francois andré danican philidor (30 Ergebnisse)

PAP. Zustand: New. New Book. Shipped from UK. Established seller since 2000.

Zustand: Bon. Merci, votre achat aide à financer des programmes de lutte contre l'illettrisme.

Cover fleckig und lichtrandig, sonst gut erh. LP; Collegium Musicum de Paris (Direction Roland Douatte). Serie Artistique MC. 20.118 Gramm 1100.

Zustand: Sehr gut. Zustand: Sehr gut - Gepflegter, sauberer Zustand. | Seiten: 212 | Sprache: Englisch | Produktart: Bücher.

Large octavo. Original publisher's ivory wrappers with illustration in mid-tan after Cruikshank. 1f. (recto half title, verso title in French), 1f. (recto title in English, verso copyright statement), v-vii (editor's note), [viii] (blank), ix (notes on first performance, cast list, orchestration, and act settings), x (contents), 185, [i] (publisher's catalogue) pp. Small price handstamp to upper margin of half-title. Wrappers slightly worn. First performed in Paris at the Comédie Italienne on 22 February 1765. The first performance of the present version was given in Cambridge at the ADC Theatre by the Cambridge University Opera Society on 27 October 1971.

Zustand: 1. Oper in 3 Akten. . Klavierauszug .

Zustand: 1. Oboe (Flöte), 2 Violinen und Basso continuo. Partitur und Stimmen .

Zustand: 1. Oboe (Flöte), 2 Violinen, Basso continuo. Partitur und Stimmen .

Zustand: 1. Oboe (Flöte), 2 Violinen und Basso continuo. Partitur und Stimmen .

Zustand: 1. Oboe (Flöte), 2 Violinen und Basso continuo. Partitur und Stimmen .

Zustand: 1. Oboe oder Flöte, 2 Violinen, Basso continuo. Partitur und Stimmen .

Zustand: 1. Oboe oder Flöte, 2 Violinen, Basso continuo. Partitur und Stimmen .

souple. Zustand: Assez bon. Par M. Sedaine, la Musique de M. Philidor. La Musique des Ariettes s'y trouve imprimée, 1 brochure in-12, Chez Claude-Herissant, Paris, 1761, 48-30 pp. avec frontispice Edition originale ornée d'un frontispice gravé par Augustin de Saint-Aubin d'après Gabriel de Saint-Aubin. L'ouvrage contient le texte de Sedaine, suivi de la partition de Philidor. Etat très satisfaisant (petits mq. de papier au dos en coiffes, anc. mouill. sur la partition). Langue: Français.

Taschenbuch. Zustand: Neu. Neuware - This scarce antiquarian book is a facsimile reprint of the original. Due to its age, it may contain imperfections such as marks, notations, marginalia and flawed pages. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions that are true to the original work.

Rilegato. Zustand: molto buono. 2 voll. in un tomo in-8°, pp. VIII, 384; (4), 321, (3); legatura coeva piena pelle con filetti e decori in oro al dorso. Tagli rossi, vignette incise ai frontespizi. Alcune figg. xilografiche intercalate n.t. Testatine e culs-de-lampe ornati. Qualche usuale brunitura. Bell'esemplare. Riedizione di Amsterdam di questa fortunata opera settecentesca sui giochi di anonimo autore (nella traduzione inglese essa viene attribuita all'abate Bellecour). Nell'opera si discorre ampiamente del backgammon (trictrac), degli scacchi, del biliardo, della quadriglia, del picchetto e di una quantità di altri giochi di società, di carte o da tavola in grande voga nel Settecento. La sezione scacchistica e quella sul trictrac sono attribuite al grande Philidor, il massimo giocatore del XVIII secolo. La presente impressione olandese è ampliata sia per quanto riguarda la sezione scacchistica che per quella consacrata al whist, quest'ultima opera di Edmond Hoyle. François André Danica, meglio noto come Philidor (Dreux, 1726-Londra, 1795), fu talentuoso musicista (allievo di Campra, compose musica sacra, un oratorio profano e, soprattutto, briosissime opere comiche che risentirono dell'influsso di Rameau) e, al contempo, fra i massimi scacchisti del XVIII secolo, nonché uno dei primi grandi codificatori moderni degli scacchi (la prima edizione del suo trattato su tale gioco fu edita ad Aix-la-Chapelle nel 1748). Egli percorse l'intera Europa cimentandosi contro i più forti giocatori del tempo ed uscendone quasi sempre vincitore. Cfr. (altre edizioni): British Museum Catalogue, vol. XIII, col. 233. Depaulis, n. 116. Zollinger, nn. 16-17. Linde, I, 364. Hargrave, A history of playing cards, 410. Barbier, I, 52.

