI,520 S. OU. Alle Gedichte zweisprachig abgedruckt. Fotos auf Anfrage.

8°, Leinen. XVI u.520 S. Anthologie mit Texten der italienischen Dichtung. In italienischer und deutscher Sprache. Übertragen und mit dem Urtext herausgegeben von Hans Fredrick. Exemplar gut erhalten, mit Original-Schutzumschlag. Sprache: Deutsch Gewicht in Gramm: 550.

Hardcover. x6500 Ehemaliges Bibliotheksexemplar mit entsprechenden Merkmalen in gutem Zustand. Sprache: Deutsch Gewicht in Gramm: 550.

Hardcover. Zustand: Sehr gut. Zustand des Schutzumschlags: Gut bis sehr gut. Heavy book, may require additional postage.

8°. XVI, 520 S., Leinen Papierbedingt leicht gebräunt; Einband teilweise leicht abgeblasst; sonst altersgemäss gut erhalten).

hardcover. Zustand: Befriedigend. Seiten; insgesamt deutliche Gebrauchsspuren, Schutzumschlag mit Gebrauchsspuren, Artikel stammt aus Nichtraucherhaushalt! BE6717 Sprache: Deutsch Gewicht in Gramm: 500.

142 pp.; 28 x 20.5 cm.; staple bound; black-and-white; edition size unknown; unsigned and unnumbered; offset-printed The report from the Art Workers Coalition hearing on April 10, 1969, printed in order to bring each artist's opinion on museum reform to the attention of all art workers and all art institutions in New York City and elsewhere. Includes contributions in the form of statements by Carl Andre, Architects Resistance, Robert Barry, Gregory Battcock, Jon Bauch, Ernst Benkert, Don Bernshouse, Gloria Greenberg Bressler, Selma Brody, Bruce Brown, Bob Carter, Fredrick Castle, Rosemarie Castoro, Michael Chapman, Iris Crump, John Denmark, Joseph Di Donato, Mark Di Suvero, George Dworzan, Farman, Hollis Frampton, Dan Graham, Chuck Ginnever, Bill Gordy, Alex Gross, Hans Haacke, Clarence Hagin, Harvey, Gerry Herman, Frank Hewitt, D. Holmes, Robert Huot, Ken Jacobs, Joseph Kosuth, David Lee, Naomi Levine, Sol LeWitt, Lucy Lippard, Tom Lloyd, Lee Lozano, Len Lye, James McDonald, Edwin Mieczkowski, Vernita Nemec, Barnett Newman, John Perreault, Stephen Phillips, Lil Picard, Peter Pinchbeck, Joanna Pousette-Dart, Barbara Reise, Faith Ringold, Steve Rosenthal, Theresa Schwarz, Seth Siegelaub, Gary Smith, Michael Snow, Anita Steckel, Carl Strueckland, Gene Swenson, Julius Tobias, Jean Toche, Ruth Vollimer, Iain Whitecross, Jay Wholly, Ann Wilson, and Wilbur Woods. Reference : "Materializing Six Years : Lucy R. Lippard and the Emergence of Conceptual Art" by Catherine Morris, Vincent Bonin, Julia Bryan-Wilson. Brooklyn / Cambridge, NY / MA : Brooklyn Museum / MIT Press, 2012, pp. 72. Fine. First printing, clean and unmarked as issued.

