fredrick frank (16 Ergebnisse)

Paperback. Zustand: Good. 0. It's a preowned item in good condition and includes all the pages. It may have some general signs of wear and tear, such as markings, highlighting, slight damage to the cover, minimal wear to the binding, etc., but they will not affect the overall reading experience.

Zustand: Good. Item in good condition. Textbooks may not include supplemental items i.e. CDs, access codes etc.

Zustand: Very Good. Item in very good condition! Textbooks may not include supplemental items i.e. CDs, access codes etc.

Zustand: Very Good. Pages intact with possible writing/highlighting. Binding strong with minor wear. Dust jackets/supplements may not be included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

hardcover. Illus. by Frank Rigney (illustrator). Later prt. 8vo, 302 pp., Tear and wrinkle to edge of one page, else fine. Nearly fine copy in fine dust jacket.

paperback. Zustand: Good. Minimal markings from previous owner threwout pages.

Soft cover. Zustand: Good. ORIGINAL 1987 PUBLICATION; softcover; ex-library; missing the rear pocket (but the large folded map is present; loosely-inserted; complete for this publication); spine reinforced with tape; o/w in good condition. Book.

Folded geologic map in printed envelope; ex-corporate library; minor shelfwear; o/w in very good condition.

Folded geologic map in printed envelope; ex-corporate library; minor shelfwear; o/w in very good condition.

Folded geologic map in printed envelope; ex-corporate library; minor shelfwear; o/w in very good condition.

Paperback. Zustand: Very Good. No Jacket. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.

Zustand: near fine. Mineral Resources of Wilderness Study Areas Central Nevada. stapled binding, softcover, cover clean, binding very good, foldout map inside rear cover.

Paperback. Zustand: Brand New. 70 pages. 11.00x8.50x0.17 inches. In Stock.

Original Cloth. Zustand: Very Good. No Jacket. N/A (illustrator). 1899. Novello and Company Ltd, London, 1899. Hard Cover. Book Condition: Good. Browning of pages. Spine worn top and bottom. This scarce copy of the original publication is in very good condition. Has signature of original owner with date 1904. Bookseller Inventory #000221. N/A.

Hardcover. Zustand: Good. Frank Tenney Johnson (illustrator). First Edition, First Printing. Green cloth over boards, title and decorations stamped in black onto upper board and spine, 12mo (7-1/2 inches tall), pp. 310, (first and last two pages are blanks), illustrated with one B&W plate. Volume with fraying to head of spine, rubbing to edges and corners, traces of red staining to upper board - perhaps from original DJ, title page with 2 chips from foot due to being roughly opened, adjoining contents page with a one inch closed tear also at foot from sharing the same trauma, a few leaves with corner creases, p.o. name in ink to front pastedown and ffep. Of further bibliographical interest are the points that the single plate (touch of foxing to extremities - not affecting illustation) is tipped in at p. 295 onto a signature's terminal leaf, rather than it being used as what could logically have been a frontis (with no evidence to suggest it ever was used as one, even under magnification) and that the author's name is spelled, on both the upper board and back strip, lacking the "e" in "Frederick" as found on the title page. Max Brand's very uncommon third book, released under one of his many pseudonyms after being serialized in six parts by Argosy in 1919. Riders of the Silences was also published in the UK in 1926 by Hodder & Stoughton as LUCK and again by Dodd, Mead in 1986 as Riders of the Silences. No other copies currently available in the trade, just one copy found in OCLC at UC Berkeley Libraries. Ref. Tuska & Piekarski, p. 184-5.

142 pp.; 28 x 20.5 cm.; staple bound; black-and-white; edition size unknown; unsigned and unnumbered; offset-printed The report from the Art Workers Coalition hearing on April 10, 1969, printed in order to bring each artist's opinion on museum reform to the attention of all art workers and all art institutions in New York City and elsewhere. Includes contributions in the form of statements by Carl Andre, Architects Resistance, Robert Barry, Gregory Battcock, Jon Bauch, Ernst Benkert, Don Bernshouse, Gloria Greenberg Bressler, Selma Brody, Bruce Brown, Bob Carter, Fredrick Castle, Rosemarie Castoro, Michael Chapman, Iris Crump, John Denmark, Joseph Di Donato, Mark Di Suvero, George Dworzan, Farman, Hollis Frampton, Dan Graham, Chuck Ginnever, Bill Gordy, Alex Gross, Hans Haacke, Clarence Hagin, Harvey, Gerry Herman, Frank Hewitt, D. Holmes, Robert Huot, Ken Jacobs, Joseph Kosuth, David Lee, Naomi Levine, Sol LeWitt, Lucy Lippard, Tom Lloyd, Lee Lozano, Len Lye, James McDonald, Edwin Mieczkowski, Vernita Nemec, Barnett Newman, John Perreault, Stephen Phillips, Lil Picard, Peter Pinchbeck, Joanna Pousette-Dart, Barbara Reise, Faith Ringold, Steve Rosenthal, Theresa Schwarz, Seth Siegelaub, Gary Smith, Michael Snow, Anita Steckel, Carl Strueckland, Gene Swenson, Julius Tobias, Jean Toche, Ruth Vollimer, Iain Whitecross, Jay Wholly, Ann Wilson, and Wilbur Woods. Reference : "Materializing Six Years : Lucy R. Lippard and the Emergence of Conceptual Art" by Catherine Morris, Vincent Bonin, Julia Bryan-Wilson. Brooklyn / Cambridge, NY / MA : Brooklyn Museum / MIT Press, 2012, pp. 72. Fine. First printing, clean and unmarked as issued.