8vo, pp.xvi, 264, title printed in red and black; without the frontispiece-portrait; numerous diagrams in the text; title spotted, some light spotting and soiling elsewhere; untrimmed in the original grey boards, remains of printed paper label on spine; rubbed and soiled, most of spine missing, upper cover becoming loose; ownership inscription of Alexander Henry Bartlet dated 11 July 1823 on front pastedown.First edition of William Kenny's translation of L'analyse du jeu des Échecs. For many years Kenny (1787/81867) 'kept a classical school at 5 Fitzroy Street, Fitzroy Square, London, later moving to Richmond, Surrey. In 1856Kennystated that he had been a teacher for forty years. An accomplished chess player, his first published works werePractical Chess Grammar(1817),Practical Chess Exercises(1818), andAnalysis of the Game of Chess(1819), a translation ofDanican Philidor'swork. He was later known for his schoolbooks' (ODNB). Van der Linde I, p.403. Language: English.

Volume: 1 13.2x7.7 cm., XVI, 215 pp., all'antiporta una tavola incisa in rame ripiegata, legatura coeva in mezza pelle con titoli e filetti in oro al dorso, piatti in carta marmorizzata, lievi abrasioni al dorso, esemplare ben conservato, in francese Rara edizione di questo famoso trattato sugli scacchi.

Edition : new edition, modern half calf gilt with marbled boards, Size : 8vo, Volume : 2vol. In one, Frontis, title, printer's imprint, preface, pp 264; title, printer's imprint, pp 272 First few pages water-stained, page 135 repaired.

8vo, pp. viii, 144; a good copy in contemporary calf, boards rather worn, rebacked. Third edition in English: the original French text was first published in 1749, and is considered the most important book in all chess literature. A.D. Philidor (1726-95) was the most brilliant player of his age, but he was also a talented musician and a leading composer of opéras comiques.

Encuadernación de tapa dura. Zustand: Bien. [Colofón: Strasbourg : de l'imprimerie de J. A. Fischer].- // [Para pedidos desde fuera de España, por favor, consulte las condiciones de venta y envío, tipo B. / For orders to be delivered outside Spain, please, let you see our sale and shipping terms, type B. / Pour les commandes à livrer hors d'Espagne, s'il vous plait, voyez les conditions de vente et de livraison, type B.].- // Primera edición de la recomposición llevada a acabo por Montigny.- // 12º, (páginas 154x97 mm.).- XX, 148 p.; sign.: *10, A-F12, G2; grabado con retrato de Philidor; 42 grabados de posiciones con los tableros en blanco y verde y las piezas descritas con inciales mayúsculas en rojo y negro; tablas.- // Encuadernación holandesa en tela y papel de aguas; lomo liso con autor y título grabados en dorado; guardas en papel de aguas; conserva registro. Antigua mancha de humedad en el retrato; esporádicos puntos de óxido; últimas cuatro páginas con pequeñas restauraciones. Sin desbarbar; sin anotaciones ni subrayados. Una anotación manuscrita en portada indica, equivocadamente, la presencia de 41 planchas con posiciones, cuando hay 42.- // Proc.: Sin datos.- // Refs.: Allen, X; [Allen collection], p.57; Brunet IV, c 607; Gay, p. 108; Quérard, Supercheries, III, p. 458.- // Primera edición de la revisión de Montigny al tratado de Philidor. Libros.