80 pp.; 28.9 x 23.6 cm.; sewn bound; black-and-white & color; edition size unknown; unsigned and unnumbered; offset-printed; Issue number three (of six issues published) of "It Is : A Magazine for Abstract Art," published between 1958 and 1965. Edited by P.G. Pavia. Contents include: "A Little Room for Feeling," by Hubert Crehan; "Face Front," by Sidney Geist; "Abstraction in Poetry," by Allen Ginsberg; "Editor of a Hearsay Panel," by Elaine de Kooning; "Thoughts on the Dance," by Merle Marsicano; "Drawing," by Mercedes Matter; "Spontaneity," by George McNeil; "Manifesto-In-Progress III," by P.G. Pavia; "Book Review," by John Stephan "Book Review," by May Natalie Tabak. Artists statements by Paul Brach, Kenneth Campbell, Enrico Donati, John Grillo, Hans Hoffman, Landis Lewitin, Robert Motherwell, Theodoros Stamos, and George Sugarman. Cahier leafs by Fritz Bultman, Alfred Duhrssen, Ibram Lassaw, Kyle Morris, Georgine Oeri. Artists reproductions by Stefan Achilles, Peter Agostini, Alice Baber, Paul Brach, Fritz Bultman, Kenneth Campbell, Herbert Crehan, Nasso Daphnis, Enrico Donati, Helen Frankenthaler, John Ferren, Sam Francis, Jane Freilichter, Sidney Geist, Michael Goldberg, Adolph Gottlieb, John Grillo, Philip Guston, Grace Hartigan, Hans Hoffmann, Paul Jenkins, Matsumi Kanemitsu, Fredrick Kiesler, William de Kooning, Landis Lewitin, William Littlefield, Michael Loew, Corrado Marca-Relli, Nicholas Marsicano, Mercedes Matter, George McNeil, Robert Motherwell, Kyle Morris, Felix Pasilis, Ad Reinhardt, Milton Resnick, Ludwig Sander, Abram Schlamowitz, David Smith, Raymond Spillinger, Theodoros Stamos, Joseph Stephanelli, John Stephan, and George Sugarman. Cover: Robert Motherwell. Reference : "Artists' Magazines : An Alternative Space for Art" by Gwen Allen. Cambridge / London, MA / United Kingdom : The MIT Press, 2011, pp. 269. Good. Rubbing of cover edges. Artist's [likely, Walter De Maria] studio copy with silver paint stains on verso with handprint and silver paint along text block edge, bleeding over slightly onto pages. 1.5 cm. yellow soiling to page 11. Contents otherwise clean and unmarked.

Softcover. Zustand: vg+ to near fine. First edition. Octavo. 24 unpaginated pages (12 double-sided leaves + printed covers). Illustrated green stapled wrappers with black lettering on the front cover. Film program for the noted American avant-garde feature film produced and directed by pioneering dada artist Hans Richter (1888-1976). The program is illustrated throughout with b/w photographic reproductions showing stills from the film, and images of the various artistic contributors. The program is artistically laid-out with the initial leaves being cut vertically in 3/4 width to form a sort of continuous visual collage which corresponds with the photographic portrait of Richter on the first full leaf. Text throughout includes plot synopsis, text from many of the collaborators and their avant-garde contemporaries, as well as cast and crew credits, and short essays on cinema, art and psychology. The lithographic front cover was created by Max Ernst after an original design, and the layout was created by artist and designer Fredrick Kiesler (1890-1965). The work is a surreal anthology film, comprised of 7 shorter segments within the broader framing story of a man who sells individually tailored dreams to clients. The shorter sequences are comprised of the individual dreams, each directed and conceptualized by one of an all-star group of important 20th century international modern artists and avant-garde filmmakers including Max Ernst, Marcel Duchamp, Man Ray, Alexander Calder and Fernand Léger. Music by composed by John Cage and Darius Milhaud. The film won the award for the Best Original Contribution to the Progress of Cinematography at the 1947 Venice Film Festival. An important work of post-war American avant-garde film, which draws heavily on the artistic innovations and movements of the early 20th century. Wrappers with extremely minor sunning along the left side. Interior front cover and a few other pages with minor foxing. Interior otherwise clean, with image and text vibrant. Wrappers protected in a folded sheet of parchment paper. Wrappers in near fine, interior in very good+ condition overall.

Leineneinband. Zustand: Gut. 1. Auflage. 520 Seiten Das Buch befindet sich in einem gebrauchten, antiquarisch guten Zustand. Es ist gebraucht, und besitzt Alters-, Lager- und Gebrauchsspuren, wie Schutzumschlag etwas verfärbt, gebräunt und am Rand berieben. Seiten und Schnittkanten auf Grund Alter und Sonnenlicht ebenso verfärbt, gebräunt. Alle diese Mängel nicht übermäßig! Buch ist sauber, ohne Schmierereien, Verschmutzungen oder gravierende Schäden. Im Buch, bis auf alte Preisangaben oder Namenseintrag, keine Einträge. Nichtraucherbuch. Weitere Qualitätsmerkmale / Einschränkungen: Vorsatzblatt mit kleiner Widmung von H. Fredrick, und von ihm signiert. Signatur besteht jedoch "nur" aus H. F. Rik140312 Sprache: Deutsch Gewicht in Gramm: 900.