frank forge (14 Ergebnisse)

Zustand: Good. 1st edition. Paperback, G. 4pp, wrappers a little dusty, 1 inch tear to the leading edge of all 4pp & the covers, Schirmer 25377c. Sheet music. The piano High in G sharp. 100 grams.

sheet_music. Zustand: Very Good.

sheet_music. Zustand: Good.

Zustand: Good. Good condition. Volume 2. (Songbooks, Sheet Music) A copy that has been read but remains intact. May contain markings such as bookplates, stamps, limited notes and highlighting, or a few light stains. Bundled media such as CDs, DVDs, floppy disks or access codes may not be included.

Softcover. Zustand: Good. Later printing. Quarto. Originally two nested bifolia with a single-sheet-insert making ten pages. Outer bifolium neatly separated along the fold though both leaves are present, price canceled in blue marker and a music shop sticker on the front cover, a complete but good only copy. For high voice and piano. Plate impression, "G.M. 509-7." The back cover features a short sample of "Cupid Captive" by Leight Hunt and Frank La Forge.

144 pp.; 30.7 x 24.2 cm.; staple bound; black-and-white & color; edition size unknown; unsigned and unnumbered; letterpress; March 1971 issue of Studio International, edited by Peter Townsend. Contents include: "Project 84," by David Dickson; "Date with fate at the Tate," by Felipe Ehrenberg; "News and Notes;" "Correspondence;" "Haacke, Sonfist and Nature," by Jonathan Benthall; "Christo," by Lawrence Alloway; "Tantric imagery: affinities with twentieth-century abstract art," by Virginia Whiles; "Robert Medley's new paintings," by Bryan Robertson; "Commentary," by John Russell; "Albert Irvin," by Andrew Forge; "Andy Warhol and Ad Reinhardt," by Max Kozloff; "The conditional probability machine: a new work by Eduardo Paolozzi," by Diane Kirkpatrick; "Between spring and ocean," by Klaus Rinke; "Lawrence Weiner," by Anthony Lovell; "Works by Lawrence Weiner" "Supplement: new and recent art books," reviews by Jonathan Benthall, Bernard Denvir, Andrew Forge, Peter Gidal, Andrew Higgens, Timothy Hilton, Colin Moorcraft, John Picton, Barbara Reise, and Frank Whitford. Cover: costume designed by L. Popova for "The Magnanimous Cuckold," 1921. Very Good. 5.6 cm. pencil writing on recto. Yellowing and dusting of covers with light edgewear. Contents clean and unmarked.

40 pp.; 30.7 x 24.5 cm.; staple bound; black-and-white & color; edition size unknown; unsigned and unnumbered; letterpress; January 1971 issue of Studio International, edited by Peter Townsend. Contents include: "Pay at the turnstile;" "A Policy for the arts," by Lord Eccles talks to Edward Lucie-Smith; "Kokoschka's early work," a conversation between the artist and Wolfgang Fischer; "Correspondence;" "News and Notes;" "Leger's city, and Atget's," by Jonathan Benthall; "The Vienna Secession and its early relations with Great Britain," by Horst-Herbert Kossatz; "Ends and Beginnings: Viennese art at the turn of the century," by Frank Whitford; "Four sculptors (part 4): David Smith," by William Tucker; "Art on TV," by Charles Harrison; "Forces against object-based art," by Andrew Forge and "New York commentary: Downtown, Uptown, all around the town," by Dore Ashton. Cover: based on the cover design of "The Studio" 1906 special issue which introduced the Vienna Secession and the Wiener Werkstätte to an English-speaking public. Very Good. Light bumping of corners and edge with light yellowing and 21 cm. dog-ear to bottom right corner of recto. Staplebound text block has separated from the covers they were glue bound to. Light bumping of corners. Contents otherwise clean and unmarked.

Zustand: Fine. NY copyright 1938 . appears to be first edition. Fischer. 4to wraps. 8p. Music score for piano with lyrics in French and in English. Fine.

Zustand: VG. NY copyright 1915. Schirmer. Early printing. sm folio. wraps. Words by elizabeth Ruggles. Music score for voice. 3p . Clean, no marks. VG plus.

Zustand: Near Fine. NY 1909 copyright. Schirmer. large 4to wraps. 5p. Music score. Lyrics in German. Near Fine. clean.

221 pp.; 30.7 x 24.2 cm.; glue bound; black-and-white & color; edition size unknown; unsigned and unnumbered; offset-printed; November 1971 issue of Studio International, with a cover specially designed for this issue by Allen Jones. Edited by Peter Townsend. Contents include: "Some Concern in fine art education - II," by Linda Morris, Digby Jacks, Charles Harrison; "Report from Vienna," by Kristian Sotriffer; "Correspondence;" "News and Notes;" "Edward Ihnatowicz's Senster," by Jonathan Benthall; "PASTA MOMA, or the strike-bound Modern," by Jeannie Weiffenbach; "Notes on a piece by Barry Le Va - Extended vertex meetings: blocked; blown outward;" "Some Memories of Mondrian," by Nelly van Doesburg; "Aspects of Islamic pattern," by Keith Albarn; "An Interview with Dennis Oppenheim," by Willoughby Sharp; "UK Commentary," by Mark Haworth-Booth, Norbert Lynton, Richard Morphet; "The Synoptic Loft," by Dore Ashton; "The State and the arts in Great Britain," by Andrew Faulds MP "Supplement: new and recent art books," reviews by John Gage, Tim Hilton, William Vaughan, Tim Clark, Peter Wollen, Peter Gidal, Andrew Forge, Frank Whitford, and Laura Mulvey. Very Good. Light edge-wear and dusting of covers. Contents clean and unmarked.

Zustand: 1900-1930. En Cuba Habanera pour Chant et Piano Music by Sanchez de Fuentes Arr. and translated by Frank La Forge To Miss Ethyl Hayden G. Ricordi & Co XXe siècle 1923 6 + 1 pages 30.3 x 23.4 cm Très bon état 058386 Chant et Piano.

Zustand: 1900-1930. An einen Boten To a Messenger Pour Chant et Piano Par Frank LA FORGE A Mme Marcella Sembrich New York, G. Schirmer 1919 5 pages 30.3 x 23.3 cm Très bon état Partition illustrée 047710 Chant et Piano.

American pianist and composer ("To a Messenger," "I Came with a Song," "Like a Rosebud") who studied under Leschetizsky in Vienna; he toured as accompanist with Marcella Sembrich and Frances Alda and was much sought after as a voice teacher for the likes of Marian Anderson and Lawrence Tibbett. TLS, 1p, 5½" X 8½", New York, NY, 1925 November 10. Addressed to John G. Leiser, a Chicago music school founder. Fine. On letterhead of the "La Forge-Berumen Studios," La Forge sends this friendly note to an admirer: "It is always most gratifying to know that one's efforts are enjoyed and appreciated. I enclose an article that I think you will find of interest. I was born at 303 South Court St., Rockford, Ill." Original envelope present. The photograph he mentions sending under separate cover is not present, but the front portion of the oversize envelope (11" X 8¼") is, addressed in La Forge's hand and also signed by him.