Soft cover. Zustand: Very Good. A wonderful survival, and very rare: the complete orchestral parts for three French opéras comiques from the early 1760s: Monsigny s Le cadi dupé (1761) and the brilliantly successful (New Grove) Le maréchal ferrant (1762) and Le bûcheron, ou Les trois souhaits (1763) by Philidor (1726 1795), the finest chess player of his age, certainly in northern Europe (Oxford DNB), associate of Rousseau and Diderot, Johnson and Burney, but also one of the most gifted French composers of his generation (New Grove). In the 1750s, Paris s suburban fair theatres were giving irresistible momentum to the genre of opéra comique, which the established theatre in Paris (Académie Royale de Musique) was no longer able to suppress. Philidor was the first important French composer in this genre, although preceded by the Italian Egidio Duni and soon rivalled by Pierre-Alexandre Monsigny. In opéra comique an Italian style was no obstacle, and he sensitively modified it to French words. His earliest theatre works, including arrangements and collaborations, are lost A. F. Quétant wrote the text for the popular Le maréchal ferrant (Foire St Laurent, 1761), in which the composer evokes the métiers of the blacksmith and coachman. In Le bûcheron (Comédie Italienne, 1763) he ingeniously parodied the old French style. His orchestration is simple and effective, and his pleasing melodies characterize persons and situations, but his particular gifts were making music out of scenes of normal life, and composing complicated but lucid ensembles in which different characters express their feelings simultaneously (Oxford DNB). Le cadi dupé: BUCEM, p. 148; RISM M 3163. Le maréchal ferrant: BUCEM, p. 779; RISM P 1858. Le bûcheron: BUCEM, p. 778; RISM P 1816. 8 vols, folio (339 × 255 mm); entirely engraved, each opera bound up according to part: Oboe Primo o flauto (Bûcheron, pp. 4; Maréchal ferrant, pp. 8), Oboe Segondo o flauto (Bûcheron, pp. 4), Corno Primo (Bûcheron, pp. 3, [1]; Cadi dupé, pp. 4; Maréchal ferrant, pp. 3, [1], Corno Secondo (Bûcheron, pp. 3, [1]; Cadi dupé, pp. 4; Maréchal ferrant, pp. 3, [1]; upper corner of final leaf torn away and sometime repaired), Violino Primo (Bûcheron, pp. 16; Cadi dupé, pp. 13, [1]; some offsetting; Maréchal ferrant, pp. 17, [1]; some offsetting), Violino Secondo (Bûcheron, pp. 16; Cadi dupé, pp. 13, [1]; some offsetting; Maréchal ferrant, pp. 17, [1]), Viola (Bûcheron, pp. 12; Cadi dupé, pp. 10; Maréchal ferrant, pp. 11, [1]), Violoncello o Basso (Bûcheron, pp. 12; Cadi dupé, pp. 10; Maréchal ferrant, pp. 11, [1]), the title-pages not included here, as is the case for some sets recorded by RISM; some plate tone, occasional spotting, but the paper largely clean, with generous margins; contemporary marbled paper wrappers, ms. title labels to front covers; housed in an old marbled-paper portfolio, a little worn, spine sunned.

With inscription in ink on frontispiece. 21 coloured plates printed in red, green and black. One woodcut illustration of chess pieces. In latter marbled hard paper with green gilt title label on spine. Original woodcut illustrated wrappers bound into. (5), 4-150, (2), 1 frontispiece portrait of Philidor and 21 plates of illustrations; and one leaf and 8 pages of book advertisement. Later edition of Philidor's (François-André Danican Philidor; 1726-1795) famous book on chess, that was published first in 1749. Philidor was regarded as the best chess player of his age. Published undated. An edition with the same colophon exists, it is dated to 1821. This is a later edition, still Goodspeed considered it as one of the earliest American books on chess, however some bibliographies assume that it was printed in Belgium. We found an identical edition at The Netherlands in the collection of the Koninklijke Bibliotheek, they dated it to 1850, but most likely erroneously, as this copy has a dated handwritten dedication on January, 1844. There is one thing that all our sources agree, that this one is a scarce and rather interesting edition. The book advertisements at the rear are related to the publishing houses Delarue in Paris and Blocquel-Castiaux in Lille, that firms the European origin of the book. [Shoemaker 6468.; Chess Collection Alexander Rueb Stichting 462.] [Ref.: Fiske, D. W.: American Chess Congress. Rudd & Carleton. New York, 1859. p. 488.; Anderssen, A., Dufresne, J.: Schachzeitung der Berliner Schachgesellschaft. Zwölfter Jahrgang. Veit & Comp. Berlin, 1857. pp. 201-202.] . Original wrappers soiled, otherwise in good condition. Foxing throughout. Otherwise in fine condition. In latter marbled hard paper with green gilt title label on spine. Original woodcut illustrated wrappers bound into With inscription in ink on frontispiece. 21 coloured plates printed in red, green and black. One woodcut illustration of chess pieces.

Edition : New Edition, recent ¼ calf with marbled boards, flat spine with black morocco label., Size : 8vo, Frontis piece image of a chess board., Volume : 2 in 1, P. frontis, title, printer?s imprint, (1), blank, iii-x, 1-264; title, printer?s imprint, iii-iv, 1-272 Occasional mild browning otherwise a very good copy.

