frankel simon (17 Ergebnisse)

Zustand: Like New. Most items will be dispatched the same or the next working day. An apparently unread copy in perfect condition. Dust cover is intact with no nicks or tears. Spine has no signs of creasing. Pages are clean and not marred by notes or folds of any kind.

Paperback. Zustand: Brand New. Weller, Simon (illustrator). 192 pages. 8.50x6.00x0.50 inches. In Stock.

Paperback. Zustand: Very Good. 6. It's a well-cared-for item that has seen limited use. The item may show minor signs of wear. All the text is legible, with all pages included. It may have slight markings and/or highlighting.

Paperback. Zustand: As New. 6. It's a preowned item in almost perfect condition. It has no visible cosmetic imperfections. May come without any shrink wrap; pages are clean and not marred by notes or folds of any kind.

8vo. pp xxx, 440. Colour illustrated dust jacket. Original publisher's beige cloth with gilt lettering at spine. Illustrated in black and white. Ownership signature of Art Historian Caroline Arscott.ISBN: 0813920973 Slightly marked at top edge, else clean. Very good in lightly toned at verso, slightly worn at top of spine, very good dust jacket.

Hardcover. Zustand: Good Plus. Simon Frankel (illustrator). 32pp plus covers. Illustrated in colour throughout. A little morality tale with the Bluejay as the bad guy. Size 225x190mm Neat gift inscription to front paste down.

Hardcover. Zustand: Fine. Zustand des Schutzumschlags: Fine. 1st Edition. 1st ed., 1st printing ; ; 272 pages : illustrations (some color) ; 28 cm ; ISBN 9780810934269, 9780890900604, 0810934264, 0890900604 OCLC 31088352 "Published on the occasion of the exhibition . organized by the Museum of Fine Arts, Houston, and the Metropolitan Museum of Art, New York, in collaboration with the High Museum of Art, Atlanta."--Title page verso; Exhibition held at Museum of Fine Arts, Houston, August 21-October 23, 1994 ; High Museum of Art, Atlanta, December 13, 1994-February 12, 1995 ; Metropolitan Museum of Art, New York, March 15-July 9, 1995 ; black cloth with gold designs and lettering ; in color photographic dustjacket ; In 1848, Gustave Herter arrived in America from Germany, fleeing political and economic chaos. His brother, Christian, joined him a decade later. By 1875 their firm, renamed Herter Brothers, was supplying the White House with furnishings, as it had been doing for some of America's wealthiest families since 1858. During this opulent period, Herter Brothers could claim to be the leading cabinetmaking and decorating firm in the country. The best of the Herter Brothers' furniture and interiors are displayed in 133 color and 167 black-and-white illustrations, including many close-up details as well as comparative work by rival fine cabinetmakers of the time in New York and Europe. Herter Brothers tells the story of the company from its earliest manifestations, when Gustave worked with other partners and alone, through his partnership with his brother, to Christian's years as head of the firm and the end of his tenure ; Katherine S. Howe is the director of the Rienzi house museum for European decorative arts in the Museum of Fine Arts, Houston.; Peter C. Marzio. Peter was the director of the Museum of Fine Arts in Houston, a post he held for almost three decades; born into a working-class immigrant family, becoming the first in his family to graduate from High School. At Juniata College he became inspired by the art and museum world, deciding to make this his career. He went on to earn a doctorate in art and American history from the University of Chicago. He served as curator of prints and drawings at the Smithsonian and then as director and chief executive officer of the Corcoran Gallery of Art, before becoming the director in Houston. ; Philippe de Montebello is a French and American museum director. He served from 1977 to 2008 as the director of the Metropolitan Museum of Art in New York. On his retirement, he was both the longest-serving director in the institution's history and the third longest-serving director of any major art museum in the world; He immigrated to the United States of America in the 1950s, and became a naturalized citizen of the US in 1955. He was educated in New York City at the Lycée Français de New York, graduated from Harvard University with a degree in art history, and earned an MA from New York University, after which he embarked on a career in Fine Arts. He became the Director of the Metropolitan Museum in 1977 and has become widely known as the public face of the museum.; Ned Rifkin joined the staff of the Hirshhorn Museum and Sculpture Garden in December 1986 as the first chief curator for exhibitions. ; Contents: A European context, 1840-80 : England / Simon Jervis. Germany / Hans Ottomeyer. France / Marc Bascou -- An introduction to the Herter Brothers / Katherine S. Howe -- From the Bowery to Broadway : the Herter Brothers and the New York furniture trade / Catherine Hoover Voorsanger -- Patronage and the artistic interior / Alice Cooney Frelinghuysen -- Herter Brothers furniture / Alice Cooney Frelinghuysen, Katherine S. Howe, Catherine Hoover Voorsanger ; FINE/FINE. Book.

Paperback. Zustand: Brand New. 6th revised edition. 600 pages. 9.96x6.97x0.50 inches. In Stock.

Hardcover. Zustand: Brand New. 250 pages. 9.00x6.00x0.56 inches. In Stock.

Paperback. Zustand: Brand New. 6th revised edition. 600 pages. 9.96x6.97x0.50 inches. In Stock.

Buch. Zustand: Neu. Druck auf Anfrage Neuware - Printed after ordering - 'The value of a pragmatist and relational view of normativity lies in two contributions. The first is that which escapes the 'co-constitutionalist' binary that is ontologically embedded in most existing IR theories of norms. Co-constitutionalist theories envision a world where norms are discrete social structures that are reflexively or recursively linked to the agency of individual actors. In other words, norms shape what people do and then in turn are shaped by those doings. This approach makes a great deal of sense in considering major revisions in how states conduct themselves, such as the emergence of movements for total bans on particular kinds of weapons or for an end to institutionalised practices such as slavery. It makes less sense, however, when actors deny that a new norm has emerged, even when they have embraced new practices that would previously have been widely considered counternormative. It also makes less sense when it is unclear to scholarly observers whether a norm is being violated, whether it has disappeared entirely, or whether it has changed in referent even if not in name. For cases such as these, clarity and analytical purchase is best found in breaking 'norms' down into their component social parts'--.

Hardcover. Zustand: Brand New. 6th revised edition. 600 pages. 9.96x6.97x0.50 inches. In Stock.

Encuadernación de tapa blanda. Zustand: Bien. Zustand des Schutzumschlags: Bien. Essays "Q & A: David Colman on Hard-Core Culture," by David Colman; "Gadget Love: R. U. Sirius on the Information State," by R. U. Sirius; "Hot List: Mark Van de Walle on Web Sights," by Mark Van de Walle; "Books: Simon Reynolds on Joe Carducci's 'Rock and the Pop Narcotic,'" by Simon Reynolds; "Museum Piece: jeff Weinstein on the American Visionary Art Museum," by Jeff Weinstein; "Real Life Rock: Richard Flood's Top Ten," by Richard Flood; "Where Are We Going? And What Are We Doing?: Rirkrit Tiravanija's Art of Living," by Bruce Hainley; "Walter Hopps Hopps Hopps," Hans-Ulrich Obrist talks with Walter Hopps; "Hundertwasser: Night Train," by William T. Vollmann; "The Big Picture," David Carrier talks with Ernst Gombrich; "Olivier Zahm's Flash Track," Designer: Véronique Leroy, Photographers: Inex van Lamsweerde and Vinoodh Matadin; "Eden Rocks: The Art of Alexis Rockman," by Katherine Dunn: "Openings: Ellen Gallagher," by Mark Van de Walle. Reviews by James Meyer, Alexander Alberro, Donald Kuspit, Kristin M. Jones, David Frankel, Nicolai Ouroussoff, Barry Schwabsky, Faye Hirsch, Joshua Decter, David Levi Strauss, Ingrid Schaffner, Tom Moody, Justin Spring, Jenifer P. Borum, Steven Drukman, James Yood, Maria Porges, Rosetta Brooks, Menene Gras Balaguer, Marco Meneguzzo, Olivier Zahm, Hans Rudolf Reust, Yilmaz Dziewior, Harald Fricke, Jeff Crane, Frank-Alexander Hettig, Daniel Birnbaum, and James Hall. Cover: Ed Kienholz.

Encuadernación de tapa blanda. Zustand: Bien. Zustand des Schutzumschlags: Aceptable. Essays "Q & A: David Colman on the Toronto Film Festival," by David Colman; "Books: Lisa Liebmann on Guy Trebay's 'In the Place to Be,'" by Lisa Liebmann; "Film: David Rimanelli on Gus Van Sant's 'To Die For,'" by David Rimanelli; "Gadget Love: Brian D'Amato on ädaweb," by Brian D'Amato; "Preview: Carnegie International 1995," Allan Schwartzman talks with Richard Armstrong; "Weather Report: Andrew Ross on Shiny Clothes," by Andrew Ross; "Music: Olivier Zahm on Dominque A." by Oliver Zahm; "Real Life Rock: Simon Watney's Top Ten," by Simon Watney; "American Myths: J. Hoberman on a New Contract with America," by J. Hoberman; "Finnish Gilt: The Photography of Esko Männikkö," by Peter Schjeldahl; "A Kiss for Us: Constantin Brancusi," by John Berger; "Willem de Kooning: 'Clam Diggers,'" by Paul Muldoon; "Next to Nothing: The Art of Tom Friedman," by Bruce Hainley; "Reality Bytes," Andrew Hultkrans talks with Kathryn Bigelow; "Critical Reflections," by Paul Virilio with an introduction by John Rajchman; "Openings: Laura Owens," by Benjamin Weissman; "Focus: Paul Thek," by Elizabeth Armstrong. Book Reviews by Bruce Hainley, Lisa Liebmann, Norman Bryson, David Carrier, Douglas Coupland, Arthur C. Danto, Richard Flood, David Frankel, Thelma Golden, Nan Goldin, Rhonda Lieberman, Richard Martin, Francis M. Naumann, Peter Plagens, Collier Schorr, Andrew Solomon, Anders Stephanson, and Guy Trebay. Reviews by Andrew Solomon, Bruce Hainley, Donald Kuspit, Mark Van de Walle, Neville Wakefield, Faye Hirsch, Joshua Decter, Barry Schwabsky, Ingrid Schaffner, Thad Ziolkowski, Ronny Cohen, RoseLee Goldberg, Francine Koslow Miller, Jenifer P. Borum, James Yood, Maria Porges, Lisa Anne Auerbach, José Luis Brea, Menene Gras Balaguer, Giorgio Verzotti, Marco Meneguzzo, Miriam Rosen, Sabine Vogel, Yilmaz Dziewior, Frank-Alexander Hettig, Daniel Birnbaum, Michael Archer, and Charles Green. Cover: Paul Thek.

Encuadernación de tapa blanda. Zustand: Bien. Zustand des Schutzumschlags: Bien. NAKED CITY Nan Goldin talks with Nobuyoshi Araki CHILL: THE NEW AMBIENT Muzak of the Fears Simon Reynolds Surround Sound Paul D. Miller CRITICAL REFLECTIONS Georges Didi-Huberman with an introduction by Rosalind E. Krauss THE ART OF THE MATTER: CURATING THE WHITNEY BIENNIAL Jack Bankowsky talks with Klaus Kertess POLL STARS: KOMAR & MELAMID S THE PEOPLE S CHOICE Andrew Ross WASHINGTON LIVES! A PROJECT FOR ARTFORUM Komar & Melamid JANNIS KOUNELLIS: BOAT IONION, PIRAEUS, 1994 Bruno Corà OPENINGS: PETER SCHOOLWERTH Thomas McEvilley COLUMNS FEATURES REVIEWS Benjamin H. D. Buchloh on Focus: The Italian Metamorphosis, 1943 1968 NEW YORK Donald Kuspit on Susan Rothenberg Donald Kuspit on Fausto Melotti Neville Wakefield on Gary Hume Barry Schwabsky on Sue Williams Keith Seward on Andres Serrano Keith Seward on Jeanne Dunning Thomas McEvilley on Luis Cruz Azaceta Bruce Hainley on Rirkrit Tiravanija Bruce Hainley on Billy Sullivan Ingrid Schaffner on Rita McBride Joshua Decter on Stephen Prina Linda Yablonsky on Catherine McCarthy Jenifer P. Borum on Robert Younger Jenifer P. Borum on Lonnie Holley Patricia C. Phillips on Michael Sorkin RoseLee Goldberg on Maly Drama Theatre of St. Petersburg CINCINATTI Joan Seeman Robinson on Martha Rosler CHICAGO James Yood on Matthew Girson SANTA FE Mark Van de Walle on Kiki Smith LOS ANGELES Andrew Perchuk on Joel Otterson Lisa Anne Auerbach on Michael Coughlan TORONTO Laura U. Marks on Jane Ash Poitras MONTERREY Yishai Jusidman on Francis Alÿs SÃO PAULO Carlos Basualdo on Ernesto Neto BARCELONA Juan Vicente Aliaga on Jesús Martínez Oliva MADRID Menene Gras Balaguer on Victoria Civera MILAN Giorgio Verzotti on Massimo Bartolini PARIS Jérôme Sans on Seton Smith Miriam Rosen on John Vink ZURICH Sabine B. Vogel on Stan Douglas VIENNA Joshua Decter on Mark Dion NUREMBERG Peter Funken on Gerd Rohling COLOGNE Norbert Messler on Corrinne Wasmuht AMSTERDAM Frank Alexander Hettig on Manfred Stumpf LONDON Michael Archer on Lydia Dona.

Encuadernación de tapa blanda. Zustand: Bien. Zustand des Schutzumschlags: Bien. Essays "Q & A: David Colman on Hard-Core Culture," by David Colman; "Gadget Love: R. U. Sirius on the Information State," by R. U. Sirius; "Hot List: Mark Van de Walle on Web Sights," by Mark Van de Walle; "Books: Simon Reynolds on Joe Carducci's 'Rock and the Pop Narcotic,'" by Simon Reynolds; "Museum Piece: jeff Weinstein on the American Visionary Art Museum," by Jeff Weinstein; "Real Life Rock: Richard Flood's Top Ten," by Richard Flood; "Where Are We Going? And What Are We Doing?: Rirkrit Tiravanija's Art of Living," by Bruce Hainley; "Walter Hopps Hopps Hopps," Hans-Ulrich Obrist talks with Walter Hopps; "Hundertwasser: Night Train," by William T. Vollmann; "The Big Picture," David Carrier talks with Ernst Gombrich; "Olivier Zahm's Flash Track," Designer: Véronique Leroy, Photographers: Inex van Lamsweerde and Vinoodh Matadin; "Eden Rocks: The Art of Alexis Rockman," by Katherine Dunn: "Openings: Ellen Gallagher," by Mark Van de Walle. Reviews by James Meyer, Alexander Alberro, Donald Kuspit, Kristin M. Jones, David Frankel, Nicolai Ouroussoff, Barry Schwabsky, Faye Hirsch, Joshua Decter, David Levi Strauss, Ingrid Schaffner, Tom Moody, Justin Spring, Jenifer P. Borum, Steven Drukman, James Yood, Maria Porges, Rosetta Brooks, Menene Gras Balaguer, Marco Meneguzzo, Olivier Zahm, Hans Rudolf Reust, Yilmaz Dziewior, Harald Fricke, Jeff Crane, Frank-Alexander Hettig, Daniel Birnbaum, and James Hall. Cover: Ed Kienholz.

Encuadernación de tapa blanda. Zustand: Bien. Zustand des Schutzumschlags: Bien. Essays "Glamour Wounds: Rhonda Lieberman as Model-for-a-Day," by Rhonda Lieberman; "Gadget Love: Brian D'Amato on 'Millenium Auction,'" by Brian D'Amato; Gadget Love: Keith Seward on the Virtual Office," by Keith Seward; "American Myths: J. Hoberman on the Election Season," by J. Hoberman; "Real Life Rock: Greil Marcus' Top Ten," by Greil Marcus; "Theater: David Frankel on the Boys and the Bard," by David Frankel; "Books: Anders Stephanson reviews Fredric Jameson's 'The Seeds of Time,'" by Anders Stephanson; "Naked City," Nan Goldin talks with Nobuyoshi Araki; "Chill: The New Ambient. Muzak of the Fears," by Simon Reynolds; "Chill: The New Ambient. Surround Sound," by Paul D. Miller; "Critical Reflections," George Didi-Huberman with an introduction by Rosalind E. Krauss; "The Art of the Matter: Curating the Whitney Biennial," Jack Bankowsky talks with Klaus Kertess; "Poll Stars: Komar & Melamid's 'The People's Choice,'" by Andrew Ross; "Washington Lives!," A project for Artforum by Komar & Melamid; "Jannis Kounellis: 'Boat Ionion, Pieraeus," by Bruno Corà; "Openings: Pieter Schoolwerth," by Thomas McEvilley. Reviews by Keith Seward, Thomas McEvilley, Benjamin H.D. Buchloh, Donald Kuspit, Neville Wakefield, Barry Schwabsky, Bruce Hainley, Ingrid Schaffner, Joshua Decter, Linda Yablonsky, Jenifer P. Borum, Patricia C. Phillips, RoseLee Goldberg, Joan Seeman Robinson, James Yood, Mark Van de Walle, Andrew Perchuk, Lisa Anne Auerbach, Laura U. Marks, Yishai Jusidman, Carlos Basualdo, Juan Vicente Aliaga, Menene Gras Balaguer, Giorgio Verzotti, Jérôme Sans, Miriam Rosen, Sabine B. Vogel, Peter Funken, Norbert Messler, Frank Alexander Hettig, and Michael Archer. Cover: Nobuyoshi Araki.