Hardcover. Zustand: Gut bis sehr gut. Folio. 2, 80 S. Titel mit kleiner Radierspur, etwas fleckig. Schöner kräftiger Abzug. Goldschnitt. Roter Maroquin-Band der Zeit mit reicher Rückenvergoldung und Goldfileten auf den Deckeln sowie Innenfileten. Gelenke leicht beschädigt. Prachtexemplar in einem schönen Maroquin-Band der Zeit. - Seltene frühe Titel-Ausgabe der Partitur, lt. RISM nur 1 Exemplar in Deutschland nachweisbar. - Philidor (1726-1798) wurde bereits als Knabe Mitglied der königlichen Kapelle von Versailles. In den späten 1750er und 1760er Jahren war er einer der erfolgreichsten Opernkomponisten in Paris. Nicht nur als Musiker hatte er Erfolg, er galt auch als der bedeutendste Schachspieler seiner Zeit. Mit dem Schachspiel bestritt er jahrelang seinen Lebensunterhalt. - RISM P 1811.

gest. Titel, 162 gest. S. Erste Ausgabe. Hirsch II, 727. RISM P 1894. Der Komponist galt zu Lebzeiten auch als bester Schachspieler der Welt. - Einband berieben, fleckig, Ecken bestoßen, innen teils leicht gebräunt, Vorsatz mit Einriss Sprache: Französisch Gewicht in Gramm: 1550 Fol., Halbpergament der Zeit, handschriftl. Deckeltitel.

Paris, Musier, 1775. In-8, broché, couverture de papier bleu moderne, (4), 74, (2) p. dont 4 p. de musique gravée, frontispice gravé. Edition originale ornée d'une planche en frontispice datée de 1775, dessinée par Charles-Nicolas Cochin et gravée par Charles Louis Lingée. 4 pages de partition dans le texte, paroles et musiques. Cet opéra-comique sur un livret de Michel-Jean Sedaine (1719-1797) mis en musique par François-André Danican Philidor (1726-1795) a été créé à Paris aux Italiens le 20 mars 1775, Le sujet de la pièce est tiré des 'Rémois', conte de La Fontaine. (Soleinne, II, n°1954 Tchemerzine-Scheler, V, 808). Bon exemplaire, bien conservé.

0. Sprache: Deutschu.

*: London, Printed for John Johnston, near Exeter Change Strand ; & Longman , Lukey & Co. [.], s.d. ( 1773) , format oblong in-4°, 24 x 32 cm, (2)nn pp (engraved title , blank) + 42 pp of engraved music (as issued).Bound in modern boards covered with tobacco coloured paper, with leather title label on front cover. Nice copy ! An adaptation by Charles Dibdin of Monsigny's '' Le Déserteur'', with new music by Dibdin and two airs by F.A. Philidor ; libretto by Dibdin, after M.J. Sedaine. Afterpiece. Overture arranged for keyboard , vocal numbers mostly for voices and continuo (figured bass). Without the recitatives or spoken dialogue (Commentary from COPAC, Oxford Univ.).

pp. viii, 80, 83-146. [This mispagination is an original error, the text and register are continuous and complete]. Original calf, spine with raised bands and original label, the first gathering is protruding a bit from the book-block, with some early signatures relating to the PROBY family - 'Martha Proby the gift of her beloved mother. This book belonged once to my dear father', subsequently - 'A. W. Edmonds from her dear sister Martha, Feby. 1864', trifling wear at the spine ends and edges, overall a very good copy. *ESTC T120495 - The first edition, in French, was probably published in Paris in 1749, though using the false imprint of London. It was issued in a run of 443 copies, paid for by subscription and was translated into English and published in the following year by Nourse and Vaillant. These same publishers issued the second edition, offered here, in 1762. Philidor was a musical prodigy, enrolled with the choir of the Chapel-Royal in Versailles. As a pageboy in the royal chapel, he studied music with Andre Campra and learned to play chess by observing his fellow musicians play. He was also a prodigy at chess, initially having been taught by Kermur, the leading French player. In 1744 Philidor played two chess games blindfolded simultaneously in public in Paris, the first time blindfold play against 2 opponents was recorded. After various vicissitudes in his musical career, he moved to London, gaining his reputation as a world-class chess player, subsequently moving to Holland in 1748, publishing L'analyse du jeu des Eschecs in 1749. SEE The Oxford Companion to Chess : 'For the first time an author explained with detailed annotations how the middle-game should be played; for the first time the strategy of the game as a whole was described; for the first time the concepts of the blockade, prophylaxis, positional sacrifice, and mobility of the pawn formation were laid down. Philidor's famous comment, "Les pions sont l'âme du jeu" (in the English edition " the Pawns; they are the very Life of the Game"), was often misunderstood. He believed that ignorance of correct pawn play was the biggest weakness of his contemporaries. Some thought he was saying that pawns were more important than pieces, others that everything should be subordinated to the aim of promoting pawns. Philidor was also the first writer to examine a basic endgame (R + B v.R) in depth, although that was almost his only contribution to this phase of the game